Die Masken von Reims: Zur Genese negativer Ausdrucksformen zwischen Tradition und Innovation (Kunstwissenschaftliche Studien, 187). By Dagmar Schmengler
Die Masken von Reims: Zur Genese
negativer Ausdrucksformen
zwischen Tradition und Innovation
(Kunstwissenschaftliche Studien, 187)
By Dagmar Schmengler. |
:
Illustrations
Western art unattributed:
2. Mask, head of a man, from the south
transept, Notre-Dame, Reims. 1201–1300.
Limestone. (Bildarchiv Foto Marburg).
74. West rood screen, Cathedral of Sts Peter and Paul, Naumburg. c.1243–49. Polychromed stone.
Western art unattributed:
75. Atlas figure, from the west portal of the Cathedral of Notre-Dame, Noyon. c.1230. Stone, 41 by 57 by 30.5 cm. (Exh. Cathedral of Sts Peter and Paul, Naumburg).
Western art unattributed:
76. Statues of benefactors of the Cathedral, traditionally called the Margrave Ekkehard and his wife, Uta. c.1243–49. Polychromed stone, 182 and 172 cm. high. (West choir, Cathedral of Sts Peter and Paul, Naumburg).
C-The Sacrifice of Abraham. Here Attributed to the Master of Naumburg. First Half of the Thirteenth Century. (Maison de Notre Dame, Strasbourg). Shorter Notices: A Relief by the Master of Naumburg
St. Martin Dividing His Cloak, Here Identified as by the Master of the Sculptures at Naumburg and Mainz. Grey Sandstone, 114 by 114 cm. (The Parish Church, Bassenheim, near Coblenz). Shorter Notices: The Relief of St. Martin at Bassenheim