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Advertisements August 1975 (Front)
08/1975 | 869 | 117
Pages: i-xxvi
Subjects
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artists:
Illustrations
Attributed works:
[Albrecht Neuhaus, 9 Heinestrasse, Würzburg] "Kleinplastik": Walnut and Ivory by Simon Troger (1683-1768) H. 28 cm.
Attributed works:
[Andrew Crispo Gallery, 41 East 57 Street, New York] Arman "End of Romanticism" 1973. Assemblage 68 by 48 Inches. 173 by 122 cms.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Hans Speckaert. The Wedding of Tobit and Sara. Brown Pen and Brush, Heightened with White, on Greenish Paper. 149 × 294 mm. From the Collection of A. O. Meyer, Hamburg.
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Jacques Villon. Yvonne de Face, 1913. Drypoint, 550 by 415 mm
Attributed works:
[David M. Koetser Gallery, 37 Talstrasse, Zurich] David Teniers. p. 6½ × 4½″. Monogrammed
Attributed works:
[Galleria dell'Angelo, Piazza Cioccaro 11, Lugano] Carved Mahogany Centre Table, Irish Chippendale. Top and Aprons Showing Traces of Polychrome Fruits and Flowers. Width 183 cm; Depth 91 cm; Height 76 cm
Attributed works:
[Heim, 59 Jermyn Street, London] "Massacre of the Innocents" (Matt. 2:16) 69½ × 89 ins. (117 × 225 cm.)
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue (84 St.), New York] Willem Van Mieris (1662-1747)
Attributed works:
[How (of Edinburgh) 2-3 Pickering Place, London] Spout Cup. By Henry Mustyn. Plymouth, Circa 1695 Weight 13 ozs. 10 dwts.
Attributed works:
[Kunsthandel Xaver Scheidwimmer, 3 Ottostrasse, Munich] Anthonie Van Borssom (Amsterdam 1629-1677). Panel, 19¼ by 23¼ Inches.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] "St. Andrew" Panel, 32 × 18 cm.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] "St. Jerome" Panel, 32 × 18 cm.
Attributed works:
[Silvano Lodi, 6911 Campione D'Italia, Switzerland] Theobald Michau, 1676-1765. Panel, 55 by 86.5 cm. Signed.
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Four-Piece Tea and Coffee Set, Maker's Mark WH, London, 1855/56; And a Pair of Engraved and Engine-Turned Fiddle-Pattern Sugar Tongs, by G. W. Adams, London, 1854
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A French Gold Stick Pin, the Oval Head Inset with an Enamel, by Claudius Popelin, 3½ Inches; a Gold Toothpick Case, English, c. 1830, 3½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Pair of Scottish Dress Belt Pistols, Signed Meyer & Mortimer, 9¼ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Swiss Gold Box, Pseudo-French and Dutch Marks, and Rubbed Maker's Mark SC below Crown, Mid-Nineteenth Century, 3¼ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Alexander Carse, A Street Argument, Signed and Dated 1822, 20½ by 27½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Alexander Fraser, R. S. A., A Village Street, Signed, Inscribed on the Reverse, 35½ by 27½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Charles Martin Hardie, R. S. A., The Childhood of Sir Walter Scott, Signed and Dated 1893, 16½ by 26 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] James Elder Christie, Discovering a Gull's Nest, Signed, 18½ by 23 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] John Emms, Clumber Spaniels with the Day's Bag, Signed and Dated '83, Unframed, 51 by 38½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] John Wilson, Mortlake on Thames, on Panel, 16 by 21 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Laurence Biddle, Wallflowers, Primroses, Pansies and Forget-Me-Nots, Signed and Dated '49, 13½ by 20½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Pollock Nisbet, An Italian Street Market, Signed and Dated 1875, 32 by 47 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Queen's Pattern Table Silver, the Majority by Francis Higgins, London, 1838, the Remainder London and Sheffield, 1838, 1961, etc.
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Samuel John Peploe, R. S. A., Still Life of Roses in a Vase, Signed, 17½ by 12½ Inches
Attributed works:
[Sotheby's Belgravia] Wednesday, 17th September, at 11 am. A Rare Mason's Ironstone Chimneypiece, c.1835, 6 Feet 8 Inches Wide
Attributed works:
[Sotheby's] A Pair of Silver-Gilt Wine Bottles by Jonathan Bodington, 1699, 16¾ Inches, £62,000, 26.VI.75
Attributed works:
[Sotheby's] Barend Cornelis Koekkoek, The End of Winter, Signed and Dated '58, 31 by 41 Inches, £30,000, 11.VI.75
Attributed works:
[Sotheby's] Monday, 8th September, at 11 am. Biote-à-Portrait, with a Family Miniature by Dumont, c.1795, 3 Inches
Attributed works:
[Sotheby's] One of a Pair of Louis XVI Ebeny Veneered Meubles à Hauteur d'Appui, Attributed to Adam Weisweiler, 3 Feet 2 Inches High by 2 Feet 1 Inch Wide by 1 Foot 4 Inches Deep, £48,000, 20.VI.75
Attributed works:
[Sotheby's] Thursday, 18th September, at 11 am. Ugo da Carpa, Saturn. chiaroscuro Woodcut Printed in Colours, 12⅛ by 17¼ Inches
Attributed works:
[Spink & Son Ltd, King Street, London] Portrait of Thomas Day by Joseph Wright of Derby. 1734-1797. Painted Circa 1770. Oils on Canvas. 24¾″ × 21″ (62.8 cms × 53.3 cms). Collection: Major General A. H. Farrar-Hockley, D. S. O., M. B. E.
Attributed works:
[The Cider House Galleries Ltd, Norfolk House, 80 High Street, Bletchingley] The Battle of the Saints. Captain W. Elliott, F. S. A. Flourished 1781-1791. 800 19th Century Oil Paintings in Stock
Non-western art unattributed:
[Sotheby's] Thursday, 4th September at 10.30 am. at Belgravia. A Rare Eastern Market Canton Bowl and Stand Dated A. H. 1297 (A. D. 1882), 13¼ and 14 Inches
Western art unattributed:
[L'Antiquaire, Inc., 717 Madison Avenue, New York] 16th Century Charles IX (1560-1574) Walnut Cabinet with Marble Inlay and Original Fabric Lining with Distinguished Emblems of Charles IX, Son of Henri II and Catherine de Medici and Royal Crown of France. 36½″ Wide, 19″ Deep, 70″ High
Western art unattributed:
[Sotheby Parke Bernet, New York] A Fine George III Mahogany Carlton House Writing Table, Last Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] A Rare Chinese Export Lacquer and Canton Enamel-Mounted Table, Mid-Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] One of an Important Pair of George III Carved and Giltwood Console Tables, Last Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] Two from a Fine Set of Sixteen George II Walnut Dining Chairs, Second Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] A Silver-Mounted Dirk, Companion Knife and Fork; The Companion Skein Dhu; Crossbelt with Silver Buckle and Slides; Oval Plaide Brooch; Ceremonial Powder Horn; Matching Silver-Mounted Sporran
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] A Swiss Gold and Enamel Snuff Box, Maker's Mark Rubbed, Geneva, Early Nineteenth Century, 3¼ Inches
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] One of a Pair of 'Samson' familleverte Vases, Third Quarter of the 19th Century, 15 Inches High (Carved Giltwood Stands)