The Invention of the Renaissance: the Humanist, the Prince and the Artist, Bibliothèque national de France, 20 February16 June 2024.
Les arts en France sous Charles VII, Musée de Cluny – Musée national du Moyen Âge, 12 March–16 June 2024.
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:
Illustrations
Attributed works:
1. Jacopo Antonio Marcello, attributed to Jacopo Bellini. 1453.
Tempera on parchment, 18.7 by 13 cm. (Bibliothèque national
de France, Paris, MS 940, fol.38v).
Attributed works:
2. Frontispiece. (From Giovanni Michele Nagonio: De laudibus Galliae,
Rome c.1500.) Ink and tempera on parchment, 27 by 16 cm. (Bibliothèque
national de France, Paris, MS latin 8132, fols.8v–9r).
Attributed works:
3. St John on Patmos from the Hours of Frederick III, by Jean
Bourdichon, Giovanni Todeschino and the Master of Claude de France.
1501–02. Tempera on parchment, 24.5 by 15.5 cm. (Bibliothèque national
de France, Paris, MS latin 10532, p.62).
Attributed works:
4. Manuscript binding, by Étienne Roffet. c.1542–43. Gilt-tooled leather,
33.5 by 23 cm. (Bibliothèque national de France, Paris, MS latin 6866,
upper cover).
Attributed works:
5. So-called dais of Charles VII, perhaps after a design by Jacob
de Littemont. c.1430–40. Wool and silk, 292 by 285 cm. (Musée
du Louvre, Paris).
Attributed works:
6. Supplicant in prayer, excised leaf of the Collins Hours, by the Master
of the Collins Hours. c.1445–50. Tempera and ink on parchment, 18.5
by 12.5 cm. (Musée de Cluny–Musée national du Moyen Âge, Paris, MS
Cl.23945).
Attributed works:
7. Detail of the central panel of the Aix Triptych showing the books
on the Virgin’s lectern, by Barthélemy d’Eyck. 1443–44. Oil on panel.
(Sainte-Madeleine, Aix-en-Provence; photograph the author).
Gold
British Library, London
20th May–2nd October |
:
Illustrations
Attributed works:
7. Qur’an of
Sultan Uljaytu.
1310–11. Colour
on gold leaf on
parchment,
57 by 40 cm.
(British Library,
London, Or 4945,
fol.1v–2r).
Attributed works:
8. Chapter 8
from the Lotus
Sutra. Japan,
1636. Gold and
silver ink on
indigo-dyed
paper, 27.5 by
57.5 cm. (British
Library, London,
Or 13926).
Attributed works:
9. Detail from
the Carmina
regia (‘Address
of the City
of Prato to
Robert of
Anjou’), showing
Robert of Anjou
enthroned.
Tuscany,
c.1335–40.
Colour and gold
on parchment,
48 by 34 cm.
(British Library,
London, Royal
MS 6 E.IX,
fol.10v).
Book Review
Medieval Illumination: Manuscript Art from England and France, 700–1200
Medieval Illumination: Manuscript Art
from England and France, 700–1200
By Kathleen Doyle and Charlotte Denoël. 176 pp.
incl. 80 col. ills. (British Library, London, 2019),
£10. ISBN 978–0–7123–5327–4. |
:
Illustrations
Attributed works:
2. Initial ‘B’ of the word beatus introducing the
psalm ‘Blessed is the man’ (Psalm 1:1), from
a Glossed Psalter. England, c.1150. (British
Library, London; MS Additional 17392).
Book Review
Illuminated Manuscripts and Incunabula in Cambridge. A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part V, Illuminated Incunabula. Volume one, Books Printed in Italy before 1501. By Azzurra Elena Andriolo and Suzanne Reynolds
Illuminated Manuscripts and Incunabula in Cambridge. A Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part V, Illuminated Incunabula. Volume one, Books Printed in Italy before 1501. By Azzurra Elena Andriolo and Suzanne Reynolds |
:
Illustrations
Attributed works:
3. Page from Argonautica, by Apollonius
Rhodius, edited by Janus Lascaris, Florence
1496. (Trinity College, Cambridge, MS
VI.18.38, f.α2r).
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Book Review
The Look of the Book. Manuscript production in Shiraz, 1303–1452, E. Wright
Turkish Bookbinding in the 15th Century. The Foundation of an Ottoman Court Style |
author: Raby, Julian
, author: Stanley, Tim
, author: Tanindi, Zeren
Book Review
Humanists and Bookbinders. The Origins and Diffusion of the Humanistic Book-Binding, 1459-1559, with a Census of Historiated Plaquette and Medallion Bindings of the Renaissance
Humanists and Bookbinders. The Origins and Diffusion of the Humanistic Book-Binding, 1459-1559, with a Census of Historiated Plaquette and Medallion Bindings of the Renaissance |
author: Hobson, A. R. A.
Book Review
Gold-Tooled Bookbindings Commissioned by Trinity College, Dublin in the Eighteenth Century. (Studies in the History of Irish Bookbinding: 1)
Gold-Tooled Bookbindings Commissioned by Trinity College, Dublin in the Eighteenth Century. (Studies in the History of Irish Bookbinding: 1) |
author: Healy, Patrick
, author: McDonnell, Joseph