By using this website you agree to our Cookie policy

Search

7 articles
Article
Lord Grantham and the Taste for Velázquez: 'The Electrical Eel of the Day'
10/1999 | 1159 | 141
Pages: 598-605
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Author:
Harris, Enriqueta (E. H; E. E. H) (Harris, Enriqueta (E. H; E. E. H); Frankfort, Enriqueta Harris; H., E.; Frankfort, Enriqueta; H., E. E.)
Author:
Russell, Francis (Russell, Francis; Russell, F.)
Subjects
dates:
places:
Illustrations
Attributed works:
11. Thomas Robinson, 2nd Baron Grantham, by Anton Raphael Mengs. (Newby Hall, Yorkshire).
Attributed works:
12. Copy of Velázquez's Philip IV on Horseback, by Wenceslaus Pohl. 57 by 54 cm. (Private Collection).
Attributed works:
13. Copy of Velázquez's Queen Isabel of Bourbon on Horseback, by Wenceslaus Pohl. 57 by 54.6 cm. (Private Collection).
Attributed works:
14. Copy of Velázquez's Conde-Duque de Olivares on Horseback, by Wenceslaus Pohl. 56.8 by 45 cm. (Private Collection).
Attributed works:
15. Copy of Velázquez's Las Meninas, by Wenceslaus Pohl. 60.6 by 52 cm. (Private Collection).
Attributed works:
16. Copy of Murillo's Christ and St John the Baptist as Children, by Agustín Esteve. 127 by 130.8 cm. (The National Trust, Saltram, Devon).
Attributed works:
17. Copy of Murillo's Holy Family, by Agustín Esteve. 127 by 128 cm. (The National Trust, Saltram, Devon).
Western art unattributed:
18. Group of Men under an Archway, Pastiche after Velázquez. 78 by 93 cm. (Private Collection).
Article
Spanish Inventory References to Paintings by Goya, 1800-1850: Originals, Copies and Valuations
02/1994 | 1091 | 136
Pages: 100-110
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
32. Cat up a Tree, by Francisco de Goya. 1788. 42 by 15.5 cm. (Private Collection).
Attributed works:
33. Yard in a Madhouse, by Francisco de Goya. Tinplate, 43.8 by 32.7 cm. (Meadows Museum, Dallas).
Attributed works:
34. Brigand Murdering a Woman, by Francisco de Goya. 41.5 by 31.8 cm. (Marqués de la Romana, Madrid).
Attributed works:
35. Majas on a Balcony, Attributed to Francisco de Goya. 194.8 by 125.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
37. Majas on a Balcony, Attributed to Eugenio Lucas but Possibly by Leonardo Alenza. 54 by 74 cm. (Formerly Bernardo Marín del Campo, Madrid).
Attributed works:
38. The Bookseller's Wife (or Young Lady Wearing a Mantilla and Basquiña), by Francisco de Goya. 109.5 by 77.5 cm. (National Gallery of Art, Washington).
Attributed works:
39. Tres ruedas de salmón, by Francisco de Goya. 44 by 62 cm. (Oskar Reinhart Collection, Winterthur).
Attributed works:
40. Heap of Corpses, Attributed to Francisco de Goya. 20 by 28 cm. (Formerly Lázaro Galdiano Collection, Madrid).
Attributed works:
41. Women Attacking Soldiers, Attributed to Francisco de Goya. 20 by 28 cm. (Formerly Traumann Collection, Madrid).
Western art unattributed:
36. Majas on a Balcony, (Manolas vestidas de majas?), after Francisco de Goya. 194 by 128 cm. (Formerly Groult Collection, Paris).
Article
Nineteenth-Century British Envoys in Spain and the Taste for Spanish Art in England
02/1989 | 1031 | 131
Pages: 117-126
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
collectors and dealers:
collectors and dealers:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
38. Two Galician Women at a Window, by Bartolomé Esteban Murillo. C.1670. 124 by 104 cm. (Widener Collection, National Gallery of Art, Washington).
Attributed works:
39. St Francis at His Devotions, or in Meditation, by Francisco de Zurbarán. 1639. 162 by 137 cm. (National Gallery, London).
Attributed works:
40. Still Life with Game Fowl, by Pedro de Camprobín. 1653. 68.6 by 76.8 cm. (Meadows Museum, Dallas).
Attributed works:
41. Self-Portrait, by Murillo. Engraved by H. Allard for Vol. II of William Stirling's Annals of the Artists of Spain (London, 1848).
Attributed works:
42. Martyrdom of St Serapion, by Francisco de Zurbarán. 1628. 120 by 103 cm. Originally in the De Profundis Chamber in the Mercedarian Monastery at Seville. (Wadsworth Atheneum, Hartford).
Attributed works:
44. Christ at the Column or Christ after the Flagellation Contemplated by the Christian Soul, by Diego Velázquez. 165 by 206 cm. (National Gallery, London).
Attributed works:
45. Old Man on a Swing, by Goya. Etching, Burnished with Aquatint and/or Lavis. 1824-28. 18.5 by 12 cm. John Savile Lumley Acquired Two Copper Plates with This and Three Other Etchings by Goya, Probably from Valentin Carderera. Impressions Were Made for Him in the Calcografia in Madrid in 1859.
Western art unattributed:
37. Graph to Show Imports of Paintings from Spain and Gibraltar, 1800-50.
Western art unattributed:
43. Penitent Magdalen or An Allegory of Repentance. c.1650. 158.7 by 203.8 cm. (Stirling-Maxwell Collection).
Obituary
Xavier de Salas
10/1982 | 955 | 124
Pages: 633-634
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
art literature:
dates:
Short Notice
Goya and Van Veen. An Emblematic Source for Some of Goya's Late Drawings
08/1977 | 893 | 119
Pages: 566+568-571
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
artists:
dates:
places:
sources:
Illustrations
Attributed works:
47. Page 60 of Goya's Bordeaux Album. G. (Formerly Gerstenberg Collection, Berlin; Destroyed 1945).
Attributed works:
48. Page 123 of the 1672 Edition of Emblemata Horatiana (First Published 1607), Emblems by Otto Vaenius and Spanish Commentary.
Attributed works:
49. Page 62? of Goya's Sepia Drawings, Album F. (Formerly Gerstenberg Collection, Berlin; Destroyed 1945).
Attributed works:
50. [Van Veen], Teatro moral de toda la filosofía, 1672 Edition, Emblem 58. Courtesy Victoria and Albert Museum Library.
Attributed works:
51. Los Desastres de la guerra, 69, by Francisco de Goya.
Attributed works:
52. [Van Veen], Teatro moral de toda la filosofía, 1672 Edition, Emblem 103. Courtesy Victoria and Albert Museum Library.
Article
The Strange Translation of Goya's 'Black Paintings'
07/1975 | 868 | 117
Pages: 464-477+479
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
dates:
museums and institutions:
places:
places:
subjects:
Illustrations
Attributed works:
48. Photograph of Goya's Doña Leocadia, by J. Laurent. (Witt Collection, Courtauld Institute of Art).
Attributed works:
49. Photograph of Goya's Doña Leocadia after Restoration, by J. Laurent. From Glass Negative in Possession of Ruiz Vernacci, Madrid.
Attributed works:
50. Photograph of Water-Colour Copy of Goya's Doña Leocadia, by J. Laurent.
Attributed works:
51. Photograph of Goya's Dog, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
52. Photograph of Goya's Witches' Sabbath, by J. Laurent. First and Second Fragments.
Attributed works:
53. The Witches' Sabbath, by Goya as It Is Today. (Museo del Prado, Madrid).
Attributed works:
54. Photograph of Goya's Saturn, by J. Laurent. From Calleja's 449 reproducciones... (1924).
Attributed works:
55. Photograph of Goya's Judith, by J. Laurent. From Calleja's 449 reproducciones... (1924).
Attributed works:
56. Photograph of Goya's Two Monks, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
57. Photograph of Goya's Festival of San Isidoro, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
58. Photograph of Goya's Two Old People Eating, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
59. Photograph of Goya's Atropos or The Fates, by J. Laurent. From Calleja's 449 reproducciones... (1924).
Attributed works:
60. Photograph of Goya's Duel with Cudgels, by J. Laurent. From Calleja's 449 reproducciones... (1924).
Attributed works:
61. Photograph of Goya's Men Reading, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
62. Woodcut after Goya's Men Reading, by C. Maurand, from C. Yriarte's Goya (1867).
Attributed works:
63. Etching after Goya's Men Reading, by E. Gimeno (1868).
Attributed works:
64. Photograph of Goya's Two Young People and a Man, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
65. Photograph of Goya's The Holy Office, by J. Laurent. (Witt Collection, Courtauld Institute of Art).
Attributed works:
66. Photograph of Goya's The Holy Office after Restoration, by J. Laurent. From Glass Negative in Possession of Ruiz Vernacci, Madrid.
Attributed works:
67. Photograph of Goya's Asmodea, by J. Laurent (?). From Calleja's 449 reproducciones... (1924).
Attributed works:
68. Photograph of Goya's Asmodea after Restoration, by J. Laurent. Glass Negative in Possession of Ruiz Vernacci, Madrid.
Article
Goya and England in the Nineteenth Century
01/1964 | 730 | 106
Pages: 4-14
related names
Author:
Glendinning, Nigel (Glendinning, Nigel)
Subjects
collectors and dealers:
collectors and dealers:
dates:
places:
subjects:
subjects: