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3 articles
Article
‘Beautiful in form and execution’: the design and construction of Andrea Riccio’s Paschal candlestick
10/2009 | 1279 | 151
Pages: 666-672
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related names
Author:
Cristanetti, Simona (Cristanetti, Simona)
Author:
Pincus, Debra (Pincus, Debra)
Author:
Serres, Karen (Serres, Karen)
Author:
Smith, Dylan (Smith, Dylan)
Author:
Sturman, Shelley (Sturman, Shelley)
Subjects
artists:
Riccio, Andrea
buildings:
Basilica di Sant' Antonio, Padua, Italy
dates:
1500-1519
print:
Riccio, Andrea
subjects:
Candelabras (candleholders) / Candleholders / Candlesticks / Sculpture / Bronzes / Techniques / Commissions / Visual sources / Antiquity
Illustrations
Attributed works:
10. Detail of Fig.8, left side of the Adoration of the Magi relief on the second register.
Attributed works:
11. Detail of Fig.8, centaurs on the sixth register. Photograph courtesy of Davide Banzato.
Attributed works:
12. Detail of Fig.8, showing the opening at the top of the head of one of the satyrs on the third register. Photograph courtesy of Davide Banzato.
Attributed works:
13. Detail of Fig.8, cast-in join visible at the corner of the Scene of sacrifice before the statue of the risen Christ relief on the second register.
Attributed works:
14. Detail of Fig.8, a standing female figure on the fourth register, with evidence of planishing. Photograph courtesy of Davide Banzato.
Attributed works:
15. Detail of Fig.8, diamond-shaped cast-in join behind one of the satyrs on the third register.
Attributed works:
16. Detail of Fig.8, incisions on the medallions worn by the griffins on the fourth register.
Attributed works:
17. Detail of Fig.9, attachment points of a putto, joined at the back and bottom, on the fifth register.
Attributed works:
18. Detail of Fig.8, putti drum, showing the undecorated internal collar and the joining shells.
Attributed works:
19. Detail of Fig.8, cross mark on the foot of a female sphinx (eighth register) and corresponding cross on the upper surface of the putti drum (seventh register).
Attributed works:
5. Choir of the Basilica del Santo, Padua, showing, at left, the Paschal candlestick.
Attributed works:
6. Diagram of the choir of the Basilica del Santo, Padua, showing the original placement of Riccio’s candlestick and Donatello’s high altar in grey and present arrangement in black.
Attributed works:
8. Paschal candlestick, by Andrea Riccio. 1507–16. Bronze, 3.92 m. high. (Basilica del Santo, Padua). The divisions between the separately cast sections are delineated in white. Photograph courtesy of Davide Banzato.
Attributed works:
9. Detail of Fig.8, fifth register. Photograph courtesy of Davide Banzato.
Western art unattributed:
7. Roman candelabrum. Julio-Claudian period(?) Marble, 2.40 m. high. (Galleria dei Candelabri, Vatican Museums, Vatican City).
Article
A drawing for the tomb of Dante attributed to Tullio Lombardo
11/2006 | 1244 | 148
Pages: 734-746
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related names
Author:
Pincus, Debra (Pincus, Debra)
Author:
Shapiro Comte, Barbara (Shapiro Comte, Barbara)
Subjects
artists:
Lombardo, Pietro / Lombardo, Tullio
buildings:
Chiesa di San Francesco, Ravenna, Italy
dates:
1480-1489
museums and institutions:
Bibliothèque nationale de France, Paris, France
patrons:
Bembo, Bernardo
print:
Dante Alighieri
print:
Lombardo, Tullio
subjects:
Dante Alighieri / Drawings / Architectural drawings / Preliminary drawings / Italian architecture / Italian sculpture / Reliefs / Funerary structures / Portraits / Book illustrations / Sepulchral monuments / Collections, Public
Illustrations
Attributed works:
1. Tomb of Dante, by Pietro Lombardo and workshop. c.1483. Marble and Istrian stone. (S. Francesco, Ravenna).
Attributed works:
10. Drawing after the tomb of Dante, by Camillo Morigia. c.1780. Pen and grey wash on paper, 60 by 43 cm. (Biblioteca Classense, Ravenna).
Attributed works:
11. Project for church façade, by Buonacorso Ghiberti. c.1472–83. Grey and coloured inks on parchment, 22.3 by 16 cm. (from B. Ghiberti: Zibaldone, Biblioteca Nazionale Centrale, Florence, Cod. Banco Rari 228, carta 38v).
Attributed works:
13. Contract drawing for the tomb of Cristoforo Recanati, by Giovanni Minello. 1483. Pen and ink, 43 by 29.5 cm. (Formerly Archivio di Stato, Padua).
Attributed works:
15. Cappella Cornaro, SS. Apostoli, Venice, attributed to Tullio Lombardo and Mario Codussi. c.1485–99.
Attributed works:
16. S. Maria Maggiore, Venice, nave, by Tullio Lombardo. c.1522–23.
Attributed works:
17. Altarpiece of St Mark, by Tullio Lombardo. 1491. Marble, 237 by 208 cm. (Ravenna Cathedral).
Attributed works:
18. Frontispiece to Dante: Le terze rime, published by Aldus Manutius, Venice 1502, attributed to a follower of Benedetto Bordon. Parchment, double-page spread, 15 by 17 cm. (The Newberry Library, Chicago, Wing ZP 535.A354, fols.a1v–a2r).
Attributed works:
3. Tempietto for the tomb of Dante, designed by Camillo Morigia. c.1780. (S. Francesco, Ravenna).
Attributed works:
4. Church and monastery of S. Francesco, Ravenna, by Vincenzo Coronelli. c.1706–07. Woodcut, 16.7 by 23 cm. (from V. Coronelli: Ravenna ricercata. Antico-Moderna, Venice 1706–07).
Attributed works:
5. Portrait of Dante, by Pietro Lombardo. c.1483. Istrian stone. (Tomb of Dante, S. Francesco, Ravenna).
Attributed works:
6. Drawing for the tomb of Dante, here attributed to Tullio Lombardo, c.1482–83, with sixteenth-century additions. Pen, sepia ink, washes and coloured inks, 41.1 by 28 cm., bound into a copy of C. Landino: Comento sopra la Comedia . . ., Florence 1481. (Bibliothèque Nationale, Paris, Rés.Yd.17).
Attributed works:
8. Letter from Cristoforo Landino to Bernardo Bembo. c.1481–82. (Bound into C. Landino: Comento sopra la Comedia . . ., Bibliothèque Nationale, Paris, Rés.Yd.17).
Attributed works:
9. Drawing for the tomb of Dante in its first state, here attributed to Tullio Lombardo. c.1482–83. Computer reconstruction by Christina Moore, based on Fig.6.
Western art unattributed:
12. Triumphal arch for festival backdrop, attributed to an anonymous Lombard artist. c.1500. Pen and ink and coloured inks on parchment, 30.2 by 22.2 cm. (Sir John Soane’s Museum, London).
Western art unattributed:
14. Barrel-vaulted interior, by an anonymous Milanese architect. c.1500. Pen and ink with wash. c.16.6 by 22.8 cm. (Biblioteca Ambrosiana, Milan, Codex S.P.10/33, fol.3r).
Western art unattributed:
2. Tomb of Guido, Rolando and Aicarda da Piazzola. Before 1325. Marble and pietra d’Istria. (Piazza del Santo, Padua).
Western art unattributed:
7. C. Landino: Comento sopra la Comedia . . ., illuminated by an anonymous Florentine artist. 1481. 42 by 48 cm. (Bibliothèque Nationale, Paris, Rés.Yd.17, fol.15r).
Article
An Antique Fragment as Workshop Model; Classicism in the Andrea Vendramin tomb
06/1981 | 939 | 123
Pages: 342-347
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related names
Author:
Pincus, Debra (Pincus, Debra)
Subjects
artists:
Lombardo, Tullio
artists:
Master of the Vendramin Virtues
artists:
Mosca, Giovanni Maria, il Padovano
buildings:
Basilica dei Santi Giovanni e Paolo, Venice, Italy
dates:
1450-1499
patrons:
Vendramin, Andrea, Doge of Venice, 1393-1478
places:
Italy / Venice
subjects:
Italian sculpture / Sepulchral monuments
subjects:
Visual sources / Classicism
Illustrations
Attributed works:
11. Charity, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
12. Hope, by Giovanni Maria Mosca (?). Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
13. Faith, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
14. Temperance, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
15. Prudence, by the Master of the Vendramin Virtues. Detail from Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
16. Fortitude, by the Master of the Vendramin Virtues. Part of the Tomb Shown in Fig.6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Attributed works:
6. Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Justice, by Antonio Lombardo. Part of the Tomb Shown in Fig. 6. [Tomb of Andrea Vendramin, by Tullio Lombardo and His Workshop. (SS. Giovanni e Paolo, Venice).]
Western art unattributed:
10. Drawing of Kore in the Museo Archeologico, Venice, Showing Sixteenth-Century Restored Condition. (Biblioteca Marciana, Venice).
Western art unattributed:
8. Kore. (Museo Archeologico, Venice).
Western art unattributed:
9. Kore. (Museo Archeologico, Venice).