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2 articles
Exhibition Review
Up for attribution: Guercino’s ‘trial versions’ and a new catalogue raisonné
03/2019 | 1392 | 161
Pages: 206-213
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related names
Author:
Stone, David M. (Stone, David M.)
Subjects
art literature:
Catalogues raisonnés / Salerno, Luigi / Turner, Nicholas
artists:
Barbieri, Giovanni Francesco, called Il Guercino
collectors and dealers:
Mahon, Denis
dates:
1600-1699
media:
Oil painting (technique) / Frescoes / Drawings / Bozzetti / Bozzettoni
places:
Cento / Bologna
styles:
Italian School
subjects:
Attributions / Copyists / Assistants
Reviewed Items
subjects:
N. Turner: The Paintings of Guercino: A Revised and Expanded Catalogue Raisonné (Ugo Bozzi Editore, Rome) | :
Illustrations
Attributed works:
1. David on the battlefield pointing to the head of Goliath, by Guercino. 1657. Canvas, 200 by 144 cm. (North Holland Regional Water Board, Heerhugowaard; on loan to Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
10. Detail of Fig.12, showing the pattern in Absalom’s breeches.
Attributed works:
11. Detail of Fig.12, showing the central assassin’s hand and sleeve.
Attributed works:
12. Absalom commanding the assassination of Amnon, here attributed to the studio or a follower of Guercino after a lost work by Guercino of 1628. Canvas, 140 by 176 cm. (Private collection).
Attributed works:
13. Opposite top Joseph and Potiphar’s wife, here attributed to the studio of Guercino (perhaps Matteo Loves), after a lost work by Guercino of 1631. Canvas, 121 by 171 cm. (Zanasi Foundation, Modena).
Attributed works:
14. Opposite bottom Joseph and Potiphar’s wife, here attributed to the studio of Guercino after a lost work by Guercino of 1631. Canvas, 122.7 by 166.8 cm. (Location unknown; formerly Vittorio Frascione, Florence).
Attributed works:
15. Above left Detail of Fig.13, showing the face of Potiphar’s wife.
Attributed works:
16. Above right Detail of Fig.14, showing the face of Potiphar’s wife.
Attributed works:
2 and 3. Fragments from All saints in glory, by Guercino. 1613. Canvas, each 49 by 66 cm. (Location unknown; formerly art market, Paris).
Attributed works:
4. Landscape with a dog running and a man at a well, and Orpheus and Eurydice, by Guercino. c.1617. Detached fresco frieze. (Pinacoteca Civica, Cento).
Attributed works:
5. Detail of Fig.4, showing a man at a well.
Attributed works:
6. Detail of Fig.4, showing Orpheus and Eurydice.
Attributed works:
7. Absalom commanding the assassination of Amnon, here attributed to the studio of Guercino after a lost work by Guercino of 1628. Canvas, 140 by 175 cm. (Pinacoteca Nazionale, Bologna; on loan to Palazzo della Prefettura, Bologna).
Attributed works:
8. Detail of Fig.7, showing the pattern in Absalom’s breeches.
Attributed works:
9. Detail of Fig.7, showing the central assassin’s hand and sleeve.
Article
The Context of Caravaggio's 'Beheading of St John' in Malta
03/1997 | 1128 | 139
Pages: 161-170
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related names
Author:
Stone, David M. (Stone, David M.)
Subjects
artists:
Caravaggio, Michelangelo Merisi da
dates:
1550-1649
places:
Italy / Malta
subjects:
Italian painting / Documents
subjects:
John the Baptist, Saint
Illustrations
Attributed works:
12. De prohibitionibus et poenis, Illustration to Statute XVIII, by Philippe Thomassin. Engraving, 18.3 by 13.8 cm. (Catholic University of America, Washington).
Attributed works:
14. Detail of the Capture of Fort St Elmo, Showing the Raft of Cadavers, by Anton Francesco Lucini, after Matteo Perez da Lecce. Engraving.
Attributed works:
16. Detail of Fig.7. [The Beheading of St John the Baptist, by Caravaggio. 361 by 520 cm. (Co-Cathedral of St John, Valletta).]
Attributed works:
17. Pre-1958 Photograph of the Oratory, Showing the Crucifixion with the Virgin and St John the Evangelist, by an Unknown Italian Sculptor.
Attributed works:
18. Madonna dei sette dolori, Perhaps from Designs by Mattia Preti. c. 1685. Wood and Gilding. (Oratory of S. Giovanni Decollato, Co-Cathedral of St John, Valletta).
Attributed works:
6. The Beheading of St John the Baptist, by Caravaggio, in the Oratory of S. Giovanni Decollato (Co-Cathedral of St John, Valletta).
Attributed works:
7. The Beheading of St John the Baptist, by Caravaggio. 361 by 520 cm. (Co-Cathedral of St John, Valletta).
Attributed works:
9. The Criminal Tribunal of the Knights of Malta in the Oratory of S. Giovanni Decollato, by Wolfgang Kilian. Engraving, 12.7 by 7.5 cm. (Catholic University of America, Washington).
Western art unattributed:
10. Frieze on East Wall after the Removal of the Beheading in June 1996.
Western art unattributed:
11. Pilasters on the East Wall, during the Dismantling of the Beheading in May 1996.
Western art unattributed:
13. The Martyrdom of the Knights of Malta at the Siege of Fort St Elmo on 23rd to 24th June 1565. Maltese, c. 1620-30. 275 by 590 cm. (Refectory, Friary of the Franciscan Conventuals, Rabat).
Western art unattributed:
15. Detail of Fig.13. [The Martyrdom of the Knights of Malta at the Siege of Fort St Elmo on 23rd to 24th June 1565. Maltese, c. 1620-30. 275 by 590 cm. (Refectory, Friary of the Franciscan Conventuals, Rabat).]
Western art unattributed:
8. Interior of Base and Scaffolding, with Pilaster in South Corner of the Oratory.