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Advertisements July 1987 (front)
07/1987 | 1012 | 129
Pages: i-xl
Subjects
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artists:
artists:
subjects:
Illustrations
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Chalice. Rock Crystal. Height: 20cm. Contemporary. Architectural Capriccio, by Simon Challe (1719-1765). Ink and Wash on Paper, 144 by 59cm. Signed with Initials Lower Left. Table de Salon, estampillée: Pierre II Mignon. 66.6 by 98 by 48cm. Vue des Champs-Elysées, by Victor-Gabriel Gilbert. Oil on Canvas, 27 by 35cm. Signed Lower Right. Art Déco Bracelet, Set with Diamonds, Rubies, Onyx and Sapphires, in the Egyptian Renaissance Style.
Attributed works:
[ 7th International Biennale of Antique dealers, jewellers and art galleries, Monte Carlo ] Venus and Pan, by Balthasar Beschey (1708-1776). Oil on Canvas, 56 by 43cm; Signed and Dated 1736. Still Life with Flowers, by Jacob Marrel (1614-1681). Oil on Canvas. 52 by 39cm. Signed Lower Right: "J. Marrel fecit". Le Coquelin. "Mille Fleurs" Tapestry on Blue Background from the Val de Loire. c. 1500, 135 by 105cm. Commode, estampillée: R Lacroix/Roger Vandercruse. 89 by 139 by 54cm.
Attributed works:
[ Antony Embden, 15 Quai Voltaire, Paris ] A Very Important Ivory Group of Mary and the Christ Child (Notre Dame de La Victoire), Both Figures with Glass Eyes. The Serpent Carved in Wood. Height 35 cm. By Simon Troger (Signed)
Attributed works:
[ Athenaeum, Avenue Princesse Alice 5, Monte Carlo ] Satyr and Peasant. "Mathäus Stomer" 1600/sicile 1650. Oil on Canvas 48 by 57 cm
Attributed works:
[ Bernheimer, 32 St. George Street, London / Lenbachplatz 3, Munich ] A Commode, Italy, End 18th Century in the Manner of the Maggiolini Workshop. Height 92.5 cm, Width 131cm, Depth 60cm
Attributed works:
[ Breede, Alter Schmuck, Residenzstrasse 11, Munich ] Art-Deco Pendant with Sapphires, Rubies, Citrines, Amethysts and Diamonds Set in Platinum. Signed: Boucheron, Paris
Attributed works:
[ Brian Breet, 3b Burlington Gardens, London ] A Rare 'Trafalgar' Vinaigrette by Matthew Linwood, Birmingham, 1805.
Attributed works:
[ Brod Gallery, 24 St. James's Street, London ] Louis Leopold Boilly. La Bassée 1761-1845 Paris. L'Escamoteur sur les boulevards. Signed and Dated Boilly 1806. Oil on Panel: 24 × 33 cm (9½ × 13 ins)
Attributed works:
[ Browse & Darby, 19 Cork Street, London ] Augustus John. Girl in a Wide Brimmed Hat. Pencil 14½ × 10½ Inches
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 26 East 80th Street, New York ] John Piper. The Red House, Painswick
Attributed works:
[ cover ] Detail from Stratford Mill, by John Constable. 1820. National Gallery, London.
Attributed works:
[ David Koetser Gallery, 37 Talstrasse, Zurich ] Abraham van Beyeren. Signed. 103 × 100 cm. (1620 The Hague 1690)
Attributed works:
[ Delomosne and Son Ltd., 4 Campden Hill Road, Kensington High Street, London ] An Irish Decanter with Simple Engraving and Initialled IMR. The Mould-Blown Base Includes the Factory Name: Waterloo Co. Cork. c. 1815.
Attributed works:
[ Galerie Chevalier, 157 East 64th Street, New York ] "Abraham and Sara" - A XVIth Century Flemish Tapestry, Probably from Tournai - 11 ft 1 (H) × 10 ft 5 (W).
Attributed works:
[ Galerie Daniel Malingue, 26 Avenue Matignon, Paris ] Two Characters with Bouquets of Flowers, by Marc Chagall. Gouache, 75,5 by 50cm. Signed and Dated 1967. Galerie Daniel Malingue, 26 Avenue Matignon, 75008 Paris.
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 5 scènes chinoises. 170 × 170 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux décoratifs. 270 × 166 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 panneaux sujet décoratif
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Galerie Laggitaire, 23 rue Auguste Comte, Lyon ] 8 scènes champêtres. 330 × 290 cm
Attributed works:
[ Gallery Lingard, 50 Pall Mall, London ] Sir James Pennethorne. Architect. 1801-1871. A Sketch of an Idea for the Restoration of the Roman Forum, 1825. Ink & Wash. Signed: J Pennethorne & Dated 1825, Rome. Inscribed: Sketch of an Idea for the Restoration of the Roman Forum. 10½ × 20 Inches (27 × 51 cms)
Attributed works:
[ Ivo Bouwman, Lange Vijverberg 20, The Hague ] J. H. Weissenbruch (1824-1903). River Landscape with Mill and Cows. Oil on Canvas: 60 × 79 cm. (Signed Lower Right)
Attributed works:
[ Jean - Max Tassel, 15 Quai Voltaire, Paris ] Jan Davidsz de Heem (1606-1684). Fruit Still Life. Oil on Panel. Coats of Antwerp. Panel Maker Frans de Bout. 14 × $20frac{3}{4}$ in. - 35,8 × 52,3 cm. Signed on the Top Right-Hand Corner. Dated 1648/1649 According to Professor Berström Comparing to the 50's Glasgow Museum.
Attributed works:
[ Jocelyn Feilding Fine Art Ltd, The Alan Jacobs Gallery, 8 Duke Street, St. James's, London ] Alexander Keirincx. A Stag Hunt. Oil on Panel. 18¼ by 25¼ in.
Attributed works:
[ John Jesse Irina Laski, 160 Kensington Church Street, London ] An Aesthetic Movement Porcelain Teapot, the Base is Inscribed 'The Fearful Consequences Through the Laws of Natural Selection and Evolution, of Living up to One's Teapot'. The Design Was Registered in 1881 and Made by the Worcester Royal Porcelain Works 1882.
Attributed works:
[ Julian Hartnoll, 14 Mason's Yard, Duke Sreet, St. James's, London ] Albert Moore 1841-1893, Head of a Young Woman in Profile 1890-3. Black and White Chalk on Yellow Paper, Laid, 17 × $13frac{3}{4}$ Inches, Image 13 × 12½ Inches
Attributed works:
[ Marlborough, 6 Albemarle Street, London ] Mordecai Ardon. Golan 1986 Oil on Canvas $31frac{3}{4}$ × 39¼ in/81 × 100 cm.
Attributed works:
[ Maurice Asprey Ltd., 41 Duke Street, St. James's, London ] A Small Cream Jug with Flat Chasing and Coat-of-Arms, by Aymé Videau 1738. Height: 4″ to Top of Handle.
Attributed works:
[ Owen Edgar, 9 West Halkin Street, Belgravia, London ] Hendrik van Minderhout (Rotterdam 1632-Antwerp 1696). "Extensive Italianate River Landscape". Oil on Canvas. Signed and Dated 1653. 60 × 81 ins; 157.5 × 205.7 cms.
Attributed works:
[ Peter Oude Kunst, Spoorlaan 438, Tilburg ] Engraved Pewter Plate by Johannes van Swinderen. Amsterdam. 1727.
Attributed works:
[ Phillips, 7 Blenheim Street, New Bond Street, London ] StreetGustave Courbet, "A Chateau by a River," signed and Dated '56, Oil on Canvas, 59 cm. x 73 cm. Estimate: £30,000 - £50,000.
Attributed works:
[ Piero Corsini Inc., 162 East 63rd Street, New York ] Giovanni Battista Moroni. Albino. c. 1520-Bergamo, 1578. Portrait of Prospero Alessandri. Oil on Canvas, 53.7 × 47 cm. ($21frac{1}{8}$ × 18½ Inches)
Attributed works:
[ Richard Green, 44 Dover Street, London ] Jacob Marrel (1614-1681). A Flower Piece of Thirty-Nine Sorts (Eleven Tulips) in a Baroque Vase with a Kingfisher, a Lizard on a Balustrade, and with Three Libellulas and a Fly. Signed and Dated 1639. Panel: 33 × 26½ in/84 × 67.5 cm
Attributed works:
[ Richard L. Feigen & Company, 113 East 79th Street, New York ] Thomas Gainsborough, "Hilly Wooded Landscape with Country Cart," Circa 1745-46 Oil on Canvas, 23.5 by 31.1 cm.
Attributed works:
[ Steppes Hill Farm Antiques, The Hill farm Stockbury, NR. Sittingbourne, Kent ] A Fine Early Worcester Inverted Pear Shaped Teapot and Cover with Faceted Spout, Printed in Black by Robert Hancock with L'amour, c.1756/1758.
Attributed works:
[ Wartski, 14 Grafton Street, London ] Four Cigarette Cases by Carl Fabergé. A pale blue enamelled silver cigarette case set with rose diamonds. Length: 3¼ inches/7.8 cm. A shaped two-coloured gold cigarette case entirely decorated with engraved lozenges each set centrally with a chased gold flower head. The thumbpiece set with a cabochon sapphire. From the collection of the late Edward James. Length: 3½ inches/8.5 cm. A shaped and reeded red and green gold cigarette case. Length: 3 inches/7½ cm. A gold mounted lilac enamel silver cigarette case, the centre applied with an oval moss agate panel surrounded by rose diamonds set in platinum. This case was purchased from Fabergé in London on January 13th 1914 by Sir Everard Hambro. Length: 3½ inches/8.5 cm. All four cases are fully signed.
Attributed works:
[ William Drummond, 8 St. James's Chambers, Ryder Street, St. James's, London ] Scène d'Algerie, by Pierre-Antoine Labouchère (1807-1873). One of a Set of 4. Watercolours. 7″ by $10frac{1}{8}^{prime prime}$. Signed, Inscribed and Dated 1846.
Non-western art unattributed:
[ Emile Deletaille Antiquaire, 12 rue Watteau, Brussels ] Seated Figure in Volcanic Stone A. D. 300-500. Atlantic Watershed Zone. Costa Rica
Non-western art unattributed:
[ Michael Goedhuis Colnaghi Oriental, 14 Old Bond Street, London ] Large Bronze Tripod Censer with Heaven Soaring Handles. China, Qianlong Period. ht: 18 ins.
Non-western art unattributed:
[ Vander Ven & Vander Ven, Peperstraat 6, Hertogenbosch, Holland ] A Chinese Figure of a Porcelain Hound. China 18th Century. Chien-Lung Period (1736-1796)
Western art unattributed:
[ Annabel Jones, 52 Beauchamp Place, Knightsbridge, London ] A Rare Pair of Old Sheffield Plate. Wine Coolers Both in the Form of the Warwick Vase. Circa 1820 1830. Height 10 Inches. (Refer to F. Bradbury, pages 377 381 'The Warwick Vase').
Western art unattributed:
[ Brian Haughton Antiques, 3b Burlington Gardens, Old Bond Street, London ] Pair of Chelsea Figures of a Sportsman and Companion Wearing Richly Gilt, Puce, Green and Yellow-Scale Clothes, She with a Bowl of Fruit and a Dog, He with a Gun, a Flask and a Dog. Gold Anchor Mark c.1768 10½ ins High
Western art unattributed:
[ De Havilland (antiques) ltd, 48 Sloane Street, London ] George II Mahogany Partners Desk Decorated with Vitruvian Scrolls on Hairy Lion's Paw Feet. Circa: 1750 Width: 60½″; Depth: 42″
Western art unattributed:
[ Klaber and Klaber, 2a Bedford Gardens, Kensington Church Street, London ] A Rare Derby Plate Circa 1758
Western art unattributed:
[ O'Shea Gallery, 89 Lower Sloane Street, London ] Duke of Newcastle
Western art unattributed:
[ Pelham Galleries, 163 & 165 Fulham Road, London ] An Outstanding Regency Period Mahogany Writing Table, the Frieze Carved with Greek Key. Ornament Concealing Drawers on Both Sides and Slides in the Ends. Height 31½in (77cm) Width 60in (152cm); With Slides Drawn 94in (238in) Depth 37½in (95 cm)
Western art unattributed:
[ Van Kranendonk Duffels, Rue Paul Lauters 10, Brussels ] A Blue Enamel Brooch. Diamonds & Pearls
Advertisements
Advertisements August 1975 (Front)
08/1975 | 869 | 117
Pages: i-xxvi
Subjects
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
[Albrecht Neuhaus, 9 Heinestrasse, Würzburg] "Kleinplastik": Walnut and Ivory by Simon Troger (1683-1768) H. 28 cm.
Attributed works:
[Andrew Crispo Gallery, 41 East 57 Street, New York] Arman "End of Romanticism" 1973. Assemblage 68 by 48 Inches. 173 by 122 cms.
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Hans Speckaert. The Wedding of Tobit and Sara. Brown Pen and Brush, Heightened with White, on Greenish Paper. 149 × 294 mm. From the Collection of A. O. Meyer, Hamburg.
Attributed works:
[Colnaghi's, 14 Old Bond Street, London] Jacques Villon. Yvonne de Face, 1913. Drypoint, 550 by 415 mm
Attributed works:
[David M. Koetser Gallery, 37 Talstrasse, Zurich] David Teniers. p. 6½ × 4½″. Monogrammed
Attributed works:
[Galleria dell'Angelo, Piazza Cioccaro 11, Lugano] Carved Mahogany Centre Table, Irish Chippendale. Top and Aprons Showing Traces of Polychrome Fruits and Flowers. Width 183 cm; Depth 91 cm; Height 76 cm
Attributed works:
[Heim, 59 Jermyn Street, London] "Massacre of the Innocents" (Matt. 2:16) 69½ × 89 ins. (117 × 225 cm.)
Attributed works:
[Herbert E. Feist, 1125 Madison Avenue (84 St.), New York] Willem Van Mieris (1662-1747)
Attributed works:
[How (of Edinburgh) 2-3 Pickering Place, London] Spout Cup. By Henry Mustyn. Plymouth, Circa 1695 Weight 13 ozs. 10 dwts.
Attributed works:
[Kunsthandel Xaver Scheidwimmer, 3 Ottostrasse, Munich] Anthonie Van Borssom (Amsterdam 1629-1677). Panel, 19¼ by 23¼ Inches.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] "St. Andrew" Panel, 32 × 18 cm.
Attributed works:
[Richard L. Feigen & Company, 900 Park Avenue, New York] "St. Jerome" Panel, 32 × 18 cm.
Attributed works:
[Silvano Lodi, 6911 Campione D'Italia, Switzerland] Theobald Michau, 1676-1765. Panel, 55 by 86.5 cm. Signed.
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Four-Piece Tea and Coffee Set, Maker's Mark WH, London, 1855/56; And a Pair of Engraved and Engine-Turned Fiddle-Pattern Sugar Tongs, by G. W. Adams, London, 1854
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A French Gold Stick Pin, the Oval Head Inset with an Enamel, by Claudius Popelin, 3½ Inches; a Gold Toothpick Case, English, c. 1830, 3½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Pair of Scottish Dress Belt Pistols, Signed Meyer & Mortimer, 9¼ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] A Swiss Gold Box, Pseudo-French and Dutch Marks, and Rubbed Maker's Mark SC below Crown, Mid-Nineteenth Century, 3¼ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Alexander Carse, A Street Argument, Signed and Dated 1822, 20½ by 27½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Alexander Fraser, R. S. A., A Village Street, Signed, Inscribed on the Reverse, 35½ by 27½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Charles Martin Hardie, R. S. A., The Childhood of Sir Walter Scott, Signed and Dated 1893, 16½ by 26 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] James Elder Christie, Discovering a Gull's Nest, Signed, 18½ by 23 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] John Emms, Clumber Spaniels with the Day's Bag, Signed and Dated '83, Unframed, 51 by 38½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] John Wilson, Mortlake on Thames, on Panel, 16 by 21 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Laurence Biddle, Wallflowers, Primroses, Pansies and Forget-Me-Nots, Signed and Dated '49, 13½ by 20½ Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Pollock Nisbet, An Italian Street Market, Signed and Dated 1875, 32 by 47 Inches
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Queen's Pattern Table Silver, the Majority by Francis Higgins, London, 1838, the Remainder London and Sheffield, 1838, 1961, etc.
Attributed works:
[Sotheby's at Gleneagles Hotel, Scotland] Samuel John Peploe, R. S. A., Still Life of Roses in a Vase, Signed, 17½ by 12½ Inches
Attributed works:
[Sotheby's Belgravia] Wednesday, 17th September, at 11 am. A Rare Mason's Ironstone Chimneypiece, c.1835, 6 Feet 8 Inches Wide
Attributed works:
[Sotheby's] A Pair of Silver-Gilt Wine Bottles by Jonathan Bodington, 1699, 16¾ Inches, £62,000, 26.VI.75
Attributed works:
[Sotheby's] Barend Cornelis Koekkoek, The End of Winter, Signed and Dated '58, 31 by 41 Inches, £30,000, 11.VI.75
Attributed works:
[Sotheby's] Monday, 8th September, at 11 am. Biote-à-Portrait, with a Family Miniature by Dumont, c.1795, 3 Inches
Attributed works:
[Sotheby's] One of a Pair of Louis XVI Ebeny Veneered Meubles à Hauteur d'Appui, Attributed to Adam Weisweiler, 3 Feet 2 Inches High by 2 Feet 1 Inch Wide by 1 Foot 4 Inches Deep, £48,000, 20.VI.75
Attributed works:
[Sotheby's] Thursday, 18th September, at 11 am. Ugo da Carpa, Saturn. chiaroscuro Woodcut Printed in Colours, 12⅛ by 17¼ Inches
Attributed works:
[Spink & Son Ltd, King Street, London] Portrait of Thomas Day by Joseph Wright of Derby. 1734-1797. Painted Circa 1770. Oils on Canvas. 24¾″ × 21″ (62.8 cms × 53.3 cms). Collection: Major General A. H. Farrar-Hockley, D. S. O., M. B. E.
Attributed works:
[The Cider House Galleries Ltd, Norfolk House, 80 High Street, Bletchingley] The Battle of the Saints. Captain W. Elliott, F. S. A. Flourished 1781-1791. 800 19th Century Oil Paintings in Stock
Non-western art unattributed:
[Sotheby's] Thursday, 4th September at 10.30 am. at Belgravia. A Rare Eastern Market Canton Bowl and Stand Dated A. H. 1297 (A. D. 1882), 13¼ and 14 Inches
Western art unattributed:
[L'Antiquaire, Inc., 717 Madison Avenue, New York] 16th Century Charles IX (1560-1574) Walnut Cabinet with Marble Inlay and Original Fabric Lining with Distinguished Emblems of Charles IX, Son of Henri II and Catherine de Medici and Royal Crown of France. 36½″ Wide, 19″ Deep, 70″ High
Western art unattributed:
[Sotheby Parke Bernet, New York] A Fine George III Mahogany Carlton House Writing Table, Last Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] A Rare Chinese Export Lacquer and Canton Enamel-Mounted Table, Mid-Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] One of an Important Pair of George III Carved and Giltwood Console Tables, Last Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby Parke Bernet, New York] Two from a Fine Set of Sixteen George II Walnut Dining Chairs, Second Quarter of the Eighteenth Century
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] A Silver-Mounted Dirk, Companion Knife and Fork; The Companion Skein Dhu; Crossbelt with Silver Buckle and Slides; Oval Plaide Brooch; Ceremonial Powder Horn; Matching Silver-Mounted Sporran
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] A Swiss Gold and Enamel Snuff Box, Maker's Mark Rubbed, Geneva, Early Nineteenth Century, 3¼ Inches
Western art unattributed:
[Sotheby's at Gleneagles Hotel, Scotland] One of a Pair of 'Samson' familleverte Vases, Third Quarter of the 19th Century, 15 Inches High (Carved Giltwood Stands)