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395 articles
Article
Lucchese patronage in Papal Avignon: the chapel of Carlo Spiafame in Notre-Dame-des-Doms
02/2025 | 1463 | 167
Pages: 96–114
related names
Author:
Nuttall, Geoffrey (Nuttall, Geoffrey)
Subjects
dates:
places:
Illustrations
Attributed works:
10. Vaults of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1412–18. (Courtesy the diocèse d’Avignon).
Attributed works:
11. Interior of the Spiafame Chapel, designed by Pierre Milhard and Guillaume de Lonay (?), Notre-Dame-des-Doms, Avignon. c.1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
12. Detail of a column and the Spiafame eagle, carved by Guillaume de Lonay(?). c.1418. (Notre-Dame-des-Doms, Avignon; with the kind permission of the diocèse d’Avignon).
Attributed works:
14. Tomb of the Spiafame family, by Guillaume de Lonay (?), Notre-Damedes- Doms, Avignon. 1418–23. (Courtesy the diocèse d’Avignon).
Attributed works:
15. Baptism of Christ with saints and members of the Landi family, by a follower of Giovannino dei Grassi. c.1400–05. Fresco. (Museo del Palazzo Farnese, Piacenza; Photo Scala, Florence).
Attributed works:
17. Road to Calvary, from the Grandes Heures of Jean de Berry, attributed to Jacquemart de Hesdin. c.1400. Illumination on vellum, 37.9 by 28.3 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
18. Detail of Baptism of Christ, by Thomas Patch after Spinello Aretino. 1772. Engraving. (British Museum, London).
Attributed works:
19. Detail of Baptism of Christ, from the Belles Heures of Jean de Berry, by the Limbourg Brothers. 1405–1408/1409. Illumination on vellum, 23.8 by 17 cm. (Met Cloisters, New York, object no.fol.211v).
Attributed works:
2. Detail of ground-plan of Notre-Dame-des-Doms, Avignon, showing the Spiafame Chapel (A), the narthex (B) and the porch (C). (From Plan de la cathédrale d’Avignon et ses dépendances, by E. Danjoy, Paris 1890; Archives Nationales, Paris).
Attributed works:
20. Entombment (Sielern Triptych), attributed to Robert Campin. c.1425. Oil on panel, 60 by 48.9 cm. (Courtauld Gallery, London).
Attributed works:
23. Virgin and Child with St Stephen and St Lucy, by Jacques Yverni. c.1425. Tempera and gold on panel and canvas, 163 by 200 cm. (Galleria Sabauda, Musei Reali di Torino; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
24. Crucifixion with the Virgin, Mary Magdalene, St Michael and donor presented by St Anthony Abbot, by Robin Favier and Jacques Yverni(?). 1415–25. Fresco. S. Antoine de Vienne. (© Yann Forget; Wikimedia Commons).
Attributed works:
25. Virgin of mercy with saints and scenes from the resurrection of Christ, by Jean Mirailhet. 1425. Face of the Virgin and the figures of St Cosmos and St Damien repainted by Ludovico Brea(?). c.1515. Tempera on panel, 260 by 219 cm. (Chapel of the Confraternity of the Pénitents Noirs, Nice).
Attributed works:
3. Spiafame Chapel with the porch of the cathedral to the right, north side of Notre-Dame-des-Doms, Avignon. 1412–23. (Photograph the author).
Attributed works:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Attributed works:
9. Map of Avignon, showing Notre-Dame-des-Doms (top circle), Livreé Albano (centre circle) and le Petit Paradis (bottom circle). (From Atlas van Loon, Amsterdam 1663, X).
Western art unattributed:
1. Baptism (the Spiafame Baptism). c.1422–28. Fresco. (Notre-Damedes- Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
13. The blocked north window of the Spiafame Chapel, Notre-Dame-des- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
16. Detail of the Spiafame Baptism, showing Margarita di Cacherano della Rocca with her daughters, Agnes and Catherine, Notre-Damedes- Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
21. Detail of the Spiafame Baptism, showing the family at prayer, Notre-Dame-des-Doms, Avignon. (Courtesy the diocèse d’Avignon).
Western art unattributed:
22. Arms of the Caetani dell’ Aquila. c.1340. (Livrée Ceccano-Bibliothèque municipal, Avignon).
Western art unattributed:
4. Interior of Notre-Dame-des-Doms, Avignon, with the Spiafame Chapel on the left, looking towards the nave. (Courtesy the diocèse d’Avignon).
Western art unattributed:
5. Inscription above the entrance to the Spiafame Chapel flanked by the family’s coats of arms. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
6. Exterior wall of the Spiafame Chapel, looking towards the porch. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
7. Virgin and Child and standing saint, c.1360. Fresco. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Western art unattributed:
8. Detail of the Spiafame Baptism, showing the family at prayer before the baptism of Christ. (Notre-Dame-des-Doms, Avignon; courtesy the diocèse d’Avignon).
Article
An Islamic tent in S. Antonio in Polesine, Ferrara
02/2025 | 1463 | 167
Pages: 80–95
related names
Author:
Gigante, Federica (Gigante, Federica)
Subjects
dates:
Illustrations
Attributed works:
17. Detail of the Birth of the Virgin, by Pietro Lorenzetti. c.1342. Fresco. (Museo dell’Opera del Duomo, Siena).
Attributed works:
26. Madonna in Majesty (Rucellai Madonna), by Duccio di Buoninsegna. c.1285. Tempera on wood, 450 by 290 cm. (Galleria degli Uffizi, Florence; Photo Scala, Florence; courtesy of the Ministero Beni e Att. Culturali e del Turismo).
Attributed works:
3. Right wall of the apse, S. Antonio in Polesine, Ferrara. (Photograph the author).
Attributed works:
4. Vision of Pope Gregory IX, by Giotto. c.1297–99. Fresco, 270 by 230 cm. (Upper Basilica, St Francis, Assisi; Bridgeman Images).
Non-western art unattributed:
21. Top of an Ottoman period tent. (From N. Atasoy: Otağ-ı Hümayun: The Ottoman Imperial Tent Complex, Istanbul 2000, p.156).
Non-western art unattributed:
22. Detail of the Camp of Baybars I al-Bunduqdārī, from the Cantigas de Santa Maria. Spain. c.1280–84. Ink and colour on parchment. (El Escorial, MS T-1-1, fol.222r).
Non-western art unattributed:
23. Detail of the mantle of Roger II. Sicily, 12th century. Silk, gold, pearl and enamel. (Imperial Treasury, Vienna).
Non-western art unattributed:
24. The Persian ambassador presenting Sultan Murad III a tent as a gift. 16th century. Illumination on parchment. (Istanbul University Library, MS FY 1404 Istanbul, fol.43b).
Western art unattributed:
1. Interior of S. Antonio in Polesine, Ferrara. (© Gabriele Croppi; Scala, Florence).
Western art unattributed:
10. Detail of the apse fresco showing the painted bejewelled border of the tent roof and two birds, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
11. Detail of the apse fresco showing the roundel decoration and interstices of the painted textile, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
12. Detail of the apse fresco showing the fringe at the top of the painted textile, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
13. Vault of the right-hand chapel showing a portion of the original starry sky, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
14. Detail of the apse fresco showing a section of blue ceiling with stars, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
15. Apse mosaic, S. Maria in Trastevere, Rome. (Bridgeman Images).
Western art unattributed:
16. Reconstruction of the apse decoration of S. Antonio in Polesine, Ferrara. (Drawing by Federico Botana).
Western art unattributed:
18. Pillow cover of María de Almenar. c.1200. Silk and gold thread, 37 by 66 cm. (Museo de Telas Medievales, Monasterio de Santa María la Real de Huelgas, Burgos).
Western art unattributed:
19. Detail of the top border of the hanging textile fresco with pseudo-Naskh calligraphy, Upper Basilica, St Francis, Assisi. (Photograph the author).
Western art unattributed:
2. Left wall of the apse, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
20. Detail of the hanging textile fresco showing the roundel decoration of the painted textile, Upper Basilica, St Francis, Assisi. (Photograph the author).
Western art unattributed:
25. Detail of the Assumption of the Virgin, apse of S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
27. Textile pattern decoration of the Bardi Chapel, S. Maria Novella, Florence. c.1285. Fresco. (Photograph the author).
Western art unattributed:
5. Fragment of the burial tunic of Don Felipe. Spain, 2nd half of the 13th century. Silk, linen and metal-wrapped thread. (Villalcazar de Sirga, Palencia).
Western art unattributed:
6. Fresco from the first decorative phase of S. Antonio in Polesine, Ferrara, showing a painted textile in the left chapel. (Photograph the author).
Western art unattributed:
7. Upper Basilica, St Francis, Assisi. Early 14th century. (Mondadori Portfolio; Electa; Antonio Quattrone; Bridgeman Images).
Western art unattributed:
8. Detail of the apse fresco showing the lower part of painted textile, S. Antonio in Polesine, Ferrara. (Photograph the author).
Western art unattributed:
9. Detail of the apse fresco showing the top part of painted textile, S. Antonio in Polesine, Ferrara. (Photograph the author).
Article
A rediscovered ‘Madonna and Child with angels’ by Lorenzo d’Alessandro da San Severino
01/2025 | 1462 | 167
Pages: 4-15
related names
Author:
Hilliam, Amanda (Hilliam, Amanda)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna and Child with angels (after conservation), by Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 70.4 by 40.5 cm. (Private collection; A.R.T & Co., Unicam).
Attributed works:
10. Virgin and Child, by Carlo Crivelli. 1472. Tempera on panel, 98.4 by 43.8 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
11. Crucifixion, St Adrian on horseback, Martyrdom of St Bartholomew and Adoration of the Magi, by Luca di Paolo and Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 213 by 244 cm. (Museo Piersanti, Matelica).
Attributed works:
11. Crucifixion, St Adrian on horseback, Martyrdom of St Bartholomew and Adoration of the Magi, by Luca di Paolo and Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 213 by 244 cm. (Museo Piersanti, Matelica).
Attributed works:
12. Detail of Fig.11, showing the Virgin and Child.
Attributed works:
13. Virgin and Child with angels, by Luca di Paolo. c.1470–75. Tempera on panel, 93 by 53.5 cm. (Galleria Nazionale dell’Umbria, Perugia; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
2. Madonna and Child with saints, by Vittore Crivelli (painting) and Domenico Indivini (frame). 1489. Tempera on panel, 381 by 253 cm. (Pinacoteca Comunale, San Severino; Alamy Stock Photo).
Attributed works:
3. Madonna and Child with saints, by Lorenzo d’Alessandro da San Severino (painting) and Domenico Indivini (frame). c.1493. Tempera on panel. (Church of San Francesco, Serrapetrona).
Attributed works:
4. Mystic marriage of St Catherine of Siena, by Lorenzo d’Alessandro da San Severino. After 1481. Tempera on panel, 144.8 by 145.4 cm. (National Gallery, London; Alamy Stock Photo).
Attributed works:
5. Detail of Fig.4, showing the Virgin’s mantle clasp.
Attributed works:
6. Detail of Fig.7 showing the underdrawing of the kneeling donors.
Attributed works:
7. Digital infra-red reflectography of Fig.1. (A.R.T & Co., Unicam).
Attributed works:
8. Madonna and Child with saints, by Niccolò di Liberatore da Foligno. 1468. Tempera on panel, 282 by 268 cm. (Pinacoteca Civica, San Severino).
Attributed works:
9. Virgin and Child from the Massa Fermana Altarpiece, by Carlo Crivelli. 1468. Tempera on panel. (Pinacoteca Comunale di Massa Fermana; Bridgeman Images).
Article
The ‘Madonna del Baraccano’: Francesco del Cossa’s reworking of a miraculous fresco
09/2024 | 1458 | 166
Pages: 900-911
related names
Author:
Hartkamp, Julie (Hartkamp, Julie)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna del Baraccano, by Pseudo Jacopino di Francesco (or circle of) and Francesco del Cossa. c.1326–27 and 1472. Detached fresco, 250 by 450 cm. (S. Maria del Barracano, Bologna; by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
10. Proposed reconstruction of Pseudo Jacopino di Francesco’s entire fresco with the Virgin and Child, St Nicholas of Tolentino and the empty space occupied by a second saint. (Illustration the author and Robert Esser).
Attributed works:
10. Proposed reconstruction of Pseudo Jacopino di Francesco’s entire fresco with the Virgin and Child, St Nicholas of Tolentino and the empty space occupied by a second saint. (Illustration the author and Robert Esser).
Attributed works:
11. Detail of Madonna and Child and the Man of Sorrows between saints, by Lippo di Dalmasio. Late 14th century. Detached fresco. (S. Maria dei Servi, Bologna; photograph the author).
Attributed works:
12. Recovery of a fragment of St Nicholas during the restoration of the Madonna del Baraccano by Ottorino Nonfarmale, 1969. Photograph. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
13. Left: Frontispice of Statutes of the Compagnia del Baraccano, by the Master of the Statutes of the Compagnia del Baraccano. 1446. Illuminated miniature. (ASB, Statuti della Compagnia detta di S. Maria del Baraccano, Cartone Statuti n.1, book 1; photograph the author).
Attributed works:
14. Right: Detail of St Monaca, by Giulio Bonasone. 1572. Oil on canvas. (Conservatorio del Baraccano, Bologna; photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
15. Photograph of Fig.1, by Villani e Figli. c.1967–69. Gelatin silver print, 23.5 by 18 cm. (Fondazione Federico Zeri, Bologna).
Attributed works:
16. Drawing of the Madonna del Baraccano, by Francesco Cavazzioni. 1608. Ink and watercolour on paper, 21 by 15 cm. (From Corona di gratie, MS B298, fol.155; photograph courtesy Biblioteca comunale dell’Archiginnasio).
Attributed works:
3. Map of Bologna, by Franz Hogenberg, showing Santa Maria del Baraccano in the top-left corner. 1588. Ink on paper. (Biblioteca communale dell’Archiginnasio, Raccolta piante e vedute della città di Bologna, Bononia Alma Studiorum Mater, Cartella 1, n.2.).
Attributed works:
4. Detail of Map of Bologna in 1600, by Jean Blaeu, showing the Baroque church of the Madonna del Baraccano. 1663. Ink and watercolour on paper. (Biblioteca Nazionale Marciana, Venice; Bridgeman Images).
Attributed works:
5. Madonna and Child, by Pseudo Jacopino di Francesco. 1320s. Detached fresco. (S. Giovanni in Monte, Bologna; photograph the author).
Attributed works:
7. Third strappo of Fig.1. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Attributed works:
9. Fourth strappo of Fig.1. (Photograph the author).
Western art unattributed:
2. S. Maria del Baraccano, Bologna, seen from Viale Giovanni Gozzadini, showing the original fourteenth-century city wall with the protruding baraccano. (Photograph the author).
Western art unattributed:
6. Second strappo of Fig.1. (Photograph by concession of the Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
8. Detail of Fig.9, showing St Nicholas and the hands of a donor figure. (Photograph the author).
Book Review
The Villa Barbaro at Maser: Science, Philosophy and the Family in Venetian Renaissance Art
09/2024 | 1458 | 166
Pages: 979-81
related names
Reviewer:
Howard, Deborah (Howard, Deborah)
Subjects
artists:
Reviewed Items
subjects:
The Villa Barbaro at Maser: Science, Philosophy and the Family in Venetian Renaissance Art By Denis Ribouillault. 272 pp. incl. 220 col. + 10 b. & w. ills. (Harvey Miller, London, 2023), €125. ISBN 978–1–915487–02–5. | :
Illustrations
Attributed works:
5. Ceiling of the Sala dell’Olimpo in Villa Barbaro, Maser, by Paolo Veronese. c.1558–62. Fresco. (Bridgeman Images).
Book Review
The Smiling Walls: Dante e le arti figurative / Dante and the Visual Arts
09/2024 | 1458 | 166
Pages: 978-9
related names
Reviewer:
Ekserdjian, David (Ekserdjian, David; E., D.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
The Smiling Walls: Dante e le arti figurative / Dante and the Visual Arts Edited by Rossend Arqués, Silvia Maddalo and Laura Pasquini. 544 pp. incl. 120 col. ills. (Brepols, Turnhout, 2023), €190. ISBN 978–2–503–59450–7. | :
Illustrations
Attributed works:
4. Dante and Virgil watching Ugolino della Gherardesca, Count of Donoratico, gnawing the neck of Archbishop Ruggieri. Fresco. 1446. (S. Giorgio di Campochiesa, Albenga).
Book Review
The Medieval Monastery of Saint Elijah: A History in Paint and Stone
07/2024 | 1456 | 166
Pages: 750–1
related names
Reviewer:
Sullivan, Alice (Sullivan, Alice)
Subjects
Reviewed Items
subjects:
The Medieval Monastery of Saint Elijah: A History in Paint and Stone By Alison Locke Perchuk. 432 pp. incl. 150 col. + 10 b. & w. ills. (Brepols, Turnhout, 2021), €175. ISBN 978–2–503–58943–5. | :
Book Review
Luca Giordano: Maestro barocco a Firenze
03/2024 | 1452 | 166
Pages: 306–309
related names
Reviewer:
Volpi, Caterina (Volpi, Caterina)
Subjects
artists:
Reviewed Items
subjects:
Luca Giordano: Maestro barocco a Firenze Edited by Riccardo Lattuada, Giuseppe Scavizzi and Valentina Zucchi. 192 pp. incl. 105 col. + b. & w. ills. (Officina Libraria, Rome, 2023), €30. ISBN 978–88–336–7236–6. | :
Illustrations
Attributed works:
1. Installation view of Luca Giordano: Maestro barocco a Firenze at the Palazzo Medici Riccardi, Florence, 2023.
Attributed works:
2. Triumph of the Riccardi, detail of the Apotheosis of the Medici in the Galleria degli Specchi, Palazzo Medici Riccardi, by Luca Giordano. 1682–85. Fresco. (Palazzo Medici Riccardi, Florence).
Attributed works:
3. Apotheosis of the Medici, by Luca Giordano. 1682–85. Oil on canvas, 139 by 65.2 cm. (National Gallery London).
Article
Matteo Giovannetti, the painter and his work: an assessment in the light of recent restorations
01/2024 | 1450 | 166
Pages: 54–61
related names
Author:
Vingtain, Dominique (Vingtain, Dominique)
Subjects
dates:
places:
Illustrations
Attributed works:
2. St Martial, detail of a fresco by Matteo Giovannetti before and after restoration. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; Consortio Arké).
Attributed works:
4. Vault of the chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Venturi).
Attributed works:
5. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Venturi).
Attributed works:
6. Detail of The beheading of John the Baptist, by Matteo Giovannetti. 1355. Fresco. (Chapel of St John, Chartreuse, Villeneuve-lès-Avignon; Bildarchiv Monheim GmbH; Alamy Stock Photo).
Attributed works:
7. Details of the face of St Martial at different stages of his life as depicted in the Papal Palace, Avignon. (© Dominique Vingtain; photographs Domenico Ventura).
Western art unattributed:
1. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Western art unattributed:
3. Ground plan of the Papal Palace, Avignon.
Article
Avignon as 'nova Roma'
01/2024 | 1450 | 166
Pages: 5–15
related names
Author:
Bolgia, Claudia (Bolgia, Claudia)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Chamber of the Stag, Papal Palace, Avignon. 1343. (Photograph Domenico Ventura).
Attributed works:
11. Detail of the Stefaneschi polyptych, showing the Crucifixion of St Peter, by Giotto. c.1320. Tempera on panel. (Pinacoteca Vaticana, Vatican City; Bridgeman Images).
Attributed works:
13. Crucifixion of St Peter, copy of a detail in the lost fresco cycle in the atrium of Old St Peter’s, Rome (Biblioteca Apostolica Vaticana, MS A64ter (Grimaldi Album), fol. 39).
Attributed works:
14. Duke Stephen in Rome, imploring St Peter to absolve his sins, by Matteo Giovannetti. 1344–45. Fresco. (Scene M, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
15. Detail of Fig.14, showing Stephen, Duke of south-west France, receiving absolution from St Peter.
Attributed works:
16. Vault of the chapel of St John, Papal Palace, Avignon, by Matteo Giovannetti. 1346–48. (Photograph Domenico Ventura).
Attributed works:
17. Alpinianus cures the sick by imposing on them the sudarium of St Martial, by Matteo Giovannetti. 1344–45. Fresco. (Scene U, south wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
18. Detail of Fig.17, showing the imposition of the sudarium.
Attributed works:
2. Detail of the ceiling of the Chamber of the Stag, showing the she-wolf with her twins and the hen with her chicks. 1343. (Papal Palace, Avignon; photograph Fabrice Lepeltier).
Attributed works:
4. Section of the Tower of the Pope and Garderobe Tower, Papal Palace, Avignon.
Attributed works:
5. Ground plan of the Papal Palace, Avignon.
Attributed works:
6. Christ ordering St Peter to send St Martial to preach in Gaul and St Peter communicating Christ’s will to Martial and his disciples, by Matteo Giovannetti. 1344–45. Fresco. (Scene D, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
7. Martial receives the staff from St Peter and Resurrection of Austriclianus, by Matteo Giovannetti. 1344–45. Fresco. (Scene C, vault, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Attributed works:
8. Chapel of St Martial, Papal Palace, Avignon, by Matteo Giovannetti. 1344–45. (Photograph Domenico Ventura).
Attributed works:
9. Christ showing to St Martial in a vision the martyrdom of St Peter and St Paul in Rome, by Matteo Giovannetti. 1344–45. Fresco. (Scene P, lunette, west wall, chapel of St Martial, Papal Palace, Avignon; photograph Domenico Ventura).
Western art unattributed:
10. Crucifixion of St Peter. c.1277–80. Fresco. (Sancta Sanctorum, Rome).
Western art unattributed:
12. Rooster. Italian, 9th–12th century. Gilded bronze. (Museo Storico- Artistico del Tesoro di S. Pietro, Vatican City).
Western art unattributed:
3. Stone relief of the she-wolf with her twins, Maria Saal Cathedral. (Wikimedia Commons).
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