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109 articles
Article
Painting on stone in Rome in the sixteenth century
07/2023 | 1444 | 165
Pages: 738–753
related names
Author:
Donati, Andrea Gianluca (Donati, Andrea Gianluca)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Clement VII, by Sebastiano del Piombo. c.1530–34. Oil on slate, 105.4 by 87.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Design for the retablo of the Descalzas Reales, Madrid, by Gaspar Becerra. 1563. Brown ink, chalk and wash on paper, 87 by 50.5 cm. (Biblioteca Nacional, Madrid).
Attributed works:
11. Lucrezia, by Leonardo Grazia. c.1540–48. Oil on slate, 55 by 43 cm. (Galleria Borghese, Rome).
Attributed works:
12. Portrait of a young man (of the Orsini family?), by Daniele da Volterra. c.1545–50. Oil on slate, 54.5 by 40.5 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
13. Conversion of St Paul, by Taddeo Zuccaro. 1566. Oil on slate. (Cappella Frangipane, S. Marcello al Corso, Rome).
Attributed works:
14. Martyrdom of St Catherine of Alexandria, by Girolamo Siciolante da Sermoneta. 1565–66. Oil on slate, 305 by 188 cm. (Cappella Cesi, S. Maria Maggiore, Rome).
Attributed works:
15. Christ on the Mount of the Olives, by Marcello Venusti. After 1550. Oil on slate, 57 by 75 cm. (Gemäldegalerie, Berlin).
Attributed works:
16. St James the Elder, by Marcello Venusti. 1569–70. Oil on slate, 230 by 160 cm. (Cappella Salviati, Arciconfraternitata SS. Annunziata, S. Maria sopra Minerva, Rome).
Attributed works:
17. St Catherine of Alexandria, by Marcello Venusti. After 1566. Oil on slate, 164 by 82 cm. (Cappella Mutini, S. Agostino, Rome).
Attributed works:
18. Cardinal Alessandro Crivelli, by Marcello Venusti. c.1570–74. Oil on oval slate, height 46 cm. (S. Maria in Aracoeli, Rome).
Attributed works:
19. Cappella De Torres, S. Caterina de’ Funari, Rome. (Photograph Paolo Coen).
Attributed works:
2. Deposition, by Luca Penni. After 1542. Oil on slate, 73 by 153 cm. (Auxerre Cathedral).
Attributed works:
20. St John the Baptist, by Marcello Venusti. c.1575. Oil on slate, 260 by 165 cm. (Cappella De Torres, S. Caterina de’ Funari, Rome).
Attributed works:
21. Madonna in glory with the infant Christ, St Peter and St Paul, by Marcello Venusti. 1577. Oil on slate, 243 by 144 cm. (Chapel of Palazzo Senatorio, Rome).
Attributed works:
3. Nativity, by Francesco Salviati. c.1550. Oil on peperino, 176 by 172 cm. (Chapel of the Pallium, Palazzo della Cancellaria, Rome).
Attributed works:
4. Portrait of Roberto Strozzi, by Francesco Salviati. c.1556–57. Oil on Africano marble, diameter 13 cm. (Private collection).
Attributed works:
5. Portrait of a man with a gold coin, by Francesco Salviati. c.1556–57. Oil on slate, 82 by 53.5 cm. (Private collection).
Attributed works:
6. David and Goliath (obverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
7. David and Goliath (reverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
8. David and Goliath, possibly by Daniele da Volterra. After 1556. Oil on slate, 33.3 by 43.7 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
9. Baptism of Christ, by Daniele da Volterra and Michele Alberti. c.1556–74. Oil on slate, 360 by 230 cm. (Cardinal Ricci chapel, S. Pietro in Montorio, Rome).
Article
The fate of Chinese history painting in an age of ideology
10/2021 | 1423 | 163
Pages: 908-915
related names
Author:
Yiqiang Cao (Yiqiang Cao)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Settling accounts, by Mo Pu. 1948. Oil on canvas, 90 by 116 cm. (National Art Museum of China, Beijing).
Attributed works:
10. Five heroes of Mount Langya, by Zhan Jianjun. 1959. Oil on canvas, 186 by 236 cm. (National Museum of China, Beijing).
Attributed works:
2. The founding of the nation, by Jin Shangyi and Zhao Yu after Dong Xiwen. 1972. Oil on canvas, 230 by 405 cm. (National Museum of China, Beijing).
Attributed works:
3. Tunnel warfare, by Luo Gongliu. 1951. Oil on canvas, 148 by 178 cm. (National Museum of China, Beijing).
Attributed works:
4. Fighting in Northern Shaanxi, by Shi Lu. 1959. Ink and brush on paper, 233 by 216 cm. (National Museum of China, Beijing).
Attributed works:
5. Eight women soldiers drowning themselves in the Yangtze River, by Wang Shenglie. 1957. Ink and brush on paper, 145 by 392 cm. (Military Museum of the Chinese People’s Revolution, Beijing).
Attributed works:
6. Death before surrender, by Quan Shanshi. 1961. Oil on canvas, 233 by 217 cm. (National Museum of China, Beijing).
Attributed works:
7. Bloody clothes, by Wang Shikuo. 1959. Charcoal on canvas, 192 by 345 cm. (National Museum of China, Beijing).
Attributed works:
8. Very good!, by Zhan Jianjun. 1975. Oil on canvas, 190 by 320 cm. (National Museum of China, Beijing).
Attributed works:
9. An Uzbek, by Quan Shanshi. 1957. Oil on canvas, 115 by 94 cm. (Private collection).
Article
Adam Elsheimer’s ‘The martyrdom of St Lawrence’ rediscovered
02/2021 | 1415 | 163
Pages: 108-118
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
dates:
Illustrations
Attributed works:
1. The martyrdom of St Lawrence, by Adam Elsheimer. c.1599. Oil on copper, 31.5 by 24 cm. (Private collection).
Attributed works:
10. Jacob’s dream, by Adam Elsheimer. c.1598–99. Oil on copper, 19.5 by 26.1 cm. (Städel Museum, Frankfurt).
Attributed works:
10. Jacob’s dream, by Adam Elsheimer. c.1598–99. Oil on copper, 19.5 by 26.1 cm. (Städel Museum, Frankfurt).
Attributed works:
11. The conversion of Saul, by Adam Elsheimer. c.1598–99. Oil on copper, 19.7 by 25.1 cm. (Städel Museum, Frankfurt).
Attributed works:
12. The Flood, by Adam Elsheimer. c.1599. Oil on copper, 26.5 by 34.8 cm. (Städel Museum, Frankfurt).
Attributed works:
13 and 14. Details of Figs.1 and 9, showing foliage. 15 and 16. Details of Figs.11 and 10, showing foliage. 17. Detail of Fig.1, showing a man’s head lit by embers. 18 and 19. Details from Fig.1, showing figures in the background.
Attributed works:
2. The martyrdom of St Lawrence, by Titian. c.1548–57. Oil on canvas, transferred from panel, 493 by 277 cm. (S. Maria Assunta dei Gesuiti, Venice).
Attributed works:
20. Detail of Fig.2, showing figures on the stairs in the background.
Attributed works:
21. Detail of The exaltation of the Cross, by Adam Elsheimer, showing figures in the clouds. c.1603–05. Oil on copper, 48.5 by 35 cm. (Städel Museum, Frankfurt).
Attributed works:
22. Detail of Fig.1, showing marks in the underpaint, probably from the heel of the artist’s hand.
Attributed works:
23. Detail of Fig.1, showing the reserve at the top of the painting.
Attributed works:
24. Detail of Fig.11, showing the light breaking through clouds.
Attributed works:
25. The witch, by Adam Elsheimer, after Albrecht Dürer. c.1596–97. Oil on copper, 13.6 by 9.9 cm. (Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021).
Attributed works:
26. The witch, by Albrecht Dürer. c.1500. Engraving, 11.6 by 7.2 cm. (British Museum, London).
Attributed works:
3. The martyrdom of St Lawrence, by Cornelis Cort, after Titian. 1571. Engraving, 48.5 by 34 cm. (British Museum, London).
Attributed works:
4. Detail of Fig.1, showing pentimenti around the figure of St Lawrence.
Attributed works:
5. Detail of Fig.1, showing the boy with a dog.
Attributed works:
6. Detail of Heraclius carrying the Cross, by Adam Elsheimer, showing a mother with her children. c.1603–05. Oil on copper, 22.6 by 15 cm. (Städel Museum, Frankfurt).
Attributed works:
7. The baptism of Christ, by Adam Elsheimer. c.1599. Oil on copper, 28.1 by 21 cm. (National Gallery, London).
Attributed works:
8. St Lawrence prepared for martyrdom, by Adam Elsheimer. c.1600–01. Oil on copper, 26.7 by 20.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
9. St Christopher, by Adam Elsheimer. c.1599. Oil on copper, 22.5 by 17.5 cm. (State Hermitage Museum, St Petersburg).
Exhibition Review
Hopper and the American Hotel
07/2020 | 1408 | 162
Pages: 614-617
related names
Reviewer:
Standring, Timothy J. (Standring, Timothy J.; Standring, T. J.)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Hopper and the American Hotel Indianapolis Museum of Art at Newfields 18th July–25th October | :
Illustrations
Attributed works:
16. Hotel room, by Edward Hopper. 1931. Oil on canvas, 152.4 by 165.7 cm. (Museo Thyssen- Bornemisza, Madrid; exh. Virginia Museum of Fine Arts, Richmond).
Attributed works:
17. Hotel lobby, by Edward Hopper. 1943. Oil on canvas, 81.9 by 103.5 cm. (Indianapolis Museum of Art; exh. Virginia Museum of Fine Arts, Richmond).
Attributed works:
18. Study for Hotel lobby, by Edward Hopper. 1942. Fabricated chalk and charcoal on paper, 38.3 by 56.2 cm. (Whitney Museum of American Art; exh. Virginia Museum of Fine Arts, Richmond).
Exhibition Review
Van Eyck: An Optical Revolution. Museum voor Schone Kunsten, Ghent
04/2020 | 1405 | 162
Pages: 328-332
related names
Reviewer:
Campbell, Lorne (Campbell, Lorne; C., L.)
Subjects
dates:
museums and institutions:
Reviewed Items
works:
Van Eyck: An Optical Revolution Museum voor Schone Kunsten, Ghent 1st February–30th April | :
Illustrations
Attributed works:
1. Adam, from the Ghent Altarpiece. 1432. Oil on panel, 212.9 by 37.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent;   Lukasweb.be-Art in Flanders vzw; photograph Dominique Provost).
Attributed works:
2. Portrait of a man (‘Leal Souvenir’), by Jan van Eyck (after cleaning). 1432. Oil on panel, 33.3 by 18.9 cm. (National Gallery, London; exh. Museum voor Schone Kunsten, Ghent).
Attributed works:
3. Cumaean Sibyl, detail from one of the exterior panels of the Ghent Altarpiece, by Hubert and Jan van Eyck. 1432. Oil on panel, 213.5 by 36.1 cm. (St Bavo’s Cathedral, Ghent; exh. Museum voor Schone Kunsten, Ghent;   Lukasweb.be- Art in Flanders vzw; photograph Dominique Provost).
Western art unattributed:
4. Isabella of Portugal, copy after Jan van Eyck. 17th century. Pen and brush, ink and wash on paper, 34.5 by 30.4 cm. (Arquivo Nacional da Torre do Tombo, Lisbon; exh. Museum voor Schone Kunsten, Ghent).
Exhibition Review
Natalia Goncharova. Tate Modern, London
09/2019 | 1398 | 161
Pages: 765-769
related names
Reviewer:
Milner, John (Milner, John)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
17. Peasants picking apples, by Natalia Goncharova. 1911. Oil on canvas, 104.5 by 98 cm. (State Tretyakov Gallery, Moscow; exh. Tate Modern, London).
Attributed works:
18. Theatre costume for ‘Sadko’, by Natalia Goncharova. 1916. 185 by 85 by 65 cm. (Victoria and Albert Museum, London; exh. Tate Modern, London).
Attributed works:
19. Installation photograph of Natalia Goncharova at Tate Modern, London, 2019, showing Harvest (1911). (Photograph Matt Greenwood; Tate Modern, London).
Attributed works:
20. Linen, by Natalia Goncharova. 1913. Oil on canvas, 95.6 by 83.8 cm. (Tate Modern, London).
Exhibition Review
Works by Jordaens in Russia Pushkin State Museum of Fine Arts, Moscow
09/2019 | 1398 | 161
Pages: 759-762
related names
Reviewer:
Phillips, Catherine (Phillips, Catherine)
Subjects
artists:
dates:
Illustrations
Attributed works:
11. Meleager and Atalanta, by Jacob Jordaens. 1617–18. Canvas, 156.5 by 123 cm. (Museum of Fine Arts, Ekaterinburg; exh. Pushkin State Museum of Fine Arts, Moscow).
Attributed works:
12. ‘Diliget’ (allegory of the choice between Virtue and Vice), by Jacob Jordaens. c.1645. Black and red chalk, pen and brown ink, brown wash, 29 by 18 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. Bean king (the king drinks), by Jacob Jordaens. c.1638. Oil on canvas, 160 by 213 cm. (State Hermitage Museum, St Petersburg; Bridgeman Images).
Book Review
Eve’s Apple to the Last Supper: Picturing Food in the Bible by C.M. Kauffmann
07/2019 | 1396 | 161
Pages: 605-606
related names
Reviewer:
Law-Turner, Frederica C.E. (Law-Turner, Frederica C.E.)
Subjects
Reviewed Items
subjects:
Eve’s Apple to the Last Supper: Picturing Food in the Bible by C.M. Kauffmann. 184 pp. incl. 157 col. + 2 b. & w. ills. (Boydell & Brewer, Rochester, 2017), | :
Article
François Gérard’s portraits of Alexandrine Émilie Brongniart
06/2019 | 1395 | 161
Pages: 482-487
related names
Author:
Galitz, Kathryn Calley (Galitz, Kathryn Calley)
Subjects
dates:
Illustrations
Attributed works:
1. Alexandrine Émilie Brongniart, by François Gérard. 1795. Panel, 86.8 by 55.5 cm. (Private collection; photograph Julien Pepy).
Attributed works:
2. Detail of Fig.1, showing Gérard’s adjustment to a lock of hair on the sitter’s forehead. (Photograph Alice Panhard).
Attributed works:
3. Alexandrine Émilie Brongniart, by François Gérard. 1795. Canvas, 49.53 by 38.1 cm. (Yale University Art Gallery, New Haven CT).
Attributed works:
4. Alexandrine Émilie Brongniart, by Adolphe-Gustave Huot, after François Gérard. 1882. Engraving, 30 by 19.2 cm (image). (Cabinet des Estampes, Bibliothèque nationale de France, Paris).
Attributed works:
5. Mademoiselle Caroline Rivière, by Jean-Auguste-Dominique Ingres. 1806. Canvas, 100 by 70 cm. (Musée du Louvre, Paris).
Attributed works:
6. Cupid and Psyche, by François Gérard. 1798. Canvas, 186 by 132 cm. (Musée du Louvre, Paris).
Attributed works:
7. Alexandrine Émilie Brongniart, by Jean-Auguste-Dominique Ingres, after François Gérard. c. 1795. Pencil on paper, 8.2 by 5.9 cm. (Musée Ingres, Montauban).
Exhibition Review
Bermejo: The 15th-century Rebel Genius
04/2019 | 1393 | 161
Pages: 324-326
related names
Reviewer:
Jennings, Nicola (Jennings, Nicola)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
5. St Michael triumphant over the Devil with the donor Antoni Joan, by Bartolomé Bermejo. 1468. Panel, 179.7 by 81.9 cm. (National Gallery, London; exh. Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
6. Triptych of the Virgin of Monterrat, by Bartolomé Bermejo. Panel, 156.5 by 100.5 (central panel); 156.5 by 50.2 (side panels). (Cattedrale Nostra Signora Assunta, Acqui Terme; exh. Museu Nacional d’Art de Catalunya, Barcelona).
Attributed works:
7. Desplà Pietà, by Bartolomé Bermejo. Panel, 175 by 189 cm. (Museo de la Catedral, Barcelona; exh. Museu Nacional d’Art de Catalunya, Barcelona).
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