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04/2024 | 1453 | 166
Pages: i-viii
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Subjects
advertisements:
London Art Week / Guy Peppiatt Fine Art, London, Great Britain / Granta Magazine, London, Great Britain / Galerie Canesso, Paris, France / Print Quarterly, London / The Art Newspaper, London, Great Britain / Irish Art Review / Dorotheum (auction house), Vienna, Austria / Peter Finer (antique arms), London, Great Britain / Alessandro Cesati, Milan, Italy / Trinity Fine Art Ltd, London, Great Britain / French and Company Art, New York, United States / Daniel Katz Ltd (dealers), London, Great Britain / Day and Faber, London, Great Britain / The-saleroom.com / Rafael Valls, London, Great Britain / Master Drawings London / Biennale Internazionale d'Antiquariato (Italy: Florence) / Galleria Moretti, Florence, Italy
artists:
Ruskin, John / Strozzi, Bernardo / Goya, Francisco Javier de / Zoffany, Johann
Illustrations
Attributed works:
Bernardo Strozzi (Genoa, 1581/1582 – Venice, 1644), The Wind Players (edited detail), Oil on canvas, 45½×61⅜ in (115×156 cm), Private collection [Galerie Canesso]
Attributed works:
Francisco José de Goya y Lucientes (1746–1828), Portrait-sketch of the Infanta María Isabel (1789–1848), later Queen of the Two Sicilies, for the ‚Portrait of the Family of Carlos IV‘, (detail), 71,8 x 59,1 cm, Auction 24 April 2024 [Dorotheum]
Attributed works:
Johan Zoffany (1733–1810) Edward Townsend singing the ‘Beggar’s Ballad’, 1796. Recently acquired by Staatliche Kunsthalle Karlsruhe Karlsruhe, Germany [Moretti]
Attributed works:
John Ruskin (1819–1900), Study of a Sunrise watercolour and bodycolour over traces of pencil, 24.1 by 32.2 cm. (9½ by 12½ in.) PROVENANCE Harold and Nicolette Wernick; Nicolette Wernick, her sale, Christie’s, 16th June 2010, lot 81, where bought by the present owner [Guy Peppiatt]
Book Review
The Pre-Raphaelites and Science, J. Holmes
05/2019 | 1394 | 161
Pages: 443-444
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related names
Reviewer:
Bremner, G.A. (Bremner, G.A.)
Subjects
art literature:
Ruskin, John
dates:
1850-1899
subjects:
Pre-Raphaelite Brotherhood / Science / Theology / Nature / Victorian art / Truth / Architecture
Exhibition Review
John Ruskin: The Power of Seeing
04/2019 | 1393 | 161
Pages: 333-336
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related names
Author:
Hall, Michael (Hall, Michael)
Subjects
artists:
Ruskin, John / Turner, Joseph Mallord William
buildings:
2 Temple Place, London, Great Britain / Gothic Revival
dates:
2010-2019
media:
Drawings / Watercolours / Manuscripts
museums and institutions:
2 Temple Place, London, Great Britain / Ruskin Gallery, Sheffield, Great Britain
patrons:
Bulldog Trust
subjects:
Guild of St George / Design / Landscapes (visual works) / Arts and Crafts movement
Illustrations
Attributed works:
17. ‘The gates of the hills: detail from ‘The Pass of St Gothard’, near Faido, Switzerland, by John Ruskin after J.M.W.Turner. 1855. Watercolour, 32 by 33.6 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
Attributed works:
18. John Ruskin, by Benjamin Creswick. 1887. Terracotta, height 30.5 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
Attributed works:
19. View of the east end of Saint- Pierre, Chartres, from the River Eure, France, by Thomas Matthew Rooke. 1885. Watercolour, 42.5 by 42.8 cm. (Guild of St George and Museums Sheffield; exh. Two Temple Place, London).
Book Review
Une théorie universelle au milieu du XIXe siècle: La ‘Grammar of Ornament’ d’Owen Jones. By Ariane Varela Braga
02/2019 | 1391 | 161
Pages: 172-174
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related names
Reviewer:
Van Zanten, David (Van Zanten, David; Zanten, David van)
Subjects
art literature:
Jones, Owen / Semper, Gottfried / Riegl, Alois / Ruskin, John
dates:
1800-1899 / 1850-1899
media:
Architecture
places:
Great Britain
subjects:
British architecture / Design / Decorative arts / Ornament / Pattern / Style / Geometric patterns / Geometry / Colour / Nature / Study and teaching / Art Nouveau / Deutscher Werkbund (art group) / Bauhaus
Illustrations
Attributed works:
6. Osler’s Gallery, Oxford Street, London, by Owen Jones. c.1858–60. Ink and watercolour, 147.3 by 102 cm. (Victoria and Albert Museum, London).
Book Review
Cottages Ornés: The Charms of the Simple Life. By Roger White
01/2019 | 1390 | 161
Pages: 89-90
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related names
Reviewer:
Yallop, Rosemary (Yallop, Rosemary)
Subjects
art literature:
Ruskin, John
artists:
Nash, John, 1752-1835 / Pugin, Augustus Welby Northmore
dates:
1700-1799 / 1800-1899
media:
Architecture / Gardens
places:
Great Britain
subjects:
Cottages Ornés / Houses / Picturesque, the / Architecture in literature / Literature / Cultural history / Design / Style / Pattern books / British architecture / Surveys
Exhibition Review
Edward Burne-Jones. Tate Britain, London
01/2019 | 1390 | 161
Pages: 72-74
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related names
Reviewer:
Harrison, Martin (Harrison, Martin)
Subjects
art literature:
Ruskin, John
artists:
Burne-Jones, Edward
dates:
2010-2019
media:
Paintings / Drawings / Watercolours / Stained glass / Tapestries
museums and institutions:
Tate Britain, London, Great Britain
places:
Great Britain / London
subjects:
British painting / Pre-Raphaelite / Pre-Raphaelite Brotherhood / Aesthetic Movement / Taste (aesthetics) / Style / Visual sources / Influence / Iconography / Portraits / Sitters / Women / Psychoanalysis / Design / Decorative arts / James Powell & Sons / Literature in art
Illustrations
Attributed works:
19. Depths of the sea, by Edward Burne-Jones. 1886. Canvas, 197 by 75 cm. (Private collection; exh. Tate Britain, London).
Attributed works:
20. Dido and Cleopatra from Chaucer’s ‘Legend of Good Women’, designed by Edward Burne-Jones and made by Morris, Marshall, Faulkner & Co. Stained glass panel, 47 by 50.4 cm. (Victoria and Albert Museum, London; exh. Tate Britain, London).
Attributed works:
21. The wine of Circe, by Edward Burne-Jones. 1863–69. Watercolour and bodycolour on paper, 71.1 by 101.6 cm. (Private collection; exh. Tate Britain, London).
Exhibition Review
Coming of age: Jacopo Tintoretto
12/2018 | 1389 | 160
Pages: 1024-1029
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related names
Reviewer:
Nichols, Tom (Nichols, Tom)
Subjects
art literature:
Vasari, Giorgio / Ruskin, John / Sartre, Jean-Paul
artists:
Tintoretto, Jacopo
dates:
2010-2019
media:
Paintings / Drawings / Prints / Engravings / Reliefs
museums and institutions:
Palazzo Ducale, Venice, Italy / National Gallery of Art, Washington, United States / Gallerie dell'Accademia, Venice, Italy / Scuola Grande di S. Marco, Venice, Italy / Museo di Palazzo Mocenigo, Venice, Italy
places:
Italy / Venice
subjects:
Italian painting / Attribution / Attributions / Dating / Patronage / Commissions / Portraits / Group portraits / Sitters / Altarpieces / Eccentricity / Unfinished / Study and teaching / Science / Religion / Style / Mannerism / Venetian / Venetian School / Exhibition catalogues
Illustrations
Attributed works:
1. The apparition of the Virgin to St Jerome, by Jacopo Tintoretto. c.1580. Canvas, 275.5 by 194 cm. (Ateneo Veneto, Sala di Lettura, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
2. Male nude seen from behind, by Jacopo Tintoretto. 1578. Charcoal heightened with white on brown paper, 27.6. by 18 cm. (The Courtauld Gallery, London; exh. Palazzo Ducale, Venice).
Attributed works:
3. A young man of the Doria family, by Jacopo Tintoretto. c.1560. Canvas, 108 by 73 cm. (Museo Cerralbo, Madrid; exh. Palazzo Ducale, Venice).
Attributed works:
4. Madonna of the treasurers, by Jacopo Tintoretto. 1567. Canvas, 221 by 520.7 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
5. Tarquin and Lucretia, by Jacopo Tintoretto. c.1578–80. Canvas, 172.7 by 152.4 cm. (The Art Institute of Chicago; exh. Palazzo Ducale, Venice).
Attributed works:
6. The miracle of the slave, by Jacopo Tintoretto. 1548. Canvas, 415 by 541 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. Baptism of Christ, by Jacopo Tintoretto. c.1580. Canvas, 283.2 by 161.9 cm. (S. Silvestro, Venice; exh. Palazzo Ducale, Venice).
Attributed works:
8. The removal of the body of St Mark, by Jacopo Tintoretto. Probably c.1564. Canvas, 403.8 by 320 cm. (Gallerie dell’Accademia, Venice).
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