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1308 articles
Article
Landscape as grid in Stephen Shore’s ‘American surfaces’
05/2023 | 1442 | 165
Pages: 522-529
related names
Author:
Cornelius, Thomas (Cornelius, Thomas)
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Illustrations
Attributed works:
1. Paraphernalia Opening. Rene Ricard, Susan Bottomly, Eric Emerson, Mary Woronov, Andy Warhol, Ronnie Cutrone, Paul Morrissey, Pepper Davis, by Stephen Shore. 1965–67. Gelatin silver print, 32.4 by 48.3 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
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10. Detail from Variable piece #70: 1971 (in process) global 633, by Douglas Huebler. 1978. Gelatin silver prints and chromogenic prints. (J. Paul Getty Museum, Los Angeles; © DACS, London).
Attributed works:
11. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
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2. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
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3. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. 2nd July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
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4. Oklahoma City, Oklahoma, from the series American surfaces (1972–73), by Stephen Shore. 9th July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
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5. Ed Ruscha holding his book ‘Every Building on the Sunset Strip’ (1966), by Jerry McMillan. 1967. (© Ed Ruscha and Jerry McMillan; courtesy Craig Krull Gallery, Santa Monica).
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6. Installation view of Stephen Shore at the Museum of Modern Art, New York, 2017–18, showing the series American surfaces (1972–73). (Courtesy Museum of Modern Art, New York; photograph Robert Gerhardt).
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7. Dallas, Texas, from the series American surfaces (1972–73), by Stephen Shore. June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
8. Stone, by Agnes Martin. 1964. Ink on paper, 27.7 by 27.7 cm. (Museum of Modern Art, New York; © DACS, London).
Attributed works:
9. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Exhibition Review
Surrealism Beyond Borders
06/2022 | 1431 | 164
Pages: 592-594
related names
Reviewer:
Richardson, Michael (Richardson, Michael)
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dates:
Reviewed Items
subjects:
Surrealism Beyond Borders Tate Modern, London 24th February–29th August | :
Illustrations
Attributed works:
1. A circus rider’s dream, by Yayoi Kusama. 1955. Gouache on paper, 74.9 by 64.5 cm. (Private collection; © Yayoi Kusama; courtesy David Zwirner, New York; Ota Fine Arts, Tokyo, Singapore and Shanghai; Victoria Miro, London and Venice; photograph Elisabeth Bernstein; exh. Tate Modern, London).
Attributed works:
2. The seven sons of Lautréamont (and his dutiful beautiful daughter), by Ted Joans, Heriberto Cogollo, Agustin Cárdenas, Jorge Camacho, Wifredo Lam, Roberto Matta, Hervé Télémaque and Joyce Mansour. 1970–79. Ink on paper with poem, 76.2 by 21.6 cm. (Private collection; © Ted Joans Estate; courtesy Laura Corsiglia; photograph Buddy Ratner; exh. Tate Modern, London).
Attributed works:
3. Ekrany (screens), by Erna Rosenstein. 1951. Oil on canvas, 48 by 64 cm. (© Muzeum Sztuki, Łódź; exh. Tate Modern, London).
Editorial
Forward to the 1970s
12/2019 | 1401 | 161
Pages: 983
Book Review
Models of Integrity: Art and Law in Post-Sixties America. By Joan Kee
12/2019 | 1401 | 161
Pages: 1070-1072
related names
Reviewer:
van Haaften-Schick, Lauren (van Haaften-Schick, Lauren)
Subjects
Reviewed Items
subjects:
Models of Integrity: Art and Law in Post-Sixties America By Joan Kee. 320 pp. incl. 102 col. ills. (University of California Press, Oakland, 2019), £54. ISBN 978–0–520–29938–2. | :
Illustrations
Attributed works:
7. Performance photograph of One Year Performance 1978–79, by Tehching Hsieh. New York 1978–79. Photograph Cheng Wei Kuong (courtesy the artist).
Exhibition Review
Martha Rosler: Irrespective. Jewish Museum, New York
03/2019 | 1392 | 161
Pages: 248-251
related names
Reviewer:
Slifkin, Robert (Slifkin, Robert)
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Illustrations
Attributed works:
22. First Lady (Pat Nixon), from the series House beautiful: bringing the war home, by Martha Rosler. c.1967–72. Photomontage, 50.8 by 61 cm. (© Martha Rosler; image courtesy the artist and Mitchell-Innes & Nash, New York; exh. Jewish Museum, New York).
Attributed works:
23. Installation view of Objects with no titles, by Martha Rosler. c.1973/2018. Mixed media. (© Martha Rosler; courtesy of the artist and Mitchell-Innes & Nash, New York; photograph Jason Mandella; exh. Jewish Museum, New York).
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24. Still from Vital Statistics of a Citizen, Simply Obtained, by Martha Rosler. 1977. Video, 40 mins. (© Martha Rosler; exh. Jewish Museum, New York).
Exhibition Review
Outliers and American Vanguard Art. Los Angeles County Museum of Art
03/2019 | 1392 | 161
Pages: 246-248
related names
Reviewer:
Pohl, Frances K. (Pohl, Frances K. )
Subjects
Illustrations
Attributed works:
19. Adelard the drowned, master of ‘The Phantom’, by Marsden Hartley. c.1938–39. Board, 71.1 by 55.9 cm. (Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis; exh. Los Angeles County Museum of Art).
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20. Candy Darling, by Greer Lankton. 1985. Fabric, wire, glass, human hair, acrylic paint, matte medium, feathers and metal, 76.2 by 30.5 by 7.6 cm. (Paul Monroe; Greer Lankton Archive Museum; exh. Los Angeles County Museum of Art).
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21. Take my yoke upon you and learn of me saith Jesus, #1,060, by Howard Finster. 1977–78. Paint on board with embossed wood, 44.5 by 122.6 cm. (High Museum of Art, Atlanta; exh. Los Angeles County Museum of Art).
Book Review
Avant-garde Art and Criticism in Francoist Spain. By Paula Barreiro López
12/2018 | 1389 | 160
Pages: 1076
Book Review
Luc Tuymans Catalogue Raisonné of Paintings: Volume I, 1972–1994. Edited by Eva Meyer-Hermann
10/2018 | 1387 | 160
Pages: 885-886
related names
Reviewer:
Falconer, Morgan (Falconer, Morgan)
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places:
Illustrations
Attributed works:
7. Needles, by Luc Tuymans. 1972. Canvas, 151 by 100 cm. (21st Century Museum of Contemporary Art, Kanazawa).
Book Review
Delirious: Art at the Limits of Reason 1950–1980. By Kelly Baum with Lucy Bradnock and Tina Rivers Ryan
09/2018 | 1386 | 160
Pages: 806
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