Julian Stair: Memory, Materials,
Ceramics
By Ashley Thorpe. 288 pp. incl. 250 col. ills. (Yale
University Press, London and New Haven, 2024),
£40. ISBN 978–0–300–27807–1. |
:
Illustrations
Attributed works:
6. Installation view of Art, Death and the
Afterlife at the Sainsbury Centre, Norwich,
2023, showing Somatic jars, by Julian Stair.
2023. Etruria marl, carboniferous shale,
stoneware and slip, maximum height 117 cm.
(Courtesy Sainsbury Centre, Norwich).
Shōji Hamada: A Japanese Potter
in Ditchling
Ditchling Museum of Art + Craft
22nd October 2022–16th April 2023 |
:
Illustrations
Attributed works:
14. Charger,
by Shōji
Hamada. c.1923.
Stoneware
with slip trailed
decoration,
10.9 by 41 cm.
(Potteries
Museum and
Art Gallery,
Stoke-on-Trent;
exh. Ditchling
Museum of Art +
Craft).
Attributed works:
15. Teapot, by Shōji
Hamada. 1920–23.
Stoneware
with scratched
decoration with
iron tenmoku and
khaki glaze, 12 by
20 cm. (School
of Art Museum
and Galleries,
Aberystwyth
University; exh.
Ditchling Museum
of Art + Craft).
Attributed works:
16. Bottle, by
Shōji Hamada.
1923. Stoneware
with sgraffito
decoration
through cream
slip, 21.9 by 7.8 cm.
(Potteries Museum
and Art Gallery,
Stoke-on-Trent;
exh. Ditchling
Museum of Art +
Craft).
Exhibition Review
Majolica Mania: Transatlantic Pottery in England and the United States, 1850–1915
Majolica Mania: Transatlantic
Pottery in England and the
United States, 1850–1915
Edited by Susan Weber, with Catherine
Arbuthnott, Jo Briggs, Eleanor Hughes,
Earl Martin and Laura Microulis.
3 vols, 1,008 pp. incl. 1,200 col. + b. & w.
ills. (Bard Graduate Center Gallery,
New York, and the Walters Art Museum,
Baltimore, with Yale University Press,
New Haven and London, 2021), $300.
ISBN 978–0–300–25104–3. |
:
Illustrations
Attributed works:
13. Pedestal
and jardinière,
by George
Jones & Sons,
Stoke-on-Trent.
Designed c.1880.
Earthenware with
majolica glazes
and metal, height
112.9 cm. (English
Collection).
Attributed works:
14. Peacock,
designed by Paul
Comoléra for
Minton & Co.
Designed c.1873,
made 1876.
Earthenware
with majolica
glazes, height
152 cm. (English
Collection).
Attributed works:
15. ‘Japonica’
teaware and jugs,
by D.F. Haynes &
Co., Chesapeake
Pottery,
Baltimore.
c.1882–86.
Earthenware
with majolica
glazes, sugar
bowl: 12.1 by
14.7 by 11 cm.;
creamer: 9 by
12 by 10 cm.;
teapot: 16 by 18.5
by 13 cm.; tall
jug: 18.4 by 15 by
11 cm.; and small
jug: 14 by 11 by
8.5 cm. (Private
collection).
Article
A dish from the Cantagalli workshop in the British Museum
1. Iznik-style dish, marked for the Figli di Giuseppe Cantagalli workshop, Florence. c.1890–95. Tin-glazed earthenware, diameter 41 cm. (British Museum, London).
Attributed works:
2. Reverse of the dish illustrated in Fig.1, showing the cockerel mark for the Cantagalli workshop.
Attributed works:
3. Iznik-style dish with scalloped edge and floral sprays, marked for the Figli di Giuseppe Cantagalli workshop, Florence. c.1899. Tin-glazed earthenware, diameter 39 cm. (Stibbert Museum, Florence).
Attributed works:
5. Iznik-style vase, marked for the Figli di Giuseppe Cantagalli workshop, Florence. 1883. Tin-glazed earthenware, diameter 57 cm. (Stibbert Museum, Florence).
Attributed works:
8. Curiosités, by Antoine Vollon. 1868. Canvas, 264 by 192 cm. (Musée d’Orsay, Paris).
Attributed works:
9. The sixteenth-century room at Hertford House, London, looking north, by J.J.Thomson. c.1890. Photograph. (The Wallace Collection, London).
Non-western art unattributed:
4. Iznik rimless dish with flower sprays, Iznik, Ottoman Turkey. c.1550. Fritware painted in underglaze blues, green and mauve, diameter 33.6 cm. (Victoria and Albert Museum, London).
Non-western art unattributed:
6. Iznik dish with peahen amid prunus branches, Iznik, Ottoman Turkey. c.1580–90. Fritware painted in underglaze blue, green and red, diameter 47.4 cm. (Wallace Collection, London).
Western art unattributed:
7. The comte de Nieuwerkerke’s collections in his private apartments in the Louvre, unknown photographer. c.1865. Stereoscopic glass negative. (The Wallace Collection, London).
Exhibition Review
Things of Beauty Growing: British Studio Pottery. Fitzwilliam Museum, Cambridge
20. Leaning blue and white pot, by Alison Britton. 1987. Handbuilt, high-fired earthenware, painted with slip and underglaze pigment under a clear matt glaze. 48 by 35.7 cm. (Victoria and Albert Museum, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
21. Moon jar, by Akiko Hirai. 2016. Stoneware, porcelain slip, paper fibre, wood ash, and white glaze, 52 by 46 cm. (Collection of Akiko Hirai, London; exh. Fitzwilliam Museum, Cambridge).
Attributed works:
22. In praise of shadows, by Grayson Perry. 2005. Coiled stoneware, stencilled and inlaid slip, transparent glaze, handdrawn and photographic transfers, gold lustre, 80 by 50 cm. (Private collection; exh. Fitzwilliam Museum, Cambridge).
Book Review
Italian Maiolica and Europe: Medieval, Renaissance and Later Italian Pottery in the Ashmolean Museum. By Timothy Wilson
2. Dish with a composite head of penises, by Francesco Urbini. c.1536. Tin-glazed earthenware, possibly Gubbio. Diameter 23.2 cm. (Ashmolean Museum, Oxford).
La faïence de Nevers 1585–1900 |
author: Rosen, Jean
Illustrations
Attributed works:
63. Plate showing the Judgment of Paris, by Denis Lefebvre. c.1630–40. Tin-glazed ceramic, diameter 45.5 cm. (British Museum, London).
Book Review
The Leeds Pottery 1770–1881. To which is Appended an Illustrated Account of the Work of the Revivalist, J. & G.W. Senior and J.T. Morton 1880s to c.1950
The Leeds Pottery 1770–1881. To which is Appended an Illustrated Account of the Work of the Revivalist, J. & G.W. Senior and J.T. Morton 1880s to c.1950 |
author: Griffin, John D.