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161 articles
Article
Cristoforo de Predis at the Sforza Court
03/2025 | 1464 | 167
Pages: 206–11
related names
Author:
Schrader, Jeffrey (Schrader, Jeffrey)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Marriage of the Virgin, from the Borromeo Book of Hours, by Cristoforo de Predis. 1478 or 1486. Gouache on vellum, 10.3 by 7.6 cm. (Biblioteca Ambrosiana, Milan, S.P.42, fol.15v; Mondadori Portfolio; Bridgeman Images).
Attributed works:
2. Initial ‘A’ with Galeazzo Maria Sforza in prayer, by Cristoforo de Predis. Probably 1477. Gouache on vellum, 22.4 by 18.9 cm. (Wallace Collection, London; Bridgeman Images).
Attributed works:
3. Arms and imprese of Galeazzo Maria Sforza, from the Book of Gioacchino and Anna, by Cristoforo de Predis. 1476. Gouache on parchment, 27.3 by 19.1 cm. (Biblioteca Reale, Turin, Codice Varia 124, fol.2v; Bridgeman Images).
Attributed works:
4. St Martin with the poor and Annunciation, from the Ingressarium of Fabrizio Marliani, by Cristoforo de Predis. 1476. Illumination on parchment, 57.2 by 41.2 cm. (Museo Baroffio e del Santuario del Sacro Monte sopra Varese, inv.1000, fol.1r).
Attributed works:
5. Melanthus Cycionius, Apelles, Protogenes Caunius, Quintus Pedius, Praxiteles Graecus, Mecenas, by Joachim von Sandrart. 1683. Engraving. (From J. von Sandrart and P. Killian: L’Academia todesca della architectura, scultura & pittura, oder, Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste, Nuremberg 1683, second part, first book, plate E; New York Public Library).
Attributed works:
6. Details of Figs.4, 3, 2 and 1, showing the various signatures of Cristoforo de Predis.
Letter
Translating a Hilliard miniature motto
09/2024 | 1458 | 166
Pages: 892
related names
Author:
McGrath, Elizabeth (McGrath, Elizabeth; McG., E.)
Subjects
Book Review
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana
03/2024 | 1452 | 166
Pages: 327–328
related names
Reviewer:
Fontana, Mauro Vincenzo (Fontana, Mauro Vincenzo)
Subjects
dates:
places:
Reviewed Items
subjects:
Aiutando l’arte: Les inscriptions dans les décors post-tridentins d’Italie / Le iscrizioni nella pittura posttridentina italiana Edited by Gwladys Le Cuff and Anne Lepoittevin. 323 pp. incl. 45 col. + 21 b. & w. ills. (Peter Lang, Brussels, 2022), £40. ISBN 978–2–8076–1780–3. | :
Book Review
Cy Twombly Inscriptions
09/2023 | 1446 | 165
Pages: 1032-33
related names
Reviewer:
Shiff, Richard (Shiff, Richard)
Subjects
artists:
Reviewed Items
subjects:
Cy Twombly Inscriptions By Thierry Greub. Six vols, 2,280 pp. incl. approx. 2000 col. + b. & w. ills. (Brill Fink, Paderborn, 2022), €1,298. ISBN 978–3–7705–6620–4. | :
Illustrations
Attributed works:
1. Untitled, part I, by Cy Twombly. 1988. Acrylic, tempera, oil and pencil on panel with a painted frame, 191.77 by 108.6 cm. (Menil Collection, Houston).
Book Review
Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’: Solving a Conundrum
07/2023 | 1444 | 165
Pages: 804–806
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
artists:
Illustrations
Attributed works:
3. Crucifixion and Last Judgement, by Jan van Eyck. c.1440–41. Oil on canvas, transferred from wood, each panel 56.5 by 19.7 cm. (Metropolitan Museum of Art, New York).
Book Review
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
02/2023 | 1439 | 165
Pages: 2070-208
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
Subjects
art literature:
dates:
subjects:
Reviewed Items
subjects:
Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice By Ronnie Ferguson. 434 pp. incl. 117 b. & w. ills. (Legenda, Oxford, 2021), £75. ISBN 978–1–78188–638–0. | :
Article
The Italian Renaissance altarpiece
04/2022 | 1429 | 164
Pages: 380-385
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
Illustrations
Attributed works:
1. Mystic winepress, by Mainardi, called Il Chiaveghino. 1594. Oil on canvas, approx. 500 by 300 cm. (S. Agostino, Cremona; Bridgeman Images).
Attributed works:
2. Vision of St Thomas Aquinas, by Santi di Tito. 1593. Oil on panel. (S. Marco, Florence; Bridgeman Images).
Attributed works:
3. Marriage of the Virgin, by Rosso Fiorentino. 1538. Oil on panel, 325 by 250 cm. (S. Michele Visdomini, Florence; Bridgeman Images).
Attributed works:
4. Detail of Crucifixion, by Lorenzo Lotto. 1534. Oil on panel. (S. Maria della Pietà in Telusiano, Monte San Giusto, Macerata; Scala Archives).
Attributed works:
5. Madonna della Misericordia, by Fra Bartolommeo. 1515. Oil on panel, 407.5 by 262 cm. (Museo Nazionale di Villa Guinigi, Lucca; Bridgeman Images).
Article
The ‘Weston Altarpiece’ in the Museum of the Order of St John, Clerkenwell
02/2022 | 1427 | 164
Pages: 130-144
related names
Author:
West, Richard (West, Richard)
Subjects
dates:
Illustrations
Attributed works:
1. Holy Trinity, here identified as the inner left exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
11. Altarpiece of the Virgin (Strängnäs III) (opened), wings by Colyn de Coter. c.1500–20. Wood and oil on panel, c.125 by 490 cm. (Strängnäs Cathedral).
Attributed works:
12. St Barbara, by the Master of the View of St Gudula. c.1490–1500. Oil on panel. 147 by 64 cm. (St Dymphna’s Church, Geel).
Attributed works:
13. Infancy Altarpiece open, by the Master of the Rieden Altarpiece. c.1440. Wood and oil on panel, c.136 by 354 cm. (Württembergisches Landesmuseum, Stuttgart).
Attributed works:
14. Reconstruction of the Weston Altarpiece open. (Photograph the author).
Attributed works:
15. Reconstruction of the Weston Altarpiece closed. (Photograph the author).
Attributed works:
16. The Meeting at the Golden Gate, by a follower of Rogier van der Weyden. c.1480. Oil on panel. 71 by 33 cm. (Pinacoteca dell’Accademia dei Concordi, Rovigo).
Attributed works:
2. St John the Baptist, here identified as the outer right exterior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
3. Photograph of the panel in Fig.4. 1932. (The Museum of the Order of St John, London).
Attributed works:
4. Presentation of the Virgin in the Temple, here identified as the outer left interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
5. Presentation of Christ in the Temple, here identified as the inner right interior wing of an altarpiece by a follower of Rogier van der Weyden. c.1478–81. Oil on panel, 119 by 47 cm. (The Museum of the Order of St John, London).
Attributed works:
6. Detail of Fig.5, showing the family arms of John Weston.
Attributed works:
7. Detail of Fig.5, showing the shield of office of John Weston.
Attributed works:
8. Detail of Fig.2, showing a heavily restored shield, here identified as the shield of office of John Weston.
Attributed works:
9. Edelheere Triptych, exterior wings, by a follower of Rogier van der Weyden. c.1443. Oil on panel, 99 by 47 cm. (St Peter’s church, Louvain).
Western art unattributed:
10. Altarpiece of the Passion of Christ (closed), by unknown Brabantine painter. c.1500–20. Oil on panel, c.140 by 490 cm. (Bro church, Uppland).
Western art unattributed:
17. Cast of original of a seal of John Weston. c.19th century. Wax and plaster, diameter 3.7 cm. (The Museum of the Order of St John, London).
Western art unattributed:
18. Detail from the tomb of John Tregonwell, showing the inscription. c.1565. (Milton Abbey Church). (Photograph the author).
Article
Carlo Dolci’s Inscriptions II – Diligence and devotion in Dolci’s ‘The Adoration of the Kings’ in the National Gallery, London
01/2022 | 1426 | 164
Pages: 16-21
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
dates:
Illustrations
Attributed works:
1. The Adoration of the Kings, by Carlo Dolci. 1649. Canvas, 117 by 92 cm. (National Gallery, London).
Attributed works:
2. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription.
Attributed works:
3. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription on the strainer’s right bar.
Attributed works:
4. Detail of Fig.3, showing part of Dolci’s inscription on the strainer’s right bar.
Attributed works:
5. Detail of the reverse of the painting in Fig.1, showing Dolci’s inscription on the strainer’s left bar.
Attributed works:
6. Poetry, by Carlo Dolci. 1648–49. Oil on panel, 54 by 42 cm. (Galleria Corsini, Florence).
Article
Carlo Dolci’s Inscriptions 1 – Dolci’s signatures and prices in context
01/2022 | 1426 | 164
Pages: 4-15
related names
Author:
Spear, Richard E. (Spear, Richard E.)
Subjects
Illustrations
Attributed works:
1. Detail of Fig.10, showing Carlo Dolci’s self-portrait within a self-portrait, inscribed 1674.
Attributed works:
10. Self-portrait, by Carlo Dolci. 1674. Oil on canvas, 74.5 by 60.5 cm. (Galleria degli Uffizi, Florence).
Attributed works:
11. Inscription on the strainer of the painting illustrated in Fig.13.
Attributed works:
12. Christ Child with a garland of flowers, by Carlo Dolci. 1674. Canvas, 96.5 by 76.5 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
13. David with the head of Goliath, by Carlo Dolci. 1680. Canvas, 131.5 by 106 cm. (Museum of Fine Arts, Boston).
Attributed works:
2. Ecce Homo, by Carlo Dolci. 1681. Oil on canvas, 49 by 39 cm. (Galleria Corsini, Florence).
Attributed works:
3. Inscription on the strainer of the painting illustrated in Fig.5.
Attributed works:
4. St Agatha, by Carlo Dolci. 1664–65. Oil on canvas, 73 by 41 cm. (Private collection).
Attributed works:
5. St Philip Neri, by Carlo Dolci. 1645. Oil on canvas, 44.5 by 36.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
6 and 7. Inscriptions on the strainer of the painting illustrated in Fig.4.
Attributed works:
8. Inscription on a wooden frame behind St John the Evangelist on Patmos, by Carlo Dolci. 1656. Oil on copper, 38 by 49 cm. (Palazzo Pitti, Florence).
Attributed works:
9. Luigi Gualtieri at the age of three, by Carlo Dolci. 1674. Black, red and blue chalk with blue watercolour on white paper, 20.8 by 14.2 cm. (Galleria degli Uffizi, Florence).
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