museums and institutions:
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or
1756. Pen, black ink, brown and grey washes and watercolour on paper,
19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably
1755. Pen, brown ink, grey and brown washes and watercolour on paper,
15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis
Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes
and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum,
St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen,
black ink, grey and brown washes and watercolour on paper, 16.4 by
19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau.
1757. Pencil, grey and brown washes with watercolour on paper, 19.6
by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink,
grey and brown washes and watercolour on paper, 16.6 by 31.5 cm.
(Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757.
Pen, brown ink, grey and brown washes and watercolour on paper, 16.5
by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen,
brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm.
(Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and
brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque
nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi
dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph,
16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by
Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on
paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg).
b. Detail of inscription by the artist on Vue de Traou en Dalmathie,
by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper,
17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
c. Detail of inscription by the artist on Traou en Dalmathie, by Charles-
Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown
washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque
nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen,
black and brown ink, grey and brown washes and watercolour on paper,
12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen,
black ink, grey and brown washes and watercolour on paper, 12.6
by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and
brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque
nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782
(drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm.
(Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757.
Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage
Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and
brown ink, grey and brown washes and watercolour on paper, 34 by 22
cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis
Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown
washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France,
Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755.
Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm.
(Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau.
c.1750–55. Pen and brown wash, brush and brown and grey wash on
paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau.
Undated, probably 1755. Pencil, brown, blue and grey washes and pencil
framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor
Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper,
43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).