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203 articles
Exhibition Review
Louise Bourgeois: Paintings Louise Bourgeois: The Woven Child
07/2022 | 1432 | 164
Pages: 699-701
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Reviewer:
Mackenzie, Verity (Mackenzie, Verity)
Subjects
artists:
Bourgeois, Louise
dates:
2020-2030
media:
Paintings / Mixed media / Textiles
museums and institutions:
Metropolitan Museum of Art, New York, United States / Hayward Gallery, London, Great Britain
Reviewed Items
museums and institutions:
Louise Bourgeois: Paintings Metropolitan Museum of Art, New York 12th April–7th August | :
museums and institutions:
Louise Bourgeois: The Woven Child Hayward Gallery, London 9th February–15th May | :
Illustrations
Attributed works:
13. 1932, by Louise Bourgeois. 1947. Oil on canvas, 76.2 by 152.4 cm. (© Easton Foundation / VAGA at ARS, New York, and DACS, London, 2022; photograph Christopher Burke; exh. Hayward Gallery, London).
Attributed works:
14. Knife figure, by Louise Bourgeois. 2002. Fabric, steel and wood, 22.2 by 76.2 by 19.1 cm. (© Easton Foundation / VAGA at ARS, New York, and DACS, London, 2022; photograph Christopher Burke; exh. Hayward Gallery, London).
Exhibition Review
Bridget Riley. Scottish National Gallery, Edinburgh
09/2019 | 1398 | 161
Pages: 750-753
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Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
artists:
Riley, Bridget, London , Great Britain
dates:
2010-2019
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Hayward Gallery, London, Great Britain
subjects:
British art / Abstract art / Optics / Perception
Illustrations
Attributed works:
1. Pink landscape, by Bridget Riley. 1960. Oil on canvas, 101.5 by 101.5 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
2. Over, by Bridget Riley. 1966. Emulsion on board, 101.5 by 101.3 cm. (© Bridget Riley 2019; National Galleries of Scotland, Edinburgh; exh. Scottish National Gallery, Edinburgh).
Attributed works:
3. Ra, by Bridget Riley. 1981. Oil on canvas, 240.7 by 205.1 cm. (© Bridget Riley 2019; Iwaki City Art Museum Japan; exh. Scottish National Gallery, Edinburgh).
Attributed works:
4. High sky, by Bridget Riley. 1991. Oil on canvas, 165 by 227 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Exhibition Review
Space Shifters. Hayward Gallery, London
12/2018 | 1389 | 160
Pages: 1060-1063
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Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
artists:
Irwin, Robert / Kapoor, Anish / Hein, Jeppe / McElheny, Josiah / Steegmann Mangrané, Daniel / Kwade, Alicja / Eversley, Fred / Pashgian, Helen / Yayoi Kusama, b. 1929 / Sosnowska, Monika / Janssens, Ann Veronica / Horn, Roni / Antunes, Leonor / Valentine, DeWain / Gonzáles-Torres, Felix / Wilson, Richard, b.1953 / Posenenske, Charlotte
dates:
2010-2019
media:
Sculpture / Installations (visual works)
museums and institutions:
Hayward Gallery, London, Great Britain
places:
Great Britain / London
subjects:
American sculpture (United States of America) / Light / Space (form and composition concept) / Perception / Nature / Minimalism / Mirrors / Dancers / Science / Engineering
Illustrations
Attributed works:
27. Installation view of Shape Shifters at the Hayward Gallery, London. (Photograph Mark Blower).
Attributed works:
28. Installation view of WeltenLinie (2017), by Alicja Kwade, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
Attributed works:
29. Installation view of 20:50 (1987), by Richard Wilson, at the Hayward Gallery, London. (Photograph Mark Blower; copyright the artist).
Exhibition Review
Andreas Gursky
04/2018 | 1381 | 160
Pages: 343-344
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Reviewer:
Hodgson, Francis (Hodgson, Francis)
Subjects
artists:
Gursky, Andreas / Becher, Bernd and Hilla
dates:
2010-2019
media:
Photographs
museums and institutions:
Hayward Gallery, London, Great Britain
places:
Great Britain / London
subjects:
Digital technology / Allegory / Capitalism
Illustrations
Attributed works:
24. Installation view of Andreas Gursky at the Hayward Gallery, London, showing Hamm, Bergwerk Ost, by Andreas Gursky. 2008. Chromogenic print, 250 by 183 by 6.2cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers).
Attributed works:
25. Bahrain I, by Andreas Gursky. 2005. Chromogenic print, 302.2 by 219.6 by 6.2 cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers; exh. Hayward Gallery, London).
Attributed works:
26. Krefeld, by Andreas Gursky. 1989. Inkjet print, 107.8 by 91.9 by 4.2 cm. (© Andreas Gursky / DACS, London, 2017. Courtesy: Sprüth Magers; exh. Hayward Gallery, London).
Exhibition Review
History is Now; All of This Belongs to You
07/2015 | 1348 | 157
Pages: 494-495
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related names
Reviewer:
Hopkins, Owen (Hopkins, Owen)
Subjects
artists:
Akomfrah, John / Fujiwara, Simon / Hiorns, Roger / Starkey, Hannah / Wentworth, Richard / Wilson, Jane / Wilson, Louise
dates:
2010-2019
museums and institutions:
Hayward Gallery, London, Great Britain / Victoria and Albert Museum, London, Great Britain
places:
England / London
subjects:
Reviews / Exhibitions / Cultural history / Cultural property / Politics / British
subjects:
History
Illustrations
Attributed works:
57. The Cold-War-era Bristol Bloodhound surface-to-air missile, positioned on one of the Hayward Gallery's terraces by Richard Wentworth as part of the exhibition History is Now: 7 Artists Take on Britain, London, 2015
Attributed works:
58. Commission by muf architecture in the V.& A.'s Medieval and Renaissance Galleries, as part of the exhibition All of This Belongs to You at the Victoria and Albert Museum, London, 2015
Exhibition Review
Theatres of the body
09/2014 | 1338 | 156
Pages: 615-617
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Reviewer:
White, Celia (White, Celia)
Subjects
artists:
Abramovic, Marina / Atkins, Ed, b. 1982
dates:
2010-2019
museums and institutions:
Hayward Gallery, London, Great Britain / Serpentine Gallery, London, Great Britain
museums and institutions:
Serpentine Sackler Gallery, London, Great Britain
places:
England / London
subjects:
Reviews / Exhibitions / Human figure
subjects:
Sculpture
Illustrations
Attributed works:
46. Installation view of The Human Factor, Hayward Gallery, London, 2014, showing 4 women, by Thomas Hirschhorn. 2008. Perspex, wood, cardboard, polyurethane foam, paint, neons, printed matter, tape, transparencies, felt pen, dummies and wigs, 223 by 306 by 81 cm. (Migros Museum für Gegenwartskunst, Zürich).
Attributed works:
47. Installation view of The Human Factor, Hayward Gallery, LOondon, 2014, showing Foto (photo), by Martin Honert. 1993. Epoxy resin, wood and paint, figure height 100 cm., table 79 by 73 by 123 cm. (Museum für Moderne Kunst, Frankfurt am Main).
Attributed works:
48. Still from Ribbons, by Ed Atkins. 2014. Three-channel HD video, 13 mins. 19 secs. (CABINET, London, and Galerie Isabella Bortolozzi, Berlin; exh. Serpentine Sackler Gallery, London).
Attributed works:
49. Portrait of Marina Abramovic conducting a rehearsal for Boléro at l'Opéra national de Paris, 2013. (Photograph Rahi Rezvani, Paris, 2013).
Exhibition Review
Martin Creed
05/2014 | 1334 | 156
Pages: 332-333
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Reviewer:
Barratt, Martha (Barratt, Martha)
Subjects
artists:
Creed, Martin
dates:
2010-2019
museums and institutions:
Hayward Gallery, London, Great Britain
places:
London / England
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
42. Installation view of Martin Creed. What's the point of it? at the Hayward Gallery, London, 2014
Attributed works:
43. Work No. 1497. Jumping-up portrait of Luciana, by Martin Creed (Hauser & Wirth, London; exh. Hayward Gallery, London)
Exhibition Review
Ana Mendieta
03/2014 | 1332 | 156
Pages: 181-183
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Reviewer:
Breen, Rebecca (Breen, Rebecca)
Subjects
artists:
Mendieta, Ana
dates:
2010-2019
museums and institutions:
Museum der Moderne, Salzburg, Austria / Hayward Gallery, London, Great Britain
places:
Salzburg / London / England / Austria
subjects:
Reviews / Exhibitions
Illustrations
Attributed works:
30. Silueta series, by Ana Mendieta (Collection of Ignacio C. Mendieta; exh. Hayward Gallery, London)
Attributed works:
31. El laberinto de Venus (Labyrinth of Venus), by Ana Mendieta (Collection of Raquelín Mendieta Family Trust; exh. Hayward Gallery, London)
Exhibition Review
Outsider art (Hayward). London
09/2013 | 1326 | 155
Pages: 637-639
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Reviewer:
Boaden, James (Boaden, James)
Subjects
dates:
2010-2019
museums and institutions:
Hayward Gallery, London, Great Britain
places:
London / England
subjects:
Reviews / Exhibitions / Conceptual art
subjects:
Outsider art
Illustrations
Attributed works:
48. Megalopolis 21 12, by George Widener (Museum of Everything; exh. Hayward Gallery, London)
Attributed works:
49. Lee and cameo on a chair..., by Lee Godie (Courtesy of the Richard and Ellen Sandor Family Collection; exh. Hayward Gallery, London)
Exhibition Review
Jeremy Deller. London
05/2012 | 1310 | 154
Pages: 361-362
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related names
Reviewer:
Major, George (Major, George)
Subjects
artists:
Deller, Jeremy
dates:
2010-2019
museums and institutions:
Hayward Gallery, London, Great Britain / Wiels Contemporary Art Centre, Brussels, Belgium
places:
Belgium / Brussels / England / London
print:
Deller, Jeremy
subjects:
Reviews / Exhibitions
Reviewed Items
subjects:
Jeremy Deller – Joy in People | institution: Hayward Gallery , institution: Wiels Contemporary Art Centre
Illustrations
Attributed works:
71. Open bedroom, by Jeremy Deller. c.1988–94. Mixed media, dimensions variable. (Courtesy of the artist; exh. Hayward Gallery, London).
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