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7 articles
Article
Johannes Lutma the Elder: goldsmith, designer, draughtsman
03/2024 | 1452 | 166
Pages: 252–263
related names
Author:
Baarsen, Reinier (Baarsen, Reinier)
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Illustrations
Attributed works:
1. Portrait of Johannes Lutma, by Jacob Adriaensz Backer. c.1646. Oil on canvas, 93 by 73 cm. (Rijksmuseum, Amsterdam).
Attributed works:
10. John Rushout’s coat of arms engraved on the base of the salt cellar in Fig.7.
Attributed works:
11. Design for a condiment dish, attributed to Johannes Lutma. c.1640–50. Black and white chalk on green prepared paper, 27.5 by 19.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
12. Design for a candlestick, attributed to Johannes Lutma. c.1655–60. Black and white chalk and pink wash on paper, 40.5 by 30.4 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
13. Ewer in ornamental surround, by Jacob Lutma after Johannes Lutma. 1654. Etching and engraving, 22.2 by 17.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
14. Cup and cover, by Johannes Lutma. 1639 (the knob is a later replacement). Gilded silver, height 32.1 cm. (Walters Art Museum, Baltimore).
Attributed works:
15. Design for a cup, attributed to the workshop of Johannes Lutma. c.1640–60. Black chalk, and brown wash, heightened in white, on blue paper, 41.9 by 25.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
16. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.5 by 30.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
17. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black and white chalk on paper, 41.3 by 31.9 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
18. Design for a ewer, attributed to the workshop of Johannes Lutma. c.1655–60. Black, white and red chalk on paper, 43.3 by 29.8 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
19. The watermark in the drawing in Fig.20.
Attributed works:
2. Pair of salt cellars, by Johannes Lutma. 1639. Silver, partly gilded, height 24 cm. each. (Rijksmuseum, Amsterdam).
Attributed works:
20. Design for a cup, attributed to the workshop of Johannes Lutma. c.1655–60. Black and red chalk and brown wash, heightened in white, on paper, 41.3 x 31.2 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
21. Design for a cup, here attributed to Joahnnes Lutma. c.1655–60. Red chalk and brown wash, heightened in white, on paper, 40.3 by 28.6 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
22. Design for a helmet, here attributed to Johannes Lutma. c.1655–60. Watercolour, black chalk, heightened in white, on pale brown paper, 17 by 20.9 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Design for a cup, by Paulus van Vianen. c.1610. Black chalk, grey and pink wash, 58.7 by 29.4 cm. (Staatliche Graphische Sammlung, Munich).
Attributed works:
4. Design for a salt cellar, attributed to Adam van Vianen. c.1610–27. Black chalk, pen and brown ink and brown wash on paper, 20.2 by 13.2 cm. (Nationalmuseum, Stockholm).
Attributed works:
5. Design for a ‘bekerschroef’, attributed to Johannes Lutma. c.1635–40. Black and white chalk over a sketch in graphite, on yellow prepared paper, 19.5 by 12.4 cm. (Sir John Soane’s Museum, London; courtesy of the Trustees).
Attributed works:
6. A goldsmith or sculptor carrying a basket of statues, by Johannes Lutma. 1615. Red and black chalk, pen and brown ink on paper, 12.3 by 9.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
7. Salt cellar, by Johannes Lutma. 1648. Partly gilded silver, height 36.2 cm. (Fishmongers’ Company, London).
Attributed works:
8. Design for a salt cellar, by Johannes Lutma. c.1648. Black and white chalk on pale brown paper, 35.8 by 28.5 cm. (Cooper Hewitt, Smithsonian Design Museum, New York).
Attributed works:
9. Lutma’s inscription on the back of the drawing in Fig.8.
Publication Received
Josef + Anni Albers. Designs for Living.
06/2005 | 1227 | 147
Pages: 415
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Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
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Reviewed Items
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Josef + Anni Albers. Designs for Living. | author: Filler, Martin , author: Weber, Nicholas Fox
Exhibition Review
Christopher Dresser. New York and London
06/2004 | 1215 | 146
Pages: 433-434
related names
Reviewer:
Oshima, Ken Tadashi (Oshima, Ken Tadashi)
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Reviewed Items
subjects:
Shock of the Old: Christopher Dresser | institution: Cooper-Hewitt National Design Museum , institution: Victoria and Albert Museum
Illustrations
Attributed works:
67. Teapot, by Christopher Dresser. c.1879. For James Dixon & Sons. Electroplate with ebonised wood. (Andrew McIntosh Patrick; exh. Cooper-Hewitt National Design Museum, New York).
Attributed works:
68. Flowers, by Christopher Dresser. Design for pl.XCVIII of Grammar of Ornament by Owen Jones, London, 1856. Watercolour. (Victoria and Albert Museum, London; exh. Cooper-Hewitt National Design Museum, New York).
Attributed works:
69. Cottom cambric, by Christopher Dresser. 1853. For Liddiard & Co. (Public Record Office, London; exh. Cooper-Hewitt National Design Museum, New York).
Attributed works:
70. Pitcher with upturned spout, by Christopher Dresser. c.1880. For Linthorpe Art Pottery. Unglazed earthenware. (David Bonsall, Image Bank Ltd; exh. Cooper-Hewitt National Design Museum, New York).
Exhibition Review
American Arts and Crafts at the Cooper Hewitt. New York
04/1988 | 1021 | 130
Pages: 322-323
related names
Reviewer:
Hawley, Henry (Hawley, Henry)
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Illustrations
Attributed works:
83. Armchair from Robert R. Blacker House, Pasadena. 1907 by C. S. and V. M. Greene. Mahogany and Ebony, Fruitwood, Silver and Copper Inlay. Height 86.5 cm. (Collection Max Palevsky; Exh. Cooper Hewitt Museum, New York).
Attributed works:
84. Table Lamp, Probably 1911-15. After a Design by Eleanor d'Arcy Gaw. Copper and Isinglass. Height 66 cm., Diameter (Shade) 58.5 cm. (Museum of Fine Arts, Boston; Exh. Cooper Hewitt Museum, New York).
Exhibition Review
New York and Philadelphia. Robert Adam and the Concorsi Clementini
05/1982 | 950 | 124
Pages: 321-323
related names
Reviewer:
Rowan, Alistair (Rowan, Alistair; Rowan, Alastair)
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Illustrations
Attributed works:
54. Perpective View of the North and East Fronts of Barnbougle Castle, a Proposed Rebuilding, by Robert Adam. 1774. (Rosebery Collection, Dalmeny).
Attributed works:
55. Design for a Royal Palace for Three Important Persons, by Filippo Juvarra. 1705. (Accademia di San Luca, Rome; Exh. Cooper-Hewitt Museum, New York).
Exhibition Review
Current and Forthcoming Exhibitions: Cooper-Hewitt Union Drawings
08/1973 | 845 | 115
Pages: 562-563
related names
Reviewer:
Blunt, Anthony (A. B.; A. F. B) (Blunt, Anthony (A. B.; A. F. B); Blunt, Anthony Frederick; Blunt, Professor; Blunt, A. F.; A. F. B.; B., A.)
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Exhibition Review
Current and Forthcoming Exhibitions: Neapolitan Drawings from the Cooper-Hewitt Museum
04/1970 | 805 | 112
Pages: 261-262+264
related names
Reviewer:
Vitzthum, Walter (W. V.) (Vitzthum, Walter (W. V.); Vitzthum, Dr.)
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Illustrations
Attributed works:
100. Study for the decoration of the Sedile di Porto in Naples, by Giovanni Battista Natali. Black chalk, pen and ink, grey wash, 29.4 by 21 cm. (Cooper-Hewitt Museum, New York.)
Attributed works:
101. Study for the decoration of the Sedile di Porto in Naples, by Giovanni Battista Natali. Black chalk, pen and ink, grey wash, 29.5 by 21.2 cm. (Cooper-Hewitt Museum, New York.)
Attributed works:
102. Study for the decoration of the Sedile di Porto in Naples, by Giovanni Battista Natali. Black chalk, pen and ink, grey wash, 27.3 by 18.9 cm. (Art Gallery of Ontario, Toronto.)
Attributed works:
103. Study for the decoration of the Sedile di Porto in Naples, by Giovanni Battista Natali. Black chalk, pen and ink, grey wash, 26.6 by 18.1 cm. (Art Gallery of Ontario, Toronto.)
Attributed works:
104. Holy Family, by Mariano Rossi. Black chalk, pen and ink, heightened with white chalk, 27.1 by 19.9 cm. (Cooper-Hewitt Museum, New York.)
Attributed works:
105. Deborah and Barak, by Domenico Mondo. Pen and Ink, Brown Wash, Heightened with White, 24.3 by 20.8 cm. (Cooper-Hewitt Museum, New York.)
Attributed works:
106. Rest on the Flight into Egypt, by Mariano Rossi. Black Chalk, Pen and Ink, Brown Wash, 18.6 by 23.3 cm. (The Wadsworth Atheneum, Hartford, Connecticut.)