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Advertisements July 1994 (front)
07/1994 | 1096 | 136
Pages: i-xii
Subjects
subjects:
Illustrations
Attributed works:
[ Ader Tajan, 12 Rue Favart, Paris ] Alberto Giacometti, Buste New York II. Epreuve 3/8. 47 cm. High. « Caroline à la robe rouge ». Oil on Canvas. Signed and Dated 1965. 130×90 cm. « La cage ». Epreuve 5/8. 90 cm High.
Attributed works:
[ Arte Antica Galleries of Canada, Kelowna, Canada ] Lelio Orsi da Novellara (1511-1587), The Walk to Emmaus, c. 1554. Black Ink on Brown-Tinted Paper
Attributed works:
[ Arte Antica Galleries of Canada, Kelowna, Canada ] Marten de Vos (1532-1603), The Last Judgement or The Roman Catholic Triumph Over The Protestant Heresy. Oil on Canvas: 235 × 178cm (92½ × 70in), Monogrammed, c. 1598
Attributed works:
[ Arturo Cuellar, Bürglistrasse 18, Zurich ] Baccio Bandinelli (1493-1560). A Study for One of the Planned Series of Marble Reliefs of Scenes from the Book of Genesis Designed by Bandinelli for the Octagonal recinto in Florence Cathedral. With Inscription 'B.o Bandinelli.'; Black Chalk, Pen and Brown Ink, 296 × 272mm.
Attributed works:
[ Charles Ratton & Guy Ladrière, 14 rue de Marignan and 11 quai Voltaire, Paris ] Augustin Pajou (1730-1809). Terracotta Statuette of General Espivent. Height: 50cm
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St. Honoré, Paris / 21 East 67th Street, New York ] Francesco de' Rossi, Called Salviati (1510-1563). The Inauguration of the Temple. Pen and Brown Ink and Wash, Heightened with White, on Light Brown Paper. (285 × 430 mm.) 11¼ × 17 in.
Attributed works:
[ Cover ] Conversation, by Bridget Riley. 1992. Oil on Linen. 87 by 121.7 cm. (Karsten Schubert, London).
Attributed works:
[ Glass Gallery Michael Kovacek, Spiegelgasse 12, Vienna ] Wine-decanter engraved with putti. Nuremberg, c. 1725. Engraver: Anton Wilhelm Mäuerl, mount hallmarked Nümberg, mastermark HIH (R3 4268), probably Johann (Hans) Jacob Hanias, born 1676, master 1692, died 1741. Colourless glass, engraved. On either side of the flattened bowl engraved with putti-scene on latticed pelmet consoles allegorizing autumn: kneeling putto with fruit basket under baldachin, flanked by cornucopia-like vases with fruits. Opposite: putto with fishing-rod, leaning against a barrel, flanked by reed and pilasters, crowned by ornament with two birds. Cover with thumb-piece and foot-ring of gilt silver. Height 33.7 cm.
Attributed works:
[ Jardine Insurance Brokers International Ltd ] By Kind Permission of Malcolm Innes Gallery
Attributed works:
[ Maggs Bros. Limited, 50 Berkeley Square, London ] A Fine Illuminated Miniature of the Deposition from the Cross, Signed "N. G." at the Foot, the Signature of Nikolaus Glockendon, the Most Outstanding South German Miniaturist of the Early 16th Century and a Member of the Dürer Circle. c. 1525-1530. Size of Leaf: 264 × 193 mm. (Size of Miniature: 240 × 174 mm.)
Attributed works:
[ Paul Prouté S.A., 74 rue de Seine, Paris ] Giovanni Battista Paggi (Genoa 1554 + 1627). Mystical Vision of the Crucifixion by Two Sainted Monks. Pen and Brown Ink, Brown Wash on Preparatory Drawing in Black Chalk, 418 × 271.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St james, London / 49 East 68th Street, New York ] Abraham Bloemaert, The Four Fathers of the Latin Church Discussing the Eucharist, 1632 Oil on Canvas, 82 by 61 Inches (210 by 155 cm.) Signed, Lower Right: "A. Bloemaert, fe./1632"
Attributed works:
[ Rob Smeets, Via Camperio 9, Milan ] Master of the Holy Blood. Active Bruges First Quarter of the 16th Century. The Adoration of the Magi. Oil on Panel, Shaped Tops. Center Panel 93.3 × 65.3 cm Wings 93.3 × 25.0 cm
Attributed works:
[ Sam Fogg, 14 Old Bond Street, London ] Simon Bening (Bruges 1483/4 - 1555). The Death of the Virgin. Page on Vellum from an Illuminated Book of Hours. 137×99 mm.
Western art unattributed:
[ Brimo de Laroussilhe, 11 rue de Lille, Paris ] Draughtsman. Britain or Scandinavia. Mid- XIIth Century Walrus Ivory, Diam. 6,8 cm
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Advertisements October 1982 (Front)
10/1982 | 955 | 124
Pages: i-xliv
Subjects
advertisements:
advertisements:
advertisements:
artists:
artists:
subjects:
Illustrations
Attributed works:
[ Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm ] An Early Meissen Chinoiserie Tea and Coffee Service, Gilders's Mark 16 (Bowl 55), Circa 1725
Attributed works:
[ Agnew, 43 Old Bond Street, London ] Claude Lorrain A Group of Trees in Sunlight Pen and Brown Wash Inscribed and Dated 1633 248 × 190 mm
Attributed works:
[ Baskett & Day 173 New Bond Street, London ] William Alexander (1767-1816) Hadleigh Church, Barnet Pencil and Colour Wash, 250 × 182 mm
Attributed works:
[ Christopher Mendez, 51 Lexington Street, London ] J. E. Liotard. Self Portrait. A Counterproof of an Unfinished State of Liotard's Etching of c.1733 (Tilanus 1).
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, Belgravia ] Dante Gabriel Rossetti Mrs William Morris, Reclining on a Sofa. Dated 26 July 1870 Pencil Drawing 12½ × 16½ Inches
Attributed works:
[ Christopher Wood Gallery, 15 Motcomb Street, Belgravia ] Sir William Quiller Orchardson Study of a Seated Woman Chalk Drawing on Buff Paper 26 × 29½ inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] Bronzino 1503-1572. Portrait of a Man, Panel: 109 × 85 cms.
Attributed works:
[ Cover ] Detail from Chirk Aqueduct, by John Sell Cotman. Pencil and Water-Colour on Laid Paper. (Victoria and Albert Museum).
Attributed works:
[ D.S. Lavender, 63 South Molton Street, Brook Street, London ] A Rare Double Sided Miniature of Charles I and Henrietta Maria School of Alexander Cooper in Contemporary Gold and Enamel Frame, Circa 1640
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Jacob Esselens. Signed. Canvas, 45 × 65 cms
Attributed works:
[ Enrico Gamberucci, Spitalgasse 9/11, Zurich ] Giovanni Battista Paggi/Genoa 1554-1627 Jeux d'enfants. Red Chalk with Sepia, 180 × 250 mm
Attributed works:
[ Fischer Fine Art Limited, 30 King Street, St James's, London ] Thomas Jeckyll
Attributed works:
[ French & Company, 17 East 65th Street, New York ] Francisco Goya the Annunciation Canvas, 16¼ × 10¼ in.
Attributed works:
[ Galerie Gruenwald, Residenzstr. 13/III. Eingang Gotischer Hof., Munich ] J. H. Schönfeld (1609-1683) The Rape of the Sabine Women. Oil on Canvas 110 × 160 cm.
Attributed works:
[ Galerie Grunewald, Munich ] Jacob Philipp Hackert (1737 Prenzlau - 1807 S. Piero di Careggio) View of the Solfatara and the Bay of Pozzuoli with Cape Miseno and the Isle of Ischia in the Background. Oil on Canvas, 117 × 165 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Collection of 18th Century Zurich Porcelain and Faiences.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Commode, Louis XV, by Matthäus Funk, about 1769, Berne. Root Walnut.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Jacob van Ruisdael (Haarlem about 1628-1682 Amsterdam). Oil on Canvas, Signed. 52 × 63 cm. Provenance: Colnaghi, London 1925; Burle Collection, Zurich.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Meissen, 1735/40.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Pablo Picasso (Malaga 1881-1973 Mougins). Femme au chignon. Lithography, 1957. One of 50. Signed. Bloch 853.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Violin by J. B. Guadagnini, Cremona 1758, with Certificate of W. Moennig + Son.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Auguste Rodin (Paris 1840-1917 Meudon). Femme Accroupie. Bronze. Signed. Alexis Rudier Fondeur, Paris. 32 cm (12¾ in.). Prov. Galerie Beyeler, Basle.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Höchst, 18th Century/Ludwigsburg, 18th Century.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Pierre-Auguste Renoir. "Jeune fille au chapeau à fleurs", 1917. Oil on Canvas, Signed. 32 × 28 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Violin by Ferdinand Gagliano, with Certificate of J. A. Beare.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Carl Spitzweg (1808 Munich 1885). "Der Antiquar". Oil on Canvas, Signed. 54 × 32 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Harpsichord by H. Mahieu, Brussels 1732.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Tea and Coffee Service in Original Case, Meissen, 18th Century.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Travailleuse, Louis XV, Signed Delorme (Adrien Delorme-Faizelot, Master 1748), Paris. Satinwood and Walnut.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Alexej von Jawlensky (Torschok, Twer, Russia, 1864-1941 Wiesbaden). Geheimniss (Sic), Nr. 19. Mixed Media, 1924. With the Monogram. On Hardboard 41,3 × 32,4 (16¼″ × 12¾"). Weiler 19.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ] Jan van Kessel (1626 Antwerp 1679). Oil on Panel, Signed. 34,5 × 24 cm.
Attributed works:
[ Galerie Koller, Rämistrasse 8, Zurich ]2 Jan van Goyen (Leiden 1596-1656 Den Haag). Oil on Panel, Monogram and Dated 1646. 35,5 × 39,3 cm. Provenance: Coll. Dr. Heinrich Baron von Thyssen-Bornemisza, Lugano.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Marc Chagall "Fleurs et amants", 1935. Gouache, Signed. 56 × 46 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Pair of Commodes, Louis XV, by the Spindler Brothers, about 1762/70, Bayreuth. Inscribed: Prinzlich Reusischer Fideicommiss, Trebschen, 437. Provenance: Emden Collection, Ronco, Tessin, Château de B., Rolle, Vaud.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Table Lamp, Sign. Daum, Nancy, about 1910. H 57 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Louis XVI Cylinderbureau, Signed E. Levasseur (Master 1766), Paris. Rosewood, Palisander and Mahogany.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Vase Bud Shaped, Sign. Gallé, about 1900, Ground. H 35 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 "Ranftbecher", View of Vienna. A. Kothgasser, about 1830. H 12 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Aberli, J. L. (1723-1786). Vûe d'Yverdon. Copperplate Etching Coloured. 1779.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Ameublement, Louis XVI, Signed A. Gaillard, Master 1781, Paris. Composed of Canapé and 8 Armchairs Upholstered in Tapestry.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Marc Chagall (Witebsk 1887, Lives in St-Paul-de-Vence). La Famille du Peintre. Color Lithograph, 1972. One of 50. Signed. Mourlot 679.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Aberli, J. L. (1723-1786). Vûe dessinée à Mouri. Copperplate Etching Coloured. 1784.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Coffee Pot, Augsbourg, about 1752. By Joh. Georg Kloss(e). H 22,5 cm.
Attributed works:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Georges Rouault "Promenade du Père Ubu", 1939. Oil on Canvas, Signed. 68 × 52 cm.
Attributed works:
[ Hirschl & Adler Galleries Inc, 21 East 70th Street, New York / Leger Galleries, 13 Old Bond Street, London ] Sir Thomas Lawrence, P. R. A. Mrs. Thomson and Her Son, Charles, Later Lord Sydenham, Governor General of Canada, 1805. Oil on Canvas, 86¾ × 57 Inches
Attributed works:
[ Marlborough Fine Art ( London) Ltd, 6 Albemarle Street, London ] Alberto Giacometti L'intérieur de l'atelier, 1951, Oil on Canvas: 73.2 × 60.2 cm
Attributed works:
[ Mia N. Weiner, 36 East 64th Street, New York ] School of Raphael, ca. 1525 Study from "The Dying Alexander" Black Chalk, Brown Wash & White Gouache Highlights on Blue Paper; 5⅜ × 4⅜″; Scored for Transfer Historiated Initial from a Choirbook Archangel Gabriel and the Three Marys Siena, 13th c. Colors & Burnished Gold on Vellum; 9 × 7″
Attributed works:
[ Nella Longari, Via Bigli 15, Milan ] The Holy Virgin Assisted by John the Evangelist and the Pious Women - Terra-Cotta Bologna, Last Quarter of the 15th Century (Circle of Niccolò dell'Arca) - 24 cm (Height) × 25 cm (Width) × 0,7 cm (Depth)
Attributed works:
[ Noortman & Brod, 1020 Madison Avenue, New York ] David Teniers the Younger 1610-1690. Interior of a Guard Room, Provenance: The Earls of Warwick Warwick Castle. Canvas: 24¼ × 34½ Inches 61.5 × 87.5 cms Signed
Attributed works:
[ Schmit, 396 Rue St. Honoré, Paris ] "Paris. Le Quai du Louvre" by Marquet Canvas. H. 25⅝ ins. - W. 31⅞ ins. Signed on the Lower Right. Painted in 1905.
Attributed works:
[ Somerville & Simpson Ltd, 11 Savile Row, London ] Charles Samuel Keene 1823-1891 The Artist and His Mother in the Artist's Studio. Pen and Brown Ink 12½ × 7½ ins., Signed with Initials Inscribed verso: A Foggy Day/Painter Cleaning His Skylight, Provenance: Christ Church Museum, Ipswich
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] A Louis XV Ormolu-Mounted Marquestry Table à la Bourgogne, Mid 18th Century, 71.1 cm. High, 70.5 cm. Wide, 48.9 cm. Deep A Louis XVI Ormolu Console Table, Attributed to Gouthiere, Last Quarter 18th Century, 87.6 cm. High, 97.8 cm. Wide, 41.9 cm. Deep A Louis XVI Ormolu-Mounted Marquetry Commode, Signed BVRB, Mid 18th Century, 84.5 cm. High, 114.3 cm. Wide, 53.3 cm. Deep
Attributed works:
[ Sotheby's, 1334 York Avenue, New York ] J. M. W. Turner, Landscape with Walton Bridges, Painted c. 1840-45, Property from the Estate of Henry S. Morgan, 87.6 by 118 cm.
Attributed works:
[ Sotheby's, 34-5 New Bond Street, London ] Johann Gregor van der Schardt (Nymwegen c. 1530-c. 1581) Minerva, Bronze, 1570-75, 53 cm. From the Paul von Praun Collection, Nuremburg c. 1580-1801.
Attributed works:
[ Spencer A. Samuels & Company Ltd, 13 East 76th Street, New York ] Schor, Giovanni Paolo, 1615-1674 "Design for a Monstrance." Black Chalk, Pen and Brown Ink, brown Wash (On Two Attached Sheets; Both Watermarked with a Strasbourg Lily) 32⅜ × 13¾ in.
Attributed works:
[ Th. Laurentius, Orangerie Duivenvoorde, 2252 Ak Voorschoten ] Adriaen van Ostade 1610-1685 "Man and Woman Talking" Etching. Bartsch 37, the Rare First State (Of Five).
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] A Superb Study of Workshop Rubens, about 1615-1620, Hercules and the Nemean Lion, from the Collection of King Ferdinand I of Roumania, Sinaia Castle-Oldenbourg, Rubens, 1922.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Bartholomäus van der Helst "Portrait So Called His Framemaker". Oil on Canvas, Signed and Dated 16...
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Dirk Maas, Resting in a Woodlandscape, Oil on Canvas, Signed and Dated 1680.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Eugene Delacroix, Early Fine Work by Him after Rubens Painting Peace & War, Now in London.
Attributed works:
[ Wicherts, Bonner Talweg 75, Bonn ] Tintoretto, Portrait of a Noble Man, See R. Palucchini-P. Rossi, Tintoretto-Le Opere Sacre e profane, Venice 1982, Cat. No. R 14I11. 612, Page 616, Vol. I and II. Tintoretto, Portrait of "Catarina Sandella" about 1580, See R. Pallucchini-P. Rossi, H. Ritrato, Venice 1973. Colour Plate V. Very Important Portrait.
Attributed works:
[ Wildenstein, 147 New Bond Street, London ] Bellotto. View of Verona
Attributed works:
[ William Weston Gallery, 7 Roayal Arcade, Albemarle Street, London ] Eugène Delacroix 1798-1863 Femme Nue Vue de Dos Etching. 1883. Proof of the First State.
Attributed works:
[The Journeyman Photoagency, 97 Ferme Park Road, London] Drawing by V. Tatlin, 1923
Non-western art unattributed:
[ Frides Lameris antiquair, Nieuwe spiegelstraat 55, Amsterdam ] Chinese Dish of Enamelled Porcelain Decorated in Pale Famille Verte Colours with an Artistic Design. Early 18th Century. Marked Six-Characters Mark of the Ch'êng-hua Period. Diam: 15.5 cm. (Comp. Catalogue of Ch'ing Enamelled Ware in the Percival David Foundation of Chinese Art by Lady David. Nos 869 and 870.)
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Important Japanese Lacquer Cabinet with the Arms of the Tokugawa Family. End of 18th Century.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Superb Gold Goblet, Luristan, 9th/7th c. B. C. H 194 mm, O̵ Sup. 95 mm.
Non-western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Gold and Rock Crystal Dagger. Mesopotamy. Beginning of the Second Millenium B. C. L 268 mm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Saruk, about 1900, 207 × 129 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 Thanka, Nepal, 18th Century. 73 × 49 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Kaschgai, about 1900, 180 × 128 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Magnificent Lacquer-Pagoda with the Arms of the Tokugawa Family. Early 19th Century. H 240 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Thanka, Nepal, 18th Century. 71 × 46 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Bodhisattva Manjushri. Bronze. Kashmir, 12th Century. Height 17 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 3 Pair of Display Candelabra, Japanese Cloisonné and Gilt Bronze. Presented by the Mikado to Louis-Philippe. Total Height 234 cm.
Non-western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 4 Vajrasattva. Bronze. Western Tibet, 15th Century. Height 29 cm.
Non-western art unattributed:
[ Neumeister, Barer Strasse 37, Munich ] Rare Rouleau-Vase with Kangxi Marks in Two Rings and Period 1662-1722. Decorated with the Colours of "Famille Verte". Height 47 cm. Former Leonard Gaw Collection.
Western art unattributed:
[ Entwistle, 70 South Audley Street, London ] This extremely rare hunting-horn or oliphant belongs to a small group of objects which have come to be known as Afro-Portuguese ivories. Executed to Portuguese royal orders by craftsmen from the Sherbro tribe of Sierra Leone production would seem to have begun around 1500 AD during the reign of Manuel I and extended some hundred and fifty years. They are among the earliest and rarest surviving works of art from West Africa and are almost all in museums, the greatest collection being in the British Museum. The present piece is carved in low relief with European hunting scenes and emblazoned with the arms of Manuel I. and with his personal emblem, the armillary sphere. It measures forty-nine and a half centimeters in length.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 1 Engraved Rock Crystal Pendant Byzantine Work, 4th/5th c. A. D. 75 × 55 × 15 mm. With Its Chain.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 2 Trois-Corps, Baroque, about 1740, Austria/Styria. Walnut, Plum, Maple and Birch.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 3 Cypriot Gold Armlet, 5th/4th c. B. C. 99 × 90 × 13 mm.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Chimney-Clock, Restauration, Paris, about 1820.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 4 Original Case to Meissen Service.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] 5 Important Long-Case Clock, Louis XV, about 1760, Signed Admyrault, Paris.
Western art unattributed:
[ Galerie Koller, Rämistrasse 8, Zurich ] Wine: 5 Private Cellars: About 2000 Bottles of Bordeaux, Burgundy.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 1 The Mount of Calvary, Fribourg (Switzerland) or Westphalian, after 1500, Polychrome Wood Relief. H 106,5 cm.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 Service with Ornithological Decor Comprising 23 Parts. Zurich, about 1770.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 2 The Mourning Virgin, Burgundy, about 1450. Polychrome Wood Figure, H 106 cm.
Western art unattributed:
[ Gallerie Koller, Rämistrasse 8, Zurich ] 5 Tankard, Nuremberg, about 1670. H 25,5 cm.