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62 articles
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Article
From Paris to New York: French paintings from the collection of Eliza Jumel
04/2022 | 1429 | 164
Pages: 350-361
related names
Author:
Oppenheimer, Margaret (Oppenheimer, Margaret)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. Eliza Jumel, by Alexandre Désiré Collette after Maxime Hart. 1852. Lithograph, 55.6 by 46.7 cm. (Morris-Jumel Mansion, New York).
Attributed works:
10. The abduction of Europa, Noël-Nicolas Coypel. 1727. Oil on canvas, 127.6 by 194 cm. (Philadelphia Museum of Art).
Attributed works:
11. La leçon dangereuse, by Jean Raoux. Oil on canvas, 111.8 by 124.8 cm. (Location unknown; photograph Bibliothèque nationale de France, Paris).
Attributed works:
12. Portrait of a young man as Bacchus, by Jean-Marc Nattier. 1740s. Oil on canvas, 146 by 115.1 cm. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
13. Louis de France, Dauphin (1729–1765), by Charles-Joseph Natoire. 1747. Oil on canvas, 271 by 195 cm. (Musée national des châteaux de Versailles et de Trianon).
Attributed works:
14. Young lady tying a ribbon around her dog, in the style of Jean- Marc Nattier. Oil on canvas, 91.4 by 71.1 cm. (Whereabouts unknown; Bridgeman Images).
Attributed works:
15. Head of an academy, by Philippe-Auguste Hennequin. Oil on canvas, 61 by 50.8 cm. (Courtesy Tajan).
Attributed works:
2. Portrait of a lady as Venus accompanied by Cupid, Studio of Pierre Mignard I. 17th or early 18th century. Oil on canvas, 95.3 by 128.3 cm. (Courtesy New Orleans Auction Galleries).
Attributed works:
3. Christ and the Samaritan woman, by Sébastien Bourdon. 1664–69. Oil on canvas, 144.5 by 199.1 cm. (Museum of Fine Arts, Boston).
Attributed works:
4. Rebecca and Eleazar, by Sébastien Bourdon. 1664–69. Oil on canvas, 144.1 by 199 cm. (Museum of Fine Arts, Boston).
Attributed works:
5. Interior of a stable with figures, by Jacob Duck. c.1650–55. Oil on panel, 53.7 by 86.4 cm. (Speed Art Museum, Louisville).
Attributed works:
6. Hercules and Omphale, after François Lemoyne. Oil on canvas, 152.4 by 119.4 cm. (Formerly Museum of Fine Arts, Boston).
Attributed works:
7. Mademoiselle Duclos in the role of Ariadne, here attributed to a copyist of Nicolas de Largillierre. Early 19th century(?). Oil on canvas, 163.2 by 130.8 cm. (Speed Art Museum, Louisville).
Attributed works:
8. Marie-Anne de Châteauneuf, called Mlle Duclos (1664–1747), in the role of Ariadne, by Nicolas de Largillierre. c.1714. Oil on canvas, 158 by 129.5. (Comédie-Française, Paris).
Attributed works:
9. A lady reading a letter with pleasure, after Jean Raoux. Oil on canvas. (Whereabouts unknown; courtesy Historic New England).
Exhibition Review
Utrecht, Caravaggio and Europe
04/2019 | 1393 | 161
Pages: 328-330
related names
Reviewer:
Pappi, Gianni (Pappi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
styles:
Illustrations
Attributed works:
11. Christ before the High Priest, by Gerrit van Honthorst, c.1616–17. Canvas, 272 by 183 cm. (National Gallery, London; exh. Centraal Museum, Utrecht).
Attributed works:
12. Christ among the doctors, by Jusepe de Ribera. 1612–13. Canvas, 188 by 270 cm. (Musée d’Art et d’Histoire de Langres; exh. Centraal Museum, Utrecht).
Attributed works:
13. Christ displaying his wounds, by Giovanni Antonio Galli (Lo Spadarino). Canvas, 132.2 by 97.8 cm. (Perth Museum and Art Gallery; exh. Centraal Museum, Utrecht).
Book Review
Artemisia Gentileschi in a Changing Light. Edited by Sheila Barker.
09/2018 | 1386 | 160
Pages: 796-797
Exhibition Review
The last Caravaggio
04/2018 | 1381 | 160
Pages: 325-327
related names
Reviewer:
Brigstocke, Hugh (Brigstocke, Hugh)
Subjects
art literature:
dates:
media:
places:
Illustrations
Attributed works:
1. Return of the Prodigal Son, by Giulio Cesare Procaccini. 1618–20. Canvas, 142 by 191 cm. (Private collection).
Attributed works:
2. Christ carrying the Cross, by Giovanni Battista Caracciolo. 1614. Canvas, 133 by 183.5 cm. (Università degli Studi, Turin; exh. Gallerie d’Italia, Piazza Scala, Milan).
Attributed works:
3. The martyrdom of St Ursula, by Bernardo Strozzi. 1615–18. Canvas, 104 by 130 cm. (Private collection; exh. Gallerie d’Italia, Piazza Scala, Milan).
Article
Simon Vouet’s ‘Virgin and Child’ in the National Gallery of Art, Washington
03/2018 | 1380 | 160
Pages: 206-213
related names
Author:
Morton, Mary (Morton, Mary)
Author:
Vaysse, Élodie (Vaysse, Élodie)
Subjects
artists:
dates:
media:
places:
Illustrations
Attributed works:
1. Virgin and Child, by Simon Vouet. 1633. Canvas, 109 by 89 cm. (National Gallery of Art, Washington)
Attributed works:
10. The muses Urania and Calliope, by Simon Vouet, c.1640. Canvas, 79.8 by 125 cm. (National Gallery of Art, Washington).
Attributed works:
2. Lot and his daughters, by Simon Vouet, 1633. Canvas, 160 by 130 cm. (Musée des Beaux-Arts, Strasbourg).
Attributed works:
3. Woman nude to the waist, by Simon Vouet. 1630–40. Black chalk on grey paper heightened with white, 21 by 28.3 cm. (Musée du Louvre, Paris).
Attributed works:
4. Virgin and Child, by Simon Vouet. 1630s. Canvas, dimensions unknown. (Omsk Museum of Fine Arts).
Attributed works:
5. Virgin and Child, by a follower of Simon Vouet. Seventeenth century. Canvas, 105 by 86.5 cm. (Private collection).
Attributed works:
6. Virgin and Child, by a follower of Simon Vouet. c.1635–40. Canvas, 99.7 by 80 cm. (Dallas Museum of Art).
Attributed works:
7. Pre-conservation photograph of Fig.1. (Photograph Dallas Museum of Art, 2014).
Attributed works:
8. Detail of Children playing with a goat, by Jacques Sarazin. 1640. Marble, 90 by 66 by 75 cm. (Musée du Louvre, Paris).
Attributed works:
9. St. Jerome and the angel, by Simon Vouet, c.1625. Canvas, 144.8 by 179.8 cm. (National Gallery of Art, Washington).
Exhibition Review
Nicholas Régnier. Nantes
03/2018 | 1380 | 160
Pages: 239-240
related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. St Sebastian tended by the Holy Irene, by Nicolas Régnier. c.1626–30. Canvas, 170 by 220 cm. (Ferens Art Gallery, Kingston upon Hull; exh. Musée d’Arts de Nantes).
Attributed works:
11. Le Camouflet (Humiliation), by Nicolas Régnier. c.1622–25. Canvas, 101 by 133 cm. (Nationalmuseum, Stockholm; exh. Musée d’Arts de Nantes)
Advertisements
Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
Article
Simon Vouet and the theme of the Crucifixion
03/2017 | 1368 | 159
Pages: 192-199
related names
Author:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
13. Christ on the Cross, by Simon Vouet. c.1644 (Musée du Louvre, Paris)
Attributed works:
14. Assumption of the Virgin, by Simon Vouet. 1644 (Musée Saint Denis, Reims)
Attributed works:
15. Christ on the Cross, by Pierre Daret after Simon Vouet. 1638 (Bibliothèque nationale de France, Cabinet des Estampes, Paris, inv. no. DA7)
Attributed works:
16. Christ on the Cross with the Virgin, Sts John and Mary Magdalene, from the studio of Simon Vouet. c.1645 (National Gallery, London)
Attributed works:
17. Christ on the Cross, from the studio of Simon Vouet. Mid-1630s (Paris church, Chailles)
Attributed works:
18. Study for the figure of Mary Magdalene, by Simon Vouet. Late 1630s (British Museum, London)
Attributed works:
19. Christ on the Cross, from the studio of Simon Vouet. Late 1630s (Private collection, Paris)
Attributed works:
20. Christ on the Cross, by Pierre Landry (c.1630-1701), after Simon Vouet. 1660s(?). (Bibliothèque nationale de France, Paris, Cabinet des Estampes)
Attributed works:
21. Christ on the Cross, by Claude Malbouré (c.1645-after 1706) after Simon Vouet(?). Late seventeenth century (Bibliothèque nationale de France, Paris, Cabinet des Estampes)
Attributed works:
22. Christ on the Cross, by an anonymous engraver after Simon Vouet. Mid-1640s (Bibliothèque nationale de France, Paris, Cabinet des Estampes)
Article
An 'Adoration of the shepherds' by Simon Vouet in Saint-Pierre-et-Saint-Paul, Evry
03/2017 | 1368 | 159
Pages: 187-191
related names
Author:
Sarant, Mylène (Sarant, Mylène)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Nativity with angels, by Pierre Daret after Simon Vouet. 1639 (Bibliothèque nationale de France, Paris)
Attributed works:
12. Adoration of the Magi, by Simon Vouet. c.1635 (Fogg Museum, Harvard Art Museums, Cambridge MA)
Attributed works:
3. Presentation in the Temple, by Simon Vouet. 1640-41 (Musée du Louvre, Paris)
Attributed works:
4. Angel turning to the right, by Simon Vouet (Musée du Louvre, Paris)
Attributed works:
5. Adoration of the shepherds, by Simon Vouet (Fogg Museum, Harvard Art Museums, Cambridge MA)
Attributed works:
6. Kneeling Virgin, by Simon Vouet (Bayerische Staatsbibliothek, Munich)
Attributed works:
7. Adoration of the shepherds, by Simon Vouet. c.1640 (Saint-Pierre-et-Saint-Paul, Evry)
Attributed works:
8. Adoration of the shepherds, by François Perrier after Simon Vouet. 1633 (Bibliothèque nationale de France, Paris)
Attributed works:
9. Nativity with angels, by Michel Dorigny after Simon Vouet. 1638 (Bibliothèque nationale de France, Paris)
Western art unattributed:
11. The church of Saint-Pierre-et-Saint-Paul, Evry. Postcard, late nineteenth or early twentieth century (Archives départementales de l'Essonne, Chamarande)
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