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5 articles
Article
Duveen’s Italian framemaker, Ferruccio Vannoni
05/2017 | 1370 | 159
Pages: 366-374
related names
Author:
Serres, Karen (Serres, Karen)
Subjects
Illustrations
Attributed works:
10. Adoration of the Christ Child, by Piero di Cosimo. c.1490-1500. With a frame by Ferruccio Vannoni, c.1937 (Toledo Museum of Art)
Attributed works:
11. Design for a tabernacle frame, by Ferruccio Vannoni. c.1927-28 (Sterling and Francine Clark Art Institute, Williamstown)
Attributed works:
12. Design for arabesque motifs, by Ferruccio Vannoni. c.1927-30 (Massimiliano Sernissi, Florence)
Attributed works:
13. Virgin and Child, by Carlo Crivelli. c.1480. With a Neo-gothic frame by Ferruccio Vannoni, 1927 (Metropolitan Museum of Art, New York)
Attributed works:
14. Portrait of Matteo Olivieri (?). Florentine. 1430s. With a frame by Ferruccio Vannoni, c.1927-28 (National Gallery of Art, Washington)
Attributed works:
15. The flight into Egypt, by Vittore Carpaccio. c.1515. With a frame by Ferruccio Vannoni, 1927 (National Gallery of Art, Washington)
Attributed works:
16. Photograph of the Virgin and Child (the Niccolini-Cowper Madonna), by Raphael, with a cassetta frame by Ferruccio Vannoni, 1928 (Sterling and Francine Clark Art Institute, Willliamstown)
Attributed works:
17. Photograph of the Virgin and Child (the Niccolini-Cowper Madonna), by Raphael, with a tabernacle frame by Ferruccio Vannoni, 1928 (Sterling and Francine Clark Art Institute, Willliamstown)
Attributed works:
18. Section of the frame of Fig.17, with an inscription by Ferruccio Vannoni, 1928
Attributed works:
19. Virgin and Child, by Titian. c.1508. With a frame by Ferruccio Vannoni, 1928 (Metropolitan Museum of Art, New York)
Western art unattributed:
9. Ferruccio Vannoni. Undated photograph (Franca Ammanati, Siena)
Article
Seurat’s hidden self-portrait
04/2014 | 1333 | 156
Pages: 240-241
related names
Author:
Burnstock, Aviva (Burnstock, Aviva)
Author:
Serres, Karen (Serres, Karen)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
40. Young woman powdering herself, by Georges Seurat (Samuel Courtauld Trust, Courtauld Gallery, London)
Attributed works:
41. Georges Seurat (Current location unknown; image courtesy of the Witt Library, Courtauld Institute of Art, London)
Western art unattributed:
42. Detail from an infra-red scan of Fig. 40 taken at 1700 nm, showing the underlying image of the artist at his easel underneath the flowers
Western art unattributed:
43. Detail of an X-radiograph of Fig. 40 taken at the Courtauld Institute of Art, London
Article
‘Beautiful in form and execution’: the design and construction of Andrea Riccio’s Paschal candlestick
10/2009 | 1279 | 151
Pages: 666-672
related names
Author:
Cristanetti, Simona (Cristanetti, Simona)
Author:
Pincus, Debra (Pincus, Debra)
Author:
Serres, Karen (Serres, Karen)
Author:
Smith, Dylan (Smith, Dylan)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
dates:
Illustrations
Attributed works:
10. Detail of Fig.8, left side of the Adoration of the Magi relief on the second register.
Attributed works:
11. Detail of Fig.8, centaurs on the sixth register. Photograph courtesy of Davide Banzato.
Attributed works:
12. Detail of Fig.8, showing the opening at the top of the head of one of the satyrs on the third register. Photograph courtesy of Davide Banzato.
Attributed works:
13. Detail of Fig.8, cast-in join visible at the corner of the Scene of sacrifice before the statue of the risen Christ relief on the second register.
Attributed works:
14. Detail of Fig.8, a standing female figure on the fourth register, with evidence of planishing. Photograph courtesy of Davide Banzato.
Attributed works:
15. Detail of Fig.8, diamond-shaped cast-in join behind one of the satyrs on the third register.
Attributed works:
16. Detail of Fig.8, incisions on the medallions worn by the griffins on the fourth register.
Attributed works:
17. Detail of Fig.9, attachment points of a putto, joined at the back and bottom, on the fifth register.
Attributed works:
18. Detail of Fig.8, putti drum, showing the undecorated internal collar and the joining shells.
Attributed works:
19. Detail of Fig.8, cross mark on the foot of a female sphinx (eighth register) and corresponding cross on the upper surface of the putti drum (seventh register).
Attributed works:
5. Choir of the Basilica del Santo, Padua, showing, at left, the Paschal candlestick.
Attributed works:
6. Diagram of the choir of the Basilica del Santo, Padua, showing the original placement of Riccio’s candlestick and Donatello’s high altar in grey and present arrangement in black.
Attributed works:
8. Paschal candlestick, by Andrea Riccio. 1507–16. Bronze, 3.92 m. high. (Basilica del Santo, Padua). The divisions between the separately cast sections are delineated in white. Photograph courtesy of Davide Banzato.
Attributed works:
9. Detail of Fig.8, fifth register. Photograph courtesy of Davide Banzato.
Western art unattributed:
7. Roman candelabrum. Julio-Claudian period(?) Marble, 2.40 m. high. (Galleria dei Candelabri, Vatican Museums, Vatican City).
Article
Duveen’s French frames for British pictures
06/2009 | 1275 | 151
Pages: 388-395
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Author:
Serres, Karen (Serres, Karen)
Subjects
collectors and dealers:
dates:
print:
private galleries:
Illustrations
Attributed works:
34. Duveen standard frame (1st type) on Marchesa Balbi, by Anthony van Dyck. c.1623. Canvas, 196.5 by 133.8 cm. (National Gallery of Art, Washington).
Attributed works:
35. Detail of Duveen standard frame (1st type) on Penelope Lee Acton, by George Romney. 1791. Canvas, 238.13 by 147.96 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
36. Duveen standard frame (2nd type; ‘seven cabochon frame’) on Master John Heathcote, by Thomas Gainsborough. 1771–72. Canvas, 127 by 101.2 cm. (National Gallery of Art, Washington).
Attributed works:
37. Detail of Duveen standard frame (2nd type) on Emily Anderson (‘Little Red Riding Hood’), by Thomas Lawrence. c.1821. Canvas, 161.93 by 114.3 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
38. Duveen standard frame (3rd type; ‘heart corner frame’) on Mary Anne Bloxam (later Mrs Frederick H. Hemming), by Thomas Lawrence. c.1824–25. Canvas, 76.2 by 62.2 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
39. Detail of Duveen standard frame (3rd type) on Isabella Seymour Conway, Viscountess Beauchamp, later Marchioness of Hertford, by John Hoppner. c.1789. Canvas, 76.2 by 63.8 cm. (Huntington Library and Art Collections, San Marino).
Attributed works:
40. Duveen standard frame (dove-wing or ‘Sulley full-length’ type) on Mountjoy Blount, Earl of Newport, by Anthony van Dyck. c.1637–38. Canvas, 215.9 by 129.5 cm. (Yale Center for British Art, New Haven).
Attributed works:
41. Detail of the frame in fig.40.
Attributed works:
43. Catherine Tatton, by Thomas Gainsborough. Reproduced in The collection of the late Lord Michelham at 20 Arlington Street, London S.W. Catalogue of pictures . . ., sale, Hampton & Sons, London, 24th November 1926, lot 290.
Western art unattributed:
42. Cadres et bordures de tableaux de la fin du XVIe siècle au Premier Empire, Paris 1910, plate 35.
Article
Duveen and the decorators
06/2007 | 1251 | 149
Pages: 400-406
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Author:
Serres, Karen (Serres, Karen)
Subjects
collectors and dealers:
dates:
places:
subjects:
Illustrations
Attributed works:
36. Duveen Galleries, 720 Fifth Avenue, New York City, designed by René Sergent. 1909–10 (destroyed 1953). Undated photograph. (The Francine and Sterling Clark Art Institute Library, Williamstown, MA).
Attributed works:
38. Lady Hamilton as ‘Ambassadress’, by George Romney, in a ‘Pinkie’ frame. Reproduced in The Collection of the late Lord Michelham at 20 Arlington Street, London S.W., sold at auction by Hampton & Sons, London, 24th November 1926, lot 294. (National Gallery of Art Library, Washington).
Western art unattributed:
32. Premises occupied by Duveen Brothers, 302 Fifth Avenue, New York City. Undated photograph, c.1900. (Museum of the City of New York, McKim, Mead & White collection).
Western art unattributed:
33. Adelaide Frick’s boudoir, Frick residence, 1 East 70th Street, New York City. Photograph, 1927. (Courtesy of the Frick Collection/Frick Art Reference Library Archives, New York).
Western art unattributed:
34. ‘Boucher Room’, Huntington residence, San Marino, CA. Photograph, c.1928. (Reproduced by permission of The Huntington Library, San Marino, CA).
Western art unattributed:
35. Music Room, Rose Terrace, Grosse Point Farms, MI. Photograph, c.1938. (Detroit Institute of Arts).
Western art unattributed:
37. Interior of an unidentified Michelham residence. Undated photograph. (The Francine and Sterling Clark Art Institute Library, Williamstown, MA).