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2 articles
Article
Guercino’s ‘Moses’: a recent addition to the artist’s ‘prima maniera’
09/2024 | 1458 | 166
Pages: 912-20
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm. (Rothschild Foundation, Waddesdon Manor, Buckinghamshire; photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm. (Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas, 63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by 7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border with leaves, a shell, humanoid figures, and a cartouche that has been cut, by Jan de Bisschop. Brown wash and ink on antique laid paper, framing line in gold; mount: graphite, brown wash and gold, 26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at bottom). (Fogg Art Museum, Harvard University, Cambridge MA; photograph President and Fellows of Harvard College).
Article
Carlo Dolci’s Inscriptions II – Diligence and devotion in Dolci’s ‘The Adoration of the Kings’ in the National Gallery, London
01/2022 | 1426 | 164
Pages: 16-21
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
dates:
Illustrations
Attributed works:
1. The Adoration of the Kings, by Carlo Dolci. 1649. Canvas, 117 by 92 cm. (National Gallery, London).
Attributed works:
2. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription.
Attributed works:
3. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription on the strainer’s right bar.
Attributed works:
4. Detail of Fig.3, showing part of Dolci’s inscription on the strainer’s right bar.
Attributed works:
5. Detail of the reverse of the painting in Fig.1, showing Dolci’s inscription on the strainer’s left bar.
Attributed works:
6. Poetry, by Carlo Dolci. 1648–49. Oil on panel, 54 by 42 cm. (Galleria Corsini, Florence).