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4 articles
Book Review
The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain. By Ben Highmore
04/2018 | 1381 | 160
Pages: 353-354
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related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
art literature:
Banham, Reyner / Alloway, Lawrence
artists:
McHale, John / Turnbull, William, b. 1922 / Henderson, Nigel / Smithson, Alison / Smithson, Peter Denham / Paolozzi, Eduardo
dates:
1950-1959
media:
Paintings / Photographs / Collages / Architecture
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
places:
Great Britain
subjects:
British painting / British sculpture / British architecture / Brutalist / Pop art / Independent Group
Illustrations
Attributed works:
7. Machine Made America II, by John McHale. 1956. Collage reproduced on the cover of The Architectural Review, May 1957.
Exhibition Review
Nigel Henderson: Sudbury, Sheffield and Edinburgh
02/2002 | 1187 | 144
Pages: 116-117
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related names
Reviewer:
Garlake, Margaret (Garlake, Margaret)
Subjects
artists:
Henderson, Nigel
dates:
2000-2009
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
museums and institutions:
Scottish National Gallery of Modern Art, Edinburgh, Great Britain / Gainsborough's House, Sudbury, Great Britain / Graves Art Gallery, Sheffield, Great Britain / Architectural Association, London, Great Britain
places:
Sudbury / Sheffield / London / Edinburgh / England
print:
Henderson, Nigel
subjects:
Exhibitions
subjects:
Reviews
Reviewed Items
subjects:
Nigel Henderson: Parallel of Life and Art | institution: Architectural Association , institution: Gainsborough's House , institution: Graves Art Gallery , institution: Scottish National Gallery of Modern Art , author: Walsh, Victoria
Illustrations
Attributed works:
127. Installation View of 'Parallel of Life and Art' at the Institute of Contemporary Arts, London, 1953. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
128. Teenagers, Stepney, by Nigel Henderson. 1949-53. Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
129. Male Bathers, by Nigel Henderson. c.1950. Stressed Photograph. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Attributed works:
130. Study for 'Parallel of Life and Art', by Nigel Henderson. 1952. Collage with Pen and Pencil, 21.6 by 30.5 cm. (© The Henderson Estate; Exh. Graves Art Gallery, Sheffield).
Supplement
Twentieth-Century British Acquisitions Made by the Department of Prints and Drawings, British Museum: Supplement
04/1987 | 1009 | 129
Pages: 276-277
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related names
Author:
C., F. (C., F.)
Subjects
artists:
Trevelyan, Julian
artists:
Henderson, Nigel
dates:
1900-1999
dates:
1980-1989
museums and institutions:
British Museum, London, Great Britain
museums and institutions:
British Museum, Dept. of Prints and Drawings, London, Great Britain
places:
England
subjects:
Art museums / Acquisitions / British painting / Prints / Drawings
subjects:
Modern Art
Illustrations
Attributed works:
62. Laocoön, by Stanley William Hayter (b.1901). 1943. Etching and Engraving, 31 by 55.1 cm. 1985-10-5-15. Executed during Hayter's Time in New York, 1940-50, Where He Established an Offshoot of Atelier 17, His Famous Intaglio Workshop in Paris.
Attributed works:
63. The Tube Train, by Cyril Power (1874-1951). c.1934. Colour Linocut, 34.2 by 33.5 cm. 1985-5-21.
Attributed works:
64. Woman with Long Hair, by Robert Colquhoun (1914-62). 1958. Black Chalk, 68.6 by 40.5 cm. 1986-6-21-6.
Attributed works:
65. Gill's House at Ditchling, by David Jones (1895-1974). 1922. Pencil and Water-Colour, 40.5 by 37.3 cm. 1985-7-13-8.
Attributed works:
66. 'Newlyn (JW) April 11-50', by Ben Nicholson (1894-1982). 1950. Pencil and Water-Colour, 35.5 by 50.9 cm. 1986-4-5-5.
Attributed works:
67. 'Still Life with Bottles', by William Scott (b.1913). 1955. Black Chalk, 48 by 65.1 cm. 1985-7-13-4.
Attributed works:
68. The Light of the Candle, by David Bomberg (1890-1957). c. 1912. Black Chalk, Water-Colour and Gouache, 52.5 by 40.1 cm. Verso: Squared Study for Composition on Recto, in Black Chalk. 1985-7-13-47.
Attributed works:
69. Somnambulist Visit, by Julian Trevelyan (b.1910). c. 1936. Plaster Relief, 15.5 by 25.5 cm. 1985-6-8-21. During the Early Thirties, Hayter and Other Associates of Atelier 17, Like Julian Trevelyan, Began to Experiment with Prints Made on Plaster. The British Museum Also Owns the Zinc Plate from Which This Relief Was Made.
Attributed works:
70. The Secret Visit, by John Banting (1902-72). 1931. Blueprint, 23.7 by 16.4 cm. 1983-5-21-32.
Attributed works:
71. 'Dizzy Gillespie', by Nigel Henderson (1917-85). 1954. Oil and Photography. 1985-7-13-9. Henderson Became a Close Associate of Paolozzi's in the Late Forties When They Both Began Experimenting with Collage. His Interest in Jazz Coalesced with His Experience as a Photo-journalist to Produce Images Like This Head of the Famous Trumpeter.
Supplement
The Independent Group: Towards a Redefinition
04/1987 | 1009 | 129
Pages: 232-242
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related names
Author:
Massey, Anne (Massey, Anne)
Subjects
art literature:
Alloway, Lawrence
art literature:
Read, Herbert (H. R.)
art literature:
Banham, Reyner
artists:
Penrose, Roland
artists:
Independent Group
artists:
Smithson, Peter Denham
artists:
Smithson, Alison
artists:
Henderson, Nigel
artists:
Renzio, Toni del
artists:
Hamilton, Richard
artists:
Paolozzi, Eduardo
dates:
1950-1959
museums and institutions:
Institute of Contemporary Arts (ICA), London, Great Britain
subjects:
Independent Group
subjects:
Modern Art / Exhibitions
subjects:
Watson, Peter
subjects:
British painting / British sculpture
Illustrations
Attributed works:
15. Fisherman and Wife, by Eduardo Paolozzi. 1946. Pen and Ink, 76.8 by 61 cm. (Tate Gallery, London).
Attributed works:
17. 1950, Aspects of British Art at the ICA, Dover St; Work by Richard Hamilton at Far Right.
Attributed works:
19. Table in the ICA Bar, by Eduardo Paolozzi and Terence Conran. 1950, Concrete and Metal.
Attributed works:
23. Invitation Card for Opposing Forces, Designed by Toni del Renzio.
Western art unattributed:
16. Cover of the Catalogue for 40,000 Years of Modern Art, Held at the ICA 1948-49.
Western art unattributed:
18. James Joyce Exhibition at the ICA, 1950.
Western art unattributed:
20. The Critic David Sylvester with Sir Philip Hendy, Director of the National Gallery, at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
21. Sir Roland Penrose (Left) Talking to Guests at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
22. Peter Watson and Graham Sutherland (Right) at the Opening of the ICA Gallery, Dover St, 1950.
Western art unattributed:
24. Invitation Card for Man, Machine and Motion, Exhibition Organised by Richard Hamilton with Reyner Banham, 1955.