Attributed works:
[ Ader Tajan, 12 Rue Favart, Paris ] Alberto Giacometti, Buste New York II. Epreuve 3/8. 47 cm. High. « Caroline à la robe rouge ». Oil on Canvas. Signed and Dated 1965. 130×90 cm. « La cage ». Epreuve 5/8. 90 cm High.
Attributed works:
[ Arte Antica Galleries of Canada, Kelowna, Canada ] Lelio Orsi da Novellara (1511-1587), The Walk to Emmaus, c. 1554. Black Ink on Brown-Tinted Paper
Attributed works:
[ Arte Antica Galleries of Canada, Kelowna, Canada ] Marten de Vos (1532-1603), The Last Judgement or The Roman Catholic Triumph Over The Protestant Heresy. Oil on Canvas: 235 × 178cm (92½ × 70in), Monogrammed, c. 1598
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio Bandinelli (1493-1560). A Study for One of the Planned Series of Marble Reliefs of Scenes from the Book of Genesis Designed by Bandinelli for the Octagonal recinto in Florence Cathedral. With Inscription 'B.o Bandinelli.'; Black Chalk, Pen and Brown Ink, 296 × 272mm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Augustin Pajou (1730-1809). Terracotta Statuette of General Espivent. Height: 50cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco de' Rossi, Called Salviati (1510-1563). The Inauguration of the Temple. Pen and Brown Ink and Wash, Heightened with White, on Light Brown Paper. (285 × 430 mm.) 11¼ × 17 in.
Attributed works:
[ Cover ] Conversation, by Bridget Riley. 1992. Oil on Linen. 87 by 121.7 cm. (Karsten Schubert, London).
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Wine-decanter engraved with putti. Nuremberg, c. 1725. Engraver: Anton Wilhelm Mäuerl, mount hallmarked Nümberg, mastermark HIH (R3 4268), probably Johann (Hans) Jacob Hanias, born 1676, master 1692, died 1741. Colourless glass, engraved. On either side of the flattened bowl engraved with putti-scene on latticed pelmet consoles allegorizing autumn: kneeling putto with fruit basket under baldachin, flanked by cornucopia-like vases with fruits. Opposite: putto with fishing-rod, leaning against a barrel, flanked by reed and pilasters, crowned by ornament with two birds. Cover with thumb-piece and foot-ring of gilt silver. Height 33.7 cm.
Attributed works:
[ Jardine Insurance Brokers International Ltd ] By Kind Permission of Malcolm Innes Gallery
Attributed works:
[ Maggs Bros. Limited, 50 Berkeley Square, London ] A Fine Illuminated Miniature of the Deposition from the Cross, Signed "N. G." at the Foot, the Signature of Nikolaus Glockendon, the Most Outstanding South German Miniaturist of the Early 16th Century and a Member of the Dürer Circle. c. 1525-1530. Size of Leaf: 264 × 193 mm. (Size of Miniature: 240 × 174 mm.)
Attributed works:
[ Paul Prouté S.A., 74 rue de Seine, Paris ] Giovanni Battista Paggi (Genoa 1554 + 1627). Mystical Vision of the Crucifixion by Two Sainted Monks. Pen and Brown Ink, Brown Wash on Preparatory Drawing in Black Chalk, 418 × 271.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St james, London / 49 East 68th Street, New York ] Abraham Bloemaert, The Four Fathers of the Latin Church Discussing the Eucharist, 1632 Oil on Canvas, 82 by 61 Inches (210 by 155 cm.) Signed, Lower Right: "A. Bloemaert, fe./1632"
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Master of the Holy Blood. Active Bruges First Quarter of the 16th Century. The Adoration of the Magi. Oil on Panel, Shaped Tops. Center Panel 93.3 × 65.3 cm Wings 93.3 × 25.0 cm
Attributed works:
[ Sam Fogg, 14 Old Bond Street, London ] Simon Bening (Bruges 1483/4 - 1555). The Death of the Virgin. Page on Vellum from an Illuminated Book of Hours. 137×99 mm.
Western art unattributed:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Draughtsman. Britain or Scandinavia. Mid- XIIth Century Walrus Ivory, Diam. 6,8 cm
