subjects:
N. Turner: The Paintings of Guercino: A Revised and Expanded Catalogue Raisonné (Ugo Bozzi Editore, Rome) |
:
Attributed works:
1. David on the battlefield pointing to the head of Goliath, by
Guercino. 1657. Canvas, 200 by 144 cm. (North Holland Regional
Water Board, Heerhugowaard; on loan to Museum Boijmans Van
Beuningen, Rotterdam).
Attributed works:
10. Detail of Fig.12, showing the pattern in Absalom’s breeches.
Attributed works:
11. Detail of Fig.12, showing the central assassin’s hand and sleeve.
Attributed works:
12. Absalom commanding the assassination of Amnon, here attributed
to the studio or a follower of Guercino after a lost work by Guercino of
1628. Canvas, 140 by 176 cm. (Private collection).
Attributed works:
13. Opposite top Joseph and Potiphar’s wife, here attributed to the
studio of Guercino (perhaps Matteo Loves), after a lost work by
Guercino of 1631. Canvas, 121 by 171 cm. (Zanasi Foundation, Modena).
Attributed works:
14. Opposite bottom Joseph and Potiphar’s wife, here attributed
to the studio of Guercino after a lost work by Guercino of 1631.
Canvas, 122.7 by 166.8 cm. (Location unknown; formerly Vittorio
Frascione, Florence).
Attributed works:
15. Above left Detail of Fig.13, showing the face of Potiphar’s wife.
Attributed works:
16. Above right Detail of Fig.14, showing the face of Potiphar’s wife.
Attributed works:
2 and 3. Fragments from All saints in glory, by Guercino. 1613. Canvas,
each 49 by 66 cm. (Location unknown; formerly art market, Paris).
Attributed works:
4. Landscape with a dog running and a man at a well, and Orpheus
and Eurydice, by Guercino. c.1617. Detached fresco frieze. (Pinacoteca
Civica, Cento).
Attributed works:
5. Detail of Fig.4, showing a man at a well.
Attributed works:
6. Detail of Fig.4, showing Orpheus and Eurydice.
Attributed works:
7. Absalom commanding the assassination of Amnon, here attributed
to the studio of Guercino after a lost work by Guercino of 1628.
Canvas, 140 by 175 cm. (Pinacoteca Nazionale, Bologna; on loan to
Palazzo della Prefettura, Bologna).
Attributed works:
8. Detail of Fig.7, showing the pattern in Absalom’s breeches.
Attributed works:
9. Detail of Fig.7, showing the central assassin’s hand and sleeve.
