Search

Book Review

The Victorian Watercolours and Drawings in the Collection of Her Majesty the Queen

05/1997 | 1130 | 139

Pages: 340-342

Subscribe to read

related names

Author:

Sloan, Kim (Sloan, Kim)

Subjects

museums and institutions:

Royal Collection, (Great Britain)

subjects:

British painting / Watercolours / Victorian

Reviewed Items

subjects:

The Victorian Watercolours and Drawings in the Collection of Her Majesty the Queen | author: Millar, Delia

Article

William Artaud: History Painter and 'Violent Democrat'

02/1995 | 1103 | 137

Pages: 76-85

Subscribe to read

related names

Author:

Sloan, Kim (Sloan, Kim)

Subjects

art literature:

Sewter, A. C.

artists:

Artaud, William

dates:

1750-1849

places:

England

subjects:

Documents / Correspondence

subjects:

British painting / History paintings

Illustrations

Attributed works:

15. The Triumph of Mercy, by William Artaud. 1788. 241.3 by 204.5 cm. (Yale Center for British Art, New Haven).

Attributed works:

16. The Triumph of Mercy, by Francesco Bartolozzi, after William Artaud. 1794. Stipple Engraving, 42.5 by 50cm. (British Museum, London).

Attributed works:

17. The Woman Accused of Adultery, by William Artaud. 1791. 127.9 by 99 cm. (Art Institute of Chicago).

Attributed works:

18. The Woman Accused of Adultery, by P. Thomson, after William Artaud. 1794. Engraving, 48 by 39 cm. (British Museum, London).

Attributed works:

19. The Temples of Paestum, by William Artaud. c.1796. Water-Colour, 30 by 43.7 cm. (Whitworth Art Gallery, University of Manchester).

Attributed works:

20. John Deare's Wife at Rome, by William Artaud. c.1796. Pen and Ink with Wash, over Graphite, 11.5 by 18 cm. (British Museum, London).

Attributed works:

21. An Artist's Studio, Naples, by William Artaud. 1796. Pen and Ink with Wash, over Graphite, 11.5 by 18 cm. (British Museum, London).

Attributed works:

22. The Discovery of Arthur's Tomb, by William Artaud. Graphite, Pen and Ink, 23.5 by 36.5 cm. (British Museum, London).

Attributed works:

23. The Maid of Orleans, by William Artaud. Graphite, Pen and Ink, with Red Chalk, 23.5 by 36.5 cm. (British Museum, London).

Attributed works:

24. The Lambton Family at Naples, by Augusto Nicodemo. 1797. 77.5 by 98 cm. (Whereabouts Unknown).

Attributed works:

25. Satan Starting at the Touch of Ithuriel's Spear, by Henry Fuseli. 1776. Pen and Ink with Wash, over Graphite, 28 by 41 cm. (British Museum, London).

Attributed works:

26. Liberty Tearing the Veils of Ignorance and Superstition from His Eyes, by William Artaud. 1797. Graphite, Pen and Ink with Wash, 39.4 by 54.1 cm. (Victoria and Albert Museum, London).

Attributed works:

27. Liberty Tearing the Veils of Ignorance and Superstition from His Eyes, by William Artaud. 1797. Pen and Ink with Red Chalk, over Graphite, 23.5 by 36.5 cm. (British Museum, London).

Attributed works:

28. Liberty Tearing the Veils of Ignorance and Superstition from His Eyes, by William Artaud. 1797. Pen and Ink with Red Chalk, over Graphite, 23.5 by 36.5 cm. (British Museum, London).

Article

A New Chronology for Alexander Cozens Part II: 1759-86

06/1985 | 987 | 127

Pages: 354-361+363

Subscribe to read

related names

Author:

Sloan, Kim (Sloan, Kim)

Subjects

artists:

Cozens, Alexander

dates:

1750-1799

places:

England

subjects:

British painting / Dating

subjects:

Documents

Illustrations

Attributed works:

10. An Essay to Facilitate the Inventing of Landskips..., 2nd. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

11. An Essay to Facilitate the Inventing of Landskips..., 3rd. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

12. An Essay to Facilitate the Inventing of Landskips..., 4th. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

13. An Essay to Facilitate the Inventing of Landskips..., 5th. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

14. An Essay to Facilitate the Inventing of Landskips..., 6th. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

15. An Essay to Facilitate the Inventing of Landskips..., 7th. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Attributed works:

16. River Landscape Blot, by Alexander Cozens. Inscribed at Top, '8th Stile of Composition'. Ink, approx. 10 by 15 cm. (British Museum, London).

Attributed works:

17. An Essay to Facilitate the Inventing of Landskips..., 8th. Stile of Composition, by Alexander Cozens. Etching, 10.2 by 14.5 cm. (Collection The Hon. Christopher Lennox-Boyd, London).

Attributed works:

18. The Various Species of Landscape, &c. In Nature, by Alexander Cozens. 32.5 by 21.2 cm. (Humberside County Record Office).

Attributed works:

19. River Landscape, by Alexander Cozens. Signed and Dated 1757. Pen, Ink and Water-Colour, 12 by 17.3 cm. (Present Whereabouts Unknown).

Attributed works:

20. Boat on a Lake, Seen from a Wooden Shore, by Alexander Cozens. Signed on Mount. Pencil, 13 by 18.3 cm. (Collection The Hon. Christopher Lennox-Boyd, London).

Attributed works:

21. Hilly Island, Seen from a Rocky Shore, by a Pupil of Alexander Cozens, Possibly Charlotte Aynscombe. Inscribed on Verso of Mount, 'Copied from Alexr. Cozens'. Pencil and Wash, 21 by 16 cm. (Collection The Hon. Christopher Lennox-Boyd, London).

Attributed works:

22. Intermixture of the Sky with the Landscape, by Alexander Cozens. Title Inscribed Top Left. Pencil, 19 by 21.5 cm. (Private Collection, England).

Attributed works:

6. An Essay to Facilitate the Inventing of Landskips..., Title Page, by Alexander Cozens. 16.8 by 12.5 cm. (The Hermitage, Leningrad).

Attributed works:

7. An Essay to Facilitate the Inventing of Landskips..., First Page of Text, by Alexander Cozens. 16.3 by 12 cm. (The Hermitage, Leningrad).

Attributed works:

8. An Essay to Facilitate the Inventing of Landskips..., Second Page of Text, by Alexander Cozens. 18.3 by 13.8 cm. (The Hermitage, Leningrad).

Attributed works:

9. An Essay to Facilitate the Inventing of Landskips..., 1st. Stile of Composition, by Alexander Cozens. Etchings, approx. 10 by 15 cm. Each. (The Hermitage, Leningrad).

Article

A New Chronology for Alexander Cozens Part I: 1717-59

02/1985 | 983 | 127

Pages: 70-75

Subscribe to read

related names

Author:

Sloan, Kim (Sloan, Kim)

Subjects

artists:

Cozens, Alexander

dates:

1700-1799

places:

England

places:

Italy / Russia

subjects:

British painting / Dating

subjects:

Documents

Illustrations

Attributed works:

2. Landscape scene, by Alexander Cozens. Inscribed 'A. Cozens fecit 1733'. Etched on copper alloy token (?), diameter 2.8 cm. (The Museum of London). This photograph has been printed in reverse.

Attributed works:

3. Man's bearded head in circle, by Alexander Cozens. Inscribed 'A. Cozens'. Etched on verso of copper alloy token (?) seen in Fig.2, diameter 2.8 cm. (The Museum of London). This photograph has been printed in reverse.

Attributed works:

4. Landscape with Fishermen, by Alexander Cozens. Signed and Dated 1751. Pen and Wash, 18.1 by 23.2 cm. (Private Collection, England).

Attributed works:

5. Blot (River Landscape with Mountain), Here Attributed to Lady Elizabeth Lee. Brush and Wash, 23.8 by 31.4 cm. (Museum of Fine Arts, Boston).

Attributed works:

6. Composition (River Landscape with Mountains and Houses), Here Attributed to Lady Elizabeth Lee. Brush and Wash, 23.8 by 31.4 cm. (Museum of Fine Arts, Boston).

Attributed works:

7. River Landscape with Tree, by Lady Elizabeth Lee. Brush and Wash, 32.5 by 25.5 cm. (Buckinghamshire Record Office).

Attributed works:

8. Mountain Landscape with Ruins, by Lady Elizabeth Lee. Brush and Wash, 34 by 24 cm. (Buckinghamshire Record Office).

Sign up to our newsletter