The Invention of the Renaissance: the Humanist, the Prince and the Artist, Bibliothèque national de France, 20 February16 June 2024.
Les arts en France sous Charles VII, Musée de Cluny – Musée national du Moyen Âge, 12 March–16 June 2024.
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Illustrations
Attributed works:
1. Jacopo Antonio Marcello, attributed to Jacopo Bellini. 1453.
Tempera on parchment, 18.7 by 13 cm. (Bibliothèque national
de France, Paris, MS 940, fol.38v).
Attributed works:
2. Frontispiece. (From Giovanni Michele Nagonio: De laudibus Galliae,
Rome c.1500.) Ink and tempera on parchment, 27 by 16 cm. (Bibliothèque
national de France, Paris, MS latin 8132, fols.8v–9r).
Attributed works:
3. St John on Patmos from the Hours of Frederick III, by Jean
Bourdichon, Giovanni Todeschino and the Master of Claude de France.
1501–02. Tempera on parchment, 24.5 by 15.5 cm. (Bibliothèque national
de France, Paris, MS latin 10532, p.62).
Attributed works:
4. Manuscript binding, by Étienne Roffet. c.1542–43. Gilt-tooled leather,
33.5 by 23 cm. (Bibliothèque national de France, Paris, MS latin 6866,
upper cover).
Attributed works:
5. So-called dais of Charles VII, perhaps after a design by Jacob
de Littemont. c.1430–40. Wool and silk, 292 by 285 cm. (Musée
du Louvre, Paris).
Attributed works:
6. Supplicant in prayer, excised leaf of the Collins Hours, by the Master
of the Collins Hours. c.1445–50. Tempera and ink on parchment, 18.5
by 12.5 cm. (Musée de Cluny–Musée national du Moyen Âge, Paris, MS
Cl.23945).
Attributed works:
7. Detail of the central panel of the Aix Triptych showing the books
on the Virgin’s lectern, by Barthélemy d’Eyck. 1443–44. Oil on panel.
(Sainte-Madeleine, Aix-en-Provence; photograph the author).