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2 articles
Article
John Savile Lumley and Velázquez’s ‘Christ after the flagellation contemplated by the Christian soul’
10/2010 | 1291 | 152
Pages: 660-664
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related names
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Velázquez, Diego
collectors and dealers:
Savile, John, First Baron Savile of Rufford, 1818-1896
museums and institutions:
National Gallery, London, Great Britain
print:
Velázquez, Diego
print:
Savile, John, First Baron Savile of Rufford, 1818-1896
subjects:
Provenance / Gifts / Donations / Biographies / Collections, Public
subjects:
Jesus Christ: Flagellation
Illustrations
Attributed works:
11. Christ after the flagellation contemplated by the Christian soul, by E.J. Poynter after Diego Velázquez. Etching. From A. Jameson: The History of Our Lord as Exemplified in Works of Art . . ., London 1864, II, opposite p.82.
Attributed works:
8. Christ after the flagellation contemplated by the Christian soul, by Diego Velázquez. c.1628. Canvas, 165 by 206 cm. (National Gallery, London).
Attributed works:
9. John Savile Lumley, 1st Lord Savile of Rufford. Photographed by Luchetti of Rome. c.1883–88. From Black and White 12 (12th December 1896), p.752.
Western art unattributed:
10. Sir John Crampton. Photographer unknown. c.1870. (Crampton-Gore Papers, Centre for the Study of Irish Art, National Gallery of Ireland, Dublin).
Article
Nineteenth-Century British Envoys in Spain and the Taste for Spanish Art in England
02/1989 | 1031 | 131
Pages: 117-126
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related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
collectors and dealers:
Williams, Julian Benjamin
collectors and dealers:
Meade, John, 1775-1849
collectors and dealers:
Savile, John, First Baron Savile of Rufford, 1818-1896
dates:
1800-1899
places:
Spain / England
subjects:
Spanish painting / Documents / Critical Reception
subjects:
Diplomats / Envoys
subjects:
Collecting / Art market
Illustrations
Attributed works:
38. Two Galician Women at a Window, by Bartolomé Esteban Murillo. C.1670. 124 by 104 cm. (Widener Collection, National Gallery of Art, Washington).
Attributed works:
39. St Francis at His Devotions, or in Meditation, by Francisco de Zurbarán. 1639. 162 by 137 cm. (National Gallery, London).
Attributed works:
40. Still Life with Game Fowl, by Pedro de Camprobín. 1653. 68.6 by 76.8 cm. (Meadows Museum, Dallas).
Attributed works:
41. Self-Portrait, by Murillo. Engraved by H. Allard for Vol. II of William Stirling's Annals of the Artists of Spain (London, 1848).
Attributed works:
42. Martyrdom of St Serapion, by Francisco de Zurbarán. 1628. 120 by 103 cm. Originally in the De Profundis Chamber in the Mercedarian Monastery at Seville. (Wadsworth Atheneum, Hartford).
Attributed works:
44. Christ at the Column or Christ after the Flagellation Contemplated by the Christian Soul, by Diego Velázquez. 165 by 206 cm. (National Gallery, London).
Attributed works:
45. Old Man on a Swing, by Goya. Etching, Burnished with Aquatint and/or Lavis. 1824-28. 18.5 by 12 cm. John Savile Lumley Acquired Two Copper Plates with This and Three Other Etchings by Goya, Probably from Valentin Carderera. Impressions Were Made for Him in the Calcografia in Madrid in 1859.
Western art unattributed:
37. Graph to Show Imports of Paintings from Spain and Gibraltar, 1800-50.
Western art unattributed:
43. Penitent Magdalen or An Allegory of Repentance. c.1650. 158.7 by 203.8 cm. (Stirling-Maxwell Collection).