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221 articles
Article
Jean Ducamps and Joost de Pape
09/2022 | 1434 | 164
Pages: 898-903
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Author:
Gash, John (Gash, John)
Subjects
art literature:
Sandrart, Joachim von, I / Papi, Gianni, Florence, Italy
artists:
Ducamps, Jean (Giovanni del Campo) / Pape, Joost de (Giusto Fiammingo)
places:
Rome
subjects:
Flemish art / Attributions / Lost works
Illustrations
Attributed works:
1. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo) or a follower. 1620s/1630s. Oil on canvas transferred to panel, 94 by 71 cm. (Latvian National Museum of Art, Riga).
Attributed works:
2. Allegory of the love of Virtue, attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 123.5 by 73.5 cm. (Private collection).
Attributed works:
3. The liberation of St Peter, attributed to Jean Ducamps (Giovanni del Campo). 1620s/30s. Oil on canvas, 119 by 190 cm. (Musée d’art et d’Archéologie d’Aurillac; photograph Pierre Soissons).
Attributed works:
4. The flight of the nude young man from the arrest of Christ, by Joost de Pape (Giusto Fiammingo). 1630s. Oil on canvas, 220 by 290 cm. (Rob Smeets Old Master Paintings, on loan to the National Gallery of Umbria, Perugia).
Attributed works:
5. Angel with the nails, by Joost de Pape (Giusto Fiammingo). Early 1630s. Oil on canvas, 99 by 74 cm. (Pallavicini collection, Rome; courtesy Principessa Maria Camilla Pallavicini; photograph Araldo De Luca).
Attributed works:
6. Apollo, here attributed to Jean Ducamps (Giovanni del Campo). 1620s. Oil on canvas, 65.7 by 48.1 cm. (Musée d’Arts, Nantes; photograph © RMN-Grand Palais; Gérard Blot).
Attributed works:
7. The suicide of Lucretia, here attributed to the circle of Jean Ducamps [?]. Oil on canvas, 137.2 by 94 cm. (Private collection).
Article
The provenance and fate of ‘Queen Elizabeth’s Book of Prayers’
07/2022 | 1432 | 164
Pages: 682-684
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Author:
Aslet, William (Aslet, William)
Subjects
artists:
Hilliard, Nicholas
patrons:
Elizabeth I, Queen of England, 1533-1603
subjects:
Lost works / Provenance / Facsimiles / Copies / Prayer books / Stolen works of art
Illustrations
Attributed works:
1. François Hercule, duc d’Anjou, after Nicholas Hilliard. Coloured autotype. (From F. Chamberlin: The Sayings of Queen Elizabeth, London 1923).
Attributed works:
2. Queen Elizabeth I, after Nicholas Hilliard. Coloured autotype. (From F. Chamberlin: The Sayings of Queen Elizabeth, London 1923).
Attributed works:
3. François Hercule, duc d’Alençon and Anjou, by Nicholas Hilliard. c.1579. (From Queen Elizabeth’s Prayer Book [. . .], Southwood 1893; British Library, London; Bridgeman Images).
Attributed works:
4. Queen Elizabeth I, by Nicholas Hilliard. c.1579. (From Queen Elizabeth’s Prayer Book [. . .], Southwood 1893; British Library, London; Bridgeman Images).
Article
A newly identified portrait by Sir Nathaniel Bacon
07/2022 | 1432 | 164
Pages: 641-649
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Author:
Hearn, Karen (Hearn, Karen)
Subjects
artists:
Bacon, Nathaniel / Kauffmann, Angelica / Rubens, Peter Paul
buildings:
Brome Hall, Eye, Suffolk, Great Britain / Government House, Sydney, Australia / Santry Court, Dublin, Ireland
dates:
1600-1649
subjects:
British painting / Portraits / Pregnancy / Provenance / Attributions / Country houses / Gardens / Lost works / Attributions, former
Illustrations
Attributed works:
1. Self-portrait, by Nathaniel Bacon. c.1620. Oil on canvas, 206.4 by 153.7 cm. (Private collection).
Attributed works:
10. Self-portrait with his wife, Isabella Brant, by Peter Paul Rubens. c.1609–10. Oil on canvas, 178 by 136.5 cm. (Alte Pinakothek, Munich; Bridgeman Images).
Attributed works:
2. Detail of Fig.2, showing metal braid on Bacon’s jacket.
Attributed works:
3. The artist’s wife, Jane Bacon, Lady Cornwallis, née Meautys, here attributed to Nathaniel Bacon. c.1614–17. Oil on canvas, 203.2 by 149.8 cm. (Government House, Sydney; photograph Ondrej Koucky, Rapturous Media).
Attributed works:
4. Cookmaid with still life of vegetables and fruit, by Nathaniel Bacon. c.1620–25. Oil on canvas, 151 by 246.7 cm. (Tate).
Attributed works:
5. Detail of Brome Hall, Suffolk, by Johannes Kip. 1715. Engraving, 35.5 by 49 cm. (From J. Kip: Nouveau théâtre de la Grande Bretagne, London 1715, I, pl.44).
Attributed works:
6. Detail of Fig.3, showing Brome Hall.
Attributed works:
7. Monument to Jane, Lady Bacon, by Thomas Stanton. Commissioned 1657. Marble. (St Mary’s church, Culford, Suffolk).
Attributed works:
8. Detail of Fig.3, showing figures in the garden.
Attributed works:
9. Detail of Fig.3, showing the sitter’s hands and pregnant body.
Article
Christian VII of Denmark’s lost British portraits
02/2022 | 1427 | 164
Pages: 155-163
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Author:
Ayres, Sara (Ayres, Sara)
Subjects
artists:
Cunningham (Calze), Edward Francis / Peters, Matthew William / Dance-Holland, Nathaniel / Loo, Louis Michel van / Roslin, Alexander / Ramsay, Allan
artists:
Kauffmann, Angelica
dates:
1760-1769
patrons:
Christian VII, King of Denmark
subjects:
British painting / Portraits / Lost works / Grand tours / Attributions
Illustrations
Attributed works:
1. Christian VII in coronation robes, holding the crown and sceptre, by Alexander Roslin. 1772. Oil on canvas, 129 by 93 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
2. Augusta, Duchess of Brunswick, with her son, by Angelica Kauffmann. 1767. Oil on canvas, 272.1 by 180.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
3. Christian VII, King of Denmark, by Nathaniel Dance Holland. 1768. Oil on canvas, 76.6 by 63 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
4. Christian VII, King of Denmark, by Richard Houston, after Angelica Kauffmann. c.1768–75. Mezzotint, 39.9 by 28.9 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Queen Caroline Matilda, by James Watson, after Francis Cotes. c.1766–71. Mezzotint, 37.6 by 27.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
6. Christian VII, King of Denmark, after Angelica Kauffmann. 1768. Oil on canvas, 23.5 by 19 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
7. Christian VII, King of Denmark, here attributed to Edward Francis Cunningham (Calze). 1768. Pastel on paper, 62.5 by 51.4 cm. (Rosenborg Slot, Copenhagen).
Attributed works:
8. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 71 cm. (Private collection, Darmstadt).
Attributed works:
9. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 72 cm. (Private collection, Copenhagen).
Letter
Desperately seeking Susini
11/2021 | 1424 | 163
Pages: 966
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Author:
Avery, Charles (Avery, Charles)
Subjects
artists:
Susini, Antonio / Giambologna
subjects:
Lost works / Portraits / Florentine art / Italian sculpture
Illustrations
Attributed works:
1. Cosimo Bartoli, by Titian and studio. 1568–72. Oil on canvas, 112 by 97.8 cm. (Galleria Palatina, Florence).
Attributed works:
2. Bernardo Vecchietti, after Santi di Tito. 1578–90. Oil on canvas, approx. 147 by 96 cm. (Private collection).
Article
The predella of the Oddi Altarpiece from S. Agostino, Perugia
12/2018 | 1389 | 160
Pages: 1030-1037
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related names
Author:
Menganna, Clara (Menganna, Clara)
Author:
Pesante, Luca (Pesante, Luca)
Subjects
art literature:
Vasari, Giorgio / Venturi, Adolfo
artists:
Eusebio da San Giorgio / Raphael / Perugino, Pietro / Pinturicchio, Bernardino / Nicola Pisano
buildings:
Sant'Agostino, Perugia, Italy
collectors and dealers:
Benson, Robert, 1850-1929 / Duveen, Joseph, 1869-1939 / Lazzaroni, Michele, Baron / Hitler, Adolf
dates:
1500-1549 / 1500-1509
media:
Paintings
museums and institutions:
Städel Museum, Frankfurt am Main, Germany / Christie's, London / Agnew's, London, Great Britain
places:
Italy / Perugia / Germany / Frankfurt
subjects:
Italian painting / Altarpieces / Predellas / Augustine, Saint / Jesus Christ: Adoration of the Magi / Attribution / Attributions / Attributions, former / Patronage / Commissions / Oddi family / Provenance / Collections, Private / Guidebooks / Art literature / Archives / Inventories / Wills / Lost works / Damage to works of art / Reconstruction / Chapels / Artists' groups and associations / Workshops (Organisations) / Civil wars / War
Illustrations
Attributed works:
1. Reconstruction of the Oddi Altarpiece, by Eusebio da San Giorgio. 1505. The Adoration of the Magi, tempera on panel, 215 by 175 cm. (Galleria Nazionale dell’Umbria, Perugia). The predella panels are illustrated as Figs.3–5.
Attributed works:
2. Reverse of Fig.3. (Photograph © Artothek).
Attributed works:
3. St Augustine baptised by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 46.7 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
4. St Augustine vested by St Ambrose, by Eusebio da San Giorgio. 1505. Tempera on panel, 27.3 by 47.6 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
5. St Augustine disputes with the heretic Fortunatus, by Eusebio da San Giorgio. 1505. Tempera on panel, 29.5 by 47.1 cm. (Städel Museum, Frankfurt am Main; photograph © Artothek).
Attributed works:
6. The Oddi Chapel, S. Agostino, Perugia. (Photograph: the authors).
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
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Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
Clausen, George / Puvis de Chavannes, Pierre / Wollen, William Barnes / Jack, Richard / Mostyn, Thomas Edwin / Olivier, Herbert Arnould / Lavery, John / Brangwyn, Frank / Sickert, Walter / Orpen, William
artists:
Rousseau, Victor
dates:
1900-1949 / 1910-1919
media:
Paintings
museums and institutions:
Royal Academy of Arts, London, Great Britain / The Imperial Arts League, London, Great Britain / New English Art Club (NEAC)
places:
Belgium / Great Britain / London
subjects:
British painting / World War (1914-1918) / Franco-Prussian War (1870-1871) / War / Soldiers / Ruins / Damage to works of art / Lost works / Art criticism / Criticism / Critical Reception / Exhibitions / Exhibition reviews / Influence / Identification / Sitters / Allegory / Allegorical figures / Symbolism (artistic concept) / Colour / Style / Neo-classicism / Realism / Murals / Figure paintings / Portraits / Landscapes (visual works) / Flower pieces / Workers / Nudes
Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Article
Edward Burne-Jones’s ‘St Francis’ for Father Damien
09/2018 | 1386 | 160
Pages: 745-749
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related names
Author:
Schoenherr, Douglas E. (Schoenherr, Douglas E.)
Subjects
art literature:
Burne-Jones, Georgiana / Thirkell, Angela / Addington Symonds, John
artists:
Burne-Jones, Edward / Clifford, Edward C. / Solomon, Simeon / Giotto / Whitehead, Joseph
collectors and dealers:
Harris, Henry Blackwall
dates:
1850-1899
media:
Paintings / Drawings / Gouaches
media:
Paintings / Drawings / Gouaches / Watercolours
museums and institutions:
Saint Marianne Cope Shrine & Museum, Syracuse, United States / Damiaan Museum, Leuven, Belgium
places:
Great Britain / United States / Syracuse (United States) / Hawaii
subjects:
British painting / Travel / Lost works / Missionaries / Portraits / Sitters / Veuster, Damien de / Catholicism / Church of England / Franciscans / Religion / Leprosy / Gifts / Iconography / Christian iconography / Jesus Christ: Nativity / Francis of Assisi, Saint / Correspondence / Lectures
Illustrations
Attributed works:
1. Father Damien, by Edward Clifford. 1888. Watercolour and gouache on paper mounted on cardboard, 28 by 22 cm. (Damien Collection, Leuven).
Attributed works:
2. St Francis receiving the Stigmata, by Edward Burne-Jones. c.1887. Black chalk on paper, 30.5 by 23.5 cm. (British Museum, London).
Attributed works:
3. St Francis receiving the Stigmata, by Walker & Cockerell after Edward Burne-Jones. Photogravure, 15.6 by 10.3 cm. (From G. BurneJones, Memorials of Edward Burne-Jones, London 1904, II, facing p.176).
Attributed works:
4. St Francis receiving the Stigmata, by Edward Burne-Jones. 1887. Gouache, umber and gold on board, 26.7 by 20 cm. (Saint Marianne Cope Shrine & Museum, Syracuse NY).
Attributed works:
5. St Francis, by Frederick Hollyer after Edward Burne-Jones. Photograph, 15.2 by 6.7 cm. (© Courtesy the Huntington Art Collections, San Marino, California).
Attributed works:
6. Father Damien, by Edward Clifford. 1888. Black chalk with wash on cardboard, 25.7 by 19.9 cm. (Damien Collection, Leuven).
Attributed works:
8. Father Damien the leper, by Edward Clifford. 1890. Watercolour and gouache on paper mounted on canvas mounted on panel, 53 by 66 cm. (Damien Collection, Leuven).
Western art unattributed:
7. Father Damien de Veuster in 1868, after Edward Clifford. Photogravure, 32.2 by 23.3 cm. (From E. Clifford: Father Damien: A Journey from Cashmere to his Home in Hawaii, London 1889, frontispiece).
Article
Georges de la Tour’s earliest painting?
07/2018 | 1384 | 160
Pages: 554-557
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related names
Author:
Cuzin, Jean-Pierre (Cuzin, Jean-Pierre)
Subjects
art literature:
Rosenberg, Pierre, Paris, France
artists:
La Tour, Georges de / Ribera, Jusepe de / Pietro della Vecchia / Rosa, Salvator / Bellotti, Pietro, 1627-1700 / Manfredi, Bartolomeo / Stomer, Matthias / Bellange, Jacques
dates:
1600-1649
media:
Paintings
places:
France / Lorraine / Paris / Italy
subjects:
French painting / Italian painting / Copies / Chiaroscuro / Brushwork / Colour / Lighting / Mannerism / Caravaggism / Style / Diogenes / Greek iconography / Iconography / Cook collection / Collections, Private / Lost works / Attributions / Attributions, former / Attribution / Dating / Technical analysis / Scientific analysis
Illustrations
Attributed works:
1. Diogenes, here attributed to Georges de La Tour. c.1615–20. Canvas, 99.9 by 121.4 cm. (Private collection).
Attributed works:
2. Peasant couple eating, by Georges de La Tour. c.1620. Canvas, 74 by 87 cm. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
3. Hurdy-gurdy player and his dog, by Georges de La Tour. c.1620s. Canvas, 186 by 120 cm. (Musée Municipal, Bergues; Bridgeman Images).
Attributed works:
4. St James the Less, by Georges de La Tour. c.1615–20. Canvas, 65 by 54 cm. (Musée Toulouse-Lautrec, Albi; Bridgeman Images).
Book Review
Sebastiano del Piombo and the World of Spanish Rome. By Piers Baker-Bates
07/2018 | 1384 | 160
Pages: 605-606
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related names
Reviewer:
Ng, Aimee (Ng, Aimee)
Subjects
art literature:
Hirst, Michael / Lucco, Mauro
artists:
Sebastiano del Piombo
dates:
1500-1549
media:
Paintings
museums and institutions:
Catedral de Burgos, Burgos, Spain
patrons:
Chigi, Agostino, Sienese banker and patron of the arts, ca. 1465-1520 / Clement VII, Pope, 1478–1534 / Cobos y Molina, Francisco de los, 1477-1547 / Ferrante Gonzaga, 1507-1557
patrons:
Sergardi, Filippo / Vich y Valterra, Jerónimo de
places:
Italy / Rome / Spain
subjects:
Italian painting / Patronage / Portraits / Altarpieces / Panel paintings / Lost works / Iconography / Restoration (process) / Dating / Attributions
Illustrations
Attributed works:
3. Christ Carrying the Cross, by Sebastiano del Piombo. c.1516. Canvas, 121 by 100 cm.  (Museo Nacional del Prado, Madrid).
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