Networking the Bloc: Experimental Art
in Eastern Europe 1965–1981
By Klara Kemp-Welch. 480 pp. incl. 36 col. + 198
b. & w. ills. (MIT Press, Cambridge MA, 2019),
£40. ISBN 978–0–262–03830–0. |
:
Illustrations
Attributed works:
8. Identification program (1 of 5), by Géza
Perneczky. 1971. Gelatin silver print, 29.7
by 21 cm. (Courtesy the artist and Chimera-
Project Gallery, Budapest).
Book Review
Models of Integrity: Art and Law in Post-Sixties America. By Joan Kee
Models of Integrity: Art and Law in
Post-Sixties America
By Joan Kee. 320 pp. incl. 102 col. ills.
(University of California Press, Oakland,
2019), £54. ISBN 978–0–520–29938–2. |
:
Illustrations
Attributed works:
7. Performance photograph of One Year
Performance 1978–79, by Tehching Hsieh.
New York 1978–79. Photograph Cheng Wei
Kuong (courtesy the artist).
Book Review
History of the Royal Hibernian Academy of Arts. By John Turpin
19. Adelard
the drowned,
master of ‘The
Phantom’, by
Marsden Hartley.
c.1938–39. Board,
71.1 by 55.9 cm.
(Frederick R.
Weisman Art
Museum at
the University
of Minnesota,
Minneapolis;
exh. Los Angeles
County Museum
of Art).
Attributed works:
20. Candy Darling,
by Greer Lankton.
1985. Fabric, wire,
glass, human hair,
acrylic paint,
matte medium,
feathers and
metal, 76.2 by 30.5
by 7.6 cm. (Paul
Monroe; Greer
Lankton Archive
Museum; exh. Los
Angeles County
Museum of Art).
Attributed works:
21. Take my yoke
upon you and
learn of me saith
Jesus, #1,060, by
Howard Finster.
1977–78. Paint
on board with
embossed wood,
44.5 by 122.6 cm.
(High Museum
of Art, Atlanta;
exh. Los Angeles
County Museum
of Art).
Book Review
Jasper Johns: Pictures within Pictures,1980–2015. By Fiona Donovan