Search

Article

Toulouse and Ripoll-The Origin of the Style of Gilabertus

03/1939 | 432 | 74

Pages: 104-105+108-111+114

Subscribe to read

related names

Author:

Goldschmidt, Werner (Goldschmidt, Werner)

Subjects

artists:

Gilabertus of Toulouse

buildings:

Santa Maria, Ripoll, Spain

dates:

1100-1199

museums and institutions:

Musée des Augustins, Toulouse, France

places:

France / Spain / Cataluña / Ripoll / Toulouse

subjects:

Sculpture / French sculpture / Romanesque / Attributions

subjects:

Spanish sculpture / Catalan

subjects:

Christian iconography / Saints / Paul, Saint / Peter, Saint / Thomas, Saint

Illustrations

Attributed works:

Plate I. C-Detail of D. [St. Thomas. By Gilabertus] The Origin of the Style of Gilabertus

Attributed works:

Plate I. D-St. Thomas. By Gilabertus. 1140-50 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate I. A-The Portal. Santa Maria, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate I. B-St. Peter. From the Jamb of the Portal at Ripoll. First Half of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. A-The Imprisonment of St. Peter. From the Archivolt of the Portal, Ripoll. Beginning of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. B-The Crucifixion of St. Peter. From the Archivolt of the Portal, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. C-St. Peter with the Magician Simon. From the Archivolt of the Portal, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. D-The Elder. From the Left Ledge of the Facade, Ripoll. First Half of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. A-The Pilgrimage to Emmaus. Capital from the Cloisters of la Daurade. About 1150 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. B-Fragment from a Tomb, Now on the Facade of the Church of Arlessur-Tech. About 1200. The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. C-The Descent of the Holy Ghost. Capital from the Cloisters of la Daurade. About 1150 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. D-The Creation of Adam. Capital from the Cloisters, Elne. Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. A-The Ascension of Christ, in the Inner Wall of the Ermita de Sta maria, Quintanilla de las Vinas. Tenth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. B-Christ and Apostles. The Lintel of St. Genis Les Fonts. Dated 1020. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. C-The Annunciation and The Visitation. Eleventh Century (Chapel of St. Gabriel near Tarascon). The Origin of the Style of Gilabertus

Article

The West Portal of San Vicente at Avila

09/1937 | 414 | 71

Pages: 110-111+114-116+118-121+123

Subscribe to read

related names

Author:

Goldschmidt, Werner (Goldschmidt, Werner)

Subjects

artists:

Fruchel, Master

artists:

Mateo

buildings:

Basilica de San Vicente, Ávila , Spain

buildings:

Puerta de las Platerias, Santiago de Compostela, Spain

buildings:

Iglesia de Santiago, Carrión de los Condes (Palencia), Spain

dates:

1100-1199

places:

Spain / Avila / Oviedo / Santiago de Compostela

subjects:

Spanish sculpture / Gothic (Medieval) / Portals / Visual sources

Illustrations

Attributed works:

Plate I. A-The West Portal of San Vicente at Avila. Twelfth Century. The West Portal of San Vicente at Avila

Attributed works:

Plate I. B-One of Apostles on the Left Side of the Portal (The Second from the Left). The West Portal of San Vicente at Avila

Attributed works:

Plate I. C-St. Paul, on the Jamb on the Right Side of the Portal. The West Portal of San Vicente at Avila

Attributed works:

Plate II. A-The Frieze above the Archivolts at Avila. The West Portal of San Vicente at Avila

Attributed works:

Plate II. B-Part of the Archivolts and the Right Tympanum at Avila, Showing Scenes from the Life of Lazarus. The West Portal of San Vicente at Avila

Attributed works:

Plate III. A-Part of the Frieze, Showing the Apostles, at Carrion de los Condes. Twelfth Century. The West Portal of San Vicente at Avila

Attributed works:

Plate III. B, C-The Apostles on the Portal at Avila. The West Portal of San Vicente at Avila

Western art unattributed:

Plate II. C-The Frieze above the Two Tympana of the Puerta de las Platerias at Santiago de Compostela. Twelfth Century and Later. The West Portal of San Vicente at Avila

Western art unattributed:

Plate IV. A-Christ, at Carrion de los Condes. The West Portal of San Vicente at Avila

Western art unattributed:

Plate IV. B-Christ, at Avila. C-Ivory Figure of Christ on a Monstrance in the Cathedral of San Isidoro at Leon. Beginning of the Twelfth Century. D-Figure of Christ, on an Enamelled Frontal from Santo Domingo de Silos, Now in Burgos Museum. The West Portal of San Vicente at Avila

Sign up to our newsletter