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1157 articles
Article
The portraits of Alice Spencer, Countess of Derby, and her family by Paul van Somer
04/2025 | 1465 | 167
Pages: 376-385
related names
Author:
David, Jessica (David, Jessica)
Author:
Town, Edward (Town, Edward)
Subjects
dates:
Illustrations
Attributed works:
1. Portraits from the group at Deene Park, all here attributed to Paul van Somer (top row, left to right, 1a–1d; centre row, left to right, 1e–1h; bottom row, left to right, 1i–1l). 1617. Oil on panel, dimensions variable. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
10. Portrait 1b from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
11. Elizabeth Hastings (née Stanley), Countess of Huntingdon, by John Payne after Paul van Somer. 1635. Engraving, 18.4 by 13.7 cm. (British Museum, London).
Attributed works:
12. John Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
13. Called Thomas Egerton, possibly Charles Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
14. Alice Egerton. 1625. Oil on canvas, 109.2 by 78.7 cm. (Private collection; photograph the authors).
Attributed works:
15. Anne Egerton. 1625. Oil on canvas, 119.4 by 90.2 cm. (Private collection; photograph the authors).
Attributed works:
16. Called Vere Egerton but here called an unknown woman, by Paul van Somer. c.1617. Oil on canvas, 216.5 by 129.5 cm. (National Trust, Dunham Massey).
Attributed works:
17. Unknown child, possibly Thomas Egerton. 1625. Oil on canvas, 103.5 by 82.6 cm. (Buccleuch Collection at Boughton House, Northamptonshire).
Attributed works:
2. Portrait of a countess repainted with the head of Cecilia Egerton. c.1610 with later intervention. Oil on canvas, 194.3 by 128.3 cm. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
3. Portrait 1d from the group at Deene Park, here attributed to Paul van Somer. 1617. Oil on panel. (Deene Park, Northamptonshire; the Brudenell Estate).
Attributed works:
4. Portrait of a girl here identified as Cecilia Egerton, by Paul van Somer. 1617. Oil on panel, 65.4 by 50.8 cm. (Yale Center for British Art, New Haven).
Attributed works:
5. Diana Cecil, Countess of Oxford and Elgin, after Paul van Somer. c.1632. Oil on panel. (Buccleuch Collection at Boughton House, Northamptonshire; Bridgeman Images).
Attributed works:
6. Lady Diana Cecil, Countess of Oxford, by Paul van Somer. 1618. Oil on panel, 66 by 54.5 cm. (Present location unknown).
Attributed works:
7. Alice Spencer, Countess of Derby (1559–1637), after Paul van Somer. c.1635. Engraving, 19.3 by 12.3 cm. (British Museum, London).
Attributed works:
8. Alice Spencer, Countess of Derby, by Paul van Somer. 1617. Oil on panel, 67.5 by 59 cm. (Deene Park, Northamptonshire).
Attributed works:
9. Portrait of a woman, possibly Vere Egerton, by Paul van Somer. 1617. Oil on panel, 88.9 by 66 cm. (Paine Art Center and Gardens, Oshkosh).
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Exhibition Review
Dürer to Van Dyck: Drawings from Chatsworth House
02/2025 | 1463 | 167
Pages: 172–175
related names
Reviewer:
Horbatsch, Olenka (Horbatsch, Olenka)
Subjects
museums and institutions:
Reviewed Items
subjects:
Dürer to Van Dyck: Drawings from Chatsworth House Royal Scottish Academy, Edinburgh 9th November 2024–23rd February 2025 | :
Illustrations
Attributed works:
10. Arcadian landscape, by Hendrick Goltzius. 1593. Pen and black ink, 35.7 by 46.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
11. A dying tree, its trunk covered in brambles, beside a fence, by Peter Paul Rubens. c.1618. Pen, brown ink, red and black chalk and watercolour, 35.2 by 29.8 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Attributed works:
12. View of the Amsteldijk at Meerzhuizen, looking towards the little windmill, by Rembrandt. c.1648–50. Pen, brown ink and brown wash with watercolour on paper prepared with brown wash, 13 by 21.2 cm. (Chatsworth House, Derbyshire; exh. National Galleries of Scotland, Edinburgh).
Book Review
The Drawings of Peter Paul Rubens: A Critical Catalogue, Volume Two (1609–1620)
12/2024 | 1461 | 166
Pages: 1279–82
related names
Reviewer:
Wood, Jeremy (Wood, Jeremy)
Subjects
art literature:
dates:
places:
Reviewed Items
subjects:
The Drawings of Peter Paul Rubens: A Critical Catalogue, Volume Two (1609–1620) By Anne-Marie Logan and Kristin Lohse Belkin. 2 vols, 732 pp. incl. 291 col. ills. (Brepols, Turnhout, 2023), €250. ISBN 978–2–503–59953–3. | :
Illustrations
Attributed works:
3. Elderly scholar in the guise of Atlas supporting a sphere, by Peter Paul Rubens. 1613. Pen and brown ink with wash, 9.2 by 14.2 cm. (Museum Plantin-Moretus, Antwerp).
Attributed works:
4. Man with a sword, here attributed to Peter Paul Rubens. c.1609–10. Black chalk with white heightening, 34.5 by 21.3 cm. (Albertina Museum, Vienna).
Attributed works:
4. Man with a sword, here attributed to Peter Paul Rubens. c.1609–10. Black chalk with white heightening, 34.5 by 21.3 cm. (Albertina Museum, Vienna).
Article
‘Une pièce fort singulière’: the rediscovery of Gian Lorenzo Bernini’s ‘Andromeda and the sea monster’
11/2024 | 1460 | 166
Pages: 1101–1122
related names
Author:
Clemente, Maichol (Clemente, Maichol)
Subjects
dates:
Illustrations
Attributed works:
1. Andromeda and the sea monster, here attributed to Gian Lorenzo Bernini. c.1616–17. Marble, 53 by 34 by 24 cm. (Private collection; photograph Tony Fisher).
Attributed works:
10. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
11. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
12. Detail of Fig.8. (Photograph Mauro Magliani).
Attributed works:
13. Detail of the Bust of Antonio Coppola, by Pietro Bernini with Gian Lorenzo Bernini. 1612. Marble. (Museo di Arte Sacra di San Giovanni dei Fiorentini, Rome; photograph Domenico Ventura).
Attributed works:
14. Detail of Fig.1. (Photograph the author).
Attributed works:
15. Detail of Fig.26. (Photograph Mauro Magliani).
Attributed works:
16. Detail of a putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
17. Detail of the Virgin Mary from the relief of the Assumption, by Pietro Bernini. 1607–10. Marble. (Baptistery, S. Maria Maggiore, Rome; photograph Mauro Magliani).
Attributed works:
18. Anima Beata, by Gian Lorenzo Bernini. c.1619. Marble, 41.5 by 29 by 24 cm. (Spanish Embassy to the Holy See, Rome; photograph Domenico Ventura).
Attributed works:
19. Bacchanal: faun teased by children, by Pietro and Gian Lorenzo Bernini. c.1615–16. Marble, 132.4 by 73.7 by 47.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. View of the back of Fig.1. (Photograph Tony Fisher).
Attributed works:
20. Detail of Fig.19.
Attributed works:
21. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
22. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
23. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
24. Detail of Fig.25.
Attributed works:
25. Boy with a dragon, by Gian Lorenzo (and Pietro?) Bernini. c.1616. Marble, 55.9 by 52 by 41.5 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
26. St Lawrence on the gridiron, by Gian Lorenzo Bernini. c.1616–17. Marble, 66 by 108 cm. (MiC – Galleria degli Uffizi, Florence; photograph Mauro Magliani).
Attributed works:
27. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
28. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
29. Detail of Fig.26, rotated 90 degrees. (Photograph Mauro Magliani).
Attributed works:
3. Jean-Baptiste Colbert, Minister of Louis XIV, by Claude Lefebvre. 1666. Oil on canvas, 130 by 96 cm. (Musée et Domaine National de Versailles et de Trianon; Bridgeman Images).
Attributed works:
30. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
31. St Sebastian, by Gian Lorenzo Bernini. 1617. Marble, 98 by 42 by 49 cm. (Private collection, on loan to Museum Thyssen- Bornemisza, Madrid).
Attributed works:
32. Detail of Fig.2. (Photograph Tony Fisher).
Attributed works:
33. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
34. Detail of Fig.31.
Attributed works:
35. Detail of Fig.31.
Attributed works:
36. Detail of Fig.31.
Attributed works:
37. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
38. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
39. Detail of the back of Fig.31, rotated 180 degrees.
Attributed works:
4. Letter from Elpidio Benedetti to Jean-Baptiste Colbert, 19th March 1682. (Archives Nationales, Paris, Contrôle général des finances, G/7/551, fol.9).
Attributed works:
40. Detail of Fig.31.
Attributed works:
41. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
42. Detail of Fig.1. (Photograph Tony Fisher).
Attributed works:
43. Detail of a Putto, by Gian Lorenzo Bernini. 1618. Marble. (Barberini Chapel, Sant’Andrea della Valle, Rome; photograph Mauro Magliani).
Attributed works:
44. Detail of Fig.47.
Attributed works:
45. Detail of Fig.46.
Attributed works:
46. Neptune and Triton, by Gian Lorenzo Bernini. 1622–23. Marble, height 182.2 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
47. Rear view of Rape of Proserpina, by Gian Lorenzo Bernini. 1621–22. Marble, height without base 255 cm. (MiC – Galleria Borghese, Rome).
Attributed works:
5. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
6. Side view of Fig.1. (Photograph Tony Fisher).
Attributed works:
7. Side view of Fig.8. (Photograph Mauro Magliani).
Attributed works:
8. Andromeda, by Pietro Bernini. c.1615. Marble, 105 by 52.5 by 40 cm. (Accademia Carrara, Bergamo; photograph Mauro Magliani).
Attributed works:
9. Detail of Fig.8. (Photograph Mauro Magliani).
Article
‘The abduction of Europa’ by Paulus Potter: a mythological painting rediscovered
07/2024 | 1456 | 166
Pages: 680–88
related names
Author:
Lydon, Muirne (Lydon, Muirne)
Author:
Macro, Natalia (Macro, Natalia)
Author:
Marx, Lizzie (Marx, Lizzie)
Author:
Schilder, Jolijn (Schilder, Jolijn)
Author:
Vandivere, Abbie (Vandivere, Abbie)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Head of a white bull, by Paulus Potter. c.1647–50. Oil on canvas, 79.4 by 62 cm. (National Gallery of Ireland, Dublin).
Attributed works:
10. Infrared reflectogram of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
11. X-radiograph of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
12. Abduction of Europa, attributed to Jan de Visscher, after Nicolaes Berchem. 1643–92. Etching and engraving, 45.7 by 30.5 cm, shown mirrored horizontally. (Rijksmuseum, Amsterdam).
Attributed works:
2. Portrait of Paulus Potter (1625–1654), by Bartholomeus van der Helst. 1654. Oil on canvas, 99 by 80 cm. (Mauritshuis, The Hague).
Attributed works:
3. The bull (De stier), by Paulus Potter. 1647. Oil on canvas, 236.5 by 341 cm. (Mauritshuis, The Hague).
Attributed works:
4. Proposed location of Fig.1 within the Abduction of Europa, determined from thread angle mapping (Fig.5c).
Attributed works:
5. Computer-assisted thread counting from X-radiographs of Fig.1, showing: a) thread density in the vertical and horizontal directions; b) horizontal thread density of the upper and lower pieces of canvas; c) thread angle deviations in the vertical and horizontal directions. The horizontal join is indicated with an arrow.
Attributed works:
6. Display of Fig.1 in the Grand Gallery, National Gallery of Ireland, Dublin. Photograph, after 1889. (RSAI, Dublin).
Attributed works:
7. Display of Fig.1 in Room 12, Dargan Wing, National Gallery of Ireland, Dublin. Photograph, c.1930–39. (National Gallery of Ireland Archive, Dublin).
Attributed works:
8. MA-XRF map of Fig.1, showing the distribution of mercury (Hg) from vermilion.
Attributed works:
9. MA-XRF map overlaid onto Fig.1, showing the distribution of copper (Cu) in white.
Book Review
The Touch of Pygmalion: Rubens and Sculpture in Rome
05/2024 | 1454 | 166
Pages: 512–515
related names
Reviewer:
Pierguidi, Stefano (Pierguidi, Stefano)
Subjects
art literature:
dates:
museums and institutions:
places:
Reviewed Items
subjects:
The Touch of Pygmalion: Rubens and Sculpture in Rome Edited by Francesca Cappelletti and Lucia Simonato. 232 pp. incl. numerous col. + b. & w. ills. (Electa, Milan, 2023), €42. 978–88–928–2478–2. | :
Illustrations
Attributed works:
6. Two studies after the Spinario, by Peter Paul Rubens. 1602. Red chalk, heightened with white, with later grey background wash, on paper. 26.1 by 36 cm. (British Museum, London).
Attributed works:
7. Death of Adonis, by Peter Paul Rubens. c.1614. Oil on canvas, 212 by 325 cm. (Israel Museum, Jerusalem).
Attributed works:
8. Agrippina and Germanicus, by Peter Paul Rubens. c.1614. Oil on panel, 66.4 by 57 cm. (National Gallery of Art, Washington).
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
related names
Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
dates:
places:
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
related names
Author:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
The development of the still lifes of Frans Snijders up to 1615
06/2022 | 1431 | 164
Pages: 568-577
related names
Author:
Meijer, Fred G. (Meijer, Fred G.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Still life with a hare, lobster and fruit, by Frans Snijders. Here dated to c.1613–14. Oil on panel, 106.4 by 75 cm. (Photographed in 2012 after restoration; private collection, on long-term loan to the Frans Snijders Museum, Antwerp).
Attributed works:
10. Still life with fowl and game, by Frans Snijders. 1614. Oil on canvas, 156 by 218 cm. (Walraff-Richartz-Museum, Cologne).
Attributed works:
11. Dishes with oysters, fruit and wine, by Osias Beert. c.1620–25. Oil on panel, 52.9 by 73.4 cm. (National Gallery of Art, Washington).
Attributed works:
13. Still life with dead game, fruits, and vegetables in a market by Frans Snijders. 1614. Oil on canvas, 212.1 by 308.6 cm. (Art Institute, Chicago).
Attributed works:
14. Still life on a kitchen table, by Frans Snijders. c.1610–12(?). Oil on panel, 58.5 by 106.9 cm. (Location unknown).
Attributed works:
15. A game and fruit seller’s stall, by or after Frans Snijders. c.1610–12(?). Pen and wash and black chalk on paper, 27.8 by 40.5 cm. (Ashmolean Museum, Oxford).
Attributed works:
16. A game seller in his stall, by Frans Snijders. c.1610–12(?). Oil on panel, 127 by 89 cm. (Location unknown).
Attributed works:
17. Detail of Fig.1; 18. Detail of Still life of game with a tazza of grapes, by Frans Snijders. c.1614. Oil on panel. (Hessische Museumslandschaft, Schloss Wilhelmshöhe, Kassel); 19. Detail of Still life of game, vegetables, fruit and a lobster, by Frans Snijders. c.1613. Oil on canvas. (Museum Boijmans Van Beuningen, Rotterdam); 19. Detail of Fig.1, showing the lobster; 20. Detail of Fig.14, showing the lobster; 21. Detail of Still life of fruit with a squirrel, by Frans Snijders. 1616. Oil on copper. (Museum of Fine Arts, Boston), showing the grapes; and 22. Detail of Fig.4, showing the grapes.
Attributed works:
2. The recognition of Philopoemen, by Peter Paul Rubens and Frans Snijders. c.1609. Oil on canvas, 201 by 313.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
22. Table in a larder with a page, by Frans Snijders. c.1615. Oil on canvas, 125.7 by 198.1 cm. (Wallace Collection, London).
Attributed works:
23. Still life with a dead hare and plucked fowl, after Frans Snijders. 17th century. Oil on panel, 105 by 73 cm. (Location unknown).
Attributed works:
24. Larder scene with a young page, by Frans Snijders. c.1611. Oil on canvas, 123 by 186 cm. (Location unknown).
Attributed works:
25–27. Details of the hare in Figs.1, 15 and 24.
Attributed works:
28. Detail of Still life of fruit with a dead hare, by Frans Snijders. c.1617. Oil on canvas, 124.5 by 127 cm. (Location unknown).
Attributed works:
3. Kitchen scene, by Frans Snijders. c.1608(?) Oil on canvas, 138 by 245 cm. (Location unknown).
Attributed works:
4. Still life with a tazza of grapes in a niche, by Frans Snijders (signed). Here dated to c.1610. Oil on panel, 89 by 62.1 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Cook preparing food, by Frans Snijders. c.1610. Oil on canvas, 88.5 by 120 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
6. Still life with game and a hare, by Frans Snijders. 1612. Oil on panel, 95.5 by 125.6 cm. (Location unknown).
Attributed works:
7. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on canvas, 59 by 87 cm. (Location unknown).
Attributed works:
8. Still life of game and a tazza of grapes, by Frans Snijders. 1613. Oil on panel, 55 by 106 cm. (Location unknown).
Attributed works:
9. Larder scene with a page, by Frans Snijders. 1613. Oil on panel, 125.1 by 203.8 cm. (Location unknown).
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