• MENU
logo logo white logo sticky

Burlington Contemporary is the Burlington Magazine’s free online platform for reviews and research on international contemporary art.

Want to continue reading? Get 1 month digital access for only .

Subscribe now
By using this website you agree to our Cookie policy
  • MENU
logo logo white logo sticky

Search

content
A TO Z
clear all
1 articles
Exhibition Review
Simon Vouet. Nantes and Besançon
03/2009 | 1272 | 151
Pages: 187-189
Subscribe to read
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
artists:
Vouet, Simon
dates:
2000-2009
museums and institutions:
Musée des Beaux-Arts, Besançon, France / Musée des Beaux-Arts, Nantes, France
places:
Besançon / France / Nantes
print:
Vouet, Simon
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Simon Vouet (les années italiennes 1613–1627) | institution: Musée des Beaux-Arts , institution: Musée des Beaux-Arts
Illustrations
Attributed works:
60. The bravo, here attributed to Claude Vignon after Simon Vouet. c.1618. Canvas, 83 by 68 cm. (Musée de Tours; exh. Musée des Beaux-Arts, Besançon).
Attributed works:
61. Portrait of a young man, by the circle of Simon Vouet. c.1620. Canvas, 66 by 50 cm. (Musée Fesch, Ajaccio).
Attributed works:
62. Martyrdom of St Catherine, by Simon Vouet. c.1621–22. Canvas, 173 by 115 cm. (Private collection; exh. Musée des Beaux-Arts, Besançon).
Attributed works:
63. Head of the Virgin, by an anonymous artist after Simon Vouet. c.1623. Etching, 40 by 20 cm. (Albertina, Vienna).