En quête du grand style: La peinture
d’histoire Britannique au XVIIIe siècle
By Jan Blanc. 634 pp. incl. 204 col. + b. & w. ills.
(Librairie Droz, Geneva, 2020), €46.45.
ISBN 978–2–600–05993–0. |
:
Horace Vernet: 1789–1863
Edited by Valérie Bajou. 447 pp. incl. 313 col.
ills. (Éditions Faton, Dijon, and Château de
Versailles, 2023), €50. ISBN 978–2–87844–344–8. |
:
Illustrations
Attributed works:
8. Pope Pius VIII carried through St Peter’s, by
Horace Vernet. 1829. Oil on canvas, 385 by 329
cm. (Château de Versailles; Bridgeman Images).
1. A teacher with his pupils, by Willem van der
Vliet. 1626. Oil on canvas, 124.9 by 111.4 cm.
(Brodie Castle, Forres).
Attributed works:
2. Solon and Croesus, by Gerrit van
Honthorst. 1624. Oil on canvas, 170 by 215 cm.
(Kunsthalle, Hamburg; Bridgeman Images).
Attributed works:
3. King David rebuked by Nathan, here
attributed to Willem van der Vliet. c.1626. Oil
on canvas. (Current whereabouts unknown;
photograph Fondazione Zeri).
Attributed works:
4. Allegorical scene, by Willem van der
Vliet. 1627. Oil on canvas, 112 by 149 cm.
(Private collection).
Angelica Kauffman
Royal Academy of Arts, London
1st March–30th June |
:
Illustrations
Attributed works:
1. Self-portrait
with bust
of Minerva,
by Angelica
Kauffman.
c.1780–81. Oil on
canvas, 93 by
76.5 cm. (Grisons
Museum of Fine
Arts; exh. Royal
Academy of Arts,
London).
Attributed works:
2. Michael
Novosielski,
by Angelica
Kauffman. 1791.
Oil on canvas,
128 by 101.6
cm. (National
Galleries of
Scotland,
Edinburgh; exh.
Royal Academy
of Arts, London).
Attributed works:
3. Domenica
Morghen and
Maddalena
Volpato as
muses of
Tragedy and
Comedy,
by Angelica
Kauffman. 1791.
Oil on canvas,
124.5 by 159.2
cm. (National
Museum in
Warsaw; exh.
Royal Academy
of Arts, London)
Article
Jean-Charles Cazin, 1881–83: naturalism and networking, regionalism and republicanism
1. Recollection of the festival (Courage, Knowledge and Labour
collaborate to establish the reign of Concord), by Jean-Charles Cazin.
1880–81. Oil on canvas, 289 by 234 cm. (Petit Palais, Paris).
Attributed works:
10. The dead town, by Jean-Charles Cazin. 1883. Oil on canvas, 71 by 91
cm. (Private collection).
Attributed works:
2. The Marne (riverbank with bathers), by Jean-Charles Cazin. 1881. Oil
on canvas, 131.2 by 147 cm. (Museum of Fine Arts, Boston).
Attributed works:
3. Theocritus, by Jean-Charles Cazin. 1882. Oil on canvas,
74 by 60.5 cm. (Art Institute of Chicago; Bridgeman Images).
Attributed works:
4. Ulysses after the shipwreck, by Jean-Charles Cazin.
c.1883. Oil on canvas, 73 by 59.5 cm. (Tate).
Attributed works:
5. Judith: the departure, by Jean-Charles Cazin. c.1882–83.
Oil on canvas. (From W. Walton: Chefs d’Oeuvre de l’Exposition
Universelle, Paris and Philadelphia 1889, between pp.16 and 17).
Attributed works:
6. The death-chamber of Léon Gambetta, by Jean-Charles Cazin.
1882. Oil on canvas, 38 by 46.3 cm. (Château-Musée Versailles;
Bridgeman Images).
Attributed works:
7. Paysage au clair de lune, by Jean-Charles Cazin. c.1883–84.
Oil on canvas, 27.4 by 22.3 cm. (Musée des Beaux-Arts, Reims).
Attributed works:
8. Rainbow, Achères la fôret, by Jean-Charles Cazin. 1883. Oil on
canvas, 82 by 100.5 cm. (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
9. Study for Rainbow, Achères la fôret, by Jean-Charles Cazin.
c.1882–83. Oil on canvas, 22 by 27 cm. (Private collection).
1. Paul Delaroche, by Jean Gigoux. 1832. Pencil on paper, 25 by 17 cm.
(Private collection).
Attributed works:
2. The princes in the tower (Les enfants d’Édouard), by Paul
Delaroche. 1830. Oil on canvas, 181 by 215 cm. (Musée du Louvre,
Paris; Bridgeman Images).
Attributed works:
3. Bonaparte crossing the Alps, by Paul Delaroche. 1848. Oil on canvas,
222 by 289 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
4. Joan of Arc taken prisoner, by John Thompson after Paul Delaroche.
Engraving, 14 by 9.5 cm. (From Prosper de Barante: Histoire des Ducs
de Bourgogne, Paris 1842, opposite p.395).
Attributed works:
5. Installation view of Painting History: Delaroche and Lady Jane Grey
at the National Gallery, London, 2010, showing Charles I insulted by
the soldiers of Cromwell, by Paul Delaroche as it appeared after its
rediscovery. 1836. Oil on canvas, 300 by 400 cm. (Courtesy National
Gallery, London).
Attributed works:
6. Assassination of the Duc de Guise, after Paul Delaroche. Engraving,
10.5 by 15 cm. (From J. Ruutz Rees: Horace Vernet, Paul Delaroche,
London 1880, between pp.62–63).
Attributed works:
7. The blind fiddler (1806), by John Quartley after David Wilkie. 1806.
Engraving, 13 by 15 cm. (From Magasin pittoresque 20 (1847), p.184).
Narrative Painting in Nineteenth-
Century Europe
By Nina Lübbren. 240 pp. incl. 8 col. + 54
b. & w. ills. (Manchester University Press, 2023),
£85. ISBN 978–1–5261–6857–3. |
:
Illustrations
Attributed works:
4. Seni before Wallenstein’s corpse, by Karl
Theodor von Piloty. 1855. Oil on canvas, 312 by
365 cm. (Neue Pinakothek, Munich).
Book Review
Painting Antiquity: Ancient Egypt in the Art of Lawrence Alma-Tadema, Edward Poynter and Edwin Long
Visions of Ancient Egypt
Painting Antiquity: Ancient Egypt
in the Art of Lawrence Alma-Tadema,
Edward Poynter and Edwin Long
By Stephanie Moser. 584 pp. incl. 240 col. +
b. & w. ills. (Oxford University Press, 2020), £79.
ISBN 978–0–19–069702–0. |
:
subjects:
Visions of Ancient Egypt
Edited by Benjamin Hinson and Anna Ferrari
with Ghislaine Wood. 192 pp. incl. numerous col.
+ b. & w. ills. (Sainsbury Centre for Visual Arts,
Norwich, 2022), £25. ISBN 978–1–73972–000–1. |
:
Illustrations
Attributed works:
1. Pastimes in Ancient Egypt 3,000 years
ago, by Lawrence Alma-Tadema. 1863. Oil
on canvas, 99.1 by 135.8 cm. (Harris Museum
and Art Gallery, Preston; Bridgeman Images).
Book Review
Improbable Pioneers of the Romantic Age: The Lives of John Russell, 6th Duke of Bedford, and Georgina Gordon, Duchess of Bedford
Improbable Pioneers of the
Romantic Age: The Lives of John
Russell, 6th Duke of Bedford, and
Georgina Gordon, Duchess of Bedford
By Keir Davidson. 592 pp. incl. 45 col. + 50
b. & w. ills. (Pimpernel Press, London, 2022),
£40. ISBN 978–1–910258–25–5. |
:
Illustrations
Attributed works:
5. Sketch for Deer-stalking in the Highlands,
by Edwin Landseer. c.1828. Oil on canvas, 43
by 53.5 cm. (Wolverhampton Art Gallery;
Bridgeman Images).
Article
‘After the duel’: an early painting by Paul Delaroche
1. ‘Salon de 1835, “Assassinat du duc de Guise”, tableau de M. Paul
Delaroche’, by Andrew Best Leloir and Charles Émile Wattier. 1835.
Engraving, 12 by 21.5 cm. (From Le Magasin Pittoresque 22, 1835, p.169).
Attributed works:
2. After the duel, by Paul Delaroche, 1825. Oil on canvas, 66 by 82 cm.
(Private collection).
Attributed works:
3. Duel after the masquerade, by Jean-Léon Gérôme. 1857–59
(third version). Oil on canvas, 39.1 by 56.3 cm. (The Walters Art
Museum, Baltimore).
Attributed works:
4. St Bartholomew scene, by R.J. Bingham after Paul Delaroche. 1857–
58. Albumen print. (From Oeuvre de Paul Delaroche, Paris 1858).
Attributed works:
5. A duel, by Pierre Roch Vigneron. 1829. Lithograph, 25 by 29 cm.
(Private collection).
Attributed works:
6. Detail of St Vincent de Paul preaching to the court of Louis XIII
on behalf of the abandoned children, by Zachee Prevost after Paul
Delaroche. 1834 Salon. Engraving.
Attributed works:
7. The students of Baron Gros in 1820, by Louis Léopold Boilly, 1820.
Black and white chalk on paper, 59.5 by 29.1 cm. (Musée Carnavalet,
Paris; Alamy Stock photo).
Attributed works:
8. Study for the ‘Assassination of the duc de Guise’, by Paul Delaroche.
c.1832 or before 1830. Pencil on paper, 13.5 by 24.2 cm. (Private
collection).