advertisements:
Brun Fine Art, London
/ Robilant and Voena, London, Great Britain
/ TEFAF (Maastricht)
/ Tomasso Brothers Fine Art, Leeds, Great Britain
/ Lullo Pampoulides (dealer), London, Great Britain
/ Kunstkammer Georg Laue, Munich, Germany
/ Walter Padovani (dealer), Milan, Italy
/ São Roque-antiguidades E Galeria De Arte, Lisbon, Portugal
/ Sydney L. Moss Ltd., London, Great Britain
/ Trinity Fine Art Ltd, London, Great Britain
/ Aguttes (auction house), Neuilly-sur-Seine, France
/ Burzio, London, Great Britain
/ London Original Print Fair
/ Kunsthaus Zürich, Zürich, Switzerland
/ Venator & Hanstein KG (auction house), Cologne, Germany
/ Artcurial, Paris, France
/ Galleria Stanza del Borgo, Milan, Italy
/ Arnoldi-Livie (dealer), Munich, Germany
/ Master Drawings London
/ Paul Prouté S.A. (gallery), Paris, France
/ Salon du dessin, Paris, France
/ Charles Ratton & Guy Ladrière, Paris, France
/ Marty de Cambiaire, Paris
/ Jean-Luc Baroni, London, Great Britain
/ Galerie Alexis Bordes, Paris, France
/ Minerva Magazine
/ Tate Britain, London, Great Britain
/ Peter Finer (antique arms), London, Great Britain
/ Irish Arts Review
/ Daguerre (auction house), Paris, France
/ Galerie Koller (auctioneers), Zurich, Switzerland
/ Simon Dickinson, London, Great Britain
/ Daniel Katz Ltd (dealers), London, Great Britain
/ Didier Aaron, Inc, New York, United States
/ Day and Faber, London, Great Britain
/ Rafael Valls, London, Great Britain
/ The-saleroom.com
/ Dorotheum (auction house), Vienna, Austria
/ Frits Lugt Collection, Fondation Custodia, Paris, France
/ Andrew Clayton-Payne, London, Great Britain
/ Hazlitt Gallery, London, Great Britain
Attributed works:
A Greek horseman fighting a
lion, by Antoine-Charles-
Horace Vernet, called Carle
Vernet (1758–1836). 1789.
Black pencil, grey wash with
stumping and chalk
highlights on prepared
paper, 38 by 33 cm.
[DIDIER AARON & CIE, PARIS]
Attributed works:
Allegory of touch, by
Michiel Sweerts
(1618–64). Oil on
canvas, 75 by 60 cm.
[ROBILANT + VOENA,
LONDON]
Attributed works:
An artichoke, by Jacques le Moyne de
Morgues (1533–88). Watercolour and
gouache on paper, 14 by 10.1 cm.
[STEPHEN ONGPIN FINE ART, LONDON]
Attributed works:
An exceptional Mughal-style pale celadon jade ‘chrysanthemum’ dish
Qing dynasty, Qianlong period (1736–1795)
Dimensions: 15 cm. (6 in.) diameter
Provenance: A private American collection. [Littleton and Hennessy Asian Art]
Attributed works:
Antoine Coypel (1661-1722)
Study for an Allegory to the Glory of Louis XIV
Black chalk, red chalk and white chalk
11,8 x 16,7 in.[Aguttes]
Attributed works:
Anton Raphaël MENGS
The Judgment of Paris
Pen and brown ink, brown wash and white highlights
Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Antonio Gai (Venice 1686- c. 1769) Bust of A Bailo (Giovanni Emo), c. 1730. White Carrara Marble, 96 x 65 x 32 cm. (Brun Fine Art]
Attributed works:
Antonio Verrio The Sea Triumph of Charles II c.1674 (detail)
Royal Collection Trust / Her Majesty Queen Elizabeth II 2019. [Tate Britain British Baroque exhibition]
Attributed works:
Bust of Georges-Louis Leclerc, Comte de Buffon and Bust of Jean-Jacques
Rousseau, by Jean Antoine Houdon (1741–1828). 1789 and 1788 respectively.
Marble, height 29 cm and 26.7 cm.
[DANIEL KATZ GALLERY, LONDON]
Attributed works:
Christ resurrected,
by Alessandro Algardi
(1598–1654).
Terracotta,
height 52 cm.
[WALTER PADOVANI,
MILAN]
Attributed works:
CLAUDE GELLÉE called LE LORRAIN
Chamagne 1600 or 164/1605 – Rome 1682
Moses and the Burning Bush
Black chalk and brown wash. Framing lines in brown ink.
Autograph inscription on the verso:
‘Claudio Gillee Dito il lorenses 1663 fecit’ and by a later hand
at the bottom under the framing line ‘F. PRODIGO’.
195 x 255 mm (711 ̸16 x 10 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Composition with two women, by Charles Edouard Jeanneret, called Le Corbusier (1887–1955). 1937.
Ink and gouache on paper, 20.5 by 30.5 cm.
[BRAME & LORENCEAU, PARIS]
Attributed works:
Domenico Cresti, known as il Passignano (1556–1638)
Jesus among the Doctors, Black chalk 290 x 216 mm.
Provenance: ignazio Hugford (Florence 1703–1778), his mount in green and grey [Stanza del Borgo]
Attributed works:
DOMENICO PIERATTI
(Florence 1600 – Rome 1656)
Bust of Young Marcus Aurelius
Marble; overall height 90 cm
[WALTER PADOVANI]
Attributed works:
DOMENICO PULIGO
Florence 1492–1527
Portrait of Agnolo di Taddeo di Agnolo Gaddi
Oil on panel
Inscribed (on the upper edge): ‘GNOLO DI TADDEO DI AGN: GADDI’
(the family seal in red wax on the back of the panel)
37.6 x 48 cm (143 ̸4 x 187 ̸8 in.) [Jean-Luc Baroni & Marty de Cambiaire]
Attributed works:
Edgar Degas (Paris 1834 – 1917 Paris)
Buste de danseuse, c. 1896
Black chalk, 40 x 59 cm
Atelier stamp, lower left: ‘Degas’ (Lugt 658)
Study for Lemoisne 1246 [Galerie Arnoldi-Livie]
Attributed works:
Edificio universal, by
Joaqu n Torres-Garc a
(1874–1949). 1931. Oil
on canvas, 72 by 65 cm.
[GALERIA SUR, LA BARRA,
PUNTA DEL ESTE]
Attributed works:
Federico Barocci (1528–1612)
Tête d’un homme barbu, le regard tourné
vers le bas, et étude de main
Pierre noire, sanguine et craie blanche
sur papier beige. – 407 x 269 mm
[Fondation Custodia, Collection
Frits Lugt, Paris]
Attributed works:
Fernand Léger / Blaise Cendrars
La fin du monde filmée par l’Ange N.-D.
Paris 1919 [Venator and Hanstein]
Attributed works:
Francesco FURINI
(1603 - 1646)
Study of a nude man holding a stick
black and red chalk, 210 x 136 mm [Galerie Paul Prouté]
Attributed works:
Giuseppe Cesari, called Cavaliere d’Arpino, A Sabine woman defends herself against an attacking Roman, 1635/36 [Kunsthaus Zürich]
Attributed works:
Giuseppe Cesari, called the Cavaliere d’Arpino
(Arpino 1558 –Rome 1640) [Hazlitt]
Attributed works:
HANNS ULRICH FRANCK
(Kaufbeuren 1603 –1680 Augsburg)
Hercules, Nessus and Deianira
Black and white chalk on beige paper; 212 mm (diam.)
[Martin Grässle and Florian Härb]
Attributed works:
Ignaz Stern.
The Nativity with the Adoration of the Shepherds.
Oil on canvas. 102.2 141.5 cm [Koller]
Attributed works:
Jan Brueghel II, An Allegory of Tulipmania, (detail)
25.5 x 35.5 cm, €250,000 – 350,000. [Dorotheum]
Attributed works:
Jean-Antoine WATTEAU
Studies of women seated (recto)
Red chalk
Estimate: 40 000 – 60 000 € [Artcurial]
Attributed works:
Joseph Vivien (1657-1734)
Portrait of Madeleine-Geneviève Guillieaumon, n e Dupuis
c. 1722
Pastel on paper laid down on canvas
79 x 64 cm. (31 1/8 x 25 3/16 in.)[Galerie Alexis Bordes]
Attributed works:
Judith and Holofernes,
by Francesco Furini
(1604–46). c.1642.
Oil on canvas,
129 by 93 cm.
[ROB SMEETS
OLD MASTER PAINTINGS,
GENEVA]
Attributed works:
Jusepe de RIBERA (J tiva 1591 - Naples 1652)
The Mathematician
Canvas. 100 75,5 cm. Estimate: 200 000 / 300 000 €. [Daguerre]
Attributed works:
Memento mori relief,
by Christoph Daniel
Schenck (1633–91).
c.1685. Ivory,
height 6 cm.
[KUNSTKAMMER GEORG
LAUE, MUNICH AND
LONDON]
Attributed works:
MICHELANGELO ANSELMI
(Lucca 1491 – Parma 1554)
The coronation of the Virgin
black and white chalks on blue paper, 22.5 x 28.3 cm. [CHARLES RATTON & GUY LADRIÈRE]
Attributed works:
Peasant woman in front of a farmhouse, by Vincent van Gogh (1853–90).
1885. Oil on canvas, 62.9 by 112.4 cm.
[DICKINSON GALLERY, LONDON AND NEW YORK]
Attributed works:
Pyramids, by Victor Hugo (1802–85).
Pen and brush with brown ink and wash, 23 by 37.5 cm.
[ARNOLDI-LIVIE, MUNICH]
Attributed works:
Rain, by Georges Seurat (1859–91).
Conté pencil on Ingres paper, 23.8 by 30.2 cm.
[W.M. BRADY, NEW YORK]
Attributed works:
Reclining male nude, by Egon Schiele (1890–1918). 1910.
Watercolour and pencil on paper, 31 by 43 cm.
[W&K-WIENERROITHER & KOHLBACHER, VIENNA]
Attributed works:
Rest on the flight into
Egypt, by Pompeo
Batoni (1708–87). Oil on
canvas, 63 by 48 cm.
[TRINITY FINE ART,
LONDON]
Attributed works:
Saddled horse, seen in profile, by Bénigne Gagneraux (1756–95).
Oil on canvas, 62 by 75 cm.
[JEAN-LUCBARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Attributed works:
Sebastiano Ricci
The battle of the Lapiths and the Centaurs
(detail)[Trinity Fine Art]
Attributed works:
Shepherd and his sheep,
by Charles-Emile
Jacque (1813–94).
Charcoal and white
chalk, 43.9 by 36.3 cm.
[GALERIE PAUL
PROUTÉ, PARIS]
Attributed works:
St Sebastian,
by Claude Dejoux
Vadans (1732–1816).
c.1778–79. Terracotta,
height 35.2 cm.
[LULLO PAMPOULIDES,
LONDON]
Attributed works:
Study of a male nude seated
on a plinth, by Taddeo Zuccari
(1529–66). Red chalk on ivory
laid paper, 39.6 by 26.5 cm.
[ROMANO FINE ART, FLORENCE]
Attributed works:
The Alessandri
pietre dure table,
attributed to
Dernadino
Buontalenti
(1531–1608), Grand
Ducal workshops,
Florence. c.1600.
Hard stones and
giltwood (base),
length 107 cm.
[BURZIO, LONDON]
Attributed works:
The Bonzanigo self-portrait, G.M Bonzanigo, 'Microscultura' relief in carved lime wood, walnut, tulipwood, ebony and fruitwood, Turin, 1786-7. The Alessandrini Table. Another Florentine 'pietre dure and pietre tenere inlaid marble table top, probably to a design of Bernardino Buontalenti, Florence, c. 1600.[Burzio]
Attributed works:
The fallen roofer, François Bonvin (1817–87). 1876.
Black and red chalk on paper, 36.5 by 17.5 cm.
[MARTIN GRÄSSLE & FLORIAN HÄRB, MUNICH]
Attributed works:
The glutton, by Henri de
Toulouse-Lautrec (1864–
1901). 1892. Graphite on
paper with artist’s stamp,
16.3 by 10 cm.
[GALERIE AB, PARIS]
Attributed works:
Théodore GÉRICAULT
Double sided sheet of male nude studies
Pen and brown ink
Estimate: 25 000 – 35 000 € [Artcurial]
Attributed works:
Weapon handling: ‘drop
the pike against your right
foot and draw the sword’ ,
by Jacques de Gheyn II
(1565–1629). Black pencil,
pen and black ink
and gray wash. Incised
for transfer.
[HABOLDT PICTURA,
PARIS]
Attributed works:
Woman combing her hair, the letter, by Edgar Degas (1834–1917).
Charcoal on paper, laid down on board, 56.3 by 62.2 cm.
[JEAN-LUC BARONI, LONDON AND MARTY DE CAMBIAIRE, PARIS]
Non-western art unattributed:
Head of a smiling
immortal. China, late
Ming dynasty (16th–
17th century).
Red sandstone,
height 25 cm.
[SYDNEY L. MOSS LTD,
LONDON]
Non-western art unattributed:
J B
Ceylon (Sri Lanka), 17th century – first half
Prov.: S.P. collection, Oporto [Sao Roque]
Non-western art unattributed:
Namban Into
Nippo-Portuguese, Momoyama period (1573 – 1603)
Height: 10.0 cm [Sao Roque]
Non-western art unattributed:
Reliquary figure.
Kota people, Obamba
group, Gabon (19th
century). Wood,
copper, brass and
iron, height 56.5 cm.
[GALERIE BERNARD
DULON]
Non-western art unattributed:
Shawabti of
Tchahorpate, son of
Tefnout. Egypt, late
period, Dynasty XXX,
reign of Nectanebo II
(360–342 BC). Faience,
height 26 cm.
[THE MERRIN GALLERY,
INC., NEW YORK]
Non-western art unattributed:
Yakushi Norai, 11th to 12th century, Heian period (794-1185). Height (figure): 141 cm. [Sidney L. Moss Ltd]
Western art unattributed:
An Exceptionally Fine,
Important, and Unusually Large
German Three-Quarter Field Armour
Probably Made for Heinrich I
Duke of Brunswick-Wolfenbüttel,
Brunswick, c. 1560. [Peter Finer]
Western art unattributed:
Crucifixion with the Virgin and Saint John the Evangelist
Late 16th/ early 17th century, bronze, on an ebonized
wood and pietre dure base, 123 x 51 x 21 cm.[Robilant and Voena]
Western art unattributed:
Head of the young
Lucius Verus (after
the antique). North
Italian, first quarter
of the 16th
century. Bronze,
height (including
socle) 64 cm.
[TOMASSO FINE ART,
LONDON AND LEEDS]
Western art unattributed:
Renaissance cutlery in its case in the form of a trout, Italian, c. 1570. Length 34 cm
[Kunstkammer Georg Laue]
