museums and institutions:
museums and institutions:
Attributed works:
62. Laocoön, by Stanley William Hayter (b.1901). 1943. Etching and Engraving, 31 by 55.1 cm. 1985-10-5-15. Executed during Hayter's Time in New York, 1940-50, Where He Established an Offshoot of Atelier 17, His Famous Intaglio Workshop in Paris.
Attributed works:
63. The Tube Train, by Cyril Power (1874-1951). c.1934. Colour Linocut, 34.2 by 33.5 cm. 1985-5-21.
Attributed works:
64. Woman with Long Hair, by Robert Colquhoun (1914-62). 1958. Black Chalk, 68.6 by 40.5 cm. 1986-6-21-6.
Attributed works:
65. Gill's House at Ditchling, by David Jones (1895-1974). 1922. Pencil and Water-Colour, 40.5 by 37.3 cm. 1985-7-13-8.
Attributed works:
66. 'Newlyn (JW) April 11-50', by Ben Nicholson (1894-1982). 1950. Pencil and Water-Colour, 35.5 by 50.9 cm. 1986-4-5-5.
Attributed works:
67. 'Still Life with Bottles', by William Scott (b.1913). 1955. Black Chalk, 48 by 65.1 cm. 1985-7-13-4.
Attributed works:
68. The Light of the Candle, by David Bomberg (1890-1957). c. 1912. Black Chalk, Water-Colour and Gouache, 52.5 by 40.1 cm. Verso: Squared Study for Composition on Recto, in Black Chalk. 1985-7-13-47.
Attributed works:
69. Somnambulist Visit, by Julian Trevelyan (b.1910). c. 1936. Plaster Relief, 15.5 by 25.5 cm. 1985-6-8-21. During the Early Thirties, Hayter and Other Associates of Atelier 17, Like Julian Trevelyan, Began to Experiment with Prints Made on Plaster. The British Museum Also Owns the Zinc Plate from Which This Relief Was Made.
Attributed works:
70. The Secret Visit, by John Banting (1902-72). 1931. Blueprint, 23.7 by 16.4 cm. 1983-5-21-32.
Attributed works:
71. 'Dizzy Gillespie', by Nigel Henderson (1917-85). 1954. Oil and Photography. 1985-7-13-9. Henderson Became a Close Associate of Paolozzi's in the Late Forties When They Both Began Experimenting with Collage. His Interest in Jazz Coalesced with His Experience as a Photo-journalist to Produce Images Like This Head of the Famous Trumpeter.
