Non-western art unattributed:
Fig. 1. Timber-Work of the Gate in the Eumorfopoulos Collection.
Non-western art unattributed:
Fig. 2. Model of a Little House of the Han Period, Found by Mr. Th. Torrance in Ssu-ch'uan (From Segalen, Voisins and Lartique: L'Art funéraire à l'Epoque des Han, p. 258)
Non-western art unattributed:
Fig. 3.-Triangular construction in the form of the so-called "man-beam," typical of the Wei period. Fig. 4.-Construction of the consoles. Sung period (from the Ying tsao fa shih). Fig. 5.-Transformation of the triangular construction into a homogeneous, decorative motif (from CHAVANNES: "Mission Archéologique," the timber-work of a triumphal arch from Shantung, Pl. ccccix). Fig. 6.-Spirals on the halo of a statue of Buddha, A. D. 536 (from Sirén: Chinese Sculpture from the Fifth to the Fourteenth Century). Fig. 7.-Construction of consoles with protruding rafters and simple decorative finishes. Sung period (from the Ying tsao ya Shih). Fig. 8.-Triangular construction in the form of a "Camelback," typical of the Sui and the first half of the T'ang periods. Fig. 9.-Spirals on the ridge of the Hall and on the Gate in the Eumorfopoulos Collection. Fig. 10.-Porcelain pedestal. About A. D. 1500 (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV., D. 171). Fig. 11.-Ch'i-lin on a mirror. Six Dynasties (from YETTS: Catalogue of the Eumorfopoulos Collection, II., B. 24, Pl. xv). Fig. 12.-Ch'i-lin on a brocade. Fifteenth century (State Museums, Berlin). Fig. 13.-Ch'i-lin on a brush-pot. Early seventeenth century (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV, D. 195, Pl. 43). Fig. 14.-Ch'i-lin on a mirror. A. D. 167 (from YETTS: Catalogue of the Eumorfopoulos Collection, II., London. B. 16, Pl. X). Fig. 15.-Porcelain pedestal. About A. D. 1500 (from HOBSON: The Wares of the Ming Dynasty). Fig. 16.-Ch'i-lin, after a painting on a vase. Chia-ching period. A. D. 1522-66 (from HOBSON: Catalogue of the Eumorfopoulos Collection, IV., No. 18, D. 97).
Non-western art unattributed:
Plate I. A-Baked Clay Model of a Homestead. From a Set of Tomb-Furniture (The Small Gate in the Centre Should Stand at the Entrance of the Courtyard, as in B; The Great Gate and the Spirit-Wall outside the Enclosure). (The Eumorfopoulos Collection, British Museum). Two Models of Chinese Homesteads
Non-western art unattributed:
Plate I. B-Baked Clay Model of a Homestead. From a Set of Tomb-Furniture Found in Central Honan (Ontario Museum, Toronto). Two Models of Chinese Homesteads
Non-western art unattributed:
Plate II. A-The Principal Gate of the Model in the Eumorfopoulos Collection. Height, 41.9 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate II. B-The Hall in the Eumorfopoulos Collection. Length, 53.9 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. A-The Spirit-Wall in the Eumorfopoulos Collection. Height, 22 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. B-The Spirit-Wall in the Ontario Museum. Height, 20.3 cm. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. C-Detail of D. Two Models of Chinese Homesteads
Non-western art unattributed:
Plate III. D-The Hall in the Ontario Museum. Height, 40.6 cm. Two Models of Chinese Homesteads
