46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).
46. Blue with light green, by Peter Joseph. (Exh. Lisson Gallery, London)
Attributed works:
47. Installation view of Once Again The World Is Flat, by Haim Steinbach. Serpentine Gallery, London, 2014
Attributed works:
48. Standing bather, by George Condo. (Exh. Skarstedt Gallery, London)
Attributed works:
49. Pyramid, by Alan Charlton. (Exh. Annely Juda Fine Art, London)
Attributed works:
50. Installation view of James Turrell: Recent Works, at the Pace Gallery, London, 2014, showing Ukaloo, Wide glass, by James Turrell. (Courtesy of the artist and Pace Gallery, London)
46. Living means to appreciate your mother nude, by Rosemarie Trockel in collaboration with Günter Weseler. Installation view from Rosemarie Trockel: A Cosmos, Serpentine Gallery, London
43. Untitled, Tecelares, by Lygia Pape. 1956. Woodcut on Japanese paper, 35 by 44.5 cm. (Courtesy of Projeto Lygia Pape, Rio de Janeiro; exh. Pinacoteca do Estado de São Paulo).
Michelangelo Pistoletto: The mirror of judgment |
institution: Serpentine Gallery
Illustrations
Attributed works:
69. Installation view of The mirror of judgment, by Michelangelo Pistoletto. 2011. Mixed media, dimensions variable. (Exh. Serpentine Gallery, London).
30. BigBoxStatueAction, by Mark Leckey. 2003–11. Sound system and Henry Moore’s Upright motive no.9 (1979; Henry Moore Foundation, Perry Green), dimensions variable. (Fondation Louis Vuitton pour la création, Paris; exh. Serpentine Gallery, London).