1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm.
(Rothschild Foundation, Waddesdon Manor, Buckinghamshire;
photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm.
(Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas,
63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5
cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by
7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location
unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border
with leaves, a shell, humanoid figures, and a cartouche that has
been cut, by Jan de Bisschop. Brown wash and ink on antique laid
paper, framing line in gold; mount: graphite, brown wash and gold,
26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at
bottom). (Fogg Art Museum, Harvard University, Cambridge
MA; photograph President and Fellows of Harvard College).
Article
Carlo Dolci’s Inscriptions II – Diligence and devotion in Dolci’s ‘The Adoration of the Kings’ in the National Gallery, London