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11 articles
Article
Edward Burne-Jones, William Morris, Dante Gabriel ­Rossetti, Harry Ward and illuminated manuscripts
09/2015 | 1350 | 157
Pages: 599-601
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
art literature:
Ward, Henry Leigh Douglas, 1825-1906
artists:
Burne-Jones, Edward / Morris, William / Rossetti, Dante Gabriel
dates:
1830-1859
subjects:
Illuminated manuscripts / Pre-Raphaelite / Pre-Raphaelite Brotherhood / Visual sources / Copying / Romance literature
Illustrations
Attributed works:
1. Jane Morris's jewel box, by Dante Gabriel Rossetti, Eizabeth Siddall and Philip Webb. Before 1862 (Society of Antiquaries of London, Kelmscott Manor)
Attributed works:
2. Collected Works of Christine de Pizan ('The Book of the Queen'), by the Master of the Cité des Dames. c.1410-c.1414 (British Library, London, Harleian MS 4431, fol.376r, detail)
Article
John Savile Lumley and Velázquez’s ‘Christ after the flagellation contemplated by the Christian soul’
10/2010 | 1291 | 152
Pages: 660-664
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Velázquez, Diego
collectors and dealers:
Savile, John, First Baron Savile of Rufford, 1818-1896
museums and institutions:
National Gallery, London, Great Britain
print:
Velázquez, Diego
print:
Savile, John, First Baron Savile of Rufford, 1818-1896
subjects:
Provenance / Gifts / Donations / Biographies / Collections, Public
subjects:
Jesus Christ: Flagellation
Illustrations
Attributed works:
11. Christ after the flagellation contemplated by the Christian soul, by E.J. Poynter after Diego Velázquez. Etching. From A. Jameson: The History of Our Lord as Exemplified in Works of Art . . ., London 1864, II, opposite p.82.
Attributed works:
8. Christ after the flagellation contemplated by the Christian soul, by Diego Velázquez. c.1628. Canvas, 165 by 206 cm. (National Gallery, London).
Attributed works:
9. John Savile Lumley, 1st Lord Savile of Rufford. Photographed by Luchetti of Rome. c.1883–88. From Black and White 12 (12th December 1896), p.752.
Western art unattributed:
10. Sir John Crampton. Photographer unknown. c.1870. (Crampton-Gore Papers, Centre for the Study of Irish Art, National Gallery of Ireland, Dublin).
Article
Dante Gabriel Rossetti’s ‘Hamlet and Ophelia’ and its patron
04/2009 | 1273 | 151
Pages: 219-223
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Rossetti, Dante Gabriel
collectors and dealers:
Rae, George / Squarey, Andrew Tucker
dates:
1860-1869
museums and institutions:
Ashmolean Museum, Oxford, Great Britain
print:
Rossetti, Dante Gabriel
subjects:
British painting / Pre-Raphaelite / Pre-Raphaelite Brotherhood / Patronage / Watercolours / Hamlet / Patrons / Collectors
subjects:
Collections, Private / Collections, Public / Biographies
Illustrations
Attributed works:
20. Hamlet and Ophelia, by Dante Gabriel Rossetti. 1866. Watercolour and gum arabic, 38.7 by 28.4 cm. (Ashmolean Museum, Oxford).
Attributed works:
22. Hamlet and Ophelia, by Dante Gabriel Rossetti. c.1854. Pencil on pale grey paper, 19.8 by 13.7 cm. (Birmingham City Museum and Art Gallery).
Attributed works:
23. Hamlet and Ophelia, by Dante Gabriel Rossetti. 1858. Pen and ink, 31 by 27 cm. (British Museum, London).
Attributed works:
24. Hamlet and Ophelia, by Dante Gabriel Rossetti. Mid-1850s. Pen and brown ink and wash, 25.8 by 10 cm. (British Museum, London).
Attributed works:
25. The first madness of Ophelia, by Dante Gabriel Rossetti. 1864. Watercolour, 40 by 29.7 cm. (Oldham Art Gallery and Museum).
Attributed works:
26. Hamlet and Ophelia, by Dante Gabriel Rossetti. 1865 or 1866. Pen and brown ink, 17.4 by 12.6 cm. (Birmingham City Museum and Art Gallery).
Western art unattributed:
21. Anonymous photograph of Andrew Tucker Squarey (1821–1900). From B.G. Orchard: Liverpool’s Legion of Honour, Birkenhead 1893.
Letter
Not by Daniel Maclise
03/2009 | 1272 | 151
Pages: 169
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Maclise, Daniel / Selous, Henry Courtney
print:
Maclise, Daniel
subjects:
Correspondence / Attributions / Attribution
Illustrations
Attributed works:
42. Here identified as The first impression: Guttemberg [sic] shewing to his wife his first experiment in printing from moveable types, supposed to have been the Bible printed in 1450–60, by Henry Courtney Selous. c.1850. Canvas, 102 by 142 cm. (Merrion Hotel, Dublin).
Attributed works:
43. The first impression: Guttemberg [sic] shewing to his wife his first experiment in printing from moveable types, supposed to have been the Bible printed in 1450–60, woodblock engraving after Henry Courtney Selous. Illustrated London News (23rd March 1850), p.200.
Short Notice
The exhibition in Dublin of Géricault’s ‘Raft of the Medusa’
05/2008 | 1262 | 150
Pages: 325-326
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related names
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Géricault, Théodore
dates:
1820-1829
places:
Dublin / Ireland
print:
Géricault, Théodore
subjects:
Exhibitions
subjects:
Reviews
works:
Raft of the Medusa (Louvre, Paris)
Article
John Constable and the Royal Hibernian Academy in 1834, with an unpublished letter to Martin Cregan
10/2007 | 1255 | 149
Pages: 685-689
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Constable, John
artists:
Cregan, Martin
dates:
1800-1839
museums and institutions:
Royal Hibernian Academy, Dublin, Ireland
places:
Dublin / Ireland
print:
Constable, John
subjects:
Exhibitions
subjects:
Academies
subjects:
British painting / Irish painting
subjects:
Correspondence
Illustrations
Attributed works:
33. Francis Johnston, his wife and two nephews, by Martin Cregan. c.1827. Canvas, 97.7 by 80.3 cm. (Ulster Museum, Belfast).
Attributed works:
34. Dedham Vale, by John Constable. 1828. Canvas, 144.5 by 122 cm. (National Gallery of Scotland, Edinburgh).
Article
Lord Egremont and Flaxman's 'St Michael Overcoming Satan'
06/2001 | 1179 | 143
Pages: 351-359
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related names
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Flaxman, John
dates:
1750-1849
patrons:
Wyndham, George O'Brien, Third Earl of Egremont, 1751-1837
places:
England
subjects:
British sculpture / Marbles
subjects:
Michael the Archangel, Saint / Devil
Illustrations
Attributed works:
39. St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).
Attributed works:
40. St Michael Overcoming Satan, by John Flaxman. Plaster, 77.8 cm. (Victoria and Albert Museum, London).
Attributed works:
41. St Michael Overcoming Satan, by John Flaxman. Plaster, 335.3 cm. (University College, London).
Attributed works:
42. St Michael, by Raphael. 268 by 160 cm. (Musée du Louvre, Paris).
Attributed works:
43. Academy Drawing of a Prone Figure, by John Flaxman. Pencil on Paper, 15.5 by 36.8 cm. (Victoria and Albert Museum, London).
Attributed works:
44. Detail of Fig.39. [St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).]
Attributed works:
45. The Archangel Michael Leaving Adam and Eve after Having Conducted Them Out of Paradise, by Thomas Phillips. 186 by 137 cm. (The Lord Egremont).
Attributed works:
46. Detail of Fig.39. [St Michael Overcoming Satan, by John Flaxman. Marble, 335.3 cm. (Petworth House, The Egremont Collection, The National Trust).]
Article
Isambard Kingdom Brunel's 'Shakespeare Room'
02/1995 | 1103 | 137
Pages: 108-118
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Author:
Faberman, Hilarie (Faberman, Hilarie)
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Leslie, Charles Robert
artists:
Egg, Augustus Leopold
artists:
Horsley, John Callcott
artists:
Callcott, Augustus Wall
artists:
Cope, Charles West
artists:
Landseer, Edwin
artists:
Lee, Frederick Richard
artists:
Stanfield, Clarkson
dates:
1800-1899
patrons:
Brunel, Isambard Kingdom
places:
England
sources:
Shakespeare, William
subjects:
British painting / Patronage
subjects:
Documents
Illustrations
Attributed works:
59. Isambard Kingdom Brunel, by John Callcott Horsley. c. 1857. 91.5 by 70.5 cm. (National Portrait Gallery, London).
Attributed works:
60. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c.1848-49. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
61. Sketch for Installation of Brunel's Shakespeare Room, by Isambard Kingdom Brunel. c. 1850. Pencil on Graph Paper, 30.5 by 19 cm. (Brunel Collection, University Library, Bristol).
Attributed works:
62. Jacques and the Stag, by F. R. Lee. 86 by 122 cm. (Sold, Sotheby's, London, 30th March 1982, lot 27).
Attributed works:
63. Macbeth and the Witches, by Clarkson Stanfield. 1850. 80 by 132 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
64. Titania and Bottom, by Edwin Landseer. 82 by 133 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
65. Queen Catherine of Aragon and Capucius, by Charles Robert Leslie. 1849-50. 60.9 by 81.3 cm. (Mead Art Museum, Amherst).
Attributed works:
66. Hermione (Mrs Charles Keane), by Charles Robert Leslie. 1856. 73.7 by 50.8 cm. (Royal Shakespeare Picture Gallery and Museum, Stratford-upon-Avon).
Attributed works:
67. Launce's Substitute for Proteus's Dog, by Augustus Leopold Egg. 1849. 54.9 by 79.4 cm. (Leicestershire Museum and Art Gallery).
Attributed works:
68. Taste, by Abraham Bosse. 1635. Engraving, 25.7 by 32.6 cm. (Smith College Museum of Art, Northampton, MA).
Short Notice
A Note on Hubert Le Sueur and Isaac Besnier
08/1993 | 1085 | 135
Pages: 532-534
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
artists:
Le Sueur, Hubert
artists:
Besnier, Isaac
dates:
1600-1649
patrons:
Manners, Katherine, Duchess of Buckingham, d. 1649
places:
England
subjects:
French sculpture / British sculpture / Documents
subjects:
Patronage
Illustrations
Attributed works:
10. Monument to the Duke and Duchess of Buckingham in King Henry VII's Chapel, Westminster Abbey, London, by Hubert le Sueur and Isaac Besnier. Begun c.1631, Installed 1634. Engraving from John Dart's Westmonasterium..., London [1723].
Attributed works:
11. Detail of the Monument to the Duke and Duchess of Buckingham Showing the Marble Group of the Buckingham Children, Here Attributed to Isaac Besnier. (King Henry VII Chapel, Westminster Abbey, London).
Attributed works:
12. Monument to Sir Richard Shuckburgh (d.1656), by Peter Bennier. (Church of St John the Baptist, Upper Shuckburgh, Warwickshire).
Short Notice
An Unpublished Inventory of the Hamilton Collection in the 1620s and the Duke of Buckingham's Pictures
08/1992 | 1073 | 134
Pages: 524-526
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Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
collectors and dealers:
Hamilton, James, Second Marquess of Hamilton, 1589-1625
collectors and dealers:
Villiers, George, First Duke of Buckingham, 1592-1628
dates:
1600-1649
places:
England / Italy
subjects:
Collections, Private / Italian painting
subjects:
Documents / Inventories
Illustrations
Attributed works:
36. Baptism of Christ, by Guido Reni. 223.4 by 186.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
37. Lion hunt, by Peter Paul Rubens. 249 by 377 cm. (Alte Pinakothek, Munich).
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