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Search result for "Henry Iii Charlemagne"

10 of 448 articles
Article
Veiled in precious cloth: a seal bag from Westminster Abbey and its connections with Charlemagne’s shrine in Aachen
12/2024 | 1461 | 166
Pages: 1206–1216
related names
Author:
Mühlemann, Corinne (Mühlemann, Corinne)
Author:
New, Elizabeth A. (New, Elizabeth A.)
Author:
Payne, Matthew (Payne, Matthew)
Author:
Wyld, Helen (Wyld, Helen)
Subjects
dates:
Illustrations
Attributed works:
12. Reliquary pouch made of a samite. Woven in the 12th century in the Eastern Mediterranean or Spain. Silk, 15 by 13 cm. (© Museum August Kestner, Hannover; photograph Christian Tepper).
Attributed works:
4. Microphotograph (magnification 58.5x) of the woven structure (samite) used for the back of the bag of Henry III’s great seal. (By kind permission of the Dean and Chapter of Westminster; Westminster Abbey, London, WAM 9464).
Attributed works:
6. Fragment used for the back (left) and front (right, rotated 180 degrees) of Fig.2. Woven before 1267 in the Eastern Mediterranean or Spain. Silk (patterned samite with three weft systems), 11.9 by 13.4 cm. (back), 10.2 by 12.3 cm. (front). (By kind permission of the Dean and Chapter of Westminster; Westminster Abbey, London, WAM 9464).
Attributed works:
7. Comparison of the identical pattern repeat in the ‘hare silks’ shown in Fig.6 (right) and Figs.8 and 9. The colour of the weft is modified along the length of the textile (latté).
Attributed works:
Edmund, Westminster Abbey. c.1244. Stained glass. (By kind permission of the Dean and Chapter of Westminster).
Western art unattributed:
1. Great seal of Henry III. 1267. Wax, 10 by 10.1 cm. (By kind permission of the Dean and Chapter of Westminster; Westminster Abbey, London, WAM 9464).
Western art unattributed:
10. Karlsschrein. 1215. Oak, gilded silver, gilded copper, filigree, precious stones and enamel, 204 by 57 by 94 cm. (Aachen Cathedral).
Western art unattributed:
11. Fragments from a samite found in the binding of a manuscript now in Wolfenbüttel (Lectiones bibliccae per annum) perhaps originating from Strasbourg. Woven in the 12th century in the Eastern Mediterranean or Spain. Silk. (Herzog August Bibliothek, Wolfenbüttel, Cod. Guelf. 71 Aug.2°).
Western art unattributed:
2. Inventory of the Shrine of St Edward with seal bag. 1267. Ink on parchment, 38.2 by 34.6 cm. (inventory); silk, 11.9 by 12 cm. (seal bag). (By kind permission of the Dean and Chapter of Westminster; Westminster Abbey, London, WAM 9464).
Western art unattributed:
3. Microphotograph (magnification 29.5x) of the woven structure (samite) used for the front of the bag of Henry III’s great seal. (By kind permission of the Dean and Chapter of Westminster; Westminster Abbey, London, WAM 9464).
Western art unattributed:
5. Shrine of St Edward, Westminster Abbey, London. Consecrated 1269. (By kind permission of the Dean and Chapter of Westminster).
Western art unattributed:
8. Detail of Fig.9 with the starting border and left selvedge. (© Domkapitel Aachen; photograph Ann Münchow).
Western art unattributed:
9. So-called ‘hare silk’ preserved in reliquary shrine of Charlemagne, Aachen Cathedral. Probably woven before 1215 in the Eastern Mediterranean or Spain. Silk (patterned samite with three weft systems), 128 by 239 cm. (© Domkapitel Aachen; photograph Ann Münchow).
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12/2024 | 1461 | 166
Pages: i-xii
Subjects
Illustrations
Attributed works:
Charles Wild (1781–1835), Carlton House – The Blue Velvet Room. c.1816. Watercolour. Royal Collection Trust © His Majesty King Charles III, 2024. [Attingham Trust]
Attributed works:
Claude-Joseph Vernet (French, 1714-1789) The grand cascade at Tivoli, 1753 Oil on canvas | 39 x 53 inches (99.1 x 134.6 cm) Property from the Estate of Toni Chapman Brinker, Dallas, Texas Estimate: $200,000 - $300,000 [Heritage Auctions]
Attributed works:
Ghosts, by Salman Toor (b.1984). 2023. Charcoal, ink and gouache on paper, 45.5 by 61 cm. LUHRING AUGUSTINE, NEW YORK [Art Basel Miami Beach]
Attributed works:
Giovanni Battista Benvenuti, called L’Ortolano (Ferrara c. 1487/88–c. 1525/27) The Virgin and Child Oil on panel 38.2 by 31.2 cm. Painted c.1510–20 [Agnews]
Attributed works:
Self portrait, by Émilie Charmy (1878–1974). 1921. Oil on canvas, 116 by 89 cm. GALERIE BERNARD BOUCHE, PARIS [Art Basel Miami Beach]
Attributed works:
Studio Mirror (_DSF0587), by Paul Mpagi Sepuya (b.1982). 2023. Archival pigment print, 152.4 by 114.3 cm. DOCUMENT, CHICAGO AND LISBON [Art Basel Miami Beach]
Attributed works:
Untitled, by Evgeny Antufi ev (b.1986). 2023. Bronze, patina, garnet and enamel, 50 by 32 by 32 cm. EMALIN, LONDON [Art Basel Miami Beach]
Attributed works:
Untitled, by Joanna Piotrowska (b.1985). 2022. Gelatin silver print, 130 by 160 cm. MADRAGOA, LISBON [Art Basel Miami Beach]
Book Review
The Funeral Achievements of Henry V at Westminster Abbey: The Arms and Armour of Death
10/2024 | 1459 | 166
Pages: 1083–5
related names
Reviewer:
Marcoux, Robert (Marcoux, Robert)
Subjects
art literature:
Reviewed Items
subjects:
The Funeral Achievements of Henry V at Westminster Abbey: The Arms and Armour of Death Edited by Anne Curry and Susan Jenkins. 294 pp. incl. 175 col. and 33 b. & w. ills. (Boydell Press, Woodbridge, 2022), £80. ISBN 978–17–8327–717–9. | :
Illustrations
Attributed works:
3. Henry V’s funeral achievements. (Westminster Abbey, London).
Exhibition Review
Six Lives: The Stories of Henry VIII’s Queens
08/2024 | 1457 | 166
Pages: 851–3
related names
Reviewer:
Hearn, Karen (Hearn, Karen)
Subjects
dates:
Reviewed Items
subjects:
Six Lives: The Stories of Henry VIII’s Queens National Portrait Gallery, London 20th June–8th September | :
Illustrations
Attributed works:
4. St Mary Magdalene reading, by the Master of the Female Half- Lengths. 1520–30. Oil on panel, 61.5 by 48.2 cm. (National Galleries of Scotland, Edinburgh; exh. National Portrait Gallery, London).
Attributed works:
5. Mary I, by the Horenbout family workshop. c.1522. Watercolour on vellum laid down on card, diameter 3.5 cm. (National Portrait Gallery, London).
Attributed works:
6. Katherine Parr, attributed to Master John. c.1547. Oil on panel, 92.3 by 71.8 cm. (Private collection, London; exh. National Portrait Gallery, London).
Attributed works:
7. Design for a table fountain with the badge of Anne Boleyn, by Hans Holbein the Younger. 1533–34. Pen and black ink over chalk on paper, 17.1 by 10 cm. (Kunstmuseum Basel; exh. National Portrait Gallery, London).
Book Review
A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt
05/2024 | 1454 | 166
Pages: 531–533
related names
Reviewer:
Keating, Jessica (Keating, Jessica)
Subjects
artists:
Reviewed Items
subjects:
A Royal Renaissance Treasure and its Afterlives: The Royal Clock Salt Edited by Timothy Schroder and Dora Thornton. 142 pp. incl. 119 col. ills. (British Museum Press, London, 2021), £40. ISBN 978–0–86159–227–2 | :
Illustrations
Attributed works:
3. Royal Clock Salt, attributed to Pierre Mangot. Paris, c.1530–35. Gilded silver, enamel, ruby, garnet, pearl, shell cameo, agate and rock crystal, height 39.25cm; width 18.5cm. (The Goldsmiths’ Company, London).
Book Review
Henry Lerolle: Paris 1848–1929
05/2024 | 1454 | 166
Pages: 537
related names
Reviewer:
Thomson, Richard (Thomson, Richard)
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artists:
Reviewed Items
subjects:
Henry Lerolle: Paris 1848–1929 By Aggy Lerolle. 272 pp. incl. 400 col. + 41 b. & w. ills. (Société des Amis d’Henry Lerolle, Paris, 2022), €70. ISBN 978–2–87561–043–0. | :
Exhibition Review
The Weight of Words
11/2023 | 1448 | 165
Pages: 1228-1231
related names
Reviewer:
Thomas, Greg (Thomas, Greg)
Subjects
dates:
Reviewed Items
subjects:
The Weight of Words Henry Moore Institute, Leeds 7th July–26th November | :
Illustrations
Attributed works:
10. Twelve questions, by Bhanu Kapil. 2001/23. Printed vinyl and oranges. (Courtesy the artist; photograph Rob Harris; exh. Henry Moore Institute, Leeds).
Attributed works:
11. Installation view of The Weight of Words at the Henry Moore Institute, Leeds, 2023, showing Words come from ears, by Shilpa Gupta. 2018. Motion flapboard, 43 by 244 by 13 cm. (Photograph Min Young Lim).
Attributed works:
12. Detail of Dark water, burning world 151 moons and counting…, by Issam Kourbaj. 2016. Repurposed bicycle steel mudguards, extinguished matches and clear resin. (Photograph Rob Harris; exh. Henry Moore Institute, Leeds).
Book Review
Genealogy and the Politics of Representation in the High and Late Middle Ages
08/2023 | 1445 | 165
Pages: 916-918
related names
Reviewer:
Opacic, Zoë (Opacic, Zoë)
Subjects
Reviewed Items
subjects:
Genealogy and the Politics of Representation in the High and Late Middle Ages By Joan A. Holladay. 406 pp. incl. 11 col. + 143 b. & w. ills. (Cambridge University Press, 2019), $135. ISBN 978–1–108–47018–6. | :
Book Review
Playful Pictures: Art, Leisure, and Entertainment in the Venetian Renaissance Home
05/2023 | 1442 | 165
Pages: 566-568
related names
Reviewer:
Jewitt, James R. (Jewitt, James R.)
Subjects
Reviewed Items
subjects:
Playful Pictures: Art, Leisure, and Entertainment in the Venetian Renaissance Home By Chriscinda Henry. 280 pp. incl. 39 col. + 41 b. & w. ills. (Pennsylvania State University Press, University Park PA, 2021), £100. ISBN 978–0–271–08911–9. | :
Illustrations
Attributed works:
2. Pastoral concert, by Titian. c.1509–11. Oil on canvas, 105 by 137 cm. (Musée du Louvre, Paris; Bridgeman Images).
Book Review
Stourhead: Henry Hoare’s Paradise Revisited
04/2023 | 1441 | 165
Pages: 484-485
related names
Reviewer:
Robinson, John Martin (Robinson, John Martin; Robertson, John Martin)
Subjects
Reviewed Items
subjects:
Stourhead: Henry Hoare’s Paradise Revisited By Dudley Dodd, with photography by Marianne Majerus. 320 pp. incl. 200 col. ills. (Head of Zeus, London, 2021), £40. ISBN 978–1–78854–362–0. | :