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06/2023 | 1443 | 165
Pages: i-xxxvi
Subjects
Illustrations
Attributed works:
A group of Mars and History, by Wilhelm Christian Meyer (b.1726). 1766/67. Berlin porcelain, 44.2 cm. [E. & H. MANNERS LTD, LONDON/Treasure House London]
Attributed works:
A lady reading in an interior, by Carl Vilhelm Holsøe (1863–1935). Oil on canvas, 64.8 by 61 cm. MACCONNAL-MASON, LONDON/Treasure House Fair]
Attributed works:
Adolf Michael Böhm Othello Oil on canvas 53 x 42.5 cm, 207/8 x 16¾ in [Trinity Fine Art]
Attributed works:
An unknown noble boy, by Robert Peake (1551–1619). c.1605. Oil on panel, 113.2 by 88 cm. [THE WEISS GALLERY, SW1Y/London Art Week]
Attributed works:
Anne, Viscountess Pollington, later Countess of Mexborough, with her son John Charles, later 4th Earl of Mexborough, by Thomas Lawrence (1769–1830). c.1812. Oil on canvas, 236.2 by 144.8 cm. [MORETTI FINE ART, SW1Y/London Art Week]
Attributed works:
Anthony van Dyck (1599–1641), John Belasyse, First Baron Belasyse of Worlaby, 1636 [Robilant and Voena]
Attributed works:
Antoine-Jean GROS La Citoyenne Poussielgue Oil on canvas 28 7/8 x 23 1/2 inches Executed 1797 [Wildenstein]
Attributed works:
Artemisia Gentileschi Rome, 1593 – Naples, after 1654 Susanna and the Elders, about 1636–7 Oil on canvas, 265 x 210 cm [Moretti]
Attributed works:
Cake basket, by Paul de Lamerie (1688–1751). 1742. Silver, height 35.5 cm. [SHRUBSOLE GALLERY, NEW YORK/Treasure House Fair]
Attributed works:
Calle San Pedro, Cuenca, by David Bomberg (1890–1957). 1934. Oil on canvas, 67 by 52 cm. OSBORNE SAMUEL, LONDON/Treasure House Fair]
Attributed works:
CIRCLE OF PIERRE PUGET (1620–1694) Aeneas and Anchises, c.1680–90 Bronze, 23 in. (58.5 cm.) high Estimate: £150,000–250,000 [Christie's]
Attributed works:
Crucifixion with the Virgin, St John the Baptist and the Magdalen, by Fra Angelico (c.1395/1400–1455). c.1419–25. Tempera on gold-ground poplar panel, 59.7 by 34.2 cm. [CHRISTIE’S, SW1Y/London Art Week]
Attributed works:
David Roberts, R.A. (1796-1864), View of Tetouan from the Terrace of Cohen’s House, Morocco, inscribed and dated 10th April 1833, watercolour over pencil on two sheets of joined paper, 23 by 67.9 cm., 9 by 26¾ in. This is a rare double sketchbook sheet from Roberts’s first trip to Africa in the spring of 1833. [Guy Peppiatt Fine Art]
Attributed works:
Downshire Hill, Hampstead, by Algernon Newton (1880–1968). 1934. Oil on canvas, 45 by 75 cm. [ABBOTT & HOLDER, WC1/London Art Week]
Attributed works:
EDGAR DEGAS (1834-1917) Danseuse rajustant sa jupe, c. 1895 stamped with signature lower left charcoal heightened with white chalk on toned paper 12 x 10 in. (30.4 x 25.4 cm) [John MItchell Fine Paintings/London Art Week]
Attributed works:
Edward Wortley Montagu and his son Massoud Fortunatus, by Pietro Longhi (1701–85). Oil on canvas, 52 by 67 cm. [TRINITY FINE ART & WALTER PADOVANI, W1S/London Art Week]
Attributed works:
Etretat, le cap d’Antifer, by Claude Monet (1840–1926). c.1885. Pastel on paper, 27 by 35 cm. [JOHN MITCHELL FINE PAINTINGS, W1K/London Art Week]
Attributed works:
GA S PA R D D U G H E T Rome, 1615–1675 FIGURES BY A RIVER IN A CLASSICAL LANDSCAPE Black & white chalks on blue paper, with black ink framing lines 38 x 50 cm | 15 x 19  in [Nonesuch Gallery]
Attributed works:
GUSTAVE DORÉ (Strasbourg 1832 – Paris 1883) The fall of the Rebel Angels, circa 1871–72 Signed G Doré lower left. Oil on canvas, 125 x 148 cm (49¼ x 58¼ in) [Clase Fine Art]
Attributed works:
Head of a woman, by Erich Wolfsfeld (1884–1956). c.1920. Oil on paper, 36.5 by 26 cm. [AGNEWS, SW1A/London Art Week]
Attributed works:
Iron composition, by Lynn Chadwick (1914–2003). 1954. Iron and copper on a marble base, 53 by 33 by 25 cm. [PIANO NOBILE, LONDON/Treasure House Fair]
Attributed works:
JEAN-BAPTISTE WICAR Lille 1762–1834 Rome Portrait of Luigi Isingard, Ligure, c. 1800 Graphite 24.5 x 19.7 cm. (95/8 x 73/4 in.) [James Mackinnon]
Attributed works:
Kehinde Wiley (b. 1977), Triple Portrait of Charles II, 2008 [Robilant and Voena]
Attributed works:
MARLOW MOSS (1889-1958) Untitled, 1950 Black ink, pencil and tempera, 241 x 271 mm. (9½ x 10¾ in.) [Stephen Ongpin]
Attributed works:
Painting with orange and purple, by Adrian Heath (1920–92). 1956. Oil on canvas, 127 by 101.6 cm. [RICHARD GREEN, LONDON/Treasure House Fair]
Attributed works:
Pair of armchairs, attrib. Thomas Chippendale (1718–79). c.1780. Giltwood and upholstery, 44.5 by 65 by 66 cm. [RONALD PHILLIPS, LONDON/Treasure House Fair]
Attributed works:
Paul Cézanne (Aix-en-Provence 1839–1906) La Vie des Champs Oil on canvas, 10  x 13  in. (27.6 x 35.2 cm.) Painted c.1876-77 [Agnews]
Attributed works:
Portrait of Rudolph Nureyev, by David Hockney (b.1937). 1969. Pen and ink on paper, 43.3 by 35.3 cm. [CHRISTOPHER KINGZETT, LONDON/Treasure House Fair]
Attributed works:
Self-portrait of the artist with a bearded man, by Auguste- Barthélémy Glaize (1807–93). c.1830. Oil on card affixed to board, 44.5 by 59 cm. [ELLIOTT FINE ART, SW1/London Art Week]
Attributed works:
Stained glass panel, designed by A.W.N. Pugin (1812–52) and made by John Hardman & Son (founded 1845). English (Birmingham), 1846–52 and later. Stained glass and lead, 107 by 52 cm. [H. BLAIRMAN & SONS, SW1H/London Art Week]
Attributed works:
Striding Mars, by Giambologna (1529– 1609). c.1580. Bronze, height 39.4 cm. [STUART LOCHHEAD, SW1Y/London Art Week]
Attributed works:
Study after the monument to Sir Francis Vere, Westminster Abbey, by Richard Parkes Bonington (1802–28). c.1825. Wash over pencil, 14.6 by 19.6 cm. [JAMES MACKINNON, SW1Y/London Art Week]
Attributed works:
The Iberian Graham, no.722, by George Graham (1673–1751). c.1736. Walnut, silver, brass and steel, height 45.7 cm. [CARTER MARSH & CO., WINCHESTER/Treasure House Fair]
Attributed works:
The new home, by Walter Sickert (1860–1942). c.1912. Oil on canvas, 50.8 by 40.6 cm OFFER WATERMAN, LONDON/Treasure House Fair]
Attributed works:
The north front of Chalfont Lodge, Buckinghamshire, by Thomas Girtin (1775–1802). Commissioned c.1800. Watercolour over traces of pencil heightened with bodycolour, 42 by 54.9 cm. [GUY PEPPIATT FINE ART, SW1Y/London Art Week]
Attributed works:
The punishment of Cupid, by Luigi Pichler (1773–1854). c.1830. Brown sard and gold, height and width of gem 2.1 by 1.8 cm. WARTSKI, LONDON/Treasure House Fair]
Attributed works:
THOMAS LANDSEER (1795 - 1880), A Bengal Tiger, 46 in. (H) x 59 in. (W); Estimate: £50,000-£80,000 [Sloane Street Auctions].
Attributed works:
THOMAS SMITH OF DERBY (1720 - 1767), A View of Oxford, Christ Church Meadows, 27 in. (H) x 48 in. (W); Estimate: £25,000-£35,000 [Sloane Street Auctions].
Attributed works:
Torso (woman rubbing her back), by Edgar Degas (1834–1917). Early 20th century. Bronze, height 43 cm. [SLADMORE, LONDON/Treasure House Fair]
Attributed works:
Untitled, by Gillian Ayres (1930–2018). 1993. Acrylic on canvas, 40.2 by 56.5 cm. [STEPHEN ONGPIN FINE ART, W1K/London Art Week]
Attributed works:
Vase, Sèvres. 1843. Porcelain, height 63 cm. [MICHELE BEINY, NEW YORK/Treasure House Fair]
Attributed works:
VUE DU PONT DU VICOVARO SUR LE TEVERONE 27 MILLES DE ROME SÈVRES IMPERIAL MANUFACTORY OF PORCELAIN, CIRCA 1805 FROM THE SERVICE CAMBACÉRÈS DEPICTING ITALIAN VEDUTE Hard-paste porcelain. Diameter 23.3 cm Provenance: Twinight collection, New York, n°2106. [Raccanello & Leprince/London Art Week]
Attributed works:
William Adolphe Bouguereau (French, 1825-1905) Bergère (Shepherdess), 1888 Oil on canvas 45-1/2 x 32-1/2 inches (115.6 x 82.6 cm) Property from the Estate of Mrs. Amon G. Carter, Jr., Fort Worth, Texas Estimate: $500,000 - $700,000 [Heritage Auctions]
Attributed works:
‘But whose velvet violet lining with the lamplight gloating o’er, She shall press, ah nevermore!’, by Gustave Doré (1832–83). c.1882–83. Ink, wash and white heightening on paper, 51.5 by 35.8 cm. [CLASE FINE ART, SW1Y/London Art Week]
Non-western art unattributed:
A shabti for the controller vizier of the city (Thebes). Egypt, Ity New Kingdom, late 18th dynasty, c.1323– 1295 BC. Steatite, height 15.8 cm. [CHARLES EDE, LONDON/Treasure House Fair]
Non-western art unattributed:
Grasshopper. Central Mexico, Aztec Culture (1325–1521). Grey basalt, length 35.5 cm. [GALERIE MESTDAGH, BRUSSELS/Treasure House Fair]
Non-western art unattributed:
Serapi carpet. Persia, c.1880. Cotton and wool, 310 by 290 cm. KESHISHIAN, LONDON/Treasure House Fair]
Non-western art unattributed:
Study of a male Common Emerald Dove (Chalcophaps Indica). China, 19th century. Watercolour and gold leaf on paper, 38 by 25 cm. [AMIR MOHTASHEMI, W8/London Art Week]
Western art unattributed:
Archittetura dell’Africa. Pavia, c.1710. Tin-glazed earthenware, diameter 26 cm. RACCONELLO LEPRINCE, SW7/London Art Week]
Western art unattributed:
Corpus Christi. France, c.1400. Gilt and polychromed walnut, 73 by 65 cm. [DANIEL KATZ GALLERY, W1J/London Art Week]
Western art unattributed:
Roman oscillum fragment from a mask of Silenus. c.1st century AD. Marble, height 14.5 cm. [RUPERT WACE, AT SHAPERO RARE BOOKS, W1S/London Art Week]
Western art unattributed:
Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance Oil on canvas, 18¾ x 24½ inches. c.1755, before the building of St Michael’s Hill Tower in 1760. [Abbott and Holder]
Article
Carlo Dolci’s Inscriptions II – Diligence and devotion in Dolci’s ‘The Adoration of the Kings’ in the National Gallery, London
01/2022 | 1426 | 164
Pages: 16-21
related names
Author:
Treves, Letizia (Treves, Letizia)
Subjects
dates:
Illustrations
Attributed works:
1. The Adoration of the Kings, by Carlo Dolci. 1649. Canvas, 117 by 92 cm. (National Gallery, London).
Attributed works:
2. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription.
Attributed works:
3. Detail of the reverse of the painting illustrated in Fig.1, showing Dolci’s inscription on the strainer’s right bar.
Attributed works:
4. Detail of Fig.3, showing part of Dolci’s inscription on the strainer’s right bar.
Attributed works:
5. Detail of the reverse of the painting in Fig.1, showing Dolci’s inscription on the strainer’s left bar.
Attributed works:
6. Poetry, by Carlo Dolci. 1648–49. Oil on panel, 54 by 42 cm. (Galleria Corsini, Florence).
Exhibition Review
Alvaro Pirez d’Évora: A Portuguese Painter in Italy on the Eve of the Renaissance. Museu Nacional de Arte Antiga, Lisbon
03/2020 | 1404 | 162
Pages: 239-241
related names
Reviewer:
Nuttall, Geoffrey (Nuttall, Geoffrey)
Subjects
dates:
places:
Reviewed Items
subjects:
Alvaro Pirez d’Évora: A Portuguese Painter in Italy on the Eve of the Renaissance Museu Nacional de Arte Antiga, Lisbon 29th November 2019–15th March | :
Illustrations
Attributed works:
10. Virgin and Child with angels, by Alvaro Pirez d’Évora. c.1425– 30. Tempera and gold on panel, 232 by 134 cm. (Santa Croce in Fossabanda, Pisa; exh. Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
8. Virgin and Child with saints, by Alvaro Pirez d’Évora. After 1417. Tempera and gold and silver on panel, 188 by 241 cm. (Pinacoteca Civica, Comune di Volterra; exhibited without the predella at the Museu Nacional de Arte Antiga, Lisbon).
Attributed works:
9. Annunciation, by Alvaro Pirez d’Évora. c.1430– 35. Tempera and gold on panel, 30.5 by 22 cm. (Museu Nacional de Arte Antiga, Lisbon;   DGPC/ ADF; photograph Luisa Oliveira).
Exhibition Review
Fra Angelico and the Rise of the Florentine Renaissance. Museo Nacional del Prado, Madrid
09/2019 | 1398 | 161
Pages: 753-756
related names
Reviewer:
Silver, Nathaniel (Silver, Nathaniel)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
5. Annunciation, by Fra Angelico. c.1425–26. Tempera, silver, and tooled gold on poplar panel, 163.5 by 189.5 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
6. Installation view of Fra Angelico and the Rise of the Florentine Renaissance, Museo Nacional del Prado, Madrid, 2019, showing Virgin of the Pomegranate, by Fra Angelico and silk textiles by Florentine weavers.
Attributed works:
7. Funeral of St Anthony Abbot, by Fra Angelico. c.1430–35. Tempera and tooled gold on poplar panel, 19.7 by 29.3 cm. (Museo Nacional del Prado, Madrid).
Publication Received
Il Beato Angelico a Roma, 1445–1455: Rinascita delle arti e Umanesimo cristiano nell’Urbe di Niccolò V e Leon Battista Alberti. By Gerardo de Simone
07/2019 | 1396 | 161
Pages: 614-615
related names
Reviewer:
Lupi, Livia (Lupi, Livia; Lupi, Livia)
Subjects
places:
styles:
Reviewed Items
styles:
Il Beato Angelico a Roma, 1445–1455: Rinascita delle arti e Umanesimo cristiano nell’Urbe di Niccolò V e Leon Battista Alberti By Gerardo de Simone. 358 pp. incl. 80 col. + 80 b. & w. ills. (Leo S. Olschki, Florence, 2018), | :
Article
Bicci di Lorenzo’s altarpiece for the Compagni family chapel in S. Trinita, Florence
01/2019 | 1390 | 161
Pages: 36-43
related names
Author:
Gordon, Dillian (Gordon, Dillian)
Subjects
dates:
media:
Illustrations
Attributed works:
1. Hypothetical reconstruction of the altarpiece for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo with the assistance of Stefano d’Antonio. Reconstruction by the author with the help of Rachel Billinge. Panels photographed by John Hammond. The main tier, roundels and pilasters are illustrated as Fig.2 and the predella panels as Figs.3, 4 and 9.
Attributed works:
2. Altarpiece of the Virgin and Child with Saints for the Compagni chapel in S. Trinita, Florence, by Bicci di Lorenzo, assisted by Stefano d’Antonio, 1434. Egg tempera on wood, 207 by 299.4 cm. (Westminster Abbey, London; WA 0045; © The Dean and Chapter of Westminster).
Attributed works:
3. St John Gualberto and the destruction of the Abbey of Moscheta, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.5 by 31 cm. (Private collection; courtesy the Salamon Gallery, Milan).
Attributed works:
4. The baptism of Christ, by Bicci di Lorenzo. 1434. Egg tempera on panel, 27.9 by 31 cm. (York Art Gallery; courtesy York Museums Trust).
Attributed works:
5. Detail of Fig.3, showing the head of St John Gualberto.
Attributed works:
6. Detail of Fig.4, showing the head of Christ.
Attributed works:
7. Detail of Fig.1, showing the pilaster figure of St Benedict. (Photograph by John Hammond; © The Dean and Chapter of Westminster)
Attributed works:
8. Detail of Fig.9, showing the Virgin and Child.
Attributed works:
9. Nativity and Adoration of the Shepherds, by Bicci di Lorenzo. 1434. Egg tempera on panel, 25.5 by 62 cm. (Private collection.)
Exhibition Review
Florence and its Painters: From Giotto to Leonardo da Vinci. Alte Pinakothek, Munich
01/2019 | 1390 | 161
Pages: 63-65
related names
Reviewer:
Joustra, Joost (Joustra, Joost)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
7. Seated boy wearing a cap, by Maso Finiguerra. Pen and brown ink and wash over traces of underdrawing in black chalk on paper, 18 by 33 cm. (Galleria degli Uffizi, Florence; exh. Alte Pinakothek, Munich).
Attributed works:
8. Sts Cosmas and Damian and their brothers surviving the stake, by Fra Angelico. Tempera on panel, 37.8 by 46.4 cm. (National Gallery of Ireland, Dublin; exh. Alte Pinakothek, Munich).
Attributed works:
9. Annunciation, from Lucrezia de’ Medici’s Book of Hours, by Francesco Rosselli and Gherardo di Giovanni. c.1485. Illuminated manuscript on parchment, 19.7 by 10.9 cm. (fol.13v; Bayerische Staatsbibliothek, Munich; exh. Alte Pinakothek, Munich).
Exhibition Review
Fra Angelico
05/2018 | 1382 | 160
Pages: 408-410
related names
Reviewer:
Kanter, Laurence B. (Kanter, Laurence B.)
Subjects
dates:
Illustrations
Attributed works:
1. Annunciation and Adoration of the Magi, with predella depicting the Virgin and Child flanked by female saints, by Fra Angelico. c.1430. Panel, 87 by 50.7 cm, including frame. (Museo di San Marco, Florence; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
2. Panel from the Armadio degli Argenti, by Fra Angelico. Dated here to 1448–49. Panel, 123 by 160 cm. (Museo di San Marco, Florence; exh. Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Ascension, Last Judgment and Pentecost (‘The Corsini triptych’), by Fra Angelico. c.1445–48. Panels, 55 by 18.5 cm., 55 by 38.5 cm. and 55 by 18 cm. (Palazzo Corsini, Rome; exh. Isabella Stewart Gardner Museum, Boston).
Book Review
The Badia of Florence: Art and Observance in a Renaissance Monastery, A. Leader
07/2014 | 1336 | 156
Pages: 465
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
Illustrations
Western art unattributed:
55. The cloister of the Badia, Florence, towards the west, showing fresco scenes 8-10
Exhibition Review
Fra Angelico. Paris
01/2012 | 1306 | 154
Pages: 57-58
related names
Reviewer:
Rowley, Neville (Rowley, Neville)
Subjects
artists:
dates:
museums and institutions:
places:
print:
subjects:
Reviewed Items
subjects:
Fra Angelico et les maîtres de la lumière | institution: Musée Jacquemart-André
Illustrations
Attributed works:
74. Virgin and Child, by Fra Angelico. c.1445. Panel, 99.5 by 66.8 cm. (Galleria Sabauda, Turin; exh. Musée Jacquemart-André, Paris).
Attributed works:
75. Last Judgment with, in the wings, the Ascension (left) and the Pentecost (right), by Fra Angelico. 1445–55. Panel, 55 by 18.5 cm. (left); 55 by 38.5 cm. (centre); and 55 by 18 cm. (right). (Galleria Nazionale d’Arte Antica di Palazzo Corsini, Rome; exh. Musée Jacquemart-André, Paris).
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