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60 articles
Article
Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great
02/2025 | 1463 | 167
Pages: 115–125
related names
Author:
Windt, Franziska (Windt, Franziska)
Subjects
Illustrations
Attributed works:
1. Lucretia and Tarquinius, by Artemisia Gentileschi. Second half of the 1620s/1630. Oil on canvas, 261 by 222.5 cm. (© Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam (SPSG); photograph W. Pfauder).
Attributed works:
10. X-ray photograph of Fig.1. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
11. Detail of Fig.10, showing the head of Tarquinius. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
12. Detail of Fig.1, showing the head of Tarquinius.
Attributed works:
13. Detail of Fig.10, showing Tarquinius’ stocking. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
14. Madonna and Child, by Artemisia Gentileschi. ?1616–19. Oil on canvas, 116.5 by 86.5 cm. (Galleria Spada, Rome; MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
15. X-ray photograph of Fig.14. (MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
16. Madonna with cherries, by Artemisia Gentileschi. ?1610–12. Oil on canvas, 118 by 86 cm. (Galleria Palatina, Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
17. Suffer the little children to come unto me, by Artemisia Gentileschi. 1625–26. Oil on canvas, 134.6 by 97.7 cm. (Basilica di S. Carlo Borromeo al Corso, La Venerabile Arciconfraternita dei Santi Ambrogio e Carlo, Rome).
Attributed works:
18. Detail of Fig.17, showing the faces of the children.
Attributed works:
19. Detail of Fig.1, showing the face of Lucretia.
Attributed works:
2. Gallery of the New Palace in Sanssouci, Potsdam. Photograph, 1995. (© SPSG; photograph R. Handrick).
Attributed works:
3. Bathsheba in the bath, by Artemisia Gentileschi. Second half of the 1630s. Oil on canvas, 261 by 223 cm. (© SPSG; photograph W. Pfauder).
Attributed works:
4. Display of the paintings in the New Palace, Potsdam, since 1768. From left to right: Suicide of Lucretia, by Guido Reni; Fig.1; Judgment of Paris, by Luca Giordano; Rape of the Sabine Women, by Luca Giordano; Fig.3; and Diogenes in the barrel, attributed to Guido Reni.
Attributed works:
5. Detail of Fig.3, showing Artemisia Gentileschi’s technique with no overlaps of painted features.
Attributed works:
6. Bathsheba in the bath, by Artemisia Gentileschi. c.1635. Oil on canvas, 286 by 219 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
7. Composition of Fig.6, shown in white lines and superimposed over Fig.3. (Drawing by B. Jackisch).
Attributed works:
8. Bathsheba in the bath, by Artemisia Gentileschi. ?.c.1640–45. Oil on canvas, 288 by 228 cm. (Private collection).
Attributed works:
9. Suicide of Lucretia, by Artemisia Gentileschi. 1620s. Oil on canvas, 92.9 by 72.7 cm. (J. Paul Getty Museum, Los Angeles).
Article
Guercino’s ‘Moses’: a recent addition to the artist’s ‘prima maniera’
09/2024 | 1458 | 166
Pages: 912-20
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. Moses, by Guercino. c.1618–19. Oil on canvas, 72 by 63 cm. (Rothschild Foundation, Waddesdon Manor, Buckinghamshire; photograph Moretti Fine Art).
Attributed works:
2. Detail of Fig.1.
Attributed works:
3. King David, by Guercino. c.1617–18. Oil on canvas, 88.5 by 72 cm. (Musée des Beaux-Arts de Rouen; Bridgeman Images).
Attributed works:
4. Head of an old man, by Guercino. c.1619–20. Oil on canvas, 63 by 48.3 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Elijah fed by ravens, by Guercino. 1620. Oil on canvas, 195 by 156.5 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Moses, by Bernardino Cervi after Guercino. 1624. Engraving, 13.5 by 7.4 cm. (Fondo Corsini, Gabinetto Nazionale delle Stampe, Rome).
Attributed works:
7. Moses, by Adam Bartsch after Guercino. Engraving. (location unknown).
Attributed works:
8. Detail of Fig.9.
Attributed works:
9. Moses with raised hands; mount depicts a fanciful border with leaves, a shell, humanoid figures, and a cartouche that has been cut, by Jan de Bisschop. Brown wash and ink on antique laid paper, framing line in gold; mount: graphite, brown wash and gold, 26.3 by 22.1 cm. (mount), 39.5 by 22.5 cm. (including strip at bottom). (Fogg Art Museum, Harvard University, Cambridge MA; photograph President and Fellows of Harvard College).
Article
The ‘Balbi’ children identified: a proposal
07/2024 | 1456 | 166
Pages: 670–674
related names
Author:
Martin, Gregory (Martin, Gregory)
Author:
Orlando, Anna (Orlando, Anna )
Subjects
artists:
collectors and dealers:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The Balbi children, here identified as Alessandro, Vincenzo and Francesco Maria Giustiniani Longo, by Anthony van Dyck. c.1627. Oil on canvas, 219 by 151 cm. (National Gallery, London).
Attributed works:
2. Detail of Fig.1, showing two choughs on the portico steps.
Attributed works:
3. Portrait of Alessandro Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 117.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
4. Portrait of a noble Genoese lady, here identified as Lelia De Franchi Toso Giustiniani Longo, by Anthony van Dyck. 1626–27. Oil on canvas, 203 by 118.3 cm. (Gemäldegalerie, Berlin).
Attributed works:
5. Detail of Fig.1, showing the bird held by Francesco Maria Giustiniani Longo.
Attributed works:
6. Portrait of Archduchess Isabella Clara Eugenia 1556–1633, Governess of the Netherlands 1621–1633. Southern Netherlandish School. Early 17th century. Oil on canvas, 123 by 100 cm. (Musées Royaux des Beaux-Arts de Belgique, Brussels; Atelier de l’imagier).
Short Notice
The missing woman: the reunion of a family portrait by Cornelis de Vos
07/2024 | 1456 | 166
Pages: 708–13
related names
Author:
Jager, Angela (Jager, Angela)
Author:
Wadum, Jørgen (Wadum, Jørgen)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Portrait of husband and wife, by Cornelis de Vos. After 1635. Oil on canvas, 173 by 132 cm. (The Nivaagaard Collection).
Attributed works:
2a–b. Reconstruction showing Portrait of a father and son and Portrait of a woman by Cornelis de Vos reunited.
Attributed works:
2b. Right: Portrait of a woman. 1626. Oil on canvas, 57.5 by 48.7 cm. (The Nivaagaard Collection).
Attributed works:
3. Fig.2b, before conservation in 2014.
Attributed works:
4. Portrait of a family with four daughters and a son, by Cornelis de Vos. 1626. Oil on canvas, 160.5 by 184.5 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
5. Photograph of detail of Fig.2a, showing the lower-right corner after removal of overpaint. 1966. (Statens Museum for Kunst Archive, Copenhagen).
Attributed works:
6. Strainer of Fig.2b, showing the wax seal in the upper-right corner and label reading ‘No 25’ attached to the cross bar.
Attributed works:
7. Detail of the wax seal of Fig.2b, showing the monogram ‘MB’.
Attributed works:
8. Detail of annotated copy of sale catalogue of Lord Northwick’s collection. (National Gallery Research Centre, London, no.NGA 28/1/6).
Short Notice
A history painting by Willem van der Vliet
07/2024 | 1456 | 166
Pages: 713–15
related names
Author:
Borgogelli, Tommaso (Borgogelli, Tommaso)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. A teacher with his pupils, by Willem van der Vliet. 1626. Oil on canvas, 124.9 by 111.4 cm. (Brodie Castle, Forres).
Attributed works:
2. Solon and Croesus, by Gerrit van Honthorst. 1624. Oil on canvas, 170 by 215 cm. (Kunsthalle, Hamburg; Bridgeman Images).
Attributed works:
3. King David rebuked by Nathan, here attributed to Willem van der Vliet. c.1626. Oil on canvas. (Current whereabouts unknown; photograph Fondazione Zeri).
Attributed works:
4. Allegorical scene, by Willem van der Vliet. 1627. Oil on canvas, 112 by 149 cm. (Private collection).
Article
‘Upon his visit to see my paintings’: sonnets by Artemisia Gentileschi and Pietro della Valle
02/2024 | 1451 | 166
Pages: 115–125
related names
Author:
Barker, Sheila (Barker, Sheila)
Author:
Bianchi, Eric (Bianchi, Eric)
Subjects
dates:
sources:
Illustrations
Attributed works:
1. Right hand of Artemisia Gentileschi holding a brush, by Pierre Dumonstier II. 1625. Black and red chalk on paper, 21.9 by 18 cm. (British Museum, London).
Attributed works:
10. Jael and Sisera, by Artemisia Gentileschi. 1620. Oil on canvas, 86 by 125 cm. (Museum of Fine Arts, Budapest).
Attributed works:
11. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. c.1638–39?. Oil on canvas, 96.8 by 75.2 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
12. Detail of Pittura, by Cesare Ripa. 1603. Engraving. (From the title page of D. Pietersz, ed.: Iconologia, of uytbeeldingen des verstands, Amsterdam 1644).
Attributed works:
2. Pietro della Valle, by Gilliam van der Gouwen. c.1717. Engraving, 14.6 by 18.6 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Penitent Magdalene, by Artemisia Gentileschi. c.1617. Oil on canvas, 108 by 146.5 cm. (Pitti Palace, Florence).
Attributed works:
4. Christ with Mary and Martha, by Alessandro Allori. 1605. Oil on canvas, 125 by 118 cm. (Kunsthistorisches Museum, Vienna; Bridgeman Images).
Attributed works:
5. Allegory of Inclination, by Artemisia Gentileschi. c.1617. Oil on canvas, 152 by 61 cm. (Casa Buonarroti, Florence).
Attributed works:
6. Sitti Maani Gioerida, by Thomas Hirschmann. c.1670. Engraving, 21.9 by 17.9 cm. (Vienna Museum).
Attributed works:
7. The musicians, by Caravaggio. 1597. Oil on canvas, 92.1 by 118.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. St Cecilia playing a lute, by Artemisia Gentileschi. c.1614. Oil on canvas, 108 by 78.5 cm. (Galleria Spada, Rome).
Attributed works:
9. Barbara Strozzi, by Bernardo Strozzi. 1639. Oil on canvas, 125 by 99 cm. (Gemäldegalerie Alte Meister, Dresden).
Article
Alonso Cano’s rediscovered ‘Immaculate Conception’ for San Alberto, Seville
12/2023 | 1449 | 165
Pages: 1290–1299
related names
Author:
Prieto Navarrete, Benito (Prieto Navarrete, Benito)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Immaculate Conception, here attributed to Alonso Cano. c.1628–29. Oil on canvas, 148.7 by 96 cm. (Private collection).
Attributed works:
10. Detail of Fig.6, showing the Immaculate Conception.
Attributed works:
11. Immaculate Conception with Miguel Cid, by Francisco Pacheco. 1619. Oil on canvas, 160 by 110 cm. (Cathedral of St Mary, Seville).
Attributed works:
12 and 13. Details of Fig.1 showing cherubs painted over angels in the top corners.
Attributed works:
14. Mary Magdalene de’ Pazzi, by Alonso Cano. c.1628–29. Oil on canvas, 116 by 55 cm. (Museum of Fine Arts, Seville).
Attributed works:
15. The drawing shown in Fig.6 with the surviving paintings from the altarpiece superimposed.
Attributed works:
2. St Francis of Borja, by Alonso Cano. 1624. Oil on canvas, 186 by 120 cm. (Museum of Fine Arts, Seville).
Attributed works:
3. The Crucified Christ appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
4. Christ the Saviour appears to St Teresa, by Alonso Cano. c.1628–29. Oil on canvas, 99 by 43.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
5. Christ bearing the Cross (Via Dolorosa), by Alonso Cano. c.1628–29. Oil on canvas, 166.5 by 101 cm. (Worcester Art Museum, Worcester MA).
Attributed works:
6. Preparatory drawing for an altarpiece with Christ bearing the Cross (Via Dolorosa) and the Immaculate Conception, by Alonso Cano. c.1628– 29. Pencil, pen and brown ink on paper, 38.9 by 27.9 cm. (Félix Palacios Remondo collection, Zaragoza).
Attributed works:
7. Detail of Fig.9, showing the upper part of the body and head.
Attributed works:
8. Detail of Fig.1, showing the upper part of the body and head.
Attributed works:
9. Immaculate Conception, by Diego Velázquez. c.1622. Oil on canvas, 142 by 98.2 cm. (Fundación Focus, Seville).
Book Review
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664)
07/2023 | 1444 | 165
Pages: 806–807
related names
Reviewer:
Osnabrugge, Marije (Osnabrugge, Marije)
Subjects
places:
Reviewed Items
subjects:
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664) By Stefania Girometti. 466 pp. incl. 63 col.+ 53 b. & w. ills. (arthistoricum.net, Heidelberg, 2022), €64.90 ISBN 978–3–98501–045–5. | :
Illustrations
Attributed works:
4. Martyrdom of St Lawrence, by Michele Desubleo. Early 1640s. Oil on canvas, 250 by 140 cm. (Private collection).
Article
A rediscovered oil sketch by Peter Paul Rubens
02/2023 | 1439 | 165
Pages: 160-162
related names
Author:
den Tonkelaar, Emilie (den Tonkelaar, Emilie)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. The secular hierarchy in adoration, by Peter Paul Rubens (with later overpaint). c.1625. Oil on panel transferred to canvas, 66 by 46 cm. (Private collection; photograph courtesy Hoogsteder & Hoogsteder, The Hague).
Attributed works:
2. The Princes of the Church adoring the Eucharist, by Peter Paul Rubens. c.1625. Oil on panel, 66.7 by 46.5 cm. (Speed Art Museum, Louisville KY).
Attributed works:
3. Infra-red reflectogram of Fig.1. (KIK-IRPA).
Attributed works:
4. The adoration of the Eucharist, by Peter Paul Rubens. c.1622–25. Oil on panel, 31.8 by 31.8 cm. (Art Institute of Chicago).
Attributed works:
5. Detail of the infra-red reflectogram of Fig.1, showing the inscription. (KIK-IRPA).
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
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