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03/2016 | 1356 | 158
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Subjects
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Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
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Advertisements March 2012 (front)
03/2012 | 1308 | 154
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Subjects
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Illustrations
Attributed works:
[Anthony Woodburn Ltd, Lewes, East Essex. A Charles II quarter repeating spring table table timepiece in an ebony and gilt metal mounted case by Thomas Tompion. London, c.1682. Height: 30 cm. (12 in)]
Attributed works:
[Antiquariat Bibermuhle, Ramsen. David and Goliath. Book of hours in Latin and French, illuminated manuscript on vellum with 14 large miniatures by the Master of the Burgundian Prelats. Burgundy (Dijon?). From the collection of William Waldorf Astor. c.1480. 23.4 by 16cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Wilhelm Leibl (Cologne 1844 - 1900 Wurzburg). The Son of Dr. Reindl, 1883. Signed and dated lower left: 'W. Leibl 83/ Aibling'. Black chalk on handmade paper, 52.5 x 34 cm]
Attributed works:
[Arturo Cuellar, Zurich. Knitting peasant girl, by Max Lieberman (1847-1935). Signed lower right (in pencil): 'M Liebermann'. Indian ink and gouache]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Charles-François Grenier de Lacroix called LACROIX DE MARSEILLE (circa 1720 - after 1782). View of Civitavecchia Seaport. Oil on canvas. 99.5 by 162.5 cm. (39 1/4 by 64 in.)]
Attributed works:
[Christie’s, 8 King Street, St. James’s Place, London, W.1. Albrecht Durer (1471-1528). Adam and Even (B., M., Holl. 1). engraving, 1504, a fine Meder II impression, 251 x 194 mm.]
Attributed works:
[Damiano Lapiccirella, Florence. A centaur abduction a girl, by Gian Domenico Tiepolo (1727-1804). c.1755. Pen and brown ink with brown wash, 19 by 27 cm.]
Attributed works:
[Daniel Katz Ltd, London. The Annunciation, by Tilman Riemenschneider (c.1460-1531). 1515-20. Alabaster relief. 32 by 21.5 by 4 cm]
Attributed works:
[David & Constance Yates. Box 580. Lenox Hill Station. New York 10021. Jean-Pierre Dantan (Paris 1800 - 1869 Baden). Niccolò Paganini (1782-1840). Cast, reworked and patinated plaster. Signed Dantan and dated 1832 on proper left edge of base. Height: 31 cm]
Attributed works:
[Daxer & Marschall Kunsthandel, Munich. Landscape in Finmark, by Peder Balke (1804-87). Oil on paper, 19.2 by 25.4 cm]
Attributed works:
[Day & Faber, London. Hercules and the Stymphalian bird [recto]- Hercules and the Oxen of Gryon [verso], by Baldassarre Peruzzi (1481-1536). Pen and brown ink within a drawn circle, 11.5 by 11.6 cm]
Attributed works:
[De Jonckheere, Geneva and Paris. The harvest, by Pieter Brueghel the Younger (1464-1638). Signed and dated 'P.BRUEGHEL, 1621'. Oil on panel, 71.5 by 102 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. A young boy in an artist's studio, by Etienne Jeurat (1699-1709). Inscribed: 'm. aved'. Black chalk heightened with white on blue paper, 35 x 32 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Lorenzo Lippi (1606-1665), David and Goliath, oil on canvas, 127 x 98.5 cm]
Attributed works:
[Duncan R. Miller Fine Arts, London. Mademoiselle O., by John Duncan Ferguson. Signed and titled on the back. Oil on board, 66 by 37 cm]
Attributed works:
[Eric Coatalem, Paris. Italian column, by Ben Nicholson (1894-1982)- 1965. Signed and dated on reverse. Ink and collage, 31.5 by 26 cm]
Attributed works:
[Francesca Antonacci and Damiano Lapiccirella. Borgo Ognisanti, 56r. Florence. Via Margutta 54. Rome. Antonio Canova (Possagno, 1757 - Venice, 1822). Male figure draped, 1798. Written in pencil at the top left: di Febbraio 1798. Pencil on white paper, 239 x 170 mm.]
Attributed works:
[Galerie Canesso, Paris. Angelica and Medoro, by Simone Peterzano (c.1535-99). Oil on canvas, 154.8 by 194 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Giovan Battista Moroni. Albino, 1525-1578. Portrait of Isotta Brembati (?). Oil on canvas, 49 x 42 cm (19 1/4 x 16 1/2 in)]
Attributed works:
[Galerie Kruger & Cie, Paris. Dancer standing with hands clasped behind her back, by Edgar Degas (1834-1917). 1874. Stamp of atelier, on left 'Degas' (L.658). Black and white chalk on prepared grey paper, 45 by 29.7 cm]
Attributed works:
[Galerie Krugier & Cie. 29-31 Grand-Rue. Geneve. Pablo PICASSO. Etude de mains d'Olga, 1920. Pastel on paper, 50 x 47.5 cm]
Attributed works:
[Gallerie Pandora, Milan. Study of a hand and arm, by Antonio d'Errico, called Tanzio da Varallo (1580-1635). Red chalk on pink-orange prepared paper, traces of white heightening, 23.8 by 14.1 cm]
Attributed works:
[Gallery Delaive, Amsterdam. Victoire de Samothrace (S9), by Yves Klein (1928-62). Dry blue pigment and synthetic resin laid on plaster and stone base, 49.5 by 24.7 by 29.2 cm]
Attributed works:
[im Kinsky Kunst Auktionen Gmbh. Palais Kinsky, Freyung 4. Vienna. Egon Schiele (Tullin 1890-1918 Vienna). Standing Nude with Drapery. Gouache, watercolour, pencil, black crayon, 56.5 x 35 cm, signed & dated at the lower right "Schiele 1918"]
Attributed works:
[Jean-Luc Baroni, London. The mender (Preparatory study for a lost painting of The occupation according to age, by Antoine Watteau (1684-1721). Red chalk, 21,8 by 17.8 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Lelio Orsi. 1511 - Novellara - 1587. Aegina with Jupiter as an Eagle. Pen and brown ink and wash, 222 x 109 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattias Stomer. Amersfoort c. 1600 - c.1652 Sicily or Northern Italy. A Woman Counting Coins by the Light of an Oil Lamp. Oil on canvas, 67.5 x 83.5 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Roelant Savery. A flower still life in a glass vase. 1612. Oil on copper. 16.8 x 13.5 cm]
Attributed works:
[Kunsthandel Schlichte Bergen, Amsterdam. Rue à Samois, by Odilon Redon (1840-1916). Signed and annotated: 'haut Samois // Od.R. Pencil, 26.3 by 18.8 cm]
Attributed works:
[Lempertz, 3 Neumarkt. Cologne. Gerrit Dou. Allegory of Painting. Signed and dated 1649. Oil on panel, 68.2 x 53.5 cm]
Attributed works:
[Michal Tollemache Fine Art. 43 Duke Street, St. James’s. London. Backgammon Players by Dirk van Baburen, ca. 1622. Oil on canvas, ca. 96.5 x 124 cm (ca. 38 x 49 inches)]
Attributed works:
[Otto Neumann Ltd, New York. Portrait of Baron François de Chambrier (1739-781), Chamberlain to the King of Prussia, by Pompeo Batoni (1708-87). Signed and dated lower right: 'P. BATONI PINXIT ROMA ANN. 1771'. Oil on canvas, 60.5 by 73 cm]
Attributed works:
[Palais de la Borse, Paris. Affiche. Michal Batory]
Attributed works:
[Pandora Old Masters. Ubaldo Gandolfi (1728-1781), Adam and Eve Expelled from Paradiso. Pen and brown ink with brown wash, laid down. 290 x 210 cm]
Attributed works:
[Rogallery. 47-15 36th Street. Lic NY. Above: Picasso. Linocut - Femme Accoudee, 1959. Right: Richard Ham. Picasso in Studio, Photograph, 1945.]
Attributed works:
[Santa Tecla Srl. Palazzo Savonarola. Piazza dei Savonarola, 66. Padova. The Master of the Twelve Apostles (Giacomo Panizzati?) (Active in Ferrara in the first half of the 16th century). Portrait of a gentleman with his dog. Circa 1530. Bears monogram GP on the parapet, lower right. Oil on canvas, 76.3 x 65.3 cm. (30 x 25 3/4 in)]
Attributed works:
[Stephan Ongpin Fine Art. London. Portrait of James Lord, by Alberto Giacometti (1901-1966). Signed and dated: 'Alberto Giacometti 54' in pencil at the lower right. Pencil on paper, with framing lines in pencil, 45.1 by 32.3 cm]
Attributed works:
[Stephan Ongpin, London. The raising of the cross, by Giovanni Domenico Tiepolo (1727-1804). Signed: 'Dom.o Tiepolo f.' at the lower right. Pen and brown ink and brown wash ink, over an underdrawing in black chalk, 46.5 by 36.2 cm]
Attributed works:
[Stephen Ongpin Fine Art. River wide House. 6 Mason’s Yard, Duke Street St. James’s. London. Eva Gonzales (1847-1883). La Mariée. Pastel on canvas, 462 x 382 mm. (18 1/4 x 15 in.)]
Attributed works:
[Talabardon & Gautier. 154 Faubourg St-Honoré. Paris. Louis-Léopold Boilly (1761-1845). La Grande Seur, black chalk, heightened with white.]
Attributed works:
[Talabardon &Gautier, Paris. An Armchair, study for La Famille Bellelli, by Edgar Degas (1834-1917). Watercolour, 35.3 by 22.8cm]
Attributed works:
[The Canon Gallery, Huntingdon, Cambridge. The Lagoon, Venice, by Federico Nerly Junior (1824-1919). Signed. Oil on canvas, 29 by 51 cm]
Attributed works:
[The Gallery in Redchurch Street London. Body Languagge. Tony Heath]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Burlington House. London. Andy Warhol. Queen Elizabeth II, 1985. Silkscreen edition of 40. Sims Reed Gallery.]
Attributed works:
[Thomas French Fine Art. Lynn Chadwick, 1914-2003. Winged Figure, 1962. Ink on paper, 58 cm x 48 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Francesco Caporale, known as il Soncino (active 1606-c.1635). Bust of a young nobleman (Marcantonio II Colonna, Captain General of the Holy League at the Battle of Lepanto in 1571) in the guise of a Roman Emperor. White marble, with additions in various rare coloured marbles. 84 cm high x 65 cm wide (33 in high x 25 1/2 in wide)]
Attributed works:
[Trinity House, Broadway and London. Arbres, by Paul Cézanne 1839-1906. Signed. Gouache and watercolour on paper, laid down on canvas, 19.7 by 15.9 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. J. Th. und J. I. de Bry, Vera description regni Africani, Frankfurt a. M. 1598]
Non-western art unattributed:
[Frank Partridge, London. An early eighteenth-century Chinese chest on chest. c.1720. Height: 94 cm. Width: 69 cm. Depth: 35 cm.]
Western art unattributed:
[Godson & Coles, London. A pair of Regency period carved oak open armchairs, English, c.1820. Height: 94 cm. (17 in.). Width: 60 cm (23 3/4 in). Depth: 64 cm (25 in.)]
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Advertisements March 2010 (front)
03/2010 | 1284 | 152
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Subjects
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Illustrations
Attributed works:
[Agnew's, London. A Mameluke retrieving his lance (recto); Classical composition (verso), by Theodore Géricault (1791-1824). Pen and brown ink and sepia and traces of pencil (recto); Pen and brown ink and sepia over pencil (verso), 17 by 22 cm]
Attributed works:
[Agnews, London. Meleager presenting the head of the Calydonian boar to Atalanta, by Giovanni Battista Crosato (c.1697-1756). Oil on canvas, 81.3 by 99.1 cm]
Attributed works:
[Agnew’s. 35 Albermarle Street. London. Benjamin West (1738 - 1820). Cupid and Psyche. Oil on canvas, 54 1/4 x 56 1/4 in (137.8 x 142.9 cm). Signed and dated 'B. West 1808']
Attributed works:
[Artur Ramon Art. Palla 25 CP 08002, Barcellona. Antonio d'Enrico, called Tanzio da Varallo (Alagna, Valsesia, 1575/80 - Varallo, 1635). Study of a kneeling figure half-lenth holding a cup. c. 1620. Red chalk with white chalk on paper washed pink, 200 x 150 mm (actual size)]
Attributed works:
[Artur Ramon, Barcelona. Mercury presents the young Bacchus to the nymphs, by Andrea Procaccini (1671-1734). Pen and brown ink over traces of black chalk, 11.7 by 16.8 cm]
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich. Victor Hugo (1802-1885). The tower of Saint-Romboult amidst an imaginary landscape. Signed and dated on verso. Ink, wash, charcoal and gouache on paper. 48 x 63 cm]
Attributed works:
[Arturo Cuellar, Zurich. Nude looking at her reflection in the water and a bather, by Carl Christian Vogel von Vogelstein (1788-1868). Signed and dated lower right: 'C. Vogel Rom, 1819'. Pencil, 21.7 by 17 cm]
Attributed works:
[Charles Beddington, London. Venice: the Grand Canal at the entrance to the Cannaregio with the Church of San Geremia and the Palazzo Labia, by Pietro Bellotti (1725 - c.1800). Oil on canvas, 113.5 by 139 cm]
Attributed works:
[Colnaghi. 15 Old Bond Street. London. Giovanni Francesco Barbieri, called il Guercino. Cento 1591 - 1666 Bologna, Two Warriors. Pen and brown ink and wash, 203 x 133 mm]
Attributed works:
[Dickinson, London. Deux Femmes, by Paul Gauguin (1848-1903). Signed and dated lower left: P. Gauguin 1902. Oil on canvas, 74 by 64.5 cm.]
Attributed works:
[Didier Aaron & Cie, Paris. Audience of Cardinal Aldobrandini in the loggia of the Villa Belvedere in Frascati, by François-Marius Granet (1775-1849). c.1820. Signed lower left: GRANET / FRASCATI. Oil on canvas, 37 by 47 cm]
Attributed works:
[Didier Aaron & Cie, Paris. Portrait of Marie Lecat, by Carle van Loo (1705-1765). One of a pair. Signed and dated 1743. Black chalk with white highlights, 47.6 by 33 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Frans Francken II (1581-1642), Markind, between vice and Virtue (detail), 1635, oil on panel, 143x211 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Giovanni Francesco Barbieri, il Guercino (1591-1666), Rinaldo and Armida, oil on canvas, 113x153 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Agostino Tassi. Ponzano Romano (Rome), 1578 - Rome, 1644. The Arrival of Cleopatra at Tarsus. Oil on canvas, 119 x 170 cm (46 7/8 x 66 15/16 in)]
Attributed works:
[Galerie Caotalem, Paris. Portrait of Jean Alaux, by Jean Auguste Dominique Ingres (1780-1867). Graphite, 16.5 by 12.9 cm]
Attributed works:
[Galerie d’Art Saint-Honoré. 69, rue du Faubourg Saint-Honoré. Paris. Jan van Kessel the Elder. Antwerp 1626 - 1679 Antwerp. Sweetpeas, shells and butterflies. Oil on copper, 18.8 x 25 cm (7.4 x 9.8 inches). Signed at bottom left: "J.V. Kessel.fecit"]
Attributed works:
[Galerie Eric Coatalem. 93, rue de Faubourg Saint-Honoré. Paris. Jean-Baptiste OUDRY. A Lacquered Stool with Books, Engravings and a Musette. Oil on canvas, H. 91 cm; L. 72 cm signed and dated 1742.]
Attributed works:
[Galerie Eric Coatem, Paris. A spaniel looking to the left, by Alexandre-François Desportes (1661-1743). Black chalk and oil on light brown paper, 31.9 by 26 cm]
Attributed works:
[Galerie G. Sarti. St. Jerome translating the Bible in the desert, by Marco Palmezzano (c.1459-1539). c.1537. Tempera on panel, 66.5 by 57.5 cm.]
Attributed works:
[Galerie Paul Prouté, Paris. A boat with figurehead, by Odilon Redon (1840-1916). Signed in pencil: 'Odilon Redon'. Watercolour, 15.3 by 24 cm]
Attributed works:
[Giovanni Sarti, 137 rue du Faubourg Saint-Honoré. Paris. Giovanni di Paolo (Siena, 1398-1482). The Virgin and Child between Saints Catherine of Alexandria, Dorothy and two Angels. Circa 1420. Tempera and gold on wood - 34.6 x 22.6 cm]
Attributed works:
[Hill-Stone. New York. Dominique-Louis-Fereol Papety (Marseille 1815-1849 Marseille). Greek Women at the Fountain. Drawing in black chalk, with watercolour washes and white heightening signed by the artist lower left. A study for the artist's most well-known work. omitting the central figure group. The painting at the Musée du Louvre, Paris, is dated to 1841; our study must have been produced shortly before. 287 x 337 mm (11 1/4 x 13 1/4 inches)]
Attributed works:
[Jean-Luc Baroni, London. Time and Truth, by Giovanni Battista Tiepolo (1696-1770). Pen and brown ink and brown wash over a sketch in black chalk, 22.3 by 21.1 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Herman van Swanevelt. Woerden 1603-1655 Paris. Landscape with the Finding of Moses. Oil on canvas, 43.5 by 55.2 cm. (17 1/4 by 21 3/4 in)]
Attributed works:
[Katrin Bellinger, Munich. Illustration for Ariost's 'Orlando Furioso', by Jean-Honoré Fragonard (1732-1806). Black chalk and brown ink with grey wash, 38.9 by 24.6 cm.]
Attributed works:
[Moretti, London, Florence & New York. Madonna and Child enthroned between Saints Bartholomew, James Major and two female saints, by Giovanni di Paolo (1397-1482). Panel, 37.3 by 26.7 cm. (with the original frame).]
Attributed works:
[Otto Naumann, New York. The courtyard of the Doge's Palace, Venice, with the Scala dei Giganti and Saint Mark's Basilica beyond, by Michele Giovanni Marieschi (1710-43). Oil on canvas, 118.5 by 180.7 cm]
Attributed works:
[Rob Smeets, Geneva. Three heads of Children, by Giulio Cesare Procaccini (1574-1625). c.1620. Inscribed on verso in an old hand: 'Mad.a Sig.a (?) Falco'. Oil on panel, 26.4 by 35 cm.]
Attributed works:
[Sam Fogg, London. Creation of the world and expulsion from paradise, by Valentin Bousch (1514-41). 1531-1533. Stained glass from the Church of Saint Firmin at Flavigny-sur-Moselle, Lorraine. 289.5 by 76.2 cm]
Attributed works:
[The 25th London Original Print Fair. Royal Academy of Arts. Burlington House. Howard Hodgkin. Night Palm. 1990 (detail). Hand-coloured etching with carborundum.]
Attributed works:
[The Fine Art Society, London. Dieppe shop window, by Walter Richard Sickert (1860-1942). c. 1885. Watercolour, ink and gouache on paper, 26 by 32 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Antonio Susini (1558-1624) (After a model by Giambologna). The Fowler. Executed c. 1580-1600. Bronze. 31 cm high]
Attributed works:
[Triniy Fine Art, London & New York. Vidi, quod agnus aperuisset: the four horsemen of the Apocalypse and St. John the Evangelist in the background, by Luigi Sabatelli (1772-1850). Black chalk, pen and brown ink, 58.3 by 43.6 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Johann Strauss II. His last musical sketches, ca. 1899. Autograph manuscript, 61 pages.]
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03/2008 | 1260 | 150
Pages: i-xxii
Subjects
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnew's London, at Salon du Dessin 2008] Giovanni Francesco Barbieri, called Il Guercino (1591-1666). A seated man training a dog. Pen, brown ink and wash, 12.2 by 18.5 cm.
Attributed works:
[Agnew's London, at TEFAF Maastricht 08] Alexandre-François Desportes (1661-1743). Four studies of kittens. Oil on light brown paper, 32 by 50 cm.
Attributed works:
[Agnew's, 43 Old Bond Street, London, exhibiting at TEFAF, Maastricht, March 7th-March 16th and at the Salon du Dessin, Palais de la Bourse, Paris, April 8th-April 13th] Jacob Jordaens (1593-1678). Esau selling his birthright to Jacob. Black and red chalk, pen and brown ink, brown wash, heightened with white, 191-204 mm.
Attributed works:
[Alan Cristea Gallery at The London Original Print Fair, Wednesday 23 to Sunday 27 April 2008, Royal Academy of Arts, Burlington Gardens, London] Michael Craig Martin. Intimate Relations, Safety Pin. 2001. Screenprint.
Attributed works:
[Annely Juda Fine Art, London at TEFAF Maastricht 08] Kazuo Shiraga. Tenku. 2003. Oil on canvas, 161 by 130 cm.
Attributed works:
[Arturo Cuéllar, Bürglistrasse 18, Zürich, Switzerland, exhibiting at the Salon du Dessin, Paris, 9-13th April 2008] Giovanni Battista Piazzetta (1682 Venedig 1754). Head of a Turk, c.1740. Black chalk, heightened with white, 35.5 by 24.5 cm. On the reverse, bottom right the number '29' is inscribed in pencil.
Attributed works:
[Arturo Cuéllar, Zürich, at Salon du Dessin 2008] Giovanni Battista Tiepolo (1696-1770). Head of a young man facing left, looking upward. Red chalk, highlighted with white chalk on paper. 23 by 19 cm.
Attributed works:
[Bernard Steinitz, 9 rue du Cirque, 16 avenue Matignon, Paris] A rare pair of gilded wood consoles. Italy, circa 1750-1760. H. 94 cm. (37 in.), W. 181 cm. (71½ in.), D. 86.5 cm. (34 in.). An important pair of patinated vases by Lechesne. France, circa 1850-1860. H. 96 cm. (37½ in.), W. 87 cm. (34½ in.)
Attributed works:
[Bonhams, 101 New Bond Street, London. The Sculpture Sale, Tuesday 15 April] Sir Alfred Gilbert, MVO, RA (English, 1854-1934). An important patinated bronze bust of Ignace Jan Paderewski, 1891, cast 1934. Estimate: £40,000-60,000.
Attributed works:
[Charles Ratton & Guy Ladrière, 14 rue de Marignan, Paris, 11 quai Voltaire, Paris] Polidoro da Caravaggio (c.1499-c.1543). A view of the Basilica of Maxentius and Constantine in Rome. Brown wash and pencil, 19.7 by 26.3 cm.
Attributed works:
[David & Constance Yates, New York at TEFAF Maastricht 08] Wilhelm Pascal (1813-after 1848). Funerary monument. Inscribed front edge of gase: RUDOLPHE BENECKE VON GROEDITZBERG / GEB: DEN 10 AUGUST 1809 IN BERLIN / GEST: DEN 15 DECEMBER 1832 IN PIZA. Inscribed rear edge of base: W.P.f.1834. Marble, 34.3 by 43.6 cm.
Attributed works:
[Dickinson, New York & London at TEFAF Maastricht 08] Joan Miró. Personnages dans un paysage. Signed centre righ: Miró. Inscribed on verso: personnages/dans/un/paysage, and dated in pencil on stretcher: 26/VII/73. Oil on canvas, 89 by 116 cm.
Attributed works:
[Didier Aaron & Cie., Paris, London & New York, at TEFAF Maastricht 08] Jacques-Charles Oudry (1720-1778). Hunting still life with game overlooked by a dog. Signed and dated lower right: J.C.Oudry./F.1764. Oil on canvas, 130 by 99 cm.
Attributed works:
[Flavia Ormond Fine Arts, 3 Netherton Grove, London, at Salon du Dessin, 9th-13th April, 2008, Palais de la Bourse, Place de la Bourse, Paris and The Grosvenor House Art & Antiques Fair, 12th-18th June, 2008, Grosvenor House, Park Lane, London] Ben Nicholson (Denham, Buckinghamshire 1894-1982 London). Palazzo Ducale, Urbino, 1959. Pencil and pink wash on paper, 620 x 470 mm. (24⅔ x 18½ inches).
Attributed works:
[G. Sarti, 137 rue du Faubourg Saint-Honoré, Paris, exhibiting at TEFAF Maastricht, 7-16 March 2008] Andrea di Nerio (Arezzo, documented from 1331-† before 1387). Virgin and Child. Circa 1331. Tempera, gold and silver on panel. 80 x 62 cm. (picture surface: 62.5 x 51.5 cm.). Original engaged frame.
Attributed works:
[Galerie Canesso, 26 rue Laffitte, Paris, exhibiting at TEFAF, Maastricht 7-17 March 2008] Giacomo Francesco Cipper called Il Todeschini (Feldkirch, Voralberg, 1664-Milan 1736). Peasants' Banquet with Young Flute Player. Oil on canvas, 144 x 114 cm. (56 11/16 x 44⅞ in.)
Attributed works:
[Galerie G. Sarti, Paris at TEFAF Maastricht 08] Liberale da Verona (Verona, circa 1445-between 1527 and 1529). Christ at the column. Tempera and oil on panel, 55.4 by 45.2 cm.
Attributed works:
[Galleria Silvano Lodi & Due, Milan at TEFAF Maastricht 08] Sebastiano Ricci (1659-1734) David with the head of Goliath (detail). Oil on canvas, 118.5 by 90 cm.
Attributed works:
[Hazlitt Holland-Hibbert, 38 Bury Street, St James's, London] Christopher Nevinson (1889-1946). Night Arrivals. Autumn 1915. Ink and grey wash, 6⅝ x 9⅞ inches (16.8 x 25.3 cm.). Signed.
Attributed works:
[Ketterer Kunst, Prinzregentenstr. 61, München, Germany. Auction on 5 April in Hamburg] Lady Laura Theresa Alma-Tadema. Satisfaction. Oil on panel, 65 x 44.5 cm. (25.5 x 17.5 in.) Estimate: €15,000-20,000, US$ 22,000-29,000, £11,000-15,000.
Attributed works:
[López de Aragón, Madrid at TEFAF Maastricht 08] Jan Brueghel the Younger (1601-1678) and Hendrick van Balen (1575-1632) Allegory of Air and Fire. Oil on panel, 46.3 by 59.7 cm.
Attributed works:
[Marlborough Fine Art, London & Zürich at TEFAF Maastricht 08] Frank Auerbach (born 1931). To the Studios II. 1985. Oil on canvas, 121.9 by 121.9 cm.
Attributed works:
[Moretti, Piazza degli Ottaviani, 17/r, Firenze, recently acquired by the Museo di San Marco in Florence] Guido di Pietro, called Fra Angelico (Vicchio del Mugelli, c.1395-Rome, 1455). St Vincent Ferrer and a Dominican Saint.
Attributed works:
[Otto Naumann Ltd., New York, at TEFAF Maastricht 08] Domenico Zampieri, il Domenichino (1581-1641). The Pietà. Dated lower left: m.dciii. Inscribed on versoL NANN{?}. Oil on copper, 52.4 by 39.1 cm.
Attributed works:
[Paul Prouté S.A., 74 rue de Seine, Paris, exhibiting at the Salon du Dessin, Paris, 9-13 April 2008] Salvator Rosa (Arnella 1615-Rome 1673). A wooded landscape with travellers on a path. Pen and ink, 210 x 291 mm.
Attributed works:
[Paul Prouté, Paris, at Salon du Dessin 2008] Hubert Robert (1733-1808). Park with an Italian villa. Red chalk, 43.8 by 33.8 cm.
Attributed works:
[Sotheby's Important Furniture, Sculptures & Works of Art. Auction in Paris, 9 April 2008] An important giltbronze-mounted Chinese lacquer and Vernis Martin bureau plat stamped I.DUBOIS. Louis XV, circa 1745-1750. Estimate: €700,000-900,000.
Attributed works:
[The Burlington Magazine] Jean-Auguste-Dominique Ingres. Portrait of Cornélie Bonnard. 1828. Pencil, 32.6 by 24.4 cm. (Louvre, Paris)
Attributed works:
[The Burlington Magazine] William Scott. Soldier and girl sleeping (detail). 1942. Canvas, 40.6 by 50.8 cm. (Imperial War Museum, London).
Attributed works:
[Thomas Le Claire, Elbchausee 386, Hamburg, exhibiting at the Salon du Dessin, April 9-13, 2008, Palais de la Bourse, Paris] Andrea Sacchi (1599 Nettuno-Rome 1661). Virgin and Child with Seven Saints. Red chalk, heightened with white, and squared with black chalk, 315 x 243 mm.
Attributed works:
[Thomas Le Claire, Hamburg, at Salon du Dessin 2008] John Russell RA (1745-1806). Portrait of Francesco Bartolozzi, RA (1727-1815). 1789. Pastel, 59.8 x 44.5 cm.
Attributed works:
[W.M.Brady & Co., 22 East 80th Street, New York, exhibiting at the Salon du Dessin, April 9-13, 2008] Emilie Mediz-Pelikan (Vöcklabruck 1861-1908 Dresden). Donauschiffer (Sailor on the Danube). 1900. Signed and dated, lover right, 10. Oktober 1900 / E. Pelikan. Pencil. colored chalks and gouache on green paper. 19½ x 19⅞ inches (495 x 520 mm).
Attributed works:
[W.M.Brady & Co., New York, at Salon du Dessin 2008] Simone Cantarini (1612-1648). Jupiter, Neptune and Pluto paying homage to the Borghese coat of arms. Red chalk, 29.5 by 43 cm.
Attributed works:
[Waddington Galleries Ltd., London at TEFAF Maastricht 08] Patrick Caulfield (1936-2005). Still life on a table. 1964. Oil on board, 121.9 by 160 cm.
Non-western art unattributed:
[Rupert Wace Ancient Art Ltd., London at TEFAF Maastricht 08] An Egyptian wood and bronze striding Ibis. Late Dynastic Period, 664-332 BC. Height: 34 cm.
Western art unattributed:
[Flavia Ormond Fine Arts, London, at Salon du Dessin 2008] Roman school, late 17th century. Mercury and Argos. Inscribed in pen and brown ink on the verso: Orig. di Carlo Marati n. 353, and numbered: R. 33-2d. Pen and brown ink, brown wash, over black chalk, 21 by 25.9 cm.
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03/2003 | 1200 | 145
Pages: i-lv
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
Frederico Barocci (1535 - Urbino - 1612) The Stigmatisation of St Francis, c. 1590. Brush. red and white bodycolor, 495 x 370 cm.
Attributed works:
[Adam Williams Fine Art Ltd., 50 East 78th Street, New York, New York] Master of the View of Sainte Gudule (active Brussels c. 1470- c. 1490) St Sebastian Oil on panel, 49¾ x 21 inches (126.4 x 53.3 cm).
Attributed works:
[Adrian Sassoon, 14 Rutland Gate, London, UK] A Very Rare Sèvres Porcelain Cuvette Mahon, 2nd size 1760, bleu céleste ground Flowers painted by J.-B. Noualhier l'aîné Width 9¼ in. (23.5 cm.)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Juan de Valdés Leal (Seville 1622 - 1690) The Annunciation Canvas, 32¼ x 25½ inches (82 x 65 cm)
Attributed works:
[Arnoldi-Livie, Galeriestrasse 2b, 80539 Munich, Germany] Macrino d'Alba (Gian Giacomo de Alladio) Alba c. 1470 - before 1528 Adoration of the Christ Child with two Franciscan Friars, c. 1505 Grey pen and brown wash with light beige wash over pencil: 27.7 x 24.8 cm Provenance: K. E. Hasse, Goettingen (Lugt 860). Conte Gelozzi, (Lugt 545)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Federico Zuccaro (Sant' Angelo in Vado 1540 - 1609 Ancona) Study for the West Octant of the Cupola of the Florentine Cathedral, ca. 1574-76 Pen and ink, brown, grey and pink wash heightened with white. 29.5 x 42.9 cm.
Attributed works:
[BAS Printers advertisement] David Hockney "Cherry Blossom", 2002 Watercolour & Crayon on Paper (4 sheets) 36 x 48 in © 2002 David Hockney courtesy of Annely Juda Fine Art, London
Attributed works:
[BAS Printers advertisement] Georges Lemmen Dans la Cour, 1903 from the catalogue 'Female Form', courtesy of James Roundell, London
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] René Dudot (active 1640-1659) Christ presented to the temple oil on canvas, 99 x 74 mm.
Attributed works:
[Christie's Education] Jeff Koons Pink Panther, 1988
Attributed works:
[Christie's Education] The Jenkins Venus circa late 1st/mid-2nd Century A.D.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Pieter Brueghel II (Brussels c. 1564-1637 Antwerp) A winter landscape with peasants skating and playing kolf on a frozen river, a town beyond signed and dated 'P.BRUEGHEL.1621.' (lower right) oil on panel, unframed 16⅜ x 22¼ in. (41.5 x 56.5 cm.)
Attributed works:
[David & Constance Yates, Lenox Hill Station, New York, New York] Francois Rude (Dijon 1780 - 1855 Paris) Old Gaul Plaster. Height: 24 3/4 inches (63 cm). Signed Fcois RUDE under proper left shoulder
Attributed works:
[Derek Johns Limited, 12 Duke Street, London, UK] François Chauveau Paris 1616 - 1676 Paris THE FALL OF ROME Pen and brown ink with grey wash, 255 x 191mm
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Hans Bollongier (circa 1600-Haarlem-1681) "Flowers in a Glass Vase on a Stone Ledge". Oil on panel: 45 x 31.5 cm. Signed and dated 1627.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Jacob Gerritsz Cuyp (1594-Dordrecht-1651) "Portrait of Johanna van Diemen, aged 57". Oil on panel: 59 x 49 cm. Signed, dated 1645 and inscribed "Aetatis 57". Expertise: Dr Alan Chong inspected the painting and has identified the sitter.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Karel Dujardin (Amsterdam 1622-1678 Venice) "An Italianate River Landscape with Travellers and Bathers, a Castle beyond". Oil on canvas: 60 x 66.5 cm. Expertise: Dr M-F. Kilian. To be included in forthcoming catalogue raisonné.
Attributed works:
[Douwes Fine Art, 38 Duke St., London, UK] Philips Wouwerman (1619-Haarlem-1668) "Peasants resting on their way in a Hilly Landscape". Oil on panel: 31.5 x 41.5 cm. Signed with monogram.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Michele Marieschi The Grand Canal and The Palazzo Corner della Regina, and The Piazza San Marco, A Pair, Both 1736, Oil on Canvas, 54.5 by 82.5 cm
Attributed works:
[Exh. BADA Fair, London] A Midnight Feast by Frederick Daniel Hardy (1826-1911). Signed and dated 1866. Oil on panel, 22 x 35.5 cm (8 3/4$ x 14 in).
Attributed works:
[Exh. BADA Fair, London] Les Etangs a Chalou-Moulineux - Effet de Soleil couchant by Albert Lebourg (1849-1928). French. Signed. Circa 1910. Oil on panel, 41 x 27 cm (16 x 10 1/2 in).
Attributed works:
[Exh. BADA Fair, London] St Julian the Hospitalier by Lorenzo di Niccolo (fl. 1392-1412). Tempera on gold ground panel.
Attributed works:
[Exh. BADA Fair, London] Two Lovers in a Garden by Frans Francken the Younger (1581-1642). Flemish School. Oil on panel, 17.8 x 14 cm (7 x 5 1/2 in).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France and Exh. TEFAF Maastricht] Adolph Von Menzel Breslau 1815-1905 Berlin Studies of a Man Holding a Rod (preparatory for the painting The Iron Roll Mill, 1875) Carpenter's pencil, 399 x 259 mm
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A wild male teal, by Johann Jakob Walther (1600-1677). Black chalk and body colour, 25.7 x 40.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Fishing boats at sunset, by William Callow (1812-1908). Watercolour, 23.6 x 31.8 cm. Signed.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Madonna and child with Saint Gaetano of Thiene, by Ubaldo Gandolfi (1728-1781). Black chalk, pen and brown ink and brown wash, 27 x 20.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of Lady Hamilton, by Jean-Baptiste-Joseph Wicar (1652-1734). Black chalk, 18.7 x 22.1 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portraits of sixteen members of La Société des Amis des Arts, by Louis Léopold Boilly (1761-1845). Black and white chalk on blue-yellow paper, 57.5 x 45.5 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Reclining nude, 1954-1955, by Nicolas de Stael (1914-1955).
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Scene from classical antiquity: A young man on his deathbed, supported by his father and surrounded by his wife and children, by François-Pascal-Simon Gérard, called Baron Gérard (1770-1837). Pen and brown ink and brown wash, heightened with white, 29.8 x 22.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Self-portrait, by Annibale Carracci (1560-1609). Pen and brown ink, 12 x 19 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The artist drawing inside the ruins of a watermill, by Caspar Wolf (1735-1783). Gouache, 43.7 x 55.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The music room in the Sanssouci Palace, Potsdam, 1852, by Eduard Gaertner (1802-1877). Watercolour, 18 x 26.8 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Turkish sentinel, 1854, by Théodore Valério (1819-1879). Watercolour, 30.2 x 22.3 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] View of a pavillion in Arcueil park with a fountain and basin, by Jean-Baptiste Oudry (1686-1755). Black and white chalk, 30 x 52.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Woman and bird in front of the sun, 1942, by Joan Miro (1893-1983). Watercolour, 62 x 47 cm.
Attributed works:
[Exh. TEFAF Maastricht] Figures in an elegant interior by Eglon Hendrik van der Neer (Amsterdam 1634-1703 Düsseldorf) On canvas, 85.5 x 70.1 cm
Attributed works:
[Exh. TEFAF Maastricht] 'The interior of a Picture Gallery' On panel 21⅜ x 29¾ ins. 54.2 x 75.5 cm. Frans Francken the Younger 1581 - Antwerp - 1642 and Hendrick van Steenwyck the Younger Frankfurt or Antwerp c. 1560 - 1642 London
Attributed works:
[Exh. TEFAF Maastricht] A Bandit seated at the entrance to a Cave by Eugene Delacroix (1798-1863) Signed upper right Eug. Delacroix Oil on canvas, 32.5 x 24.5 cm
Attributed works:
[Exh. TEFAF Maastricht] A Vase with a large colourful Bouquet of Flowers by Jean François Raffaëlli (1850-1924). Signed. On canvas, 92 x 80 cm.
Attributed works:
[Exh. TEFAF Maastricht] A View from the Terrace at Palazzo Doria Pamphili by Francois-Marius Granet (1775 - Aix en Provence - 1849) Oil on canvas, 37 x 28 cm
Attributed works:
[Exh. TEFAF Maastricht] Nature morte aux pommes by Gustave Caillebotte (Paris 1848 - 1894 Gennevilliers) Oil on panel, 26 x 36.6 cm
Attributed works:
[Exh. TEFAF Maastricht] New York, Times Square by Jean-Emile Laboureur (1877-1943) Ink on paper, 50 x 37 cm
Attributed works:
[Exh. TEFAF Maastricht] Paris, le pont Marie et le quai de l'Hôtel de ville, circa 1882 by Armand Guillaumin (1841-1927). Oil on canvas, 59.6 x 81 cm. Signed lower left 'Guillaumin'.
Attributed works:
[Exh. TEFAF Maastricht] Portrait of Duke Alessandro Farnese by Otto van Veen (1545-1592). Oil, heightened with gold on copper, 20.25 x 13 cm.
Attributed works:
[Exh. TEFAF Maastricht] William Blake (1757 - 1827) The Virgin Hushing the Young John the Baptist 1799 pen and ink tempera on paper on linen, laid down on canvas, 27 x 38 cm (10 5/8 x 15 inches) signed with monogram and dated at lower left WB inv 1799
Attributed works:
[Exh. TEFAF Maastrich] Femme se coiffant - La Lettre, by Edgar Degas (1834-1917). Pastel on paper, 49.5 x 58 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Flotilla of Dutch Vessels, including a Zeeland States yacht and a masting hulk flying the Flag of Flushing, in Zeeland waters by Bonaventura Peeters (1614 - 1652, Flemish School) Signed and Dated 1637. Oil on Panel, 50 x 96 cm.
Attributed works:
[Exh. TEFAF Maastrich] A river landscape with the Blind leading the Blind, a carnival in a village beyond by Lucas van Valckenborch I (Louvain after 1535-1597 Frankfurt am Main) Panel, circular: 25.2 cm diameter.
Attributed works:
[Exh. TEFAF Maastrich] A still life with a lemon, grapes, cherries and apricots on a pewter plate by Cornelis de Heem (1631-1695). Canvas, 27.5 x 38 cm
Attributed works:
[Exh. TEFAF Maastrich] Les Demoiselles au bord de l'eau ou jeunes Femmes au bord de l'eau, 1908 by Pierre Bonnard (1867-1947). Signed lower left Bonnard. Oil on canvas, 108 x 124cm
Attributed works:
[Exh. TEFAF Maastrich] Portrait of Denis Diderot by Jean-Baptiste Greuze (Tournus 1725-1805 Paris). Oil on canvas, oval, 61 x 49 cm
Attributed works:
[Francois Delestre, 36 rue Laffitte, Paris, France] Scène de patinage, 1864 Oil on canvas, 42.8 x 57 cm (16⅞ x 22⅜ in).
Attributed works:
[Galerie Canesso, 8 rue Rossini, Paris, France] Antonio d'Enrico, called Tanzio da Varallo Riale d'Alagna, 1575 or 1580 (?) - Varallo Sesia, 1632/1633 The Virgin and Child with Saints Charles Borromeo and Francis Oil on canvas, 39 9/16 x 28 7/8 inches (100.5 x 73.4 cm.)
Attributed works:
[Galerie Eric Coatalem, 93, Faubourg Saint-Honore, Paris, France] Monnoyer Still-life with flowers, fruit, a parrot and a monkey Oil on canvas, 109.5 x 150 cm Signature, lower left: J Baptiste
Attributed works:
[Galerie Koller, Hardturmstrasse 102, Zurich, Switzerland] Giovanni Pedrini, known as Giampietrino (Italy about 1510 - after 1540). A half-length female figure with a red coat and a fine veil before a landscape. Oil on panel. 60.3 x 46 cm.
Attributed works:
[Galerie Neuse Kunsthandel, Contrescarpe 14, Bremen, Germany] Leonhard Kern (Forchtenberg 1588-1662 Schwäbisch Hall) "Gaea or the allegory of famine" Ivory, ca., 1630/35 Monogrammed: LK Height: 24 cm
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Domenico Pieratti (Florence 1600 - Rome 1656) Ferdinando II of the Medici Porphyry yellow mischio marble. Height 82 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Thomas Hudson (Devonshire 1701-1779 Twickenham) The Thistlethwayte Family Oil on canvas, 184.7 x 214.6 cm (72 3/4 x 84 1/2 inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Alexandre Calame (1810-1864) Lac de Neuchâtel Oil on paper laid down on canvas, 40 x 52 cm (15¾ x 20½ in)
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Pietro Serafi, called the Greek active Rome c. 1520. Brussels c. 1530, died Barcelona 1567 Two Soldiers, a fragment of a Tapestry Cartoon
Attributed works:
[Lawrence Steigrad Fine Arts, 42 East 76th street, New York, New York] Joachim Anthonisz Wtewael (Utrecht 1566 - 1638 Utrecht) The Evangelist Luke Oil on panel, 31¾ x 24½ inches (79.3 x 62.2 cm)
Attributed works:
[Liliane Fredericks, Flat 1, 32 Stanhope Gardens, London, UK] Guiseppe Passeri (Rome 1654 - 1714 Rome), Rest on the Flight to Egypt (recto) Hagar and Ishmael (verso) 195 x 150 mm Red and brown ink (recto and verso), over red chalk (verso only)
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] John Sell Cotman 1782 - 1842 The Cow Tower, Norwich Watercolour Size: 13⅞ x 10⅝ inches (357 x 270 mm) Painted in 1807
Attributed works:
[Matthiesen, 7/8 Mason's Yard, Duke Street, London, UK] Niccolò Reneiri called Nicolas Regnier Maubeuge 1591 - 1667 Venice The Death of Sophonisba Oil on canvas, 126 x 161 cm.
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Giovanni Battista Tiepolo (Venice 1696-1770 Madrid) The Crucifixion black chalk underdrawing, brush & brown ink & wash. 439 x 312 mm
Attributed works:
[Nevill Keating Tollemache Ltd, 5 Pickering Place, London, UK] Camille Claudel (1864 - 1943) La Valse bronze, height 46.4 cm; Eugène Blot cast
Attributed works:
[Noortman Old Masters, Vrijthof 49, 6211 LE Maastricht, Holland] Claude Monet la chapelle de Notre-Dame de Grâce, Honfleur oil on canvas: 52 x 68 cm signed provenance & literature list available
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Giovanni Battista Tiepolo Venice 1696 - Madrid 1770 Male Faun Holding a Palm Branch and Female Faun Holding a Crown Pen and brown ink and wash over traces of black chalk 182 x 260 mm
Attributed works:
[Richard Green, 39 Dover Street, London, UK] A portrait of a silversmith, identified as Christian van Vianen (circa 1600-1667) Signed with monogram and dated centre left: TDK 1630 Panel: 25¾ x 21⅛ in / 65.4 x 53.5 cm
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] François Diday (Geneva 1802 - 1877) A View of the Rosenlaui, the Wellhorn and the Wetterhorn near Lucerne Canvas, 121 x 162 cm In its original frame Signed and dated 1844
Attributed works:
[Talabardon & Gautier, 134, Faubourg St-Honore, Paris, France] Edouard Traviès (1809 - after 1866), Watercolour and gouache on vellum, 25.5 x 32.1 cm Butterflies, signed and dated 1831, Exhibition: Paris, Salon, 1831, no 1966
Attributed works:
[The Fine Arts Society, 148 New Bond Street, London, UK] Venice, The Lion of Saint Mark, 1915 Etching · 5⅛ x 4¾ (13.2 x 12 cm) Provenance: The Leicester Galleries' Collection of Sickert Etchings
Attributed works:
[Thomas Boller Zurich, Mythenschloss, Mythenquai 28, Zurich, Switzerland] Lorenzo Tiepolo (Venice 1736-1776 Madrid) Portrait of a bearded man Pastel on paper, 59 x 46 cm.
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Godfried Maes Antwerp 1649-1700
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Girolamo Muziano (Brescia 1532 - Rome 1592) St Jerome Red chalk, 440 x 270 mm. Preparatory for a painting formerly in the Torlonia collection, now in Palazzo Barberini in Rome
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Giovanni Francesco Barbieri, called Il Guercino Cento 1591-1666 Bologna Saint Francis in a Landscape, Kneeling in Adoration before a Crucifix Brush and brown wash with pen and brown ink (recto); writing in pen and brown ink (verso); laid down. 9½ x 7¾ inches, 242 x 197 mm
Attributed works:
[Wallace Collection, London, UK] French Bronzes in the Wallace Collection by Robert Wenley This book is one of only a handful devoted to the subject and the first in English for many years. Featuring over fifty of the finest French bronzes in the Wallace Collection, all of them reproduced in colour, mostly for the first time.
Attributed works:
[Wallace Collection, London, UK] Richard Parkes Bonington by Stephen Duffy This publication discusses and illustrates the Wallace Collection's paintings and watercolours by Bonington, comprising of richly costumed historical scenes and views of France and Northern Italy. In colour for the first time.
Western art unattributed:
[Exh. BADA Fair, London] A George IV breakfront bookcase in finely figured mahogany. English, circa 1825.
Western art unattributed:
[Exh. BADA Fair, London] A massive brass-bound chest of Zambezi teak, from Groote Schuur, Cape Province, South Africa, circa 1909.
Western art unattributed:
[Exh. BADA Fair, London] Tin glazed Earthenware Dish. Circa 1720-40. Diameter: 30 cm (11 3/4 in).
Western art unattributed:
[Getty Publications advertisement] Elementary Instructions for Students of Sculpture A translation of Carradori's 1802 introduction to studio practices for sculpture students, considered vital to understanding the art and craft of sculpting as they were practiced before the 20th century.
Western art unattributed:
[Getty Publications advertisement] Nine Letters on Landscape Painting Written in the Years 1815-1824; with a Letter from Goethe by Way of Introduction An elegant appeal for the alliance of artistic skill, scientific observation, and emotional truth in the depiction of nature.
Western art unattributed:
[Prestel (printers) advertisement] Flora Symbolica Flowers in Pre-Raphaelite Art Debra N. Mancoff This beautifully illustrated book brings together forty outstanding examples of Pre-Raphaelite art, and looks at the meaning of flowers in all aspects of Victorian culture.
Western art unattributed:
[Prestel (printers) advertisement] Icons of Renaissance Architecture Alexander Markschies This latest volume in the popular Icons series spans the European continent to present a new look at one of the most exciting periods in architectural history.
Western art unattributed:
[Prestel (printers) advertisement] Robert Campin A Monograph and Survey of Work Felix Thürlemann This superbly illustrated volume sheds new light on the "Master of Flémalle", an artist whose importance ranks alongside that of van Eyck. Based on years of research, with many fresh attributions and a comprehensive catalogue raisonné.
Western art unattributed:
[Prestel (printers) advertisement] The Eclipse of Art Tackling the Crisis in Art Today Julian Spalding One of the art world's most outspoken critics explores the modern public's alienation from contemporary art and makes a powerful plea for the revival of communication, accessibility, and traditional skills in this field.
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03/2002 | 1188 | 144
Pages: i-xxxvi
Subjects
advertisements:
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subjects:
Illustrations
Attributed works:
A Young Woman in a Brocade Gown, by Willem Drost. c.1654. 62 by 50 cm. (Wallace Collection, London)
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Leonardo da Vinci (Anchiano 1452-1519 Cloux). A Rider on a Rearing Horse. Metalprint Reinforced with Pen and Brown Ink on Pink Prepared Paper, 141 × 119 mm
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Pablo Picasso. La Femme qui pleure I 1937 Etching, Drypoint, Aquatint and Scraper on Montval Paper, Baer 623 iii/vii from the Edition of Only 15 in This State, Signed and Numbered in Pencil, 27 3/16 × 19 7/8 Inches (690 × 494 mm)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Adolph von Menzel (1815-1905). The Vestry of the Serviten-Cloister in Innsbruck. Signed at Bottom Left: A Menzel/Innsbruck. The Drawing Has Been Made during Menzel's Journey to Austria in Summer. Pencil, 20.6 × 26.2 cm.
Attributed works:
[Bonham's, 101 New Bond Street, London, UK] A Fine Late George I Walnut Sofa.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Jean Tassel (Langres, 1608-1667). Christ Gathering Together His Garments after the Flagellation. Oil on Copper, 18.5 × 22 cm.
Attributed works:
[Christian Kappis, Ernst August Strasse 21, Diepholz, Germany] The Repose on the Flight into Egypt. titian.
Attributed works:
[Christie's, 20 Rockefeller Plaza, New York, New York] Sarah Lucas. Where Does It All End?
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] A Flowering Cactus (Heliocereus Speciosus), by Pierre-Joseph Redouté (1759-1840). Watercolour, 54.2 × 41 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Guitar and Port Bottle, by Pablo Picasso (1881-1979). Watercolour on Paper, 23.5 × 17 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Head of a Bearded Man, by Pierre-Narcisse Guérin (1774-1833). Oil on Paper Marouflé on Cardboard, 42.7 × 33.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jan van Goyen (Leiden 1596 - The Hague 1656). River Landscape with Passengers and Cows on a Ferry. Black Chalk and Grey Wash, 118 × 200 mm. Signed: VG 1651
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] La Dame de charité, by Jean-Baptiste Greuze (1725-1805). Watercolour, 49 × 66 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Medusa Head, by Godfried Maes (1649-1700). Pen and Brown Ink over Black Chalk, 24.3 × 18.2 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Portrait of a Boy Wearing a Blue Jacket, Signed and Dated by Benedetto Luti, 1717. Pastel, 40.5 × 33 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] St Bruno in Prayer, by Giacomo Cavedone (1577-1660). Black Chalk, with Stumping and White Gouache Highlights on Beige Paper. 33.6 × 21.9 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] St John the Baptist in Prison Receiving the Reply from Christ, by Samuel van Hoogstraten (1627-78). Pen and Ink with Brown Wash and White Highlights over Black Chalk. 19 × 24.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] The Flight into Egypt, by Adam Elsheimer. Pen and Brown Ink, 7.2 × 9.4 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Towards 1930, by Frantisek Kupka (1871-1957). Watercolour and Gouache, 26.8 × 18.7 cm.
Attributed works:
[Exh. Salon Du Dessin, Salons Hoche, Paris, France] Young Woman Asleep in an Armchair, by Louis-Roland. Trinquesse (1746-1800). Red Chalk, 31.2 × 26.3 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Calm Sea with Ships near the Shore, by Jan van de Cappelle. Oil on Canvas, 57.2 × 66 cm.
Attributed works:
[Exh. TEFAF Maastrich] A River Landscape with Three Fishermen near a Waterfall, by Jacob van Ruisdael. Oil on Canvas, 84.5 × 98 cm.
Attributed works:
[Exh. TEFAF Maastrich] A Young Woman as Fortune, by Godfried van Schalcken. Oil on Canvas, 34.5 × 27.5 cm.
Attributed works:
[Exh. TEFAF Maastrich] An Old Man Standing beside a Table with a Vanitas Still Life, by the Monogrammist IS (Active 1633-58). Oil on Canvas, 63.5 × 52.1 cm.
Attributed works:
[Exh. TEFAF Maastrich] Anne Hogarth, by William Hogarth. Oil on Canvas.
Attributed works:
[Exh. TEFAF Maastrich] Attic Black Figure Amphora. A Nude Satyr Clasping a Fleeing Maenad. c.521-515 BC. Class of the Cabinet des médailles 218, Nikasthenic Subgroup.
Attributed works:
[Exh. TEFAF Maastrich] Ideas for Stone Sculpture, by Henry Moore, 1937. Pencil, Pen, Black Ink and Gouache on Paper, 26 × 20.3 cm.
Attributed works:
[Exh. TEFAF Maastrich] Ivory Diptych Leaf, French c.1360-80. 12.7 × 10.9 cm.
Attributed works:
[Exh. TEFAF Maastrich] La femme qui pleure. III, by Pablo Picasso. 1937. Etching with Aquatint, 34.5 × 24.6 cm.
Attributed works:
[Exh. TEFAF Maastrich] Sumerian Stone Cup, Decorated with a Procession of Three Bulls. Mesopotamian, Uruk Period, 3500-3100 B. C. Steatite, ht 8.2 cm., Diameter at Lip 6.1 cm.
Attributed works:
[Exh. TEFAF Maastrich] The Reconciliation of Jacob and Esau, by Karel van Mander. c.1600. Oil on Panel, 59 × 135 cm.
Attributed works:
[Exh. TEFAF Maastrich] Wooded Landscape, by Meindert Hobbema. 96.5 × 31 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Francesco Barbieri Called Il Guercino. Cento 1591 ∼ 1666 Bologna. Recto: Esther, Fainting, Supported by Two Attendants. Pen and Brown Ink. 10 × 4 7/10 Inches. (252 by 192mm.)
Attributed works:
[Giovanni Pratesi Antiquario, Via Maggio 13, Firenze, Italy] Alessandro Algardi (Bologna 1598 - Rome 1654). The Baptism of Christ. Gilded Terracotta, 58 × 50 cm
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Claude Gellée, Called Claude Lorrain (Chamagne 1604/5? - 1682.Rome). A Cappricio of an Italianate Harbour at Sunset. Oil on Canvas, 40.5 × 55.5 cm (16 × 21 7/8 Inches)
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Sir Thomas Lawrence Pra (1769-1830). Portrait of Andrew Reid (1783-1801). Oil on Canvas, 124.5 × 100 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Claude Lorrain. Lorraine 1600 - 1682 Rome. The Dance on the Riverbank (La Danse au bord de l'eau). Etching; c. 1634. Mannocci 13, State vi A (Of VII). A Very Fine, Rich Impression with Very Strong Effects of Sunlight.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Pieter Codde (1599 - Amsterdam - 1678). A Portrait of the Family Twent in an Interior. Signed in Monogram, and Dated 1633. Oil on Panel. 19¼ × 30 in. (48.5 × 76 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jean-Baptiste Greuze. Tournus 1725-1805 Paris. La Dame de Charité (The Charitable Woman). Brush and Brown Ink, Grey and Brown Wash, Heightened with White 490 × 660mm
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Nicolas Lancret (1690 - 1743). Le Joueur de Musette (ca. 1735), Red Chalk. 17.5 × 14.8 cm
Attributed works:
[Lowell Libson Ltd., 3 Clifford Street, London, UK] George Romney 1734-1802. A Study for Milton and His Daughters. Oil on Canvas. Size: 24 × 30 Inches (628 × 762 MM) Painted Circa 1792-4
Attributed works:
[Mia N. Weiner, Mountain Road, Norfolk, CT, USA] Theodoor van Loon (Brussels 1581/2 - 1667 Leuven). Council of the Gods. Black Chalk Underdrawing, Pen & Brown Ink & Wash. 295 × 415 mm.
Attributed works:
[Pandora Old Masters, 8 East 77th Street, New York, New York] Giovanni Francesco Barbieri, Called il Guercino. Cento 1591 - 1666 Bologna. Study of an Angel and of a Putto. Pen and Brown Ink. 212 × 193 mm
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Jean-Baptiste Camille Corot, Cavalier passant devant un étang. Fusain sur papier teinté, 312 × 483 mm, signé en bas à Gauche. Daté par Martin Dieterle des anées 1850-60.
Attributed works:
[Schlichte Bergen, P. C. Hooftstraat 53, 1071 BN Amsterdam] Leopold Rottmann (Heidelberg 1812 - 1881 Munich). A Panoramic View over a Valley in Southern Germany (Detail below). Gouache on Two Sheets of a Sketchbook, 8 × 35.5 cm. Signed and Dated on the Old Mount: L. Rottmann Fecit 1846
Attributed works:
[Simois Gestion de Arte, Salustiano Olozaga 5, Madrid 28001, Spain] Ventura Rodriguez (1717-1785). Dos géneros, o formas de molduras para guarnecer las Colgoduras de los cuartos del Palacio de S. A. de la Villa de Arenas en su propia magnitud. Pencil and Black Ink on Paper, Signed and Dated Madd. 16 de 1783. Ventura Rdrgz. 320 × 426mm.
Attributed works:
[Tate Gallery, Millbank, London, UK] Barbara Hepworth, Three Forms, 1935
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Henry Fuseli (Zurich 1741 - 1825 London). Portrait of Martha Hess. Pencil: 1778/79: 400 × 230 mm
Attributed works:
[Thomas Williams Fine Art Ltd., 10 Dalmeny Court, 8 Duke Street, London, UK] Giovanni Antonio Canal, Called il Canaletto (1697 - Venice - 1768). Houses and a Walled Garden by a Canal. Pen and Brown Ink and Brown and Grey Wash over Black Chalk, Brown Ink Framing Lines. Inscribed by the Artist on the Mount, l.c., Idea. 204 × 304 mm (8 × 12 Inches)
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Maerten van Heemskerck. Heemskerck 1498-1574 Haarlem. The Stoning of St. Stephen, 1566. Signed and Dated, Lower Right, Maerten/van/Heemskerck/Inventor/1566. Pen and Brown Ink over Black Chalk, with Brown Ink Framing Lines, Some Outlines Incised. 7 3/4 x 10 7/8 Inches (196 × 252 mm)
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11/1999 | 1160 | 141
Pages: i-xvi
Subjects
artists:
subjects:
Illustrations
Attributed works:
Byzantine Lady, by Vanessa Bell. 1912. 72.5 by 51 cm. (© 1961 Estate of Vanessa Bell; © Crown Copyright: UK Government Art Collection)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Adolph von Menzel (Breslau 1815-1905 Berlin). "View from a Window" (Schöneberger Ufer Berlin) Charcoal Drawing Signed with Monogram. "AM" Dated: Aug. (18)89 11.3 × 18 cm
Attributed works:
[B. A. Wright, P.O. Box 1659, Bath, UK] Gustave Courbet "Solitude". Oil on Canvas, Signed. Canvas Size: 32 × 26 Inches
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Anton Raphael Mengs (1737-1779). John Stewart. Viscount Garlies. Oil on Canvas; 99.3 × 72 cm. Indistinctly Signed and Dated at Lower Right: Antonio Raphael Mengs / [...] / fecit Roma 1758
Attributed works:
[Emanuel Von Baeyer, London, UK] Joseph Hoffmann. (1764 - Cologne - 1812). The Rape of Helena by Paris. Pen and Ink in Black with Brown and Brown Ochre; Heightened in White. Constructed in Five Sections. 63 × 90 cm.
Attributed works:
[Guildhall Art Gallery, London, UK] John Singleton Copley (1738-1815). The Defeat of the Floating Batteries at Gibraltar, September 1782 (1783-1791). Oil on Canvas: 5.4m × 7.6m. Commissioned by the Corporation of London, 1783.
Attributed works:
[Hall & Knight Ltd., 15 Duke Street, London, UK] Frans Hals (Antwerp 1582/3-1666 Haarlem). Portrait of a Lady. Oil on Canvas, 39½ × 31 3/4 Inches (100.5 × 180.5 cm).
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London, UK] View of Harrow from Kilburn, oil on Canvas, 19 3/4 × 25½ in (50.3 × 64.8 cm). Signed, Inscribed and Dated: 'Julius Ibbetson Pinx/Kilburn 1787'
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Jan Lievens. (Leiden 1607 - 1674 Amsterdam). Quarrelling Card Players and Death. Oil on Canvas. 26 1/3 × 33½ ins. (67 × 85 cm.).
Attributed works:
[Ketterer Kunst, Hamburg, vorm., F. Dorling, Germany] J. W. Weinmann, Phytanthoza Iconographia. Regensburg 1735-45. "The First Successful Botanical Book Using Color-Printed Mezzotint." Vagabonds Resting before Tavern, Jacob Duck (1600-1667), Oil on Board. New York/Manhattan, 1851, Aquatint
Attributed works:
[Kunsthaus Lempertz, Neumarket 3, D-50667, Cologne, Germany] Hans Hoffmann. Der Hase, 1582. Watercolour, 21,7 × 18,2 cm. Monogrammed and Dated Estimate: £ 160-230,000.-. Auction Old Master Paintings, Dec.4
Attributed works:
[Museo Thyssen-Bornemisza, Paseo del Prado, 8. Madrid, Spain] Vincent Van Gogh. Watermill at Gennep, 1884
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] Gaspard Dughet, Called Gaspard Poussin. Oil on Canvas. 50 × 63,8 cm. Estimate DM 150.000,- (€ 76.700,-)
Attributed works:
[Richard L. Feign & Company, 64 East 77th Street, New York, New York] Giovanni Andrea Donducci, Called Il Mastelletta, c.1615. Oil on Canvas, 73.3 by 81.2 cm.
Attributed works:
[The Akram Ojjeh Collection tour through Christie's; New York, Monaco, London] Jean-Honore Fragonard (1732-1806) LeVerrou. Oil on Panel, 10¼ × 12¼ in. (26.5 × 32.5 cm.) Including an Addition of 3/4 in. (1.7 cm.) Estimate: £1,000,000-1,400,000
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Cradle, Algeria, 20th Century
Western art unattributed:
[Carlton Hobbs, 8 Little College Street, London, UK] The Fonthill Table Top. A Magnificent Inlaid Marble Top. Rome. Circa 1580 Width 56½ Inches (141 cm); Depth: 43 Inches (109 cm).
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Advertisements June 1999 (front)
06/1999 | 1155 | 141
Pages: i-xxiv
Subjects
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subjects:
Illustrations
Attributed works:
Cassoni (One of a Pair), Florentine, Second Half of the Nineteenth Century, Incorporating Elements from a Chest and spalliera of 1472, with Brennus before Rome by Biagio d'Antonio as the Front Panel. 212 by 193 by 76.2 cm. (Courtauld Gallery, London).
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Giovanni Francesco Barbieri, il Guercino (1591-1666) Christ Appearing to the Virgin. Pen and Brown Ink, Brown Wash. 37.4 × 24.5 cm.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73.
Attributed works:
[Burlington Magazine, 14-16 Duke's Road, London, UK] A Scintillating Pair of French Impressionist Garden Studies, Painted in 1872/73. Oils on Canvas: 36¼ × 28 3/4 Inches (92 × 73 cms).
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Samuel Anointing Saul. Pen and Wash, 265 × 462 mm
Attributed works:
[Christie's, 8 King Street, London, UK] Thomas Gainsborough R. A., (1727-1788). The Byam Family: Mr and Mrs George Byam and Their Daughter Selina, Full-Length, in a Landscape, Oil on Canvas, 98¼ × 92 3/4 in. (244.4 × 235.6 cm.)
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Marguerite Gérard. Portrait of the Tiercelin Family in an Interior. Oil on Panel, 63 × 51 cm.
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Giuseppe Gambarini, (Bologna 1680 - 1725). A Musical Scene with Peasants Merrymaking. Oil on Canvas, 77 × 102 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Francesco Monti. Bologna 1685 ∼ 1768 Brescia. Christ in the House of Simon (Detail). Black Chalk with White Heightening 14½ × 19 Inches (370 × 490 mm)
Attributed works:
[Grosvenor Gallery, 18 Albemarle Street, London, UK] Fernand Legér Nature Morte - Canne, Chapeau et Chaise, 1924. Pencil on Paper. 27 × 19cm Signed with Initials and Dated Lower Right. F. L.24
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London, UK] Armand Rassenfosse (1862-1934). Les gants blancs. Charcoal and Watercolour, Heightened with White Gouache, 27.7 × 18.3 cm. Signed with Initials and Dated 1896
Attributed works:
[James Faber, London. The Olympia Fine Art and Antiques Fair, London, UK] Hands of a Draughtsman. French School, Circa 1750. Red Chalk, 16.5 × 21.6 cm.
Attributed works:
[John Carlton-Smith, 17 Ryder Street, London, UK] Benjamin Vulliamy, London, No. 811. A Rare Early 19th Century Mahogany Wall Clock with a Signed 14 Inch Silvered Dial. The 8 Day Double Fusee Movement with Half Dead Beat Escapement, Striking on a Bell and a Wood Rod Pendulum. The Backplate Signed and Numbered 811. Height 25 Inches. Circa 1820
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Lucas Gassel (Helmont 1480/1500 - c.1570 Brussels). The Parable of the Wheat and the Tares. Oil on Panel - Signed with Monogram and Dated 1540. $32frac{5}{8}$ × 41 ins. (85.4 × 104.1 cm.)
Attributed works:
[Johnny van Haeften, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Floris Gerritsz. Van Schooten: A Kitchen Interior with the Supper at Emmaus. Signed with Initials and Dated 1620. 122 × 190 cm.
Attributed works:
[Kate de Rothschild, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] François Watteau: Study of Young Boy, 1790-95. Black Chalk Heightened with White, 53.5 × 39 cm.
Attributed works:
[Klaber & Klaber, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Revolutionary Sèvres Cup and Saucer Painted with Symbols Adopted by the French Revolution. French, Circa 1793-1800. Saucer Diameter 12 cm. Height of Cup 6 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George II Giltwood Armchair. English, Circa 1750. Height 104 cm. Width 72 cm. Depth 80 cm.
Attributed works:
[Mallet & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Ivory Inlaid Padouk Armchairs (One Shown). Anglo-Indian, Vizagapatam, Circa 1765. Height 102 cm. Width 67 cm. Depth 54 cm.
Attributed works:
[Mallett & Son (Antiques) LTD, 141 New Bond Street, London, UK] A Remarkable Needlework Portrait of Charles I Worked from an Engraving after the Portrait by Edward Bower, Now in the Royal Collection, Depicting the King at His Trial in 1649. The Needlework Is Signed and Dated 'Anna Skinner in the 69th Year of Her Age 1716'. Textile: 13 × 11 in/33 × 28 cm, Framed: 19 × 17 in/48 × 43 cm
Attributed works:
[Mallory of Bath, 1-4 Bridge Street, Bath, UK] A Good George II Silver Coffee Pot. Flat Chased Showing Both Rococo and Baroque Influence. Contemporary Armorial. By Louis Dupont London 1736. Height 9ins 22cms. Weight 25.6ozs. 796 Grams. All Approximate.
Attributed works:
[Noortman, Maastricht. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Meindert Hobbema: A Woodland Glade, 37 × 48.5 cm.
Attributed works:
[Norman Adams, 8-10 Hans Road, London, UK] A Fine Set of Six Adam Period Painted and Gilded Armchairs. Circa 1775.
Attributed works:
[Norman Addams, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A George III Cabinet Commissioned from the Weeks' Museum, London. Attributed to George Simson, Circa 1795. Height 232 cm. Depth 55.5 cm. Width 92 cm.
Attributed works:
[Ossowski, 83 Pimlico Road, London, UK] A Pair of Finely Carved Limewood Drops in the Style of Grinling Gibbons. English, Circa 1880. 58 Inches (147 cm) Tall, 8 Inches (20 cm) Wide.
Attributed works:
[P. & D. Colnaghi, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Francesco Guardi: Venice: A View of the Rialto with the Riva del Vin. Pen and Brown Ink and Brown Wash. 24.7 × 42.3 cm.
Attributed works:
[Pyms Gallery, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Gustave Moreau: Athenians Delivered to the Minotaur in the Labyrinth on Crete. Oil on Canvas, 33 × 56.5 cm.
Attributed works:
[Rafael Valls Ltd, London. The Olympia Fine Art and Antiques Fair, London, UK] Jean-François Perdrix: Trophy of the Hunt: a Trompe l'æil of a Deer's Head Hanging from a Wooden Wall. Inscribed and Dated 1766. Oil on Canvas. 104.1 × 71.7 cm.
Attributed works:
[Richard Green, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Isaak Soreau: Still Life with Bunches of Grapes, a Vase of Tulips, Sprigs of Rosemary and Strawberries in a Wanli Porcelain Bowl. 42.5 × 62.7 cm.
Attributed works:
[Robbig, Munich. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Johann Joachim Kändler: Shepherd and Shepherdess under a Tree, Meissen 1738-40. Height 27.5 cm. Width 18.5 cm.
Attributed works:
[Robert Bowman, Ltd. London.The Olympia Fine Art and Antiques Fair, London, UK] Mathurin Moreau: The Egyptian Goddess Semiramis, Circa 1890. Bronze. Height 79 cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Léon Augustin Lhermitte. French 1844-1925. En Moisson, Signed and Dated 1913 l. r. Oil on Canvas 188.5 by 259cm. 74½ by 102in. Estimate: £250,000-350,000
Attributed works:
[Spink & Son LTD, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Makuzu Kozan. A Late 19th-Century Porcelain Jar of Baluster Form, Covered with Luminous Blue Glaze and Decorated with Tawaragani Crab in Moulded Relief. Height 38.5 cm.
Attributed works:
[Studio Novo Ltd, 8 & 9 Ryder Street, London, UK] Federico Barocci (Urbino 1535-1612). Study for the Beata Michelina' at the Vatican Museum. Oil on Paper Laid Down on Canvas, 30 × 40.5 cm.
Non-western art unattributed:
[C. John, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Chinese Peking Carpet Circa 1890. Hand knotted Woollen Pile on a Woollen Foundation. 350 × 275 cm.
Non-western art unattributed:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Sino-Tibetan Gilt-Bronze Figure of Amitayus. 18th Century. Decorated with Coral, Turquoise and Lapis Lazuli. Height 46 cm.
Non-western art unattributed:
[Pelham Galleries, London. Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Pair of Famille-Rose 'Soldier' Vases and Covers of Baluster Form. Qianlong, Circa 1740. Height (Including Stands) 155 cm.
Western art unattributed:
[Celia Jennings, Kent. The Olympia Fine Art and Antiques Fair, London, UK] A 16th-Century Oak Carving of the Madonna and Child with a Saint. Low Countries, Circa 1500. Height 31 cm. Width 31 cm. Depth 2 cm.
Western art unattributed:
[Godson & Coles, London. The Olympia Fine Art and Antiques Fair, London, UK] A George I Walnut Tallboy. English, Circa 1710. Height 177 cm. Width 104 cm. Depth 54 cm.
Western art unattributed:
[JOanna Booth, London. The Olympia Fine Art and Antiques Fair, London, UK] St Florian, Flemish, Circa 1520. Carved Oak. Height 84 cm.
Western art unattributed:
[Richard Philip, London. The Olympia Fine Art and Antiques Fair, London, UK] Head of an Angel. French School, Circa 1300. Limestone. Height 25 cm.
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04/1999 | 1153 | 141
Pages: i-xx
Subjects
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subjects:
Illustrations
Attributed works:
St John the Baptist, by Ercole de' Roberti. c.1478. Oil and Oil/Tempera Emulsion on Panel, 54 by 31 cm. (Gemäldegalerie, Berlin; Exh. The J. Paul Getty Museum, Los Angeles)
Attributed works:
[Agnew's, 43 Old Bond Street, London] Louis Leopold Boilly (1761-1845). La Folie du Jour. Black Chalk, Pen and Brown Ink and Watercolour. 320 × 400 mm
Attributed works:
[Aldega-Gordon, New York, New York]. Sketch. Giuseppino Galliari, 1752-1817
Attributed works:
[Arnoldi-Livie, Munich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Baptist Isabey: Portrait of a Young Lady Sitting on a Verandah, c.1810. Black Chalk with Stumping, Heightened with White, 28 × 23 cm.
Attributed works:
[Artemis Group, 23 East 73rd Street, New York, New York] Christoffer Wilhelm Eckersberg (1783-1853), A Brig under Sail in Fair Weather, Oil on Canvas, 1844-45, 18½ × 26 3/4 Inches (47 × 68 cm.)
Attributed works:
[Arturo Cuellar, Burglistrasse 18, 8002 Zurich, Switzerland] Wilhelm Schadow (Berlin 1788 - 1862 Düsseldorf). Portrait of Friedrich Gottlieb Schadow. Black Chalk, Heightened with White. Signed 1808. 32.2 × 27 cm. Portrait of the Berlin Court-Architect Friedrich Gottlieb Schadow (1761-1831).
Attributed works:
[Arturo Cuellar, Zurich. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Johann Gottfried Schadow: Portrait of Charlotte Susanna Juliane Schadow, née Hielkert. Signed. Chalk, 33.5 × 27.6 cm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] School of Cremona, XVth Century. The Sacrifice of Isaac. Tempera on Panel, 27.5 × 19 cm
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Luigi Miradori Called Genovesino. Genoa c.1605 - Cremona after 1654. Portrait of a Youth. Oil on Canvas: 122 × 90.2 mm
Attributed works:
[Colnaghi, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Francesco Guardi: View of the Rialto and the Riva del Vin. Signed Lower Left. Pen and Brown Ink with Brown and Grey Washes, 24.7 × 42.3 cm.
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Battista Tiepolo. Venice 1696∼1770 Madrid. The Madonna and Child with Angels Appearing to a Kneeling Pilgrim and a Seated Saint. Black Chalk, Pen and Brown Ink, Brown Wash 12¼ × 8 7/8 Inches (310 × 226 mm)
Attributed works:
[Flavia Ormond, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Giacomo Cavedone: Madonna and Child Seated on Clouds (Recto); Study of Hands (Verso), c.1620. Black Chalk on Blue Paper, 37.8 × 27.3 cm.
Attributed works:
[Galerie Antoine Laurentin, 65 rue Sainte-Anne, Paris, France] François Bonvin. Paris 1817 - 1887 Saint-Germain-en Laye. Falaise de Mers près du Tréport. Aquarelle, Gouache et lavis d'encre brune. Porte une trace de signature en bas, à droite. 223 × 330 mm
Attributed works:
[Galerie du Bayser, 69 rue Sainte-Anne, Paris, France] Jean-Honoré Fragonard (1732-1806). Portrait of a Seated Man. Black Chalk. 33 × 25 cm
Attributed works:
[Hill-Stone Incorporated, Park Avenue, New York, New York] Hanns Lautensack. Bamberg 1524 - 1566 Vienna. A View of Steyr on Enns. Etching; 1544. Hollstein 28, Only State. A Fine, Atmospheric Impression.
Attributed works:
[Joanna Booth, 247 King's Road, London, UK] Belisario Corenzio (1560-1640). Study of Horses' Heads, Brush and Blue Wash, 183 × 178mm
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Jacques le Moyne de Morgues. Dieppe c.1533 - 1588 London. Peaches. Gouache and Gold Leaf on Vellum; Inscribed Verso: 35. 152 × 113 mm.
Attributed works:
[Olimpia Theodoli, 14 Dover Street, London, UK] Aenea Vico, Vase from the Antique. Engraving, 1542
Attributed works:
[Paul Proute S. A., 74, rue de Seine, 75006, Paris, France] Fra Semplice DA Verona. Verona? c.1589 - 1654. Seated Woman in Profile Turned to the Right. Black and Red Chalk with White Heightening on Grey-Blue Paper
Attributed works:
[Sotheby's, International Realty, 123 Sloane Street, London, UK] Images of: painting by Thomas Gainsborough, R. A. Gilt Bronze Mythical Beast - Han Dynasty. painting by John Frederick Lewis and photo of Lyall Mews, London.
Attributed works:
[Talabardon & Gautier, 44, Rue Sainte-Anne, 7002, Paris, France] Jean-Baptiste Greuze (1725-1805). Bourgeoise de Florence. 1755. Pen, Black Ink and Wash. Signed and Dated Lower Left. Engraved by F.-A. Moitte in 1768. 19.8 × 13.4 CM
Attributed works:
[Talabardon & Gautier, Paris. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Adam Elsheimer: The Denial of St Peter. Pen and Brown Ink, 12.4 × 16.5 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Karl Friedrich Schinkel. 1781 Neuruppin - Berlin 1841. Design for the Title Page of Fairy Tales by Clemens Brentano. Gouache over Pen and Ink. 180 × 120 mm. Signed and Dated Bottom Right: Schinkel 1815.
Attributed works:
[Thomas Le Clare, Hamburg. Exh. Salon Du Dessin, Salons Hoche, Paris, France] Jean-Michel Moreau, Called Moreau le Jeune: Scene from Virgil's Aeneid, Pen and Brown Ink with Brown Wash. 22.3 × 15.6 cm.
Attributed works:
[Yvonne Tan Bunzl, London. Exh. Salon Du Dessin, Salons Hoche, Paris, France]Luigi Sabatelli: The Crucifixion. Black Chalk, Pen and Brown Ink Heightened with White on Prepared Paper. 52.9 × 36.4 cm.
Non-western art unattributed:
[British Museum, London] The British Museum's Head of Organic Artefacts Conservation, Allyson Rae, Is Helping Preserve a 1980s Papua New Guinea Festival Head Dress.
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01/1999 | 1150 | 141
Pages: i-xvi
Subjects
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subjects:
Illustrations
Attributed works:
Meditation on the Harp, by Salvador Dalí. 1932-34. 66.5 by 47 cm. (Salvador Dalí Museum, St Petersburg FL; Exh. Tate Gallery, Liverpool)
Attributed works:
[Aldega-Gordon, New York, New York] Luca Cambiaso, 1527-1585. Fame (Detail). Pen and Brown Ink, 322 × 271 mm.
Attributed works:
[Austin/Desmond Fine Art, Pied Bull Yard, 15a Bloomsbury Square, London, UK] John Piper (1903-1992). Collection of Forms 1936, Oil on Canvas Laid on Board, 35 × 25 cms
Attributed works:
[Bernard Jacobson Gallery, 14a Clifford Street, London, UK] Paul Nash, Farewell, 1944. Oil on Canvas, 51 × 61 cm (20.1 × 24 in)
Attributed works:
[C. G. Boerner, Kasernenstrasse 13, Dusserldorf, Germany] Joseph Heintz the Younger (Augsburg ca. 1600 - 1678 Venice): Allegory of Drawing, Painting and Architecture. Signed with Monogram and Dated 1660. Pen and Ink, Watercolour and White Heightening. 88 × 137 mm.
Attributed works:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Giambattista Tiepolo (1696-1770). Saint Roch. Pen and Brown Ink, Brown Wash, Traces of Black Chalk, 235 × 262 mm. From the Collections of Paul Delaroff, St Petersbourg (L.663) and Marie Marignane, Paris (L.1848).
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Guido Reni. 1575 - Bologna - 1642. St. Magaret of Antioch. Oil on Canvas: 96 × 75.5 cms
Attributed works:
[Dover Street Art Gallery, 13 Dover Street, London, UK] Egon Schiele. Selbstbildnis, 1910. Gouache, Watercolour & Charcoal on Paper, 45 × 30 cm
Attributed works:
[Flavia Ormond Fine Arts, 24 Brechin Place, London, UK] Giovanni Benedetto Castiglione. Tobit Burying the Dead. (Detail) Brush and Brown Oil Paint with Green, Blue-Green, White and Dark Red-Orange Touches on Buff Paper, Washed Darker. Mounted in Full for the 2nd Duke of Devonshire. 415 × 289 mm (16 3/8 × 11 3/8 Inches).
Attributed works:
[Galleria Nella Longari, Via Bigli 12, 20121, Milan, Italy] Virgin and Child workshop of Lorenzo Ghiberti Florence, first half of the 15th century. Polychrome terracotta, 51 × 34 cm.
Attributed works:
[Jack Kilgore & Co., Inc. 154 East 71st Street, New York] Jacob de Wit. 1695 - Amsterdam - 1754. Allegory on Music. Signed and Dated '1733'. Oil on Canvas, 40 by 36 5/8 Inches (117 by 93 cm.)
Attributed works:
[Jill Newhouse, 12 East 86th Street, New York, New York] Eugene Delacroix Studies of Horses and Figures c. 1823-25. Pencil on Paper, 9 1/2 x 11 3/4 Inches (24 × 30 cm). Estate Stamp Lower Left
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] David Bomberg. Self Portrait
Attributed works:
[Richard L. Feign & Company, 49 East 68th Street, New York, New York] Marco Pino. The Raising of Lazarus, Circa 1570-1580. Oil on Panel, 103 by 137 cm.
Attributed works:
[Thomas Le Claire Master Drawings, Elbchaussee 156, Hamburg, Germany] Adolph von Menzel. 1815 Breslau - Berlin 1905. Studies for 'The Broken Jug' by Heinrich von Kleist. 1876. Signed, Lower Right. A. Menzel. Graphite. 250 × 375 mm.
Attributed works:
[Trinity Fine Art Ltd, 29 Bruton Street, London, UK] Simon Vouet. Portrait of a Young Girl with Dove. Oil on Panel, Diameter 52 cm
Attributed works:
[W.M. Brady & Co., Inc., 3 East 76th Street, New York, New York] Baccio Bandinelli (Florence 1493-1560 Florence). The Deposition. Pen and Brown Ink over Traces of Black Chalk, 15 1/8 x 11 1/8 Inches (385 × 284 mm)
Non-western art unattributed:
[Exh. Les Antiquaires, Palais des Beaux-Arts, Brussels] "Le scribe accroupi", Louvre, © Photo RMN - Hervé Lewandowski / Design: RUMEURS
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