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399 articles
Exhibition Review
Kunstsilo, Kristiansand
07/2024 | 1456 | 166
Pages: 745–7
related names
Reviewer:
Saumarez Smith, Charles (Saumarez Smith, Charles; Smith, Charles Saumarez)
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museums and institutions:
Reviewed Items
subjects:
Kunstsilo, Kristiansand From 11th May | :
Illustrations
Attributed works:
25. Atrium of the Kunstsilo, Kristiansand, designed by Mestres Wåge Arquitectes, Mendoza Partida and BAX studios. 2017–24.
Attributed works:
26. Installation view of Passions of the North at Kunstsilo, Kristiansand, 2024. (Courtesy Kunstsilo, Kristiansand; photograph Tor Simen Ulstein).
Exhibition Review
Tropical Modernism: Architecture and Independence
07/2024 | 1456 | 166
Pages: 743–5
related names
Reviewer:
Croft, Catherine (Croft, Catherine)
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Reviewed Items
subjects:
Tropical Modernism: Architecture and Independence 2nd March–22nd September Victoria and Albert Museum, London | :
Illustrations
Attributed works:
21. Jane Drew and Maxwell Fry with a model of one of their buildings for the Gold Coast (now Cape Coast) Education Department, Ghana, in 1945. (RIBA Collections, London).
Attributed works:
22. The model for the High Court, Capitol Complex, Sector 1, Chandigarh, by Pierre Jeanneret. c.1951–65. Photograph. (Canadian Centre for Architecture, Montreal)
Attributed works:
23. Detail of the pre-cast concrete screening on the veranda of the library, University College, Ibadan, designed by Fry Drew and Partners. 1955. (RIBA Collections, London).
Exhibition Review
Anselm Kiefer: Fallen Angels
07/2024 | 1456 | 166
Pages: 740–2
related names
Reviewer:
Lai, Alyson (Lai, Alyson)
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Reviewed Items
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Anselm Kiefer: Fallen Angels Palazzo Strozzi, Florence 22nd March–21st July | :
Illustrations
Attributed works:
18. Luzifer, by Anselm Kiefer. 2012–23. Emulsion, oil, acrylic, shellac, gold leaf, sediment of electrolysis, fabric and photographic print on canvas, 3.3 by 7.6 m. (© Anselm Kiefer; photograph Ela Bialkowska; exh. Palazzo Strozzi, Florence).
Attributed works:
19. Engelssturz, by Anselm Kiefer. 2022–23. Emulsion, oil, acrylic, shellac, gold leaf, fabric, sediment of electrolysis and charcoal on canvas, 7.5 by 8.4 m. (© Anselm Kiefer; photograph Ela Bialkowska; exh. Palazzo Strozzi, Florence).
Attributed works:
20. Verstrahlte Bilder, by Anselm Kiefer. 1983– 2023. 60 painting elements and mirrors, overall dimensions 6 by 14.82 by 6.73 m. (© Anselm Kiefer; photograph Ela Bialkowska; exh. Palazzo Strozzi, Florence).
Exhibition Review
Ruth Asawa Through Line
07/2024 | 1456 | 166
Pages: 738–40
related names
Reviewer:
Harren, Natilee (Harren, Natilee)
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Ruth Asawa Through Line Menil Drawing Institute, Houston 22nd March–21st July | :
Illustrations
Attributed works:
15. Untitled (MI.153, seven Thonet-style bentwood chairs), by Ruth Asawa. c.1950s. Felt-tip pen on paper, 106.7 by 152.4 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Glenstone Museum, Potomac; courtesy David Zwirner; photograph Stephen Arnold; exh. Menil Drawing Institute, Houston).
Attributed works:
16. Untitled (SF.045a, potato print – branches, magenta/orange), by Ruth Asawa. c.1951–52. Stamped ink on Japanese paper, 36.2 by 26 cm. (© Ruth Asawa Lanier and Artists Rights Society, New York; Fine Arts Museums of San Francisco; courtesy David Zwirner; photograph Jorge Bachmann; exh. Menil Drawing Institute, Houston).
Attributed works:
17. Adam’s ranunculus (PF.1107, bouquet from Adam Lanier with snail), by Ruth Asawa. 1999. Ink on Japanese paper, 61 by 42.9 cm. (Private collection; exh. Menil Drawing Institute, Houston).
Exhibition Review
Paris 1874: Inventing Impressionism
07/2024 | 1456 | 166
Pages: 735–8
related names
Reviewer:
Deutsch, Allison (Deutsch, Allison)
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Reviewed Items
subjects:
Paris 1874: Inventing Impressionism Musée d’Orsay, Paris 26th March–14th July | :
Illustrations
Attributed works:
12. Guerre civile, by Edouard Manet. 1871. Lithograph, 39.5 by 50.2 cm. (Bibliothèque nationale de France, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
13. Le Salon de 1874, by Camille Cabaillot- Lassalle. 1874. Oil on canvas, 100 by 81.5 cm. (Musée d’Orsay, Paris).
Attributed works:
14. La repasseuse, by Edgar Degas. 1869. Charcoal, white chalk and pastel on paper, 74 by 61 cm. (Musée d’Orsay, Paris).
Exhibition Review
Théodore Rousseau, 1812–1867: La voix de la forêt
07/2024 | 1456 | 166
Pages: 732–5
related names
Reviewer:
Marchetti, Elena (Marchetti, Elena)
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Reviewed Items
subjects:
Théodore Rousseau, 1812–1867: La voix de la forêt Petit Palais, Paris 5th March–7th July | :
Illustrations
Attributed works:
10. Le Mont Blanc, vu du col de la Faucille, effet de tempête, by Théodore Rousseau. Begun 1834. Oil on canvas, 146.5 by 242 cm. (Ny Carlsberg Glyptotek, Copenhagen; exh. Petit Palais, Paris).
Attributed works:
11. La Mare aux fées, forêt de Fontainebleau, by Théodore Rousseau. c.1848. Oil on canvas, 60.9 by 114.3 cm. (Private collection; exh. Petit Palais, Paris).
Attributed works:
9. Entrée de la vieille futaie de la Reine-Blanche, by Théodore Rousseau. c.1860. Brown ink on grey-blue paper, 13.3 by 20.7 cm. (Musée des Beaux-Arts de Dijon; exh. Petit Palais, Paris).
Exhibition Review
Guercino: Il mestiere del pittore
07/2024 | 1456 | 166
Pages: 729–31
related names
Reviewer:
Bohn, Babette (Bohn, Babette)
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Reviewed Items
subjects:
Guercino: Il mestiere del pittore Musei Reali, Turin 23rd March–28th July | :
Illustrations
Attributed works:
6. Madonna of the Rosary with St Dominic and St Catherine of Siena, by Guercino. 1637. Oil on canvas, 378 by 255 cm. (S. Domenico, Turin; exh. Musei Reali, Turin).
Attributed works:
7. Diana, by Guercino. 1646. Oil on canvas, 102 by 84 cm. (Fondazione Marini Clarelli Santi, Perugia; exh. Musei Reali, Turin).
Attributed works:
8. Study for St William kneeling and dressed in armour, by Guercino. 1620. Charcoal on paper, 62 by 41.3 cm. (Musei di Strada Nuova, Genoa; exh. Musei Reali, Turin).
Exhibition Review
Thinking Small: Dutch Art to Scale
07/2024 | 1456 | 166
Pages: 717–29
related names
Reviewer:
Golahny, Amy (Golahny, Amy)
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Reviewed Items
subjects:
Thinking Small: Dutch Art to Scale Museum of Fine Arts, Boston 18th November 2023 –3rd November 2024 | :
Illustrations
Attributed works:
4. Floral still life, by Dirck van Rijswijck. 17th century. Oak panel, ebony, rosewood, mother-of-pearl and African blackwood, 43.7 by 33.5 cm. (Museum of Fine Arts, Boston).
Attributed works:
5. Tromp l’oeil, by Cornelis Norbertus Gijsbrechts. 1663. Oil on canvas, 73.7 by 86.4 cm. (Museum of Fine Arts, Boston).
Exhibition Review
Venice Biennale
07/2024 | 1456 | 166
Pages: 724–27
related names
Reviewer:
Lloyd, Kathryn (Lloyd, Kathryn)
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Reviewed Items
subjects:
Venice Biennale Various locations, Venice 20th April–24th November | :
Illustrations
Attributed works:
1. Kissing my foot, by Louis Fratino. 2024. Oil on canvas, 144.8 by 198.1 cm. (Courtesy La Biennale di Venezia; photograph Matteo de Mayda; exh. Central Pavilion, Giardini, Venice).
Attributed works:
2. Installation view of Stranieri Ovunque – Foreigners Everywhere at the Central Pavilion, Giardini, Venice, showing 25 works from the series Bambus, by Ione Saldanha. 1960–70s. Acrylic on bamboo, dimensions variable. (Courtesy La Biennale di Venezia; photograph Matteo de Mayda).
Attributed works:
3. Installation view of Stranieri Ovunque – Foreigners Everywhere at the Arsenale, Venice. (Courtesy La Biennale di Venezia; photograph Marco Zorzanello).
Exhibition Review
Late Michelangelo
07/2024 | 1456 | 166
Pages: 716–23
related names
Reviewer:
Elam, Caroline (Elam, Caroline; E., C.; E., C. M.)
Subjects
dates:
Reviewed Items
subjects:
Michelangelo: the last decades, British Museum, (2nd May–28th July). | :
Illustrations
Attributed works:
1. Christ on the Cross, by Michelangelo. c.1543. Black chalk on paper, 36.8 by 26.8 cm. (British Museum, London).
Attributed works:
10. Crucifixion with two figures, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 27.8 by 23.4 cm. (Ashmolean Museum, Oxford; exh. British Museum, London).
Attributed works:
2. Crucifixion, by Marcello Venusti. c.1545–60. Oil on panel, 88.9 by 28.8 cm. incl. frame, not shown here. (Campion Hall, Oxford; exh. British Museum, London).
Attributed works:
3. Annunciation, attributed to Michelangelo. c.1545–60. Black chalk on paper, 38.3 by 29.7 cm. (Morgan Library and Museum, New York; exh. British Museum, London).
Attributed works:
4. Annunciation, by Marcello Venusti. c.1545–60. Oil on wood, 45 by 30 cm. (Galleria Corsini, Rome; exh. British Museum, London).
Attributed works:
5. Study for the Porta Pia, by Michelangelo. 1561. Stylus, black chalk and brown wash, with lead white, on several conjoined pieces of paper, 44.2 by 28.2 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
6. Epifania, by Michelangelo. c.1550–53. Black chalk on 26 conjoined sheets, 234.6 by 173.7 cm. (British Museum, London).
Attributed works:
7. Epifania, by Ascanio Condivi. c.1550–53. Oil on panel, 240 by 187 cm. (Casa Buonarroti, Florence; exh. British Museum, London).
Attributed works:
8. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1558–63. Black chalk and lead white on paper, 41.2 by 28.5 cm. (British Museum, London).
Attributed works:
9. Crucifixion with the Virgin and St John the Evangelist, by Michelangelo. c.1555–63. Black chalk and lead white on paper, 41 by 27.8 cm. (British Museum, London).
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