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187 articles
Book Review
Johann Gottfried Schadow: Embracing Forms
04/2023 | 1441 | 165
Pages: 463-466
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Johann Gottfried Schadow: Embracing Forms Edited by Yvette Deseyve with Sintje Guericke. 320 pp. incl. 318 col. + 34 b. & w. ills. (Hirmer, Munich, 2022) £55. ISBN 978–3–7774–4087–3. | :
Illustrations
Attributed works:
10. Double statue of Princesses Luise and Friederike of Prussia, by Johann Gottfried Schadow. 1795. Plaster, height 174 cm. (Alte Nationalgalerie, Berlin).
Attributed works:
11. Tomb of Count Alexander von der Mark, by Johann Gottfried Schadow. 1788–90. Marble, 623 by 370 cm. (Nationalgalerie, Berlin).
Attributed works:
12. Frederick the Great with greyhounds, by Johann Gottfried Schadow. 1821/22, cast 1906. Bronze, 90 by 46 by 35 cm. (Alte Nationalgalerie, Berlin).
Book Review
Bayerische Staatsgemäldesammlungen / Neue Pinakothek: Katalog der Skulpturen Volume I: Die Sammlung Ludwigs I Volume II: Adolf von Hildebrand
04/2022 | 1429 | 164
Pages: 424-425
related names
Reviewer:
Ward-Jackson, Philip (Ward-Jackson, Philip; Ward-Jackson, Phillip; Jackson, Philip Ward; Ward-Jackon, Philip)
Subjects
art literature:
museums and institutions:
subjects:
Reviewed Items
subjects:
Bayerische Staatsgemäldesammlungen / Neue Pinakothek: Katalog der Skulpturen Volume I: Die Sammlung Ludwigs I By Herbert Wilhelm Rott, with an introduction by Bernhard Maaz. 352 pp. incl. 157 col. + 26 b. & w. ills. (Deutscher Kunstverlag, Berlin, 2021), £47.50. ISBN 978–3–422–98431–8. Volume II: Adolf von Hildebrand By Fabian Pius Huber, with essays by Bernhard Maaz, Joachim Kaak and Franziska Kolba. 224 pp. incl. 20 col. + 214 b. & w. ills. (Deutscher Kunstverlag, Berlin, 2021), £41. ISBN 978–3–422–98432–5. | :
Illustrations
Attributed works:
4. The net carrier, by Adolf von Hildebrand. 1886. Plaster, height 147.1 cm. (Neue Pinakothek, Munich).
Book Review
Die Bronze, der Tod und die Erinnerung. Das Grabmal des Wolfhard von Roth im Augsburger Dom
02/2022 | 1427 | 164
Pages: 214-215
related names
Reviewer:
Williamson, Paul (Williamson, Paul)
Subjects
buildings:
Reviewed Items
subjects:
Die Bronze, der Tod und die Erinnerung. Das Grabmal des Wolfhard von Roth im Augsburger Dom Edited by Gerhard Lutz and Rebecca Müller. 256 pp. incl. 113 col. + b. & w. ills. (Dietmar Klinger Verlag, Passau, 2020), €29.90. ISBN 978–3–86328–174–8. | :
Illustrations
Western art unattributed:
3. The tomb slab of Bishop Wolfhard von Roth (d.1302), signed by Otto and Conrad. Early 14th century. Bronze, 227 by 88 cm. (Augsburg Cathedral).
Book Review
Adam Kraft: Der Kreuzweg
09/2021 | 1422 | 163
Pages: 165-166
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
artists:
Reviewed Items
subjects:
Adam Kraft: Der Kreuzweg Edited by Frank Matthias Kammel. 95 pp. incl. 72 col. + b. & w. ills. (Germanisches Nationalmuseum, Nuremberg, 2018), €18. ISBN 978–3–946217–11–4. | :
Illustrations
Attributed works:
2. Third station of the Cross, Christ meets the mourning women of Jerusalem, by Adam Kraft. Late 1480s. Sandstone, 123.5 by 170 by approx. 30 cm. (Germanisches Nationalmuseum, Nuremberg).
Book Review
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture
02/2021 | 1415 | 163
Pages: 181-183
related names
Reviewer:
Luxford, Julian (Luxford, Julian)
Subjects
Reviewed Items
subjects:
Eloquent Bodies: Movement, Expression, and the Human Figure in Gothic Sculpture By Jacqueline E. Jung. 340 pp. incl. 211 col. + 322 b. & w. ills. (Yale University Press, New Haven and London, 2020), £60. ISBN 978–0–300–21401–7. | :
Illustrations
Attributed works:
3. Faces of Wise and Foolish Virgins, seen from the ground and in natural light, arranged to show heightening of emotional expressions. Magdeburg, c.1240–50. (Photographs Jacqueline E. Jung).
Exhibition Review
Ernst Barlach on the 150th anniversary of his birth
01/2021 | 1414 | 163
Pages: 70-72
related names
Reviewer:
Soika, Aya (Soika, Aya)
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Reviewed Items
subjects:
Ernst Barlach on the 150th Anniversary of his Birth Albertinum, Dresden 8th August 2020– 10th January 2021 | :
Illustrations
Attributed works:
17. Head from the Güstrow Memorial, also known as The floating one, by Ernst Barlach. 1927. Bronze, 34 by 33.5 by 25 cm. (Ernst Barlach Stiftung Güstrow; exh. Albertinum, Dresden; © SKD; photograph Oliver Killig).
Attributed works:
18. Russian beggar woman with a bowl, by Ernst Barlach. 1906. Stoneware (Mutz Ceramics), 29.1 by 30 by 23.6 cm. (Albertinum, Dresden; © SKD; photograph Oliver Killig).
Attributed works:
19. Installation view of Ernst Barlach: On the 150th Anniversary of his Birth at the Albertinum, Dresden, 2020. (© SKD; photograph Oliver Killig).
Attributed works:
20. The avenger, by Ernst Barlach. 1922. Limewood, 57.2 by 79 by 27.9 cm. (Ernst Barlach Haus – Stiftung Hermann F. Reemstma, Hamburg; exh. Albertinum, Dresden; © SKD; photograph Oliver Killig).
Article
A Bavarian pilgrimage shrine in seventeenth-century Paraguay
02/2020 | 1403 | 162
Pages: 115-125
related names
Author:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
works:
Illustrations
Attributed works:
10. Likeness of the statue of the miraculous Blessed Virgin Mary at Oettingen, by Libia Loth. Frontispiece from the patronage book of the Munich Archconfraternity of Our Blessed Lady of Altötting. 1650. Watercolours and gold on parchment, 13 by 20 cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
11. Copy of the Virgin of Altötting. Seventeenth century. Polychrome and gilded limewood, height 67cm. (Bayerisches Nationalmuseum, Munich).
Attributed works:
13. Mission church of San Miguel, Brazil (formerly Paraguay), by Giovanni Battista Primoli. 1735–45. (Photograph the author).
Attributed works:
14. Double chapel combining small-scale replicas of the Gnadenkapelle of Altötting with the Church of the Sepulchre, Jerusalem, Innichen, South Tyrol. 1653. (Photograph Wilfried Wirth / Alamy Stock Photo).
Attributed works:
2. Gnadenkapelle, Altötting, Bavaria. Begun c.770–77; nave and ambulatory begun c.1518–19. (Photograph the author).
Attributed works:
4. The Virgin of Altötting standing between the Gnadenkapelle and the original Jesuit residence, from J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
5. The Gnadenkapelle at Altötting during the Hungarian invasion of AD 910, frontispiece to J. Irsing: Historiae D. Virginis Oettinganae, Munich 1663. Engraving, 8.5 by 12.5 cm. (Private collection).
Attributed works:
6. Alten Oetingen, by Matthäus Merian. 1644. Etching, 22.8 by 31.2 cm. (British Museum, London).
Attributed works:
8. The Virgin of Altötting, by the Master of Mühldorf. 1518. Pen and black ink, heightened with white bodycolour on brown paper, 22.3 by 17.8 cm. (British Museum, London).
Attributed works:
9. A true likeness of the statue of the Blessed Virgin Mary in the ancient shrine of Altötting, by Raphael Sadeler. 1601. Engraving, 25.2 by 18.2 cm. (Staatliche Graphische Sammlung, Munich).
Western art unattributed:
1. The village of San Juan [. . .] on the Uruguay [River]. c.1753. Ink and watercolours on paper, 118 by 105 cm. (Archivo General, Simancas).
Western art unattributed:
12. Copy of the Virgin of Altötting. German, fifteenth or sixteenth century. Limewood with traces of polychromy, height 42 cm. (Bayerisches Nationalmuseum, Munich).
Western art unattributed:
15. Copy of the Virgin of Altötting (?). Seventeenth or eighteenth century. Cedar with traces of polychromy, height 50 cm. (Museu de São Miguel, Brazil).
Western art unattributed:
3. Bavarian infantry colour showing the Virgin of Altötting, the Gnadenkapelle and the holy linden tree. 1624–31. Silk, 233 by 290 cm. (Armémuseum, Stockholm).
Western art unattributed:
7. The Virgin of Altötting. Early fourteenth century. Limewood, height 64 cm. (Gnadenkapelle, Altötting).
Exhibition Review
Gothic: Paderborn Cathedral and 13th-Century Architecture in Europe. Diözesanmuseum, Paderborn
12/2018 | 1389 | 160
Pages: 1047-1049
related names
Reviewer:
Gajewski, Alexandra (Gajewski, Alexandra)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
12. Three-tower reliquary. c.1350–1400. Silver gilt, precious stones and enamels, 93.5 by 74.3 by 38.2 cm. (Domschatzkammer, Aachen; exh. Diözesanmuseum, Paderborn).
Western art unattributed:
13. Bust of an angel. c.1250–1300. Limestone, 43.2 by 41.6 by 26 cm. (Musée du Louvre, Paris; exh. Diözesanmuseum, Paderborn).
Western art unattributed:
14. Bishop crowned by angels with a mitre, from the south façade of the eastern transept of Paderborn Cathedral. Sandstone. (Photograph Ansgar Hoffmann).
Book Review
A Magnificent Faith: Art and Identity in Lutheran Germany. By Bridget Heal
03/2018 | 1380 | 160
Pages: 256
Article
Turned geometry: two masterpieces by Georg Friedel
07/2017 | 1372 | 159
Pages: 544-552
related names
Author:
Tarnai, Tibor (Tarnai, Tibor)
Author:
Weber, Dirk (Weber, Dirk)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
23. Image of a heron facing right, detail of Fig.28 (Photograph Dirk Weber)
Attributed works:
24. Georg Friedel's initials with a six-pointed star, detail of Fig.28 (Photograph Dirk Weber)
Attributed works:
25. Marcus Heiden's initials with a heron facing left, engraved on a turned ivory artefact (Staatliche Kunstsammlungen, Dresden, Grünes Gewölbe, inv. no.II 233; photograph Michael Wagner)
Attributed works:
26. Contrefait sphere, presumably by Johannes Eisenberg and Marcus Heiden. Between 1618 and 1631 (Museo degli Argenti, Palazzo Pitti, Florence, inv. Bargello 1879, no.135; photograph Massimo Listri)
Attributed works:
27. Five snuffboxes turned within a sphere. From N. Grollier de Servière: Recueil d'ouvrages curieux de mathematique et la mechanique, on description du cabinet de monsieur Grollier de Servière, 2nd ed., Paris 1751, pl.IV
Attributed works:
28. Contrefait sphere, by Georg Friedel. Before 1618 (Staatliche Kunstsammlungen Dresden, Grünes Gewölbe, inv. no.II 256; photograph Jürgen Lösel)
Attributed works:
29. A pair of interlocking spheres inside a sphere turned from a single block of ivory. From L.-E. Bergeron: Manuel du tourneur, 2nd ed., ed. P. Hamelin-Bergeron, Paris 1816, II, pl.XXIV
Attributed works:
30. The goblet with lid by Georg Friedel, shown in Fig.31, as it appeared in 1932. From J.L. Sponsel and E. Haenel: Das Grüne Gewölbe zu Dresden, Leipzig 1932, IV, pl.4, detail
Attributed works:
31. Goblet with lid, by Georg Friedel. Before 1618 (Staatliche Kunstsammlungen Dresden, Grünes Gewölbe, inv. no.II 297; photograph Jürgen Lösel)
Attributed works:
33. Goblet with lid, presumably by Johannes Eisenberg and Marcus Heiden. Between 1618 and 1631 (Museo degli Argenti, Palazzo Pitti, Florence, inv. Bargello 1879 no.56; photograph Massimo Listri)
Attributed works:
34. Detail of Fig.31 (Photograph Jürgen Lösel)
Attributed works:
35. Detail of Fig.28, two multi-layer balls turned within the hollow sphere (Photograph Michael Wagner)
Attributed works:
36. A regular octahedron where each face is subdivided into three equal kites (deltoids). From W. Jamnitzer: Perspectiva Corporum Regularium, Nuremberg 1568, p.E.V.
Western art unattributed:
22. Stamp seal of the market town of Essing. Sixteenth century (Germanisches Nationalmuseum, Nuremberg, inv. no.SiSt 178; photograph Monika Runge)
Western art unattributed:
32. Multi-layer ball, artist unknown. Probably first half of the seventeenth century (Historisches Museum, Frankfurt, inv. no.hmf.X23737; photograph Uwe Dettmar)
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