Mariano Benlliure y Nueva York
Edited by Lucrecia Enseñat Benlliure and Leticia
Azcue Brea. 440 pp. incl. 311 col. ills. (Centro de
Estudios Europa Hispánica, Madrid, Hispanic
Society of America, New York, and Center for
Spain in America, New York, 2020), €52.88.
ISBN 978–84–15245–91–9. |
:
Illustrations
Attributed works:
6. Bust of Joaquín Sorolla y Bastida, by
Mariano Benlliure y Gil. 1932. Bronze, height 92
cm. (Hispanic Society of America, New York).
Exhibition Review
Alonso Berruguete: First Sculptor of Renaissance Spain. Meadows Museum, SMU, Dallas
Alonso Berruguete: First Sculptor
of Renaissance Spain
Meadows Museum, SMU, Dallas
29th March–26th July |
:
Illustrations
Attributed works:
5. Sacrifice of
Isaac, by Alonso
Berruguete.
1526–33.
Polychromed
wood with
gilding, height
89 cm. (Museo
Nacional de
Escultura,
Valladolid;
exh. Meadows
Museum,
SMU, Dallas;
photograph
Javier Mu oz
and Paz Pastor).
Attributed works:
6. Salomé, here
identified as
Judith, by Alonso
Berruguete.
c.1514–17.
Oil on panel,
87.5 by 71 cm.
(Gallerie degli
Uffizi, Florence;
exh. Meadows
Museum,
SMU, Dallas;
Bridgeman
Images).
Attributed works:
7. Ecce Homo,
by Alonso
Berruguete.
c.1524. Polychromed
wood
with gilding,
height 146 cm.
(Museo Nacional
de Escultura,
Valladolid;
exh. Meadows
Museum,
SMU, Dallas;
photograph
Javier Muñoz
and Paz Pastor).
Book Review
Art in Spain and Portugal from the Romans to the Early Middle Ages: Routes and Myths, R. Walker
9. Front steps of La Californie with Picasso and the welder at work, by David Douglas Duncan. 1957. (From D.D. Duncan: Goodbye Picasso, New York 1975, p.65).
Western art unattributed:
2. Female statue, known as the Woman of Auxerre, c.640–630 BC. Limestone, height 75 cm. (Musée du Louvre, Paris; Bridgeman Images).
Exhibition Review
Joan Miró: Sculptures 1928–1982. Centro Botín, Santander
19. The Centro Botín, Santander, photographed from the Pareda Gardens, June 2017. (Photograph Belen de Beneto).
Attributed works:
20. Souvenir de la Tour Eiffel, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 334 by 54 by 80 cm. (Private collection; exh. Centro Botín, Santander).
Attributed works:
21. Personnage et oiseau, by Joan Miró, cast by Fundicío Parellada, Barcelona. Bronze, 104 by 63 by 20 cm. (Private collection; exh. Centro Botín, Santander).
Book Review
Romanesque and the Mediterranean. Edited by Rosa Bacile and John McNeill
23. Strange head, by Julio González. 1932. Pencil, ink, pen and coloured pencil on paper, 19.3 by
11.7 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Gemeentemuseum Den Haag).
Attributed works:
24. Head called ‘The Apostle’, by Julio González. 1933–34. Wood and iron wire, 24 by 13.8 by
4.2 cm. (Institut Valencià d’Art Modern, Generalitat; exh. Gemeentemuseum Den Haag).
Attributed works:
25. Woman in the garden, by Pablo Picasso. 1930–32 (possibly started in November 1929). Bronze,
welded, 209.6 by 116.8 by 81.3 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh.
Gemeentemuseum Den Haag).
Book Review
The ‘Cristos yacente’ of Gregorio Fernández. Polychrome sculpture of the Supine Christ in Seventeenth-Century Spain. By Ilenia Colon Mendoza