museums and institutions:
Attributed works:
1. Virgin and Child, by Benedetto da Maiano. c.1485–90. Marble with
polychromy, 71.1 by 54.6 by 15.2 cm. (Metropolitan Museum of Art,
New York).
Attributed works:
10. Detail of Fig.2, showing the cushion and the drapery.
Attributed works:
11. Detail of Fig.1, showing the cushion and the drapery.
Attributed works:
12. Studies of ornamental details, by Raphael. c.1503. Pen and
brown ink with black chalk and leadpoint on paper, 37.7 by 21.9 cm.
(Ashmolean Museum, Oxford).
Attributed works:
13. Detail of the ceiling in Piccolomini Library, Siena, by Pintoricchio and
workshop. c.1503–07. Fresco. (Bridgeman Images).
Attributed works:
14. Detail of Fig.12, showing the Virgin and Child with St Anne.
Attributed works:
15. The Virgin and Child with St Anne (reversed left to right),
by Leonardo da Vinci. c.1510. Oil on panel, 168 by 113 cm. (Musée du
Louvre, Paris; Bridgeman Images).
Attributed works:
16. Holy Family with a lamb, by Raphael. 1507. Oil on panel,
28 by 21.5 cm. (Museo del Prado, Madrid).
Attributed works:
2. Virgin and Child with a book, by Raphael. c.1503. Oil on panel,
55.2 by 40 cm. (Norton Simon Museum, Pasadena; Bridgeman Images).
Attributed works:
3. Studies for Virgin and Child with a book, by Raphael. Mounted in
the 20th century. Pen and brown ink over blind stylus on paper, 11.4 by
13 cm. (top: Parker 508a recto, felt side) and 11.5 by 13.2 cm. (bottom:
Parker 508b recto, mould side). (Ashmolean Museum, Oxford).
Attributed works:
4. Parker 508a verso, mould side, shown in raking light.
Attributed works:
5. Parker 508b verso, felt side, shown in raking light.
Attributed works:
6. Facsimile of Figs.3–5. 1841. Lithograph, 26.6 by 27.9 cm. (From
A series of Fac-similes of Original Drawings by Raffaelle da Urbino
Selected from the Matchless Collection formed by Sir Thomas
Lawrence, Published by S. and A. Woodburn, London 1841).
Attributed works:
7. The mould side of the drawings shown in Fig.3 superimposed
onto Fig.6 to highlight the extent of the loss and the continuity
in the landscape. (Author’s reconstruction rendered by Mauro
Mussolin and Leonardo Pili).
Attributed works:
8. The felt side of the drawings shown in Fig.3 superimposed on
Fig.6 to highlight the extent of the loss. (Author’s reconstruction
rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
9. The drawings shown in Fig.3 seen in transmitted light. (Author’s
reconstruction rendered by Mauro Mussolin and Leonardo Pili).
