Harmony and Dissonance:
Orphism in Paris, 1910–1930
Edited by Vivien Greene. 216 pp. incl.
138 col. + b. & w. ills. (Solomon R.
Guggenheim Museum, New York, 2024),
$65. ISBN 978–0–89207–564–5. |
:
Illustrations
Attributed works:
10. Four part
synchromy,
number 7, by
Morgan Russell.
1914–15. Oil on
paperboard and
canvas mounted
on plywood, 4
parts, overall
dimensions
40.6 by 30.5
cm. (Whitney
Museum of
American Art,
New York; Scala,
Florence; Art
Resource, New
York).
Attributed works:
11. Disques de
Newton (Étude
pour ‘La fugue
à 2 couleurs’),
by František
Kupka. 1912.
Oil on canvas,
100.3 by 73.7 cm.
(Philadelphia
Museum of Art;
Artists Rights
Society, New
York; ADAGP,
Paris).
Attributed works:
9. Painting, by
Mainie Jellett.
1938. Oil on
canvas, 76 by
64.6 cm. (Ulster
Museum, Belfast).
Book Review
Die Neue Sachlichkeit: Ein Jahrhundertjubiläum / The New Objectivity: A Centennial Anniversary
Die Neue Sachlichkeit: Ein
Jahrhundertjubiläum / The
New Objectivity: A Centennial
Anniversary
Edited by Inge Herold and Johan Holten.
408 pp. incl. numerous col. + b. & w. ills.
(Deutscher Kunstverlag, Berlin, 2025),
€56. ISBN 978–3–422–80250–6. |
:
Illustrations
Attributed works:
7. Russisches
Mädchen mit
Puderdose, by
Lotte Laserstein.
1928. Oil on
canvas, 31.7 by
41 cm. (Städel
Museum,
Frankfurt).
Attributed works:
8. Turner,
by Gerhard Keil.
1939. Oil on
canvas, 215.5
by 155.5 cm.
(Albertinum,
Staatliche
Kunstsammlungen
Dresden; Scala,
Florence).
Ribera: Ténèbres et lumière
Edited by Annick Lemoine and
Maïté Metz. 304 pp. incl. 180 col. ills.
(Paris Musées, 2024), €60.
ISBN 978–2–7596–0594–1. |
:
Illustrations
Attributed works:
1. Judgment
of Solomon,
by Jusepe de
Ribera. c.1609.
Oil on canvas,
153 by 201
cm. (Galleria
Borghese,
Rome).
Attributed works:
2. Lamentation
over the dead
Christ, by Jusepe
de Ribera. 1633.
Oil on canvas,
157 by 210 cm.
(Museo Nacional
Thyssen-
Bornemisza,
Madrid).
Attributed works:
3. Man tied to a
tree, by Jusepe
de Ribera. 1626.
Red chalk on
paper, 23.2 by
17 cm. (British
Museum,
London).
Book Review
The Mystery of Master Fortezza:
The Šibenik Engraver’s European
Legacy
The Mystery of Master Fortezza:
The Šibenik Engraver’s European
Legacy
Edited by Marina Lambaša and Flora
Turner-Vučetić. 232 pp. incl. numerous
col. + b. & w. ills. (Šibenik Municipal
Museum and Klovićevi dvori Gallery,
Zagreb), €20. ISBN 978–953–6844–89–0. |
:
Illustrations
Attributed works:
4. Display
plate with
Foscari arms,
engraved by
Orazio Fortezza.
c.1560. Brass,
engraved and
inlaid with pitch,
diameter 47.5
cm. (Victoria and
Albert Museum,
London).
Attributed works:
5. Detail of Fig.4.
Attributed works:
6. Display plate,
engraved by
Orazio Fortezza.
1555. Brass,
engraved and
damascened with
silver, diameter
48.3 cm. (British
Museum, London).
Te Whare o Rehua Sarjeant
Gallery, Whanganui
From 9th November 2024 |
:
Illustrations
Attributed works:
19. Installation
view of the
Te Whare o
Rehu Sarjeant
Gallery showing,
in the middle,
Schneeballen
vase, by Johann
Joachim
Kaendler. c.1770.
Porcelain, 38
by 12.2 cm.;
and, on the
right, Persian
garden, by Philip
Trusttum. 1969.
Oil on board, 183
by 122 cm.
Attributed works:
20. Peasant
woman of
Bonmahon, by
Edith Collier.
1915. Oil on
canvas, 101 by
75.7 cm. (Te Ware
o Rehu Sarjeant
Gallery).
Un magico ‘ponte’ da Tiziano
a Rubens: La fortuna di un
dipinto perduto
Edited by Stefania Mason. 39 pp. incl. 14
col. ills. (ZeL Edizioni, Treviso, 2024),
€10. ISBN 978–88–96600–47–4. |
:
Illustrations
Attributed works:
10. Battle of
Cadore, by Giulio
Fontana, after
Titian. c.1562–73.
Engraving, 42
by 55.5. cm.
(Fondazione
Centro Studi
Tiziano e Cadore,
Pieve di Cadore).
Attributed works:
11. Battle of
the Amazons,
by Lucas
Vorsterman
after Peter Paul
Rubens. 1623.
Engraving, 85.7
by 120.2 cm.
(Fondazione
Centro Studi
Tiziano e Cadore,
Pieve di Cadore).
Penelope
Edited by Alessandra Sarchi and Claudio
Franzoni. 280 pp. incl. numerous col. +
b. & w. ills. (Electa, Milan, 2024), €32.
ISBN 978–88–92825–92–5. |
:
Illustrations
Attributed works:
4. Penelope and
Telemachus, by
the Penelope
Painter. c.440
BCE. Terracotta,
height 20.5 cm.
(Museo Nazionale
Etrusco, Chiusi).
Attributed works:
5. Penelope
weeping over the
bow of Ulysses,
by Angelica
Kauffmann.
c.1779. Oil on
metal, 43.7
by 36.8 cm.
(Wolverhampton
Art Gallery).
Secessions: Klimt, Stuck,
Liebermann
Edited by Ralph Gleis and Ursula Storch.
327 pp. incl. 265 col. ills. (Hirmer, Munich,
2023), £45. ISBN 978–3–7774–4192–4. |
:
Illustrations
Attributed works:
1. Poster for
the First
International
Art Exhibition,
Munich, designed
by Franz von
Stuck. 1893.
Halftone, 64.5
by 38 cm. (Villa
Stuck, Vienna).
Attributed works:
2. Dame in weiß,
by Ernestine
Schultze-
Naumburg. 1898.
Oil on canvas, 90
by 120 cm. (Alte
Nationalgalerie,
Berlin).
Attributed works:
3. Kirschenernte,
by Dora Hitz.
Before 1905. Oil
on canvas, 160
by 232 cm. (Alte
Nationalgalerie,
Berlin).
16. Installation
view of Barbara
Walker: Being
Here at the
Whitworth
Art Gallery,
University of
Manchester,
2024–25,
showing Burden
of proof, by
Barbara Walker.
2024. Charcoal
wall drawing.
(Courtesy
Whitworth
Art Gallery,
University of
Manchester;
photograph
Michael Pollard).