Figures du fou: Du Moyen Âge aux
Romantiques
Musée du Louvre, Paris
16th October 2024–3rd February 2025 |
:
Illustrations
Attributed works:
16. Towel rail
showing a fool
embracing
a woman,
by Arnt van
Tricht. c.1535.
Polychromed oak,
44.3 by 46.8 by
30 cm. (Museum
Kurhaus Kleve;
exh. Musée du
Louvre, Paris).
Attributed works:
17. Illustration of
Psalm 52, from the
Psalter of Jean
de France, duc de
Berry, illuminated
by Jacquemart
de Hesdin. c.1386.
Illumination
on parchment,
25 by 19 cm.
(Bibliothèque
nationale de
France, Paris, MS
13091, fol.106; exh.
Musée du Louvre,
Paris).
Attributed works:
18. Ship of fools,
by Hieronymus
Bosch. c.1505–15.
Oil on panel, 58
by 33 cm. (Musée
du Louvre,
Paris).
Book Review
The Radical Print: Art and Politics
in Late Eighteenth-Century Britain
The Radical Print: Art and Politics
in Late Eighteenth-Century Britain
By Esther Chadwick. 248 pp. incl. 200 col. +
b. & w. ills. (Paul Mellon Centre, London,
2024), £45. ISBN 978–1–913107–43–7. |
:
Exhibition Review
In Your Wildest Dreams: Ensor Beyond Impressionism
and
Ensor’s States of Imagination
Ensor’s States of Imagination
Plantin-Moretus Museum, Antwerp
28th September 2024–19th January
2025 |
:
subjects:
In Your Wildest Dreams: Ensor
Beyond Impressionism
Royal Museum of Fine Arts,
Antwerp
28th September 2024–19th January
2025 |
:
Illustrations
Attributed works:
22. Self-portrait
with flowered
hat, by James
Ensor. 1888. Oil
on canvas, 76.5
by 61.5 cm. (Mu.
ZEE, Ostend;
exh. Royal
Museum of Fine
Arts, Antwerp).
Attributed works:
23. Temptation
of St Anthony,
by James
Ensor. 1887.
Coloured pencil
and scraping,
graphite,
charcoal, crayon,
coloured chalk
and watercolour
with cut and
pasted elements
on fifty-one
sheets of paper
laid on canvas,
179.5 by 154.7 cm.
(Art Institute
of Chicago; exh.
Royal Museum
of Fine Arts,
Antwerp).
Attributed works:
24. Pride from
the series Seven
deadly sins, by
James Ensor.
1904. Coloured
etching on paper,
9.3 by 14.6 cm.
(Museum of Fine
Arts, Ghent; exh.
Plantin-Moretus
Museum,
Antwerp).
Exhibition Review
The Legacy of Vesuvius: Bourbon
Discoveries on the Bay of Naples
The Legacy of Vesuvius: Bourbon
Discoveries on the Bay of Naples
Meadows Museum, Dallas
15th September 2024–5th January
2025 |
:
Illustrations
Attributed works:
16. Plate with
dancing maenad,
Real Fabbrica
Ferdinandea di
Napoli. 1780–82.
Polychromed
porcelain,
diameter 24.5
cm. (Museo e
Real Bosco di
Capodimonte,
Naples; exh.
Meadows
Museum, Dallas).
Attributed works:
17. Fan design
with views of
Mount Vesuvius
and the Tomb of
Virgil, probably
from the
workshop of
Giorgio Glass.
c.1790–1800.
Opaque
watercolour
on vellum, 30.5
by 50.8 cm.
(Metropolitan
Museum of
Art, New York,
exh; Meadows
Museum, Dallas).
Attributed works:
18. Wall painting
fragments with
dancing maenads
from the Villa of
Cicero, Pompeii.
1st quarter of
the 1st century
CE. Pigment on
plaster, 27 by
71.2 cm. (Museo
Archeologico
Nazionale di
Napoli; exh.
Meadows
Museum, Dallas).
Contact: Art and the Pull of Print
By Jennifer L. Roberts. 232 pp. incl. 117 col. + 14
b. & w. ills. (Princeton University Press, 2024),
£35. ISBN 978–0–691–25585–9. |
:
Exhibition Review
Yoshida: Three Generations
of Japanese Printmaking
Yoshida: Three Generations
of Japanese Printmaking
Dulwich Picture Gallery, London |
:
Illustrations
Attributed works:
16. Kumoi
cherry trees,
by Hiroshi
Yoshida. 1926.
Woodblock
print, ink
and colour
on paper,
53.9 by 70.7
cm. (Fukuoka
Art Museum
Collection,
Japan; exh.
Dulwich
Picture Gallery,
London).
Attributed works:
17. Camouflage,
by Yoshida Toshi.
1985. Woodblock
print, ink and
colour on paper,
64.4 by 41.7
cm. (Fukuoka
Art Museum
Collection,
Japan; exh.
Dulwich Picture
Gallery, London).
Connecting Worlds: Artists
and Travel
Edited by Stephanie Buck and Anita
Viola Sganzerla with the assistance of
Jane Boddy. 274 pp. incl. 200 col. ills.
(Staatliche Kunstsammlungen Dresden
and Paul Holberton Publishing, London,
2023), £45. ISBN 978–1–913645–48–9. |
:
Illustrations
Attributed works:
10. The artist
sketching
while trapped
in a crevasse,
by Eugène
Emmanuel Violletle-
Duc. 1870.
Watercolour
and gouache on
paper, 22.9 by
13.3 cm. (Private
collection).
Attributed works:
11. The Colosseum
seen from the
Palatine Hill,
Rome, by Carlo
Labruzzi. Late
1760s–1780s.
Pen and ink,
watercolour
and graphite on
paper, 37.5 by
54 cm. (Private
collection).
Guercino: Il mestiere del pittore
Musei Reali, Turin
23rd March–28th July |
:
Illustrations
Attributed works:
6. Madonna of
the Rosary with
St Dominic and
St Catherine
of Siena, by
Guercino. 1637.
Oil on canvas,
378 by 255 cm.
(S. Domenico,
Turin; exh. Musei
Reali, Turin).
Attributed works:
7. Diana, by
Guercino. 1646.
Oil on canvas,
102 by 84 cm.
(Fondazione
Marini Clarelli
Santi, Perugia;
exh. Musei Reali,
Turin).
Attributed works:
8. Study for St
William kneeling
and dressed
in armour, by
Guercino. 1620.
Charcoal on
paper, 62 by 41.3
cm. (Musei di
Strada Nuova,
Genoa; exh.
Musei Reali,
Turin).
Thinking Small: Dutch Art
to Scale
Museum of Fine Arts, Boston
18th November 2023 –3rd November
2024 |
:
Illustrations
Attributed works:
4. Floral still
life, by Dirck van
Rijswijck. 17th
century. Oak
panel, ebony,
rosewood,
mother-of-pearl
and African
blackwood, 43.7
by 33.5 cm.
(Museum of Fine
Arts, Boston).
Attributed works:
5. Tromp l’oeil,
by Cornelis
Norbertus
Gijsbrechts.
1663. Oil on
canvas, 73.7
by 86.4 cm.
(Museum of Fine
Arts, Boston).
The Invention of the Renaissance: the Humanist, the Prince and the Artist, Bibliothèque national de France, 20 February16 June 2024.
Les arts en France sous Charles VII, Musée de Cluny – Musée national du Moyen Âge, 12 March–16 June 2024.
|
:
Illustrations
Attributed works:
1. Jacopo Antonio Marcello, attributed to Jacopo Bellini. 1453.
Tempera on parchment, 18.7 by 13 cm. (Bibliothèque national
de France, Paris, MS 940, fol.38v).
Attributed works:
2. Frontispiece. (From Giovanni Michele Nagonio: De laudibus Galliae,
Rome c.1500.) Ink and tempera on parchment, 27 by 16 cm. (Bibliothèque
national de France, Paris, MS latin 8132, fols.8v–9r).
Attributed works:
3. St John on Patmos from the Hours of Frederick III, by Jean
Bourdichon, Giovanni Todeschino and the Master of Claude de France.
1501–02. Tempera on parchment, 24.5 by 15.5 cm. (Bibliothèque national
de France, Paris, MS latin 10532, p.62).
Attributed works:
4. Manuscript binding, by Étienne Roffet. c.1542–43. Gilt-tooled leather,
33.5 by 23 cm. (Bibliothèque national de France, Paris, MS latin 6866,
upper cover).
Attributed works:
5. So-called dais of Charles VII, perhaps after a design by Jacob
de Littemont. c.1430–40. Wool and silk, 292 by 285 cm. (Musée
du Louvre, Paris).
Attributed works:
6. Supplicant in prayer, excised leaf of the Collins Hours, by the Master
of the Collins Hours. c.1445–50. Tempera and ink on parchment, 18.5
by 12.5 cm. (Musée de Cluny–Musée national du Moyen Âge, Paris, MS
Cl.23945).
Attributed works:
7. Detail of the central panel of the Aix Triptych showing the books
on the Virgin’s lectern, by Barthélemy d’Eyck. 1443–44. Oil on panel.
(Sainte-Madeleine, Aix-en-Provence; photograph the author).