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Article

Spadarino’s ‘Doubting Thomas’ rediscovered

10/2015 | 1351 | 157

Pages: 678-681

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Author:

Gash, John (Gash, John)

Subjects

artists:

Galli, Giovanni Antonio, called Spadarino

artists:

Caravaggio, Michelangelo Merisi da / school of

dates:

1620-1629

museums and institutions:

Wrotham Park, Barnet, Hertfordshire, Great Britain

subjects:

Italian painting / Thomas, Saint / Jesus Christ: Resurrection / Identification / Provenance / Composition (artistic arrangement) / Christian iconography / Collections, Private

subjects:

Attributions / Attributions, former

subjects:

Caravaggism

subjects:

Bible stories

subjects:

Formal analysis

Illustrations

Attributed works:

10. The feast of the gods, by Giovanni Antonio Galli, called Spadarino. 1620s (Galleria degli Uffizi, Florence)

Attributed works:

11. Cimon and Pero (Roman charity), by Giovanni Antonio Galli, called Spadarino. 1620s or 1630s (Galleria Doria-Pamphilj, Rome)

Attributed works:

12. Christ displaying his wounds, by a follower of Caravaggio (Spadarino?). c.1615-25 (Perth Museum and Art Gallery, Scotland)

Attributed works:

6. The incredulity of St Thomas, here attributed to Giovanni Antonio Galli, called Spadarino. 1620s? (Wrotham Park, Hertfordshire)

Attributed works:

7. The incredulity of St Thomas, by Caravaggio. c.1601 (Sanssouci, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg, Potsdam)

Attributed works:

8. The miracle of St Valeria before St Martial, by Giovanni Antonio Galli, called Spadarino. 1629-30 (Chapter House, St Peter's Rome)

Attributed works:

9. The denial of St Peter, by Giovanni Antonio Galli, called Spadarino. c.1615-18 (Pinacoteca Nazionale, Bologna)

Article

Verrocchio's Christ and St Thomas: Chronology, Iconography and Political Context

04/1992 | 1069 | 134

Pages: 225-233

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Author:

Butterfield, Andrew (Butterfield, Andrew)

Subjects

artists:

Verrocchio, Andrea del

buildings:

Orsanmichele, Florence, Italy

dates:

1400-1499

patrons:

Medici family

places:

Italy / Florence

subjects:

Italian sculpture / Christian iconography / Documents

subjects:

Jesus Christ / Thomas, Saint

Illustrations

Attributed works:

10. Christ and St Thomas, by Giovanni Toscani. Panel, 240 by 112 cm. (Galleria dell'Accademia, Florence).

Attributed works:

11. Christ and St Thomas, by Mariano del Buono. Frontispiece of the Illuminated Statutes for the Otto di Guardia, Florence, 1479. (Archivio di Stato, Florence).

Attributed works:

8. Christ and St Thomas, by Andrea del Verrocchio. Bronze, 200 cm. High. (Orsanmichele, Florence).

Attributed works:

9. Detail of Fig.8. [Christ and St Thomas, by Andrea del Verrocchio. Bronze, 200 cm. High. (Orsanmichele, Florence).]

Short Notice

The Date of the Commission of Verrocchio's 'Christ and St Thomas'

01/1968 | 778 | 110

Pages: 6+37

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Author:

Covi, Dario A. (Covi, Dario A.; Covi, Dario)

Subjects

artists:

Verrocchio, Andrea del

buildings:

Orsanmichele, Florence, Italy

dates:

1450-1469

subjects:

Italian sculpture / Bronzes

subjects:

Jesus Christ / Thomas, Saint

subjects:

Patronage / Documents

subjects:

Documents / Contracts

Illustrations

Attributed works:

6. Christ and St Thomas, by Andrea del Verrocchio. Bronze. (Or San Michele, Florence.)

Article

The Rijksmuseum 'Incredulity' and Terbrugghen's Chronology

04/1956 | 637 | 98

Pages: 103-111

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Author:

Nicolson, Benedict (B. N) (Nicolson, Benedict (B. N); N., B.)

Subjects

artists:

Brugghen, Hendrick ter

artists:

Caravaggio, Michelangelo Merisi da

dates:

1600-1649

museums and institutions:

Rijksmuseum, Amsterdam, Netherlands

subjects:

Art museums / Acquisitions / Dutch painting

subjects:

Thomas, Saint

subjects:

Italian painting / Influence

subjects:

Formal analysis / Composition (artistic arrangement)

subjects:

Dating

subjects:

Caravaggesque

Illustrations

Attributed works:

1. Incredulity of St Thomas, by Hendrick Terbrugghen. Canvas, 108.1 by 133.2 cm. (Rijksmuseum, Amsterdam.)

Attributed works:

10. Bravo with Dog, by Hendrick Terbrugghen. Signed with Monogram and Dated 1628. Canvas, 82.7 by 69.8 cm. (Lord Talbot de Malahide, Malahide Castle, Co. Dublin.)

Attributed works:

11. Old Man Writing, by Hendrick Terbrugghen. Signed and Dated 16(2...). Canvas, 66.7 by 53.3 cm. (Mejuffrouw E. L. A. C. ter Bruggen.)

Attributed works:

2. Pilate Washing His Hands, by Hendrick Terbrugghen. Canvas, 102 by 147 cm. (Gemäldegalerie, Cassel.)

Attributed works:

3. The Gamblers, by Hendrick Terbrugghen. Signed with Monogram and Dated 162(?3). Canvas, 69.8 by 96.5 cm. (Private Collection, U. S. A.)

Attributed works:

4. Detail from St John the Evangelist, Here Attributed to Hendrick Terbrugghen. (Galleria Sabauda, Turin.)

Attributed works:

5. Detail from Flute Player, by Hendrick Terbrugghen. Signed and Dated 1621. (Gemäldegalerie, Cassel.)

Attributed works:

6. Mercenary Love, by Hendrick Terbrugghen. Signed and Dated 162(?). Canvas, 71.1 by 83.8 cm. (Private Collection, Sweden.)

Attributed works:

7. Violinist and Woman Drinking, by Hendrick Terbrugghen. Signed and Dated 1624. Canvas, 103 by 86 cm. (Kaiser Wilhelm Museum, Crefeld.)

Attributed works:

7a. Detail from Copy, Sold Christie's, 28th July 1955 (170), of Painting Reproduced in Fig.7.

Attributed works:

8. Detail from David Saluted by Women, by Hendrick Terbrugghen, Showing Falsified Signature, and Date 1628(?) to Right of Thumb. (Kress Foundation, New York.)

Attributed works:

9. Woman Tuning a Lute, by Hendrick Terbrugghen. Canvas, 71 by 85 cm. (Kunsthistorisches Museum, Vienna.)

Article

Toulouse and Ripoll-The Origin of the Style of Gilabertus

03/1939 | 432 | 74

Pages: 104-105+108-111+114

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Author:

Goldschmidt, Werner (Goldschmidt, Werner)

Subjects

artists:

Gilabertus of Toulouse

buildings:

Santa Maria, Ripoll, Spain

dates:

1100-1199

museums and institutions:

Musée des Augustins, Toulouse, France

places:

France / Spain / Cataluña / Ripoll / Toulouse

subjects:

Sculpture / French sculpture / Romanesque / Attributions

subjects:

Spanish sculpture / Catalan

subjects:

Christian iconography / Saints / Paul, Saint / Peter, Saint / Thomas, Saint

Illustrations

Attributed works:

Plate I. C-Detail of D. [St. Thomas. By Gilabertus] The Origin of the Style of Gilabertus

Attributed works:

Plate I. D-St. Thomas. By Gilabertus. 1140-50 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate I. A-The Portal. Santa Maria, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate I. B-St. Peter. From the Jamb of the Portal at Ripoll. First Half of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. A-The Imprisonment of St. Peter. From the Archivolt of the Portal, Ripoll. Beginning of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. B-The Crucifixion of St. Peter. From the Archivolt of the Portal, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. C-St. Peter with the Magician Simon. From the Archivolt of the Portal, Ripoll. The Origin of the Style of Gilabertus

Western art unattributed:

Plate II. D-The Elder. From the Left Ledge of the Facade, Ripoll. First Half of the Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. A-The Pilgrimage to Emmaus. Capital from the Cloisters of la Daurade. About 1150 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. B-Fragment from a Tomb, Now on the Facade of the Church of Arlessur-Tech. About 1200. The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. C-The Descent of the Holy Ghost. Capital from the Cloisters of la Daurade. About 1150 (Musee des Augustins, Toulouse). The Origin of the Style of Gilabertus

Western art unattributed:

Plate III. D-The Creation of Adam. Capital from the Cloisters, Elne. Twelfth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. A-The Ascension of Christ, in the Inner Wall of the Ermita de Sta maria, Quintanilla de las Vinas. Tenth Century. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. B-Christ and Apostles. The Lintel of St. Genis Les Fonts. Dated 1020. The Origin of the Style of Gilabertus

Western art unattributed:

Plate IV. C-The Annunciation and The Visitation. Eleventh Century (Chapel of St. Gabriel near Tarascon). The Origin of the Style of Gilabertus

Article

A Recent Discovery of Wall-Paintings in Westminster Abbey

05/1937 | 410 | 70

Pages: 228-231+233

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Author:

Tristram, E. W. (Tristram, E. W.)

Subjects

artists:

Walter of Durham

buildings:

Westminster Abbey, London, Great Britain

dates:

1250-1299

places:

England / London

subjects:

Saints / Christopher, Saint / Thomas, Saint

subjects:

Westminster (style)

subjects:

British painting / Wall paintings / Early English

Illustrations

Western art unattributed:

Plate I. The Incredulity of St. Thomas. English. About 1300. Height of Figures, about 2.7 m. (Westminster Abbey). A Recent Discovery of Wall-Paintings in Westminster Abbey

Western art unattributed:

Plate II. St. Christopher Bearing the Divine Child. English. About 1300. Height of Figures, About 2.7 m. (Westminster Abbey). A Recent Discovery of Wall-Paintings in Westminster Abbey

Article

The Façade of St. Gilles: A Reconstruction

01/1934 | 370 | 64

Pages: 18-21+24-27+29

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Author:

Hamann, Richard (Hamann, Richard; Hamann, R.)

Subjects

buildings:

Saint-Gilles du Gard, Saint-Gilles du Gard, France

dates:

1100-1199

places:

France / Burgundy

subjects:

French architecture / Churches / Facades / Reconstructions

subjects:

French sculpture / Medieval / Iconography

subjects:

Christian iconography / Saints / Prophets / Angels / David

subjects:

Jesus Christ / Jesus Christ: Last Judgement / Thomas, Saint

subjects:

Gothic (Medieval) / Portals

Illustrations

Western art unattributed:

Figure I, Reconstruction I.

Western art unattributed:

Figure II, Reconstruction II.

Western art unattributed:

Plate I. A-The Façade of St. Gilles. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate I. B-The Central Portal of St. Gilles; Side View of the Double Columns. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate I. C-The Portal of St. Trophime, Arles. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate II. Central Portal: Pedestal of the Double Columns on the North Side. A-Two Apes Bound with a Three-Stranded Cord, and a Camel. Side of Pedestal Originally Against the Wall. B-Man in a Crouching Attitude. Front of Pedestal. C-The Crouching Man Grasping the Leg of a Lion. Outer side of Pedestal Originally Exposed. D-Figure of a Man. Back of Pedestal. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate III. A, B, C-Central Portal: Pedestal of the Double Columns on the South Side A-The Calling of David by an Angel. Side of Pedestal Originally Exposed. B-Griffin, and Bird with Outstretched Wings. Front of Pedestal. C-David Beheading Goliath. Side of Pedestal Originally against the Wall. D-Half-Naked Figure from the Cornice. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate IV. A-St. Michael. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate IV. B-Side Portal of St. Gilles. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate IV. C-St. Thomas. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate IV. D-Part of Frieze on One of the Side Portals. The Façade of St. Gilles: A Reconstruction

Western art unattributed:

Plate IV. E-Christ Enthroned with Mary and St. John Interceding. Fragment of Tympanum. The Façade of St. Gilles: A Reconstruction

Article

The Wall Paintings at South Newington

03/1933 | 360 | 62

Pages: 114-115+117-119+122-125+129

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related names

Author:

Tristram, E. W. (Tristram, E. W.)

Subjects

buildings:

Saint Peter ad Vincula Church, South Newington, Great Britain

dates:

1300-1349

places:

England / Oxfordshire

subjects:

Christian iconography / Mary, Virgin / Saints / Thomas, Saint

subjects:

Visual sources / Illuminated manuscripts / Influence

subjects:

British painting / Early English / Wall paintings

Illustrations

Western art unattributed:

Plate I. A-St. Margaret. The Wall Paintings at South Newington

Western art unattributed:

Plate I. B-The Virgin and Child. The Wall Paintings at South Newington

Western art unattributed:

Plate I. C-A Donor. The Wall Paintings at South Newington

Western art unattributed:

Plate I. D-A Donor. The Wall Paintings at South Newington

Western art unattributed:

Plate II. A-The Annunciation. The Wall Paintings at South Newington

Western art unattributed:

Plate II. B-St. James with a Donor. The Wall Paintings at South Newington

Western art unattributed:

Plate III. A-The Martyrdom of St. Thomas of Canterbury (Detail). The Wall Paintings at South Newington

Western art unattributed:

Plate III. B-The Martyrdom of St. Thomas of Canterbury. The Wall Paintings at South Newington

Western art unattributed:

Plate IV. A-The Martyrdom of Thomas of Lancaster. The Wall Paintings at South Newington

Western art unattributed:

Plate IV. B-The Martyrdom of Thomas of Lancaster (Detail). The Wall Paintings at South Newington

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