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3 articles
Book Review
‘Loth et ses filles’ de Simon Vouet
05/2006 | 1238 | 148
Pages: 345-346
related names
Reviewer:
Loire, Stéphane (Loire, Stéphane)
Subjects
artists:
dates:
museums and institutions:
print:
Reviewed Items
subjects:
‘Loth et ses filles’ de Simon Vouet | editor: Jacquot, Dominique , editor: Kazerouni, Guillaume
Illustrations
Attributed works:
38. Penitent Magdalene, here attributed to Charles Mellin. c.1625–27. Canvas, 241 by 171 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
39. Christ in the Garden of Olives, here attributed to Charles Poerson. Canvas, c.1638–40. 134 by 67 cm. (Musée Quesnel-Morinière, Coutances).
Article
'Amber Varnish' and Orazio Gentileschi's 'Lot and His Daughters'
01/2001 | 1174 | 143
Pages: 4-10
related names
Author:
Carr, Dawson W. (Carr, Dawson W.; Carr, Dawson)
Author:
Khandekar, Narayan (Khandekar, Narayan)
Author:
Leonard, Mark (Leonard, Mark)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Lot and His Daughters, by Orazio Gentileschi. c. 1622. 151.8 by 189.2 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Macro-Detail (16x) of the Sky at the Upper Right in Fig.1, during Treatment. Note the Bright Blue Colour of the Sky Where the Old Varnish Layer Is Missing.
Attributed works:
11. Ultraviolet Fluorescence Photomicrograph of a Cross-Section Sample from the Red Drapery in Fig.1. Note the Thin Ribbon of White, Fluorescent Material at the Lower Portion of the Section, Which May Indicate That the Lower Layer Was 'Oiled out' with a Varnish Mixture.
Attributed works:
2. Danaë, by Orazio Gentileschi. c. 1622. 159.4 by 226.7 cm. (Richard L. Feigen Collection, New York).
Attributed works:
3. St Mary Magdalen in Penitence, by Orazio Gentileschi. c. 1622. 149.5 by 183 cm. (Private Collection).
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4. X-Radiograph of Fig.1.
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5. Detail of Fig.1, Showing Gold Cup.
Attributed works:
6. Detail of Lot's Leg in Fig.1, before Cleaning.
Attributed works:
7. Detail of the Neck of One of the Daughters in Fig.1, during Treatment. Note the Boundary at the Chin; The Older Varnish Layer is Missing to the Left of This Border.
Attributed works:
8. Detail of the Rocks at the Centre of the Composition in Fig.1, during Treatment. Note the Light, Blue-Grey Colour of the Cleaning Test at the Centre.
Attributed works:
9. Ultraviolet Fluorescence Photomicrograph of a Cross-Section Sample from the Rocks at the Upper Left in Fig.1. Note the Fluorescent (i.e. White) Varnish Coating Which Does Not Span the Small Crack in the Section.
Short Notice
A New Acquisition by the Hermitage Museum: Joachim Wtewael's 'Lot and His Daughters'
09/1991 | 1062 | 133
Pages: 619-622
related names
Author:
Sokolova, Irina (Sokolova, Irina)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
68. Lot and His Daughters, by Joachim Wtewael. 163.6 by 212 cm. (State Hermitage Museum, Leningrad).
Attributed works:
69. Lot and His Daughters, by Joachim Wtewael. 165 by 208 cm. (County Museum of Art, Los Angeles).
Attributed works:
70. Lot and His Daughters, by Joachim Wtewael. Copper, 15.5 by 20.5 cm. (State Hermitage Museum, Leningrad).
Attributed works:
71. Detail of the Landscape in Fig. 68, before Restoration. [Lot and His Daughters, by Joachim Wtewael. 163.6 by 212 cm. (State Hermitage Museum, Leningrad).]
Attributed works:
72. View of a Main Hall in the Lazarev Palace, by P. V. Tutukin. 55 by 46 cm. (State Hermitage Museum, Leningrad).