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5 articles
Exhibition Review
Simon Vouet. Nantes and Besançon
03/2009 | 1272 | 151
Pages: 187-189
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related names
Reviewer:
Brejon de Lavergnée, Arnauld (Brejon de Lavergnée, Arnauld; Lavergnée, Arnauld Brejon de; Brejon, Arnauld; Lavergnee, Arnaud Brejon de)
Subjects
artists:
Vouet, Simon
dates:
2000-2009
museums and institutions:
Musée des Beaux-Arts, Besançon, France / Musée des Beaux-Arts, Nantes, France
places:
Besançon / France / Nantes
print:
Vouet, Simon
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Simon Vouet (les années italiennes 1613–1627) | institution: Musée des Beaux-Arts , institution: Musée des Beaux-Arts
Illustrations
Attributed works:
60. The bravo, here attributed to Claude Vignon after Simon Vouet. c.1618. Canvas, 83 by 68 cm. (Musée de Tours; exh. Musée des Beaux-Arts, Besançon).
Attributed works:
61. Portrait of a young man, by the circle of Simon Vouet. c.1620. Canvas, 66 by 50 cm. (Musée Fesch, Ajaccio).
Attributed works:
62. Martyrdom of St Catherine, by Simon Vouet. c.1621–22. Canvas, 173 by 115 cm. (Private collection; exh. Musée des Beaux-Arts, Besançon).
Attributed works:
63. Head of the Virgin, by an anonymous artist after Simon Vouet. c.1623. Etching, 40 by 20 cm. (Albertina, Vienna).
Exhibition Review
Gustave Courbet et la Franche-Comté. Besançon
02/2001 | 1175 | 143
Pages: 116-117
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related names
Reviewer:
McWilliam, Neil (McWilliam, Neil)
Subjects
artists:
Courbet, Gustave
dates:
2000-2009
museums and institutions:
Musée des Beaux-Arts, Besançon, France
places:
France / Besançon
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
71. Rochers des bords du Doubs. Le Doubs à Entre-Roches, près de Montbenoît, by Nestor Bavoux. 1864. 124 by 200 cm. (Musée des Beaux-Arts, Besançon).
Attributed works:
72. Le Chêne de Flagey appelé le chêne de Vercingétorix, camp de César près d'Alésia, Franche-Comté, by Gustave Courbet. 1864. 89 by 111 cm. (Murauchi Art Museum, Tokyo-Hachiogi; Exh. Musée des Beaux-Arts, Besançon).
Western art unattributed:
70. Barbisier at the Besançon Exhibition. 1860. (Bibliothèque municipale, Besançon; Exh. Musée des Beaux-Arts, Besançon).
Exhibition Review
Ingres's Pupils. Montauban and Besançon
03/2000 | 1164 | 142
Pages: 185-186
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related names
Reviewer:
Whiteley, Jon (Whiteley, Jon; Whiteley, J. J. L.)
Subjects
artists:
Ingres, Jean-Auguste-Dominique
dates:
2000-2009
museums and institutions:
Musée des Beaux-Arts, Besançon, France
museums and institutions:
Musée Ingres, Montauban, France
places:
Besançon / France / Montauban
subjects:
French painting / Exhibitions
subjects:
Reviews
Illustrations
Attributed works:
82. The Vision of St Orens, by Eugène Appert. 1844. 260 by 140 cm. (Eglise de Saint-Orens, Montauban; Exh. Musée des Beaux-Arts, Besançon).
Attributed works:
83. Le Taureau, by Jean-Charles Ferdinand Humbert. c. 1840. 65 by 81.5 cm. (Musée d'Art et d'Histoire, Neuchâtel; Exh. Musée des Beaux-Arts, Besançon).
Attributed works:
84. Portrait of Henri Lacordaire, by Jean-Louis Janmot. 1878. 114 by 88 cm. (Château, Versailles; Exh. Musée des Beaux-Arts, Besançon).
Attributed works:
85. Giotto in Cimabue's Studio, by Jules-Claude Ziegler. 1833. 160 by 130 cm. (Musée des Beaux-Arts, Bordeaux; Exh. Musée des Beaux-Arts, Besançon).
Exhibition Review
Amedeé Ozenfant. Besançon
03/1986 | 996 | 128
Pages: 238+240-241+243
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related names
Reviewer:
Golan, Romy (Golan, Romy)
Subjects
artists:
Ozenfant, Amédée
dates:
1980-1989
museums and institutions:
Musée des Beaux-Arts, Besançon, France
places:
Besançon / France
subjects:
Exhibitions / Reviews
Illustrations
Attributed works:
57. Glasses and Bottles, by Amedée Ozenfant. 1922-26. 72.7 by 60.3 cm. (Tate Gallery, London; Exh. Musée des Beaux-Arts, Besançon).
Attributed works:
59. La vie biologique, by Amedée Ozenfant. 1931-38. 300 by 425 cm. (Musée National d'Art Moderne, Paris; Exh. Musée des Beaux-Arts, Besançon).
Article
The Problem of the Ferry Carondelet Altar-Piece
07/1971 | 820 | 113
Pages: 362-371
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related names
Author:
Borgo, Ludovico (Borgo, Ludovico)
Subjects
artists:
Bartolommeo, Fra
artists:
Albertinelli, Mariotto
dates:
1500-1519
museums and institutions:
Staatsgalerie, Stuttgart, Germany
patrons:
Carondelet, Ferry
places:
Italy / Florence
places:
France / Besançon
subjects:
Italian painting / Altarpieces
subjects:
Critical Reception / Patronage
subjects:
Attributions / Composition (artistic arrangement) / Preliminary drawings
subjects:
Sacra Conversazione
subjects:
Mary, Virgin
Illustrations
Attributed works:
1. Ferry Carondelet Altar-Piece, by Fra Bartolommeo and Albertinelli. Above, Fragments of the Altar-Piece, by Albertinelli. Panels (Staatsgalerie, Stuttgart). Below, the Main Part of the Altar-Piece, by Fra Bartolommeo. Panel, 260 by 230 cm. (Cathedral, Besançon.)
Attributed works:
10. Modello for the Ferry Carondelet Altar-Piece, by Fra Bartolommeo. Black Chalk, Heightened with Yellow, on Brownish Paper, 28.7 by 20.8 cm. (Museum Boymans-van Beuningen, Rotterdam, M.192.)
Attributed works:
11. Modello for the Vision of St Bernard, by Fra Bartolommeo. Black Chalk, Heightened with White, on Brownish Paper, 23.3 by 21.4 cm. (Museum Boymans-van Beuningen, Rotterdam, M.193.)
Attributed works:
12. Study for the Head of the Archangel Gabriel in the Annunciation, by Albertinelli. Black Chalk, Heightened with White, on White Paper, 23.2 by 19.4 cm. (Kupferstichkabinett, Berlin, 4198.)
Attributed works:
13. Vision of St Bernard, by Pietro Perugino. Panel, 173 by 170 cm. (Alte Pinakothek, Munich.)
Attributed works:
2. Marriage of St Catherine, by Fra Bartolommeo. Panel, 257 by 218 cm. (Accademia, Florence.)
Attributed works:
3. Annunciation, by Albertinelli. Panel, 335 by 230 cm. (Accademia, Florence.)
Attributed works:
4. Study for the Kneeling Virgin, by Albertinelli. Black Chalk, Heightened with White, on Brown, Tinted Paper, 20 by 20.5 cm. (Gabinetto dei Disegni, Galleria degli Uffizi, No.6819F.)
Attributed works:
5. Copy of the Ferry Carondelet Altar-Piece. Canvas Glued on Panel, 70 by 40 cm. (Collection Marquis de Terrier-Santans, Besançon, 1889.)
Attributed works:
6. Sketch for the Ferry Carondelet Altar-Piece, Here Attributed to Albertinelli. Black Chalk, Heightened with White, on White Paper, 25.6 by 20 cm. (Museum Boymans-van Beuningen, Rotterdam, M. 181.)
Attributed works:
7. Modello for the Ferry Carondelet Altar-Piece, by Fra Bartolommeo. Black Chalk, Heightened with White, on Grey, Tinted Paper, 25.5 by 19.5 cm. (Gabinetto Nazionale delle Stampe, Rome, 127618.)
Attributed works:
8. Marriage of St Catherine, by Fra Bartolommeo. Panel, 257 by 218 cm. (Musée du Louvre.)
Attributed works:
9. Stigmatisation of St Catherine, by Domenico Beccafumi. Panel, 208 by 156 cm. (Pinacoteca, Siena.)