19. Study for The Seed of David, by Dante Gabriel Rossetti. 1855-56. Water-Colour, 41 by 29 cm. (Central Panel); 27.9 by 13.3 cm. (Side Panels). (Tate Gallery, London).
Attributed works:
20. The Seed of David, by Dante Gabriel Rossetti. 1860-64. The Photograph Shows the Painting after Its Two Restorations and in Its Modern Frame. (Llandaff Cathedral).
Attributed works:
21. Study for the Adoration (Detail of Fig.19), by Dante Gabriel Rossetti.
Attributed works:
22. Adoration, by Dante Gabriel Rossetti, Central Panel of The Seed of David. 1860-61. The Photograph Shows the Painting before Its Restoration in the 1930s and in Its Original Reredos Setting. 229 by 152 cm. (Llandaff Cathedral).
Attributed works:
23. Study for the Adoration, by Dante Gabriel Rossetti. c.1858-60. Graphite Pencil, 32 by 26 cm. (Private Collection).
Attributed works:
24. Study for the Adoration, by Dante Gabriel Rossetti. c.1858-60. Graphite Pencil, 26 by 27 cm. (Birmingham Museum and Art Gallery).
21. Unidentified Subject, from Left Door on Hall Settle, Red House, Kent, by William Morris. c. 1861-62. Panel, 60 by 70 cm. (Collection Mr and Mrs E. Hollamby).
Attributed works:
22. Figure Study, by William Morris. c. 1858. Pencil, 56 by 23 cm. (Collection Mrs J. C. Troxell).
Attributed works:
23. La Belle Iseult, by William Morris. 1858. 71.4 by 50.8 cm. (Tate Gallery, London).
Attributed works:
24. Unidentified Subject from Right Door on Hall Settle, Red House, Kent, by William Morris. c. 1861-62. Panel, 60 by 70 cm. (Collection Mr and Mrs E. Hollamby).
Attributed works:
25. Detail of Three Figures from Right Door on Hall Settle, Red House, by William Morris. c. 1861-62. Panel, 60 by 35 cm. (Collection Mr and Mrs E. Hollamby).
Attributed works:
26. Figure Study for Right Door Panel Shown in Fig.25, by William Morris. c. 1861-62. Pencil, 61 by 35.5 cm. (Collection Mrs J. C. Troxell).